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AM '18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion
ACM2018 Proceeding
Publisher:
  • Association for Computing Machinery
  • New York
  • NY
  • United States
Conference:
AM'18: Sound in Immersion and Emotion Wrexham United Kingdom September 12 - 14, 2018
ISBN:
978-1-4503-6609-0
Published:
12 September 2018

Reflects downloads up to 16 Feb 2025Bibliometrics
WORKSHOP SESSION: Workshop 1: The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces
tutorial
The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces
Article No.: 39, Pages 1–2https://doi.org/10.1145/3243274.3243314

This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span ...

tutorial
Re-Thinking Immersive Technologies for Audiences of the Future
Article No.: 40, Pages 1–3https://doi.org/10.1145/3243274.3275379

This note introduces the notion of immersive technologies, accompanies a presentation and by starting to think about the nature of such systems we develop a position that questions existing preconceptions of immersive technologies. In order to ...

tutorial
Lovelace's Legacy: Creative Algorithmic Interventions for Live Performance
Article No.: 41, Pages 1–5https://doi.org/10.1145/3243274.3275380

We describe a series of informal exercises in which we have put algorithms in the hands of human performers in order to encourage a human creative response to mathematical and algorithmic input. These 'interventions' include a web-based app, experiments ...

tutorial
An AI-Based Design Framework to Support Musicians' Practices
Article No.: 42, Pages 1–5https://doi.org/10.1145/3243274.3275381

The practice of working musicians extends beyond the act of performing musical works at a concert. Rather, a significant degree of individual and collaborative preparation is necessitated prior to the moment of presentation to an audience. Increasingly, ...

Contributors
  • University of Chester
  • Wrexham Glyndwr University
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Acceptance Rates

Overall Acceptance Rate 177 of 275 submissions, 64%
YearSubmittedAcceptedRate
AM '20472962%
AM '19492551%
AM '17775470%
AM '16534075%
AM '14492959%
Overall27517764%