Editor

The 2015 publication of Harper Lee’s Go Set a Watchman (2015) raised questions and concerns when it was read in the context of the author’s first novel, To Kill a Mockingbird (1960), a text with strong, direct statements related to civil rights and social injustice. This thesis examines textual similarities and differences between Watchman and Mockingbird, suggesting the likely influence of editor Thèrése “Tay” von Hohoff in Mockingbird’s published version. Additionally, the thesis examines Hohoff’s 1959 biography, A Ministry to Man: The Life of John Lovejoy Elliott, as a plausible inspiration for Lee’s Mockingbird hero, Atticus Finch. Containing corroboration from available correspondence, biographical information, interviews, and historical records, this thesis documents Hohoff’s editorial influence on Lee as the two worked together to create a lasting contribution to American literary history and culture.

Türkçe kaynak sorununa çözüm olabilmesi için yapmış olduğum çalışmalar sonunda ilk meyvesini verdi. Her kısmı özelleştirilebilir olan Atom Editörünü kullanmanızı tavsiye ederim. Kitabımda her açıdan incelediğim Atom Editörü konusunda birçok bilgi bulabileceksiniz.

Atom.io birçok programlama dili için kullanılabilecek olan açık kaynak kodlu ve hızlı bir programlama editörüdür. Tamamen ücretsiz olarak kullanılan bu programlama editörü kolay kod yazmak için Javascript, CSS ve Node.js programlama dilleri ile üretilmiş olan bir masaüstü programı olarak bizlere sunulmuştur. Adını son zamanlarda daha çok duyduğumuz bu programlama editörü birçok paket sayesinde özelleştirilebilmektedir.

¿Qué es la carta del editor o la carta editorial o editorial de una revista científica o académica? Es la presentación de la revista, es la bienvenida del editor al lector, es una invitación a entrar en el pequeño y nuevo territorio informativo que contienen las páginas de la revista cada vez que se publica.

Prostate cancer presents a global public health dilemma. While screening with prostate specific antigen (PSA) has led to more men diagnosed with prostate cancer than in previous years, the potential for negative effects from over-diagnosis and treatment cannot be ignored. We reviewed Medline for recent articles that discuss clinical trials, evidence based recommendations and guidelines from major medical organizations in the United States and worldwide concerning prostate cancer screening. Results from the European Randomized Screening for Prostate Cancer (ERSPC), the Prostate, Lung, Colorectal, and Ovarian (PLCO) Cancer Screening Trial, and Göteborg Swedish trials regarding prostate screening are controversial with the ERSPC and Göteborg showing a reduction in prostate cancer mortality and the PLCO trial showing no benefit. Recommendations from the American Urological Association (AUA), Japanese Urological Association (JUA), and National Comprehensive Cancer Network (NCCN) have rec...

Throughout the ages, the editor’s primary role has been to connect writers with readers by deciding what to publish. In modern scholarship, this is known as gatekeeping. The stories an editor allows through the metaphorical “gate” can influence what readers find important—what scholars call agenda setting. But editors not only influence which stories
are told; they also shape how stories are told, through word choice, story arrangement, selection of examples, photos, and the all-important headline; this is known as framing. Historians and biographers have written a good deal about individual editors—their publications, their editorial instincts, their altercations with powerful politicians, and their pursuit of truth, entertainment, profit, and influence. But there has been less focus on the
broader changes that have impacted the work of editors as the media ecosystem has shifted. Cultural and social changes have created new demands on editors, who have had to adjust to stay in sync with audiences’ tastes and expectations. Technological invention—and the disruption of old economic models—have forced editors to adapt to new mediums of mass communication that serve new audiences and new financial realities. In
short, broader economic, political, technological, and social changes have all influenced what type of editing has flourished and what practices drifted into the past. The Internet has posed an existential threat to editors as gatekeepers. Countless new gates that connect readers and writers have been thrown open, some with little to no editorial oversight. This is far from the first time editors have been forced to adapt to change—the history
of editing has been a story of innovation in a continuing quest to find new ways to connect readers and writers. Today, despite the decline in gatekeeping power, professional editing still has an essential role—to curate quality out of the multitude of online voices and uphold a rigor for accuracy and truthfulness that can be easily overlooked on social
media and non-professional news sites. Whether it is approving (or rejecting) a topic of investigation, copy-editing prose, fact-checking a story, arranging the home page of a website, managing a newsroom, or deciding which journalist to hire, editors play an integral role in shaping the information that is shared with audiences.

En el año 1997 la editorial IVREA publicó por primera vez el manga Ranma ½, estableciendo el primer manga de edición argentina. Esto, acompañado al bum del anime en varios canales televisivos volvió al nuevo género un éxito editorial que fue replicado por otras editoriales.
No obstante, contrario al pensamiento más difundido, este manga no fue el primero en ser publicado de forma masiva en Argentina. La presente ponencia expondrá la publicación de la serie Ultraman en la revista Billiken desde el año 1968, y establecerá una comparativa entre ambas publicaciones para concluir si este antecedente histórico es efectivamente un manga o es más bien una historieta.

Carta a las/os lectoras/es Antípoda. Revista de Antropología y Arqueología, "Tema libre", N.o 46 (enero-marzo 2022).

https://revistas.uniandes.edu.co/toc/antipoda/46

https://revistas.uniandes.edu.co/pb-assets/antipoda/editorials/Editorial_Ant%C3%ADpoda46-1647547425137.pdf

https://revistas.uniandes.edu.co/multimedia/antipoda

Accès libre sur le site de la revue / Open access on the journal's website.

In this paper, we study the reception of Marvel comic books in France according to the letters to the editor published by éditions Lug between 1969 and 1989 in their periodicals. The specific editorial requirements for the publications made for a young readership, particularly the scrutiny of the Surveillance committee for publications intended to children and teenagers, have a strong influence on the choices made by the publishers. The perceived young age of the readers is added to the demands of the committee to steer the editors in the choice of a cultural translation, adjusted linguistically and visually to un-americanize Marvel comic books. From this cultural context, we study a large corpus of readers’ letters which provides a written trace of the reception. Those reactions across two decades, sometimes written by the same reader, can even form a conversation of sorts between readers with the publisher becoming the middleman. Another distinctive aspect, every letter received an answer by the editors, published or not, if the reader provided a stamp. Those answers were specific to what was asked by the reader and usually written by one of the translators working full-time for the publishing house. For the reader, there is an effort in the reaction, particularly in a time when the only way for that was to send a letter at the nearby post office. The cost (in money and in time) is indicative of their dedication. Those reactions can be a way to measure the gap between the adaptation process followed by Lug and the perception developed by the readers.

Prostate cancer presents a global public health dilemma. While screening with prostate specific antigen (PSA) has led to more men diagnosed with prostate cancer than in previous years, the potential for negative effects from over-diagnosis and treatment cannot be ignored. We reviewed Medline for recent articles that discuss clinical trials, evidence based recommendations and guidelines from major medical organizations in the United States and worldwide concerning prostate cancer screening. Results from the European Randomized Screening for Prostate Cancer (ERSPC), the Prostate, Lung, Colorectal, and Ovarian (PLCO) Cancer Screening Trial, and Göteborg Swedish trials regarding prostate screening are controversial with the ERSPC and Göteborg showing a reduction in prostate cancer mortality and the PLCO trial showing no benefit. Recommendations from the American Urological Association (AUA), Japanese Urological Association (JUA), and National Comprehensive Cancer Network (NCCN) have rec...

O objetivo deste texto é investigar o processo de transição de Frei Benevenuto de Santa Cruz, de editor dominicano a editor leigo da Livraria e Editora Duas Cidades, e os planos editoriais que ele criou e dirigiu nesse período. José Petronilo de Santa Cruz (1918-1997) é o nome civil do Frei Benevenuto, personagem central na fundação da Duas Cidades, empreendimento cultural que existiu na cidade de São Paulo desde 1954 até 2006. Desde a instituição da editora até o ano de 1969, ele publicou livros dominicanos de autoria de padres franceses e brasileiros. O Golpe de Estado de 1964 e o envolvimento da sua empresa no assassinato de Carlos Marighella foram circunstâncias que o fez se desvincular da Ordem dos Dominicanos e modificar a linha editorial da Duas Cidades. Nesse contexto, primeiro analisamos o ingresso e o itinerário de Santa Cruz no movimento dominicano brasileiro, depois abordamos tanto as circunstâncias de fundação da Duas Cidades como as características do primeiro plano editorial conduzido pelo editor dominicano; e, por fim, delineamos o panorama político, social e cultural que implicou na constituição do editor leigo, responsável por alterar a linha editorial a partir de 1970, década em que ele publicou livros de professores da USP, Mario de Andrade, Antonio Candido e uma geração de alunos do professor e crítico literário.

Este trabalho possui um caráter exploratório e busca compreender o papel do editor no processo de edição da versão específica dos livros didáticos destinada ao professor, conhecida como Manual do Professor. Neste sentido, os seus principais objetivos foram mapear as etapas e os atores que compõem o processo de edição do Manual do Professor desenvolvido atualmente nas editoras brasileiras e analisar o papel dos editores neste processo, observando o perfil destes profissionais, as funções que desempenham na edição do Manual do Professor e os fatores internos e externos que influenciam este trabalho. O referencial teórico está localizado na área da História da Educação e, particularmente, na área da História do Currículo e do Livro Didático. Os procedimentos metodológicos foram a aplicação de questionário e a realização de entrevistas com editores das duas maiores editoras brasileiras de livros didáticos. A interpretação dos dados coletados na pesquisa de campo foi feita com base no referencial teórico acima apresentado e sugere que as principais funções desempenhadas pelos editores no processo de edição do Manual do Professor se relacionam com as atividades de coordenação do trabalho de outros profissionais, de edição e organização do texto original e de reescrita ou autoria deste material. Além disso, a análise dos dados levantados indica que os editores reconhecem o Manual do Professor como um material importante para a formação dos professores, para a apresentação do currículo prescrito aos docentes, para o domínio dos conteúdos a serem ensinados e para o planejamento das aulas, ainda que não possuam informações objetivas sobre a forma como os professores utilizam este material. Desta maneira, ao analisar as práticas desenvolvidas pelos editores no processo de edição do Manual do Professor, o trabalho contribui para ampliar a compreensão sobre o conjunto de práticas que configuram o sistema curricular e que, neste sentido, interferem diretamente na prática pedagógica vigente.

O  Serviço  do  Patrimônio  Histórico  e  Artístico Nacional  (SPHAN)  foi  o  um  dos primeiros  órgãos a  estabelecer  uma  narrativa  oficial  sobre  o  patrimônio  cultural  no Brasil. Criado em 1937, teve como primeiro diretor Rodrigo Melo Franco de Andrade, que  permaneceu  no  cargo  até  o  ano  de  1967.  Dentre as  medidas de  proteção  ao patrimônio, Rodrigo Melo Franco de Andrade cria a linha editorial do SPHAN, com as séries Publicações do SPHAN e Revista do Patrimônio, que se tornou um espaço de legitimação das ações do órgão.  A Revista do Patrimônio apresentou, durante o período do  Estado  Novo,  uma  variedade  de  autores  que  procuraram,  por  meio  dos  artigos publicados,  elaborar  distintas  narrativas  sobre  o  patrimônio  histórico  e  artístico nacional. O presente trabalho, a partir da perspectiva que envolve o universo editorial e destacando  a  figura  do  editor,  pretende  analisar  a  dinâmica  interna  desta  rede  de sociabilidade,  procurando  compreender  em  que  medida  Rodrigo  Melo  Franco  de Andrade, como editor da revista, articulou, de acordo com seus interesses, a escrita sobre o patrimônio histórico e artístico nacional consagrada por meio da Revista do Patrimônio.

Sucinta semblanza y temprana valoración de la vida y la obra de Gregorio Weinberg sobre su quehacer ligado a un vasto proyecto cultural para sentar las bases de un nuevo humanismo incluyente, que tiene en el libro su símbolo más alto. En una primera aproximación se lo descubre siempre preocupado por repensar y corregir la tentación esencialista, ahistórica y excluyente en que puede incurrir el quehacer filosófico. Su labor consistió en una vida al servicio de la reflexión crítica, la educación y la edición. Vio en libros, editoriales y bibliotecas, auténticas empresas culturales de largo alcance y radical incidencia en el avance de una sociedad.

Książka została napisana w 1988 roku dla ambitnych posiadaczy mikrokomputerów domowych typu Atari. Te małe 8-bitowe komputery przez większość właścicieli wykorzystywane były głównie do gier, ale byli też tacy, którzy próbowali je wykorzystywać do celów profesjonalnych. Najprostszym celem profesjonalnym mogło być redagowanie tekstów i do tego właśnie celu służył opisywany w przedstawianej tu książce program Atari Writer Plus. Dziś tego programu zapewne nikt już nie używa, ale warto może zobaczyć, jakie bogate miał on możliwości mimo bazowania na bardzo słabym sprzęcie.

Methods were developed to allow quality assessment of academic research in linguistics in allsub-disciplines. Data were obtained from samples of respondents from Flanders, the Netherlands,as well as a world-wide sample, evaluated journals, publishers, and scholars. Journals andpublishers were ranked by several methods. First, we weighted the number of times journals orpublishers were ranked as 'outstanding', 'good', or 'occasionally/not at all good'. To reduce theinfluence of unduly positive or negative biases of respondents, the most extreme ratings weretrimmed. A second weight reflects the (international) visibility of journals and publishers. Here,journals or publishers nominated by respondents from various countries or samples received agreater weight than journals or publishers nominated by respondents from one country or onesample only. Thirdly, a combined index reflects both quality and international visibility. Its use isillustrated on the output of scholars in linguistics. Limitations and potentials for application ofbibliometric methods in output assessments are discussed.

Caring about Places: Cadence Measurement, i t may be argued, is a surrogate for intimacy. We measure things that we do n o t k n o w , that are n o t a part of o u r being. Measure gives structure to o u r observations, makes i t possible for us to d r a w relations between things and t o register nuance and particularlity. Cadence, the r h y t h m i c m o d u l a t i o n of stressed and unstressed measure­ ments presented to o u r senses, induces r e c o g n i t i o n . T h e cadence of a place may be as p a r t i c u l a r and as characteristic as the natural cadence of a voice. I t may also be as effectively c o n t r i v e d as the cadence of a p o e m . T h e landscapes we i n h a b i t may be as spontaneously structured as the sound of a voice or as carefully invented as a p o e m . I n this issue we offer examples of b o t h . They differ, we t h i n k , in the degrees of i n t i m a c y required to read h u m a n significance i n their appearance. To k n o w Westport, C a l ...

Editorial introduction to an issue on the currencies of hospitality.

Hospitality is usually considered a philosophical concept, an ethical concern with juridical implications, a sociopolitical practice… or an industry. This volume shifts the focus to speculate on some of its other (often stealth) manifestations. It mobilizes hospitality-as concept, metaphor, performance, dissidence, and weapon-to render its pluripotent agency.

Próspero Calderón (1862-1934) será el primer costarricense que se dedique a la profesión de editor; asimismo, será fotógrafo, docente, diseñador y precursor de las Artes gráficas en el país. Bajo sus ideales de promoción de la cultura se fundan las primeras publicaciones costarricenses en formato de revista: Costa Rica Ilustrada y Páginas Ilustradas, presentando en sus páginas fotografías de H.N. Rudd, Manuel Gómez Miralles y Amando Céspedes, entre otros, así como textos de Joaquín García Monge, Justo A. Facio, Carmen Lyra y Lisímaco Chavarría. Su aporte es imprescindible en el estudio de la sociedad y del arte costarricense en la transición del s. XIX al s. XX. Por lo anterior, para la realización de esta investigación, se recurrió a la Metodología Histórica, desarrollada a partir de las etapas heurística y hermenéutica, para finalizar con una propuesta teórica bajo la figura de Biografía histórica.

Producing a book or article with co-authors is not an easy task.  There are six potential issues one might consider before deciding to co-author a book or article.  First, do you really want to be a co-author?  Second, how many co-authors are going to be involved in the project?  Having more than one co-author can make the departure of a co-author less of an issue, but each co-author needs to have a clearly defined role.  Third, what role will each member of the team perform and what are those roles?  Fourth, what should the co-author “marriage” look like?  Multiple scenarios of a “marriage” are broken down and discussed.  Fifth, what threats are there to the “marriage”?  A structure needs to be formed and transparent anytime there are co-authors.  Sixth, how would you dissolve the relationship?  The relationship is much easier to dissolve when there is a clear path for how to handle the departure of one of the co-authors. 

Authoring a work for publication is a difficult task by itself, adding other pieces to the puzzle can alleviate some issues while potentially creating others.  Prospective co-authors must be proactive in answering the questions that will arise during the co-authoring process. Also, having a prenup is useful; a sample prenup is provided.

Despite the wide recognition of the importance of research in the academic community, the existing hospitality and tourism literature contains no published articles on the academic leadership of editors, associate editors, and editorial board members. This article presents the findings of a study that analyzed regional and institutional contributions to major research journals in the hospitality and tourism field. The empirical findings show that North America, and in particular the United States, has the largest regional and national share of editors, associate editors, and editorial board members, demonstrating the country’s clear academic leadership. When individual institutes are considered, it is evident that very few universities in the world can demonstrate leadership and that those that do are naturally universities that have a major specialization in tourism and hospitality.

Resumo Quem são os editores mineiros? Quem produz livros em Minas Gerais? Por uma memória do ofício do editor, surgiu a ideia de fazer um documentário sobre a temática e, assim, analisar em uma perspectiva discursiva e autobiográfica os editores de vanguarda, Maria Antonieta Cunha, Maria Mazarello, Sebastião Nunes e Sônia Junqueira. A tentativa deste trabalho foi analisar o documentário, buscando identificar um possível ethos discursivo das narrativas. Esses editores demonstram o ethé de profissionais que vivem de livro e/ou para os livros, sendo responsáveis pela difusão e pela memória cultural, literária e artística. Palavras-chave Memória editorial; documentário; editores mineiros; discurso autobiográfico; narrativas de vida. Introdução Este trabalho se insere no quadro de pesquisas do curso de Letras (Tecnologias de Edição), cuja proposta inovadora fez com que se tornasse o primeiro curso de Letras do país com foco em Edição. A interface que se estabelece com outras áreas do conhecimento demonstra que o curso, por seu viés tecnológico e interdisciplinar, tem como finalidade formar especialistas em linguagens, capazes de transformar uma proposta editorial em produto. Esse caráter interdisciplinar durante a formação acadêmica, possibilitou neste trabalho, dialogar diversas perspectivas: o gênero documentário, o processo criativo e a Análise do Discurso.

As Editor-in-Chief at The Freelance Netizen™ online magazine, I edit, peer-review and supervise peer review services for all article and editorial submissions.

The Freelance Netizen™ explores the interdisciplinary connections between Information & Communication Technologies and the history of information culture, civil rights and social action. It critically addresses digital mediums as the intercultural confluence of global dialectics. A typical editorial at TFN magazine might explore the present and future directions of Intercultural Information Ethics and its crossroads with the latest WikiLeaks debate.

TFN magazine provides a crossroads between the academic applications of philosophy, technology and interculture with current events, looking to philosophies of communication and information as a platform for addressing questions of digital ontology. TFN magazine is currently exploring, alongside the International Centre for Information Ethics, applications of global citizenship in a digital era with a specific address of digital citizenship and the netizen.

The objective of TFN magazine is to further expertise in intercultural editing and writing for academic and scholarly communications and current events, both on a local and global scale, by researching and structuring innovative dialogue towards a citizen engagement of Information & Communication Technologies (ICTs) through an understanding of the nature of information.

Jared Bielby,
Editor-in-Chief, TFN
Co-chair, ICIE
Editor, IRIE
www.jaredbielby.com

http://www.thefreelancenetizen.com

Peer review is the bedrock of modern academic research and its lasting contributions to science and society. And yet, reviewers can submit "poor" peer review reports, authors can blatantly ignore referee advice, and editors can contravene and undermine the peer review process itself. In this paper, we, the Editors of Energy Research & Social Science (ER&SS), seek to establish peer review codes of practice for the general energy and social science research community. We include suggestions for three of the most important roles: peer reviewers or referees, editors, and authors. We base our 33 recommendations on a collective 60 years of editorial experience at ER&SS. Our hope is that such codes of practice can enable the academic community to navigate the peer review process more effectively, more meaningfully, and more efficiently.

Ontologies are the primary knowledge representation tool in the Semantic Web and are mainly used in defining common vocabularies, used in the exchange of information among Semantic Web applications. In the process of encoding ontologies, appropriate ontology languages are applied; such a language is RDF Schema, one of the dominant standards. A variety of commercial and educational tools that address the tasks of developing and manipulating RDF Schema ontologies has been developed. None of them, however, is specifically destined for the inexperienced Semantic Web user. In this paper we present RDFSbuilder, a Java-built visual authoring tool for developing RDF Schema ontologies. The system helps users to develop their model quickly and efficiently, without being concerned about syntax or semantic errors. Furthermore, it adopts a purely object-oriented representation of the RDF Schema model, emphasizing on functional flexibility and simplicity of use. As a result, the model produced is...