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Aila Pullinen. 2015. Mangghuer Embroidery: A Vanishing Tradition IN Gerald Roche and CK Stuart (eds) Asian Highlands Perspectives 36: Mapping the Monguor, 189-238, 301-332. ABSTRACT Visits were undertaken in the years 2001 and 2002 to... more
It is a paper published in the proceedings of 2015 International Conference on the Kizil Cave Paintings at China Academy of Art, Hangzhou. This paper handles with different repertoires of the textile patterns, which are specifically... more
This paper is about an analysis of whom will be the next Global Power country. The content is explaining about the differences of hard and soft power of the United States and China. At the end, there will be an analysis of who will be the... more
First volume of the new series, Inner and Central Asian Art and Archaeology: How Objects Tell Stories. Essays in Honor of Emma C. Bunker, eds. Katheryn M. Linduff and Karen S. Rubinson Series edited by Judith A. Lerner and Annette... more
The collecting of art and artefacts from East Asia has been in vogue in the Western world for hundreds of years with the forced opening of China, Japan and Korea from the mid-19 th century onwards, creating a market boom that resulted in... more
Since the Arab-Islamic conquest of Eastern Iran, the lands beyond the Oxus became the main suppliers of both the manpower and the money of the early Islamic empire. Slaves, porcelain, silk, textile, paper all came through theTransoxianan... more
Sophia G. Vashalomidze (Halle/ Saale) beleuchtet in ihrem Artikel „Georgien, kulturelle Schwelle zwischen Asien und Europa am Beispiel der Barlaam-Legende“ die Verbreitung derselben und die diesbezügliche Vermittlerrolle Georgiens. Die... more
< p >< p >Having Neishabur on one of the Silk Road highways established the connection of this area with other cultures. As Neishabour''''''''''''''''s artistic products, on the one hand (in terms of technical aspect), were influenced by... more