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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 222 125 it is the complementary color RGB 218 33 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 222 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 222 125 shade: RGB 42 222 120, RGB 59 240 139, RGB 76 255 158, RGB 93 255 177 and RGB 110 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 222 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 222 125 shade: RGB 37 222 125, RGB 20 204 106, RGB 3 186 87, RGB 0 168 68 and RGB 0 150 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 222 125 shade: RGB 37 222 125, RGB 37 222 75, RGB 49 222 37, RGB 99 222 37 and RGB 149 222 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 222 125 shade: RGB 37 222 125, RGB 37 222 175, RGB 37 219 222, RGB 37 169 222 and RGB 37 120 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 222 125 shade matches the following richer shades: RGB 37 222 125 and RGB 17 242 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 222 125 shade: RGB 37 222 125, RGB 57 202 126, RGB 78 182 127, RGB 98 161 128 and RGB 118 141 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 222 125 shade: RGB 49 222 37, RGB 37 222 74, RGB 37 222 123, RGB 37 222 173 and RGB 37 222 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 222 125 shade: RGB 23 154 85, RGB 28 190 105, RGB 37 222 125, RGB 73 227 146 and RGB 109 233 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 222 125 shade: RGB 37 222 125, RGB 37 99 222 and RGB 222 49 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 222 125 shade: RGB 37 222 125, RGB 123 37 222 and RGB 222 123 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 222 125 shade: RGB 37 222 125, RGB 37 99 222, RGB 222 37 136 and RGB 222 160 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 222 125 shade: RGB 37 222 125, RGB 37 43 222, RGB 222 37 136 and RGB 222 216 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

Complementary color

CMYK 0 / 85 / 40 / 15

HEX #DA2182

RGB 218 33 130

HSL 328.54, 0.74%, 0.49%

LAB 49.01, 72.91, -6.59

 

CMYK 81 / 0 / 46 / 13

HEX #2ADE78

RGB 42 222 120

HSL 146, 0.73%, 0.52%

LAB 78.51, -65.2, 37.92

 

CMYK 75 / 0 / 42 / 6

HEX #3BF08B

RGB 59 240 139

HSL 146.52, 0.86%, 0.59%

LAB 84.54, -66.25, 36.33

 

CMYK 70 / 0 / 38 / 0

HEX #4CFF9E

RGB 76 255 158

HSL 147.49, 1%, 0.65%

LAB 89.64, -65.89, 33.65

 

CMYK 64 / 0 / 31 / 0

HEX #5DFFB1

RGB 93 255 177

HSL 151.11, 1%, 0.68%

LAB 90.33, -59.57, 25.1

 

CMYK 57 / 0 / 23 / 0

HEX #6EFFC4

RGB 110 255 196

HSL 155.59, 1%, 0.72%

LAB 91.15, -52.52, 16.61

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 90 / 0 / 48 / 20

HEX #14CC6A

RGB 20 204 106

HSL 148.04, 0.82%, 0.44%

LAB 72.48, -63.24, 37.16

 

CMYK 98 / 0 / 53 / 27

HEX #03BA57

RGB 3 186 87

HSL 147.54, 0.97%, 0.37%

LAB 66.39, -61.14, 38.95

 

CMYK 100 / 0 / 60 / 34

HEX #00A844

RGB 0 168 68

HSL 144.29, 1%, 0.33%

LAB 60.27, -58.27, 40.78

 

CMYK 100 / 0 / 67 / 41

HEX #009631

RGB 0 150 49

HSL 139.6, 1%, 0.29%

LAB 54.06, -54.98, 42.41

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 83 / 0 / 66 / 13

HEX #25DE4B

RGB 37 222 75

HSL 132.32, 0.74%, 0.51%

LAB 77.96, -71.7, 57.73

 

CMYK 78 / 0 / 83 / 13

HEX #31DE25

RGB 49 222 37

HSL 116.11, 0.74%, 0.51%

LAB 77.89, -73.12, 70.1

 

CMYK 55 / 0 / 83 / 13

HEX #63DE25

RGB 99 222 37

HSL 99.89, 0.74%, 0.51%

LAB 79.06, -63.35, 71.58

 

CMYK 33 / 0 / 83 / 13

HEX #95DE25

RGB 149 222 37

HSL 83.68, 0.74%, 0.51%

LAB 81.16, -47.74, 74.25

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 83 / 1 / 0 / 13

HEX #25DBDE

RGB 37 219 222

HSL 180.97, 0.74%, 0.51%

LAB 79.8, -40.51, -13.71

 

CMYK 83 / 24 / 0 / 13

HEX #25A9DE

RGB 37 169 222

HSL 197.19, 0.74%, 0.51%

LAB 65, -15.89, -36.35

 

CMYK 83 / 46 / 0 / 13

HEX #2578DE

RGB 37 120 222

HSL 213.08, 0.74%, 0.51%

LAB 50.8, 12.7, -58.82

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 93 / 0 / 49 / 5

HEX #11F27C

RGB 17 242 124

HSL 148.53, 0.9%, 0.51%

LAB 84.52, -72.8, 43.53

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 72 / 0 / 38 / 21

HEX #39CA7E

RGB 57 202 126

HSL 148.55, 0.58%, 0.51%

LAB 72.64, -55.12, 27.25

 

CMYK 57 / 0 / 30 / 29

HEX #4EB67F

RGB 78 182 127

HSL 148.27, 0.42%, 0.51%

LAB 66.98, -42.97, 19.16

 

CMYK 39 / 0 / 20 / 37

HEX #62A180

RGB 98 161 128

HSL 148.57, 0.25%, 0.51%

LAB 61.35, -27.9, 10.89

 

CMYK 16 / 0 / 9 / 45

HEX #768D81

RGB 118 141 129

HSL 148.7, 0.09%, 0.51%

LAB 56.57, -10.74, 3.66

 

CMYK 78 / 0 / 83 / 13

HEX #31DE25

RGB 49 222 37

HSL 116.11, 0.74%, 0.51%

LAB 77.89, -73.12, 70.1

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 83 / 0 / 45 / 13

HEX #25DE7B

RGB 37 222 123

HSL 147.89, 0.74%, 0.51%

LAB 78.5, -65.17, 36.4

 

CMYK 83 / 0 / 22 / 13

HEX #25DEAD

RGB 37 222 173

HSL 164.11, 0.74%, 0.51%

LAB 79.42, -54.86, 11.81

 

CMYK 83 / 0 / 0 / 13

HEX #25DEDE

RGB 37 222 222

HSL 180, 0.74%, 0.51%

LAB 80.69, -41.85, -12.38

 

CMYK 85 / 0 / 45 / 40

HEX #179A55

RGB 23 154 85

HSL 148.4, 0.74%, 0.35%

LAB 56.04, -49.31, 26.99

 

CMYK 85 / 0 / 45 / 25

HEX #1CBE69

RGB 28 190 105

HSL 148.52, 0.74%, 0.43%

LAB 68.09, -58.08, 32.08

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 68 / 0 / 36 / 11

HEX #49E392

RGB 73 227 146

HSL 148.44, 0.73%, 0.59%

LAB 80.98, -58.25, 28.13

 

CMYK 53 / 0 / 28 / 9

HEX #6DE9A8

RGB 109 233 168

HSL 148.55, 0.74%, 0.67%

LAB 84.15, -49.3, 21.28

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 83 / 55 / 0 / 13

HEX #2563DE

RGB 37 99 222

HSL 219.89, 0.74%, 0.51%

LAB 45.07, 26.07, -68.1

 

CMYK 0 / 78 / 83 / 13

HEX #DE3125

RGB 222 49 37

HSL 3.89, 0.74%, 0.51%

LAB 49.33, 64.64, 48.83

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 45 / 83 / 0 / 13

HEX #7B25DE

RGB 123 37 222

HSL 267.89, 0.74%, 0.51%

LAB 39.26, 68.89, -77.37

 

CMYK 0 / 45 / 83 / 13

HEX #DE7B25

RGB 222 123 37

HSL 27.89, 0.74%, 0.51%

LAB 61.51, 32.77, 59.57

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 83 / 55 / 0 / 13

HEX #2563DE

RGB 37 99 222

HSL 219.89, 0.74%, 0.51%

LAB 45.07, 26.07, -68.1

 

CMYK 0 / 83 / 39 / 13

HEX #DE2588

RGB 222 37 136

HSL 327.89, 0.74%, 0.51%

LAB 50.25, 73.6, -8.29

 

CMYK 0 / 28 / 83 / 13

HEX #DEA025

RGB 222 160 37

HSL 39.89, 0.74%, 0.51%

LAB 70.04, 13.07, 66.88

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 83 / 81 / 0 / 13

HEX #252BDE

RGB 37 43 222

HSL 238.05, 0.74%, 0.51%

LAB 32.69, 59.2, -88.46

 

CMYK 0 / 83 / 39 / 13

HEX #DE2588

RGB 222 37 136

HSL 327.89, 0.74%, 0.51%

LAB 50.25, 73.6, -8.29

 

CMYK 0 / 3 / 83 / 13

HEX #DED825

RGB 222 216 37

HSL 58.05, 0.74%, 0.51%

LAB 84.37, -15.93, 78.91

 

Description

Color code: RGB 37 222 125 | qconv.com Color code: RGB 37 222 125 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 222 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 222 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 44 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 44% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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