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AM '18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion
ACM2018 Proceeding
Publisher:
  • Association for Computing Machinery
  • New York
  • NY
  • United States
Conference:
AM'18: Sound in Immersion and Emotion Wrexham United Kingdom September 12 - 14, 2018
ISBN:
978-1-4503-6609-0
Published:
12 September 2018

Reflects downloads up to 16 Feb 2025Bibliometrics
POSTER SESSION: Poster Papers
poster
Activating Archives: Combining Elements of Japanese Culture to Create a New and Playful Musical Experience
Article No.: 31, Pages 1–4https://doi.org/10.1145/3243274.3243295

This paper will discuss the 'Activating Archives' project, a community based project that focusses on the design and production of novel methods of musical playback intended to expose members of the general public to rare and traditional instruments ...

poster
Surfing with Sound: An Ethnography of the Art of No-Input Mixing: Starting to Understand Risk, Control and Feedback in Musical Performance
Article No.: 32, Pages 1–5https://doi.org/10.1145/3243274.3243289

The idea of No-Input Mixing may appear at first difficult to understand, after all there is no input, yet artists, performers and sound designers have used a variety of approaches using such feedback systems to create music. This paper uses ethnographic ...

poster
Collaborative Artificial Intelligence in Music Production
Article No.: 33, Pages 1–4https://doi.org/10.1145/3243274.3243311

The use of technology has revolutionized the process of music composition, recording, and production in the last 30 years. One fusion of technology and music that has been longstanding is the use of artificial intelligence in the process of music ...

poster
Subjective Evaluation of a Speech Emotion Recognition Interaction Framework
Article No.: 34, Pages 1–7https://doi.org/10.1145/3243274.3243294

In the current work, a conducted subjective evaluation of three basic components of a framework for applied Speech Emotion Recognition (SER) for theatrical performance and social media communication and interaction is presented. The multidisciplinary ...

poster
Real time Pattern Based Melodic Query for Music Continuation System
Article No.: 35, Pages 1–5https://doi.org/10.1145/3243274.3243283

This paper presents a music continuation system using pattern matching to find patterns within a library of MIDI files using a realtime algorithm to build a system which can be used as interactive DJ system. This paper also looks at the influence of ...

poster
A Method for Virtual Acoustic Auralisation in VR
Article No.: 36, Pages 1–3https://doi.org/10.1145/3243274.3243304

In today's industry, the use of prediction software in architectural acoustics is universal. Programs such as Odeon, CATT and CadnaA have become an integral part of the design process. These programs combine general acoustic theory with CAD modelling ...

poster
High-Level Analysis of Audio Features for Identifying Emotional Valence in Human Singing
Article No.: 37, Pages 1–4https://doi.org/10.1145/3243274.3243313

Emotional analysis continues to be a topic that receives much attention in the audio and music community. The potential to link together human affective state and the emotional content or intention of musical audio has a variety of application areas in ...

poster
Immersive VisualAudioDesign: Spectral Editing in VR
Article No.: 38, Pages 1–4https://doi.org/10.1145/3243274.3243279

VisualAudioDesign (VAD) is an attempt to design audio in a visual way. The frequency-domain visualized as a spectrogram construed as pixel data can be manipulated with image filters. Thereby, an approach is described to get away from direct DSP ...

Contributors
  • University of Chester
  • Wrexham Glyndwr University
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Acceptance Rates

Overall Acceptance Rate 177 of 275 submissions, 64%
YearSubmittedAcceptedRate
AM '20472962%
AM '19492551%
AM '17775470%
AM '16534075%
AM '14492959%
Overall27517764%