Giovanni Bellini: L'eterna giovinezza della pittura

2020

2010

L'appennino camerte, 2004

New archive documents on the painter Giovanni Angelo d'Antonio da Bolognola, or da Camerino, and his family from the 1440s.

2014

Esiste una "maturazione", conseguente alla saggezza derivante dall'età, nelle opere di due dei più grandi artisti di tutti i tempi? Questo breve lavoro prende in considerazione alcune opere per valutare se e in che modo la "saggezza" dell'età si rifletta nelle opere stesse.

Una breve storia dell'idea di eterna giovinezza scritta come prefazione all'edizione italiana del libro di Aubrey De Grey e Michael Rae: "La fine dell'invecchiamento. Come la scienza potrà esaudire il sogno dell'eterna giovinezza" (D Editore, Roma 2016).

Lucia Panetti, 2018

The career of Palazzino Fedeli, an artist active in the Marche sin the 17th century, as an assistant of Filippo Bellini, has yet to be reconstructed. He had a hand in three major works by his master.In 1598, in the oratory of the Carità, in Fabriano, he executed the subject of Charity in the ceiling (destroyed in the 18th century) and an accompanying fresco decoration. In the cathedral of Macerata, in 1603, he completed the work begun by there cently deceased Bellini in the chapel of the Holy Sacrament, while the same year at Monte San Vito, he completed the painting of the Madonna del Soccorso, also left unfinished by his master. In these last two commissions we find new developments in17th-century naturalism, which have now been attributed to Fedeli. The stylistic feature shigh lighted by the analys is and a comparison with the Macerata works suggest that we can also attribute to Palazzino Fedeli part of the episodes of the Sistine fresco cycle in them inorcloister oft he convent of San Domenico in Fabriano, dated 1598.