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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25DEAF it is the complementary color #DA2150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25DEAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25DEAF shade: #2ADEAA, #3BF0BD, #4CFFD0, #5DFFE3 and #6EFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25DEAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25DEAF shade: #25DEAF, #14CC9C, #03BA89, #00A876 and #009663

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25DEAF shade: #25DEAF, #25DE7D, #25DE4B, #31DE25 and #63DE25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25DEAF shade: #25DEAF, #25DBDE, #25A9DE, #2577DE and #2546DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25DEAF shade matches the following richer shades: #25DEAF and #11F2B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25DEAF shade: #25DEAF, #39CAA5, #4EB69B, #62A191 and #768D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25DEAF shade: #25DE4A, #25DE7B, #25DEAD, #25DEDE and #25ADDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25DEAF shade: #179A79, #1CBE95, #25DEAF, #49E3BC and #6DE9C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25DEAF shade: #25DEAF, #2531DE and #DE6325

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25DEAF shade: #25DEAF, #AD25DE and #DEAD25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25DEAF shade: #25DEAF, #2531DE, #DE2556 and #DED225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25DEAF shade: #25DEAF, #5025DE, #DE2556 and #B3DE25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

Complementary color

CMYK 0 / 85 / 63 / 15

HEX #DA2150

RGB 218 33 80

HSL 344.76, 0.74%, 0.49%

LAB 47.72, 69.18, 22.22

 

CMYK 81 / 0 / 23 / 13

HEX #2ADEAA

RGB 42 222 170

HSL 162.67, 0.73%, 0.52%

LAB 79.41, -55.15, 13.39

 

CMYK 75 / 0 / 21 / 6

HEX #3BF0BD

RGB 59 240 189

HSL 163.09, 0.86%, 0.59%

LAB 85.47, -56.06, 12.04

 

CMYK 70 / 0 / 18 / 0

HEX #4CFFD0

RGB 76 255 208

HSL 164.25, 1%, 0.65%

LAB 90.6, -55.53, 9.54

 

CMYK 64 / 0 / 11 / 0

HEX #5DFFE3

RGB 93 255 227

HSL 169.63, 1%, 0.68%

LAB 91.41, -48.51, 0.93

 

CMYK 57 / 0 / 4 / 0

HEX #6EFFF6

RGB 110 255 246

HSL 176.28, 1%, 0.72%

LAB 92.35, -40.92, -7.48

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 90 / 0 / 24 / 20

HEX #14CC9C

RGB 20 204 156

HSL 164.35, 0.82%, 0.44%

LAB 73.37, -53, 12.29

 

CMYK 98 / 0 / 26 / 27

HEX #03BA89

RGB 3 186 137

HSL 163.93, 0.97%, 0.37%

LAB 67.23, -51.25, 13.9

 

CMYK 100 / 0 / 30 / 34

HEX #00A876

RGB 0 168 118

HSL 162.14, 1%, 0.33%

LAB 61.06, -48.93, 15.7

 

CMYK 100 / 0 / 34 / 41

HEX #009663

RGB 0 150 99

HSL 159.6, 1%, 0.29%

LAB 54.78, -46.41, 17.61

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7D

RGB 37 222 125

HSL 148.54, 0.74%, 0.51%

LAB 78.53, -64.82, 35.44

 

CMYK 83 / 0 / 66 / 13

HEX #25DE4B

RGB 37 222 75

HSL 132.32, 0.74%, 0.51%

LAB 77.96, -71.7, 57.73

 

CMYK 78 / 0 / 83 / 13

HEX #31DE25

RGB 49 222 37

HSL 116.11, 0.74%, 0.51%

LAB 77.89, -73.12, 70.1

 

CMYK 55 / 0 / 83 / 13

HEX #63DE25

RGB 99 222 37

HSL 99.89, 0.74%, 0.51%

LAB 79.06, -63.35, 71.58

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 83 / 1 / 0 / 13

HEX #25DBDE

RGB 37 219 222

HSL 180.97, 0.74%, 0.51%

LAB 79.8, -40.51, -13.71

 

CMYK 83 / 24 / 0 / 13

HEX #25A9DE

RGB 37 169 222

HSL 197.19, 0.74%, 0.51%

LAB 65, -15.89, -36.35

 

CMYK 83 / 46 / 0 / 13

HEX #2577DE

RGB 37 119 222

HSL 213.41, 0.74%, 0.51%

LAB 50.52, 13.33, -59.28

 

CMYK 83 / 68 / 0 / 13

HEX #2546DE

RGB 37 70 222

HSL 229.3, 0.74%, 0.51%

LAB 37.93, 44.42, -79.8

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 93 / 0 / 24 / 5

HEX #11F2B9

RGB 17 242 185

HSL 164.8, 0.9%, 0.51%

LAB 85.57, -60.8, 14.2

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 72 / 0 / 18 / 21

HEX #39CAA5

RGB 57 202 165

HSL 164.69, 0.58%, 0.51%

LAB 73.43, -46.58, 7.59

 

CMYK 57 / 0 / 15 / 29

HEX #4EB69B

RGB 78 182 155

HSL 164.42, 0.42%, 0.51%

LAB 67.61, -36.69, 4.74

 

CMYK 39 / 0 / 10 / 37

HEX #62A191

RGB 98 161 145

HSL 164.76, 0.25%, 0.51%

LAB 61.77, -24.11, 1.95

 

CMYK 16 / 0 / 4 / 45

HEX #768D87

RGB 118 141 135

HSL 164.35, 0.09%, 0.51%

LAB 56.73, -9.47, 0.45

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 83 / 0 / 45 / 13

HEX #25DE7B

RGB 37 222 123

HSL 147.89, 0.74%, 0.51%

LAB 78.5, -65.17, 36.4

 

CMYK 83 / 0 / 22 / 13

HEX #25DEAD

RGB 37 222 173

HSL 164.11, 0.74%, 0.51%

LAB 79.42, -54.86, 11.81

 

CMYK 83 / 0 / 0 / 13

HEX #25DEDE

RGB 37 222 222

HSL 180, 0.74%, 0.51%

LAB 80.69, -41.85, -12.38

 

CMYK 83 / 22 / 0 / 13

HEX #25ADDE

RGB 37 173 222

HSL 195.89, 0.74%, 0.51%

LAB 66.18, -18.03, -34.51

 

CMYK 85 / 0 / 21 / 40

HEX #179A79

RGB 23 154 121

HSL 164.89, 0.74%, 0.35%

LAB 56.76, -41.26, 8.01

 

CMYK 85 / 0 / 22 / 25

HEX #1CBE95

RGB 28 190 149

HSL 164.81, 0.74%, 0.43%

LAB 68.93, -48.65, 9.78

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 68 / 0 / 17 / 11

HEX #49E3BC

RGB 73 227 188

HSL 164.81, 0.73%, 0.59%

LAB 81.83, -49.21, 7.4

 

CMYK 53 / 0 / 14 / 9

HEX #6DE9C9

RGB 109 233 201

HSL 164.52, 0.74%, 0.67%

LAB 84.87, -42.24, 5.05

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 83 / 78 / 0 / 13

HEX #2531DE

RGB 37 49 222

HSL 236.11, 0.74%, 0.51%

LAB 33.7, 56.26, -86.79

 

CMYK 0 / 55 / 83 / 13

HEX #DE6325

RGB 222 99 37

HSL 20.11, 0.74%, 0.51%

LAB 56.67, 44.87, 55.36

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 22 / 83 / 0 / 13

HEX #AD25DE

RGB 173 37 222

HSL 284.11, 0.74%, 0.51%

LAB 46.29, 75.99, -65.6

 

CMYK 0 / 22 / 83 / 13

HEX #DEAD25

RGB 222 173 37

HSL 44.11, 0.74%, 0.51%

LAB 73.25, 6.14, 69.6

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 83 / 78 / 0 / 13

HEX #2531DE

RGB 37 49 222

HSL 236.11, 0.74%, 0.51%

LAB 33.7, 56.26, -86.79

 

CMYK 0 / 83 / 61 / 13

HEX #DE2556

RGB 222 37 86

HSL 344.11, 0.74%, 0.51%

LAB 48.91, 69.71, 20.28

 

CMYK 0 / 5 / 83 / 13

HEX #DED225

RGB 222 210 37

HSL 56.11, 0.74%, 0.51%

LAB 82.78, -12.95, 77.59

 

CMYK 83 / 0 / 21 / 13

HEX #25DEAF

RGB 37 222 175

HSL 164.76, 0.74%, 0.51%

LAB 79.46, -54.38, 10.81

 

CMYK 64 / 83 / 0 / 13

HEX #5025DE

RGB 80 37 222

HSL 253.95, 0.74%, 0.51%

LAB 34.61, 64.44, -85.2

 

CMYK 0 / 83 / 61 / 13

HEX #DE2556

RGB 222 37 86

HSL 344.11, 0.74%, 0.51%

LAB 48.91, 69.71, 20.28

 

CMYK 19 / 0 / 83 / 13

HEX #B3DE25

RGB 179 222 37

HSL 73.95, 0.74%, 0.51%

LAB 82.89, -36.43, 76.42

 

Description

Color code: HEX #25DEAF | qconv.com Color code: HEX #25DEAF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 222 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 222 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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