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Showing posts with label Daniel Day-Lewis. Show all posts
Showing posts with label Daniel Day-Lewis. Show all posts

Monday, February 25, 2013

2013 OSCARS: The Winners




I only correctly predicted 5 of the Top 8 and 14 of 24, one of my lowest totals in years.

Best motion picture
  • Argo, Grant Heslov, Ben Affleck and George Clooney, Producers
Achievement in directing
  • Life of Pi, Ang Lee
Performance by an actor in a leading role
  • Daniel Day-Lewis in Lincoln
Performance by an actress in a leading role
  • Jennifer Lawrence in Silver Linings Playbook
Performance by an actor in a supporting role
  • Christoph Waltz, Django Unchained
Performance by an actress in a supporting role
  • Anne Hathaway, in Les Misérables
Best animated feature film of the year
  • Brave, Mark Andrews and Brenda Chapman
Best foreign language film of the year
  • Amour, Austria
Adapted screenplay
  • Argo, Screenplay by Chris Terrio
Original screenplay
  • Django Unchained, Written by Quentin Tarantino
Achievement in cinematography
  • Life of Pi, Claudio Miranda
Achievement in film editing
  • Argo, William Goldenberg
Achievement in music written for motion pictures (Original score)
  • Life of Pi, Mychael Danna
Achievement in costume design
  • Anna Karenina, Jacqueline Durran
Best documentary feature
  • Searching for Sugar Man, Malik Benjelloul, Simon Chinn
Best documentary short subject
  • Inocente, Sean Fine and Andrea Nix Fine
Achievement in makeup and hairstyling
  • Les Misérables, Lisa Westcott and Julie Dartnell
Achievement in music written for motion pictures (Original song)
  • Skyfall from Skyfall, Music and Lyric by Adele Adkins and Paul Epworth
Achievement in production design
  • Lincoln, Production Design: Rick Carter; Set Decoration: Jim Erickson
Best animated short film
  • Paperman, John Kahrs
Best live action short film
  • Curfew, Shawn Christensen
Achievement in sound editing (tie!)
  • Skyfall, Per Hallberg and Karen Baker Landers
  • Zero Dark Thirty, Paul N.J. Ottosson
Achievement in sound mixing
  • Les Misérables, Andy Nelson, Mark Paterson and Simon Hayes
Achievement in visual effects
  • Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott

Sunday, February 24, 2013

2013 OSCARS: Predictions, Mine and Nate Silver's







Sunday is the day of the Gay Super Bowl, i.e. the 85th Annual Academy Awards ceremony. I have previously made my predictions for this year's winners of the Top 8 categories, like I have done every year since 2007:

In 2011, I predicted 15 of 24 correctly (7 of the Top 8).
In 2010, I predicted 17 of 24 correctly (7 of the Top 8).
In 2009, I predicted 20 of 24 correctly (8 of the Top 8).
In 2008, I predicted 8 of the Top 8 categories correctly.
In 2007, I predicted 7 of the Top 8 categories correctly.

Here are my predictions for all 24 categories (with 2nd choices) for the 2013 Oscars:
Best Picture: Argo (2nd: Lincoln) 
Director: Steven Spielberg (2nd: David O. Russell) 
Original Screenplay: Django Unchained (2nd: Amour) 
Adapted Screenplay: Lincoln (2nd: Argo) 
Actor: Daniel Day-Lewis  (2nd: Bradley Cooper ) 
Actress: Jennifer Lawrence (2nd: Jessica Chastain) 
Supporting Actress: Anne Hathaway (2nd: Amy Adams) 
Supporting Actor: Robert De Niro (2nd: Tommy Lee Jones) 
Editing: Argo (2nd: Zero Dark Thirty) 
Production Design: Anna Karenina (2nd: Life of Pi) 
Sound Mixing: Les Miserables (2nd: Life of Pi) 
Sound Editing: Life of Pi (2nd: Django Unchained) 
Cinematography: Life of Pi (2nd: Skyfall) 
Costume Design: Anna Karenina (2nd: Lincoln) 
Documentary: Searching for Sugarman  (2nd: How To Survive A Plague) 
Foreign Language: Amour (2nd: A Royal Affair) 
Animated Film: Frankenweenie (2nd: Brave) 
Makeup: The HobbitScore: Lincoln (2nd: Life of Pi) 
Song: "Skyfall" (from Skyfall) (2nd: "Pi's Lullaby") 
Visual Effects: Life of Pi (2nd: Prometheus) 
Animated Short: Maggie Simpson in The Longest Daycare (2nd: Paperman) 
Live Action Short: Buzkashi Boys (2nd: Asad)  
Documentary Short: Inocente (2nd: Redemption)

Predictions Guru Nate Silver has gotten into the game, somewhat, by predicting the Top 6 categories. His choices are Argo, Spielberg, Lawrence, Day-Lewis, Hathaway, Jones.

I generally agree with him on his predictions, but the hardest category to pick is Best Supporting Actor this year (usually the first acting award given out of the night) and I think De Niro is going to pull a surprise win. And really there are 8 top categories so it is a bit of a cop-out to not do the screenplay categories. The adapted screenplay category is particularly tough this year, basically a coin flip between Argo and Lincoln while Original Screenplay is basically anyone's game (except Beasts of the Southern Wild--they have zero chance of winning any Oscars).

We'll know within several hours how well I did this year. I suspect my results in the Top 8 will not be as high as I am accustomed.

Monday, January 14, 2013

2013 OSCARS: Golden Globe Winners


The Golden Globe awards, often an important (although not very predictive) precursor to the Academy Awards, were presented in Los Angeles on Sunday evening. The winners are:
Best Picture: Argo
Best Director: Ben Affleck, Argo
Best Actress: Jessica Chastain, Zero Dark Thirty
Best Actor: Daniel Day-Lewis, Lincoln
Best Picture, Musical/Comedy: Les Miserables
Best Foreign Language Film: Amour
Best Actress Comedy: Jennifer Lawrence, Silver Linings Playbook
Best Actor Musical: Hugh Jackman, Les Miserables
Best Supporting Actress: Anne Hathaway, Les Miserables
Best Supporting Actor: Christoph Waltz, Django Unchained
Best Screenplay: Quentin Tarantino, Django Unchained
Best Original Score: Mychael Danna, Life of Pi
Best Song: Adele, Skyfall
Best Animated Feature: Brave
There were also television awards given out and Homeland continued its domination of the awards for its stellar first season by winning Best Actor, Actress and Best Drama (the same awards it won at the Emmys 4 months ago).

Jodie Foster, 50, was given a prestigious career award and revealed an important secret: she's single! (She also very explicitly came out as a lesbian, acknowledging the existence of her ex-life partner Sidney (who, oddly was not shown on television although the two boys they raised together were).

Thursday, December 06, 2012

FILM REVIEW: Lincoln



The other half and I finally saw Steven Spielberg’s Lincoln over the Thanksgiving weekend, at our usual spot at the Edwards Renaissance 14 theaters in Alhambra. The film has an eye-caching pedigree with the involvement of high-profile talent such as Spielberg himself, of course, along with screenwriter Tony Kushner (openly gay playwright of the Pulitzer-prize winning Angels in America). The cast includes 2-time Oscar winners Daniel Day-Lewis and Sally Field as Abraham Lincoln and his wife Mary Todd Lincoln; fellow Oscar winner Tommy Lee Jones as the celebrated anti-slavery activist Congressman Thaddeus Stevens (R-PA); Joseph Gordon-Levitt (from Looper and The Dark Knight Rises) as the Lincoln’s eldest son, David Strathairn as Secretary of State William Seward and Gloria Reuben (television's E.R.) as free Black woman who works in the White House. The story of the film is adapted from material in the Pulitzer-prize winning Team of Rivals by Doris Kearns Goodwin; the book is about Lincoln’s cabinet which famously contained many of the same men who he defeated for the Presidency in 1860.

The movie based on the book is focused on a very short 3-month window of Lincoln’s life in 1865, a period when three historic events of significant national import happened: the 13th Amendment to the United States Constitution discharged from Congress and sent to the States for ratification, the Civil War (“War of Northern Aggression” or “War Between the States”) came to an end, and President Abraham Lincoln was shot and killed by a Confederate assassin.

The vast majority of the film’s duration is spent depicting the events around the first of these events. In fact, some people have really said the movie should be called The 13th Amendment instead of Lincoln. The 13th Amendment abolished slavery in the United States and thus insured that the Confederate way of life that included profiting from the involuntary servitude and dehumanization of millions of people would cease to exist once the Civil War came to an end. As someone whose skin color would mark me as a slave if I had been born in 1818 instead of 1968, I appreciate the significance of the 13th Amendment and am pleased that Hollywood found this topic a subject for a major motion picture released (deliberately) in the heart of the year-end gauntlet known as Oscar season. As a dilettante of American history, I am somewhat chagrined that almost no mention of the 14th Amendment is made, although its penumbra can be seen in one of the critical moments of high drama in the film. If you know the historical context or understand the legal implications of the crucial debate between the main proponent and opponent of the anti-slavery measure on the floor of the U.S. House of Representatives right before the vote, the rhetorical decision made (to accept formal equality between the races versus actual or social equality) has a particularly piquant resonance.

That being said, although Lincoln works as a educational history lesson about important topics that all Americans should know it doesn’t really work as a movie, i.e. filmed entertainment. Day-Lewis is astonishing as Lincoln, he completely embodies the part and almost eerily looks like history come to life. However, at its core Lincoln is about politics and the men who practice it. The passage of the 13th Amendment clearly would not have happened without Lincoln’s insistence, cajoling and persuasion. But the film also shows that the end of slavery in the United States was also accomplished through appeals to sheer greed, political cowardice and blatant bribery. I believe this unsanitized view of history is a good thing, but I’m sure there are others who will object that it tarnishes the legacy of the person who by universal acclaim is one of the Top 3 Presidents of all time.  

Lincoln demonstrates how presidents can use their powers to do good and that perhaps in politics the ends do justify the means. (It is particularly interesting to view Lincoln in the context of our current political partisan moment since back then the Republicans were the party fighting for the rights of the minority and the Democrats were the party staunchly committed to maintaining the saliency of white privilege—oh how things can change in a century!)

Going to see Lincoln is something that you should go do, and you will be edified for doing so. I’m just not so sure how many people when they are making their weekend’s entertainment plans think to themselves “I think I want to do something edifying this weekend!”

TitleLincoln.
Director: Steven Spielberg.
Running Time: 2 hours, 29 minutes.
MPAA Rating: Rated PG-13 for an intense scene of war violence, some images of carnage and brief strong language.
Release Date: November 16, 2012.
Viewing Date: November 24, 2012.

Writing: A.
Acting: A.
Visuals: A-.
Impact: B+.

Overall Grade: A/A- (3.75/4.0).

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