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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25DE4A it is the complementary color #DA21B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25DE4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25DE4A shade: #2ADE45, #3BF058, #4CFF6B, #5DFF7E and #6EFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25DE4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25DE4A shade: #25DE4A, #14CC37, #03BA24, #00A811 and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25DE4A shade: #25DE4A, #32DE25, #64DE25, #96DE25 and #C8DE25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25DE4A shade: #25DE4A, #25DE7C, #25DEAE, #25DCDE and #25AADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25DE4A shade matches the following richer shades: #25DE4A and #11F23E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25DE4A shade: #25DE4A, #39CA56, #4EB662, #62A16E and #768D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25DE4A shade: #63DE25, #31DE25, #25DE4A, #25DE7B and #25DEAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25DE4A shade: #179A31, #1CBE3C, #25DE4A, #49E368 and #6DE986

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25DE4A shade: #25DE4A, #2594DE and #DE254A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25DE4A shade: #25DE4A, #4A25DE and #DE4A25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25DE4A shade: #25DE4A, #2594DE, #DE25B9 and #DE6F25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25DE4A shade: #25DE4A, #255DDE, #DE25B9 and #DEA725

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

Complementary color

CMYK 0 / 85 / 17 / 15

HEX #DA21B5

RGB 218 33 181

HSL 312, 0.74%, 0.49%

LAB 51.07, 78.59, -33.84

 

CMYK 81 / 0 / 69 / 13

HEX #2ADE45

RGB 42 222 69

HSL 129, 0.73%, 0.52%

LAB 77.97, -71.76, 60.1

 

CMYK 75 / 0 / 63 / 6

HEX #3BF058

RGB 59 240 88

HSL 129.61, 0.86%, 0.59%

LAB 83.94, -73.34, 59.11

 

CMYK 70 / 0 / 58 / 0

HEX #4CFF6B

RGB 76 255 107

HSL 130.39, 1%, 0.65%

LAB 88.98, -73.49, 56.86

 

CMYK 64 / 0 / 51 / 0

HEX #5DFF7E

RGB 93 255 126

HSL 132.22, 1%, 0.68%

LAB 89.56, -68.09, 49.08

 

CMYK 57 / 0 / 43 / 0

HEX #6EFF91

RGB 110 255 145

HSL 134.48, 1%, 0.72%

LAB 90.27, -61.81, 41.02

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 90 / 0 / 73 / 20

HEX #14CC37

RGB 20 204 55

HSL 131.41, 0.82%, 0.44%

LAB 71.97, -69.54, 58.97

 

CMYK 98 / 0 / 81 / 27

HEX #03BA24

RGB 3 186 36

HSL 130.82, 0.97%, 0.37%

LAB 65.95, -66.57, 59.2

 

CMYK 100 / 0 / 90 / 34

HEX #00A811

RGB 0 168 17

HSL 126.07, 1%, 0.33%

LAB 59.93, -62.58, 58.35

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 77 / 0 / 83 / 13

HEX #32DE25

RGB 50 222 37

HSL 115.78, 0.74%, 0.51%

LAB 77.91, -72.99, 70.11

 

CMYK 55 / 0 / 83 / 13

HEX #64DE25

RGB 100 222 37

HSL 99.57, 0.74%, 0.51%

LAB 79.09, -63.09, 71.62

 

CMYK 32 / 0 / 83 / 13

HEX #96DE25

RGB 150 222 37

HSL 83.35, 0.74%, 0.51%

LAB 81.21, -47.38, 74.31

 

CMYK 10 / 0 / 83 / 13

HEX #C8DE25

RGB 200 222 37

HSL 67.14, 0.74%, 0.51%

LAB 84.31, -27.99, 78.18

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 83 / 0 / 44 / 13

HEX #25DE7C

RGB 37 222 124

HSL 148.22, 0.74%, 0.51%

LAB 78.51, -64.99, 35.92

 

CMYK 83 / 0 / 22 / 13

HEX #25DEAE

RGB 37 222 174

HSL 164.43, 0.74%, 0.51%

LAB 79.44, -54.62, 11.31

 

CMYK 83 / 1 / 0 / 13

HEX #25DCDE

RGB 37 220 222

HSL 180.65, 0.74%, 0.51%

LAB 80.1, -40.96, -13.27

 

CMYK 83 / 23 / 0 / 13

HEX #25AADE

RGB 37 170 222

HSL 196.86, 0.74%, 0.51%

LAB 65.29, -16.43, -35.89

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 93 / 0 / 74 / 5

HEX #11F23E

RGB 17 242 62

HSL 132, 0.9%, 0.51%

LAB 83.95, -79.92, 68.64

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 72 / 0 / 57 / 21

HEX #39CA56

RGB 57 202 86

HSL 132, 0.58%, 0.51%

LAB 72.08, -61.51, 46.41

 

CMYK 57 / 0 / 46 / 29

HEX #4EB662

RGB 78 182 98

HSL 131.54, 0.42%, 0.51%

LAB 66.49, -48.21, 33.83

 

CMYK 39 / 0 / 32 / 37

HEX #62A16E

RGB 98 161 110

HSL 131.43, 0.25%, 0.51%

LAB 60.97, -31.44, 20.35

 

CMYK 16 / 0 / 13 / 45

HEX #768D7B

RGB 118 141 123

HSL 133.04, 0.09%, 0.51%

LAB 56.42, -11.95, 6.88

 

CMYK 55 / 0 / 83 / 13

HEX #63DE25

RGB 99 222 37

HSL 99.89, 0.74%, 0.51%

LAB 79.06, -63.35, 71.58

 

CMYK 78 / 0 / 83 / 13

HEX #31DE25

RGB 49 222 37

HSL 116.11, 0.74%, 0.51%

LAB 77.89, -73.12, 70.1

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 83 / 0 / 45 / 13

HEX #25DE7B

RGB 37 222 123

HSL 147.89, 0.74%, 0.51%

LAB 78.5, -65.17, 36.4

 

CMYK 83 / 0 / 22 / 13

HEX #25DEAD

RGB 37 222 173

HSL 164.11, 0.74%, 0.51%

LAB 79.42, -54.86, 11.81

 

CMYK 85 / 0 / 68 / 40

HEX #179A31

RGB 23 154 49

HSL 131.91, 0.74%, 0.35%

LAB 55.6, -54.6, 44.14

 

CMYK 85 / 0 / 68 / 25

HEX #1CBE3C

RGB 28 190 60

HSL 131.85, 0.74%, 0.43%

LAB 67.58, -64.3, 52.51

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 68 / 0 / 54 / 11

HEX #49E368

RGB 73 227 104

HSL 132.08, 0.73%, 0.59%

LAB 80.38, -65.02, 48.03

 

CMYK 53 / 0 / 42 / 9

HEX #6DE986

RGB 109 233 134

HSL 132.1, 0.74%, 0.67%

LAB 83.57, -55.29, 37.79

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 83 / 33 / 0 / 13

HEX #2594DE

RGB 37 148 222

HSL 204, 0.74%, 0.51%

LAB 58.83, -4.18, -46.02

 

CMYK 0 / 83 / 67 / 13

HEX #DE254A

RGB 222 37 74

HSL 348, 0.74%, 0.51%

LAB 48.69, 69.06, 27.29

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 67 / 83 / 0 / 13

HEX #4A25DE

RGB 74 37 222

HSL 252, 0.74%, 0.51%

LAB 34.09, 63.96, -86.07

 

CMYK 0 / 67 / 83 / 13

HEX #DE4A25

RGB 222 74 37

HSL 12, 0.74%, 0.51%

LAB 52.47, 55.98, 51.64

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 83 / 33 / 0 / 13

HEX #2594DE

RGB 37 148 222

HSL 204, 0.74%, 0.51%

LAB 58.83, -4.18, -46.02

 

CMYK 0 / 83 / 17 / 13

HEX #DE25B9

RGB 222 37 185

HSL 312, 0.74%, 0.51%

LAB 52.24, 79.14, -34.29

 

CMYK 0 / 50 / 83 / 13

HEX #DE6F25

RGB 222 111 37

HSL 24, 0.74%, 0.51%

LAB 59, 38.95, 57.4

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 83 / 58 / 0 / 13

HEX #255DDE

RGB 37 93 222

HSL 221.84, 0.74%, 0.51%

LAB 43.5, 29.93, -70.66

 

CMYK 0 / 83 / 17 / 13

HEX #DE25B9

RGB 222 37 185

HSL 312, 0.74%, 0.51%

LAB 52.24, 79.14, -34.29

 

CMYK 0 / 25 / 83 / 13

HEX #DEA725

RGB 222 167 37

HSL 42.16, 0.74%, 0.51%

LAB 71.76, 9.33, 68.34

 

Description

Color code: HEX #25DE4A | qconv.com Color code: HEX #25DE4A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 222 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 222 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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