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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 28 209 it is the complementary color RGB 24 227 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 28 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 28 209 shade: RGB 236 28 204, RGB 253 46 223, RGB 255 64 242, RGB 255 82 255 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 28 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 28 209 shade: RGB 231 28 209, RGB 214 10 190, RGB 197 0 171, RGB 180 0 152 and RGB 163 0 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 28 209 shade: RGB 231 28 209, RGB 231 28 154, RGB 231 28 100, RGB 231 28 45 and RGB 231 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 28 209 shade: RGB 231 28 209, RGB 198 28 231, RGB 144 28 231, RGB 89 28 231 and RGB 34 28 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 28 209 shade matches the following richer shades: RGB 231 28 209 and RGB 251 8 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 28 209 shade: RGB 231 28 209, RGB 211 49 193, RGB 190 69 177, RGB 170 89 161 and RGB 150 109 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 28 209 shade: RGB 143 28 231, RGB 197 28 231, RGB 231 28 211, RGB 231 28 157 and RGB 231 28 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 28 209 shade: RGB 160 16 145, RGB 198 20 178, RGB 231 28 209, RGB 235 66 216 and RGB 239 103 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 28 209 shade: RGB 231 28 209, RGB 231 89 28 and RGB 28 231 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 28 209 shade: RGB 231 28 209, RGB 211 231 28 and RGB 28 211 231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 28 209 shade: RGB 231 28 209, RGB 231 89 28, RGB 28 231 49 and RGB 28 170 231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 28 209 shade: RGB 231 28 209, RGB 231 150 28, RGB 28 231 49 and RGB 28 109 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

Complementary color

CMYK 89 / 0 / 80 / 11

HEX #18E32E

RGB 24 227 46

HSL 126.5, 0.81%, 0.49%

LAB 79.23, -76.45, 68.92

 

CMYK 0 / 88 / 14 / 7

HEX #EC1CCC

RGB 236 28 204

HSL 309.23, 0.85%, 0.52%

LAB 55.1, 85.85, -40.61

 

CMYK 0 / 82 / 12 / 1

HEX #FD2EDF

RGB 253 46 223

HSL 308.7, 0.98%, 0.59%

LAB 60.04, 88.42, -43.43

 

CMYK 0 / 75 / 5 / 0

HEX #FF40F2

RGB 255 64 242

HSL 304.08, 1%, 0.63%

LAB 62.79, 87.14, -49.7

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 0 / 95 / 11 / 16

HEX #D60ABE

RGB 214 10 190

HSL 307.06, 0.91%, 0.44%

LAB 49.78, 82.01, -41.18

 

CMYK 0 / 100 / 13 / 23

HEX #C500AB

RGB 197 0 171

HSL 307.92, 1%, 0.39%

LAB 45.37, 77.31, -37.17

 

CMYK 0 / 100 / 16 / 29

HEX #B40098

RGB 180 0 152

HSL 309.33, 1%, 0.35%

LAB 41.17, 71.75, -32.62

 

CMYK 0 / 100 / 18 / 36

HEX #A30085

RGB 163 0 133

HSL 311.04, 1%, 0.32%

LAB 36.89, 66.09, -27.92

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 0 / 88 / 33 / 9

HEX #E71C9A

RGB 231 28 154

HSL 322.76, 0.81%, 0.51%

LAB 52.01, 79.05, -16.26

 

CMYK 0 / 88 / 57 / 9

HEX #E71C64

RGB 231 28 100

HSL 338.72, 0.81%, 0.51%

LAB 50.38, 74.53, 14

 

CMYK 0 / 88 / 81 / 9

HEX #E71C2D

RGB 231 28 45

HSL 354.98, 0.81%, 0.51%

LAB 49.51, 72.03, 45.5

 

CMYK 0 / 88 / 88 / 9

HEX #E71C1C

RGB 231 28 28

HSL 0, 0.81%, 0.51%

LAB 49.38, 71.66, 53.8

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 14 / 88 / 0 / 9

HEX #C61CE7

RGB 198 28 231

HSL 290.25, 0.81%, 0.51%

LAB 50.22, 83.31, -64.15

 

CMYK 38 / 88 / 0 / 9

HEX #901CE7

RGB 144 28 231

HSL 274.29, 0.81%, 0.51%

LAB 42.05, 75.79, -77.82

 

CMYK 61 / 88 / 0 / 9

HEX #591CE7

RGB 89 28 231

HSL 258.03, 0.81%, 0.51%

LAB 35.45, 70.39, -88.93

 

CMYK 85 / 88 / 0 / 9

HEX #221CE7

RGB 34 28 231

HSL 241.77, 0.81%, 0.51%

LAB 31.67, 67.69, -95.32

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 0 / 97 / 10 / 2

HEX #FB08E1

RGB 251 8 225

HSL 306.42, 0.97%, 0.51%

LAB 58.15, 93.12, -47.57

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 0 / 77 / 9 / 17

HEX #D331C1

RGB 211 49 193

HSL 306.67, 0.65%, 0.51%

LAB 51.72, 75.11, -39.88

 

CMYK 0 / 64 / 7 / 25

HEX #BE45B1

RGB 190 69 177

HSL 306.45, 0.48%, 0.51%

LAB 49.95, 61.01, -33.58

 

CMYK 0 / 48 / 5 / 33

HEX #AA59A1

RGB 170 89 161

HSL 306.67, 0.32%, 0.51%

LAB 49.81, 43.3, -24.62

 

CMYK 0 / 27 / 3 / 41

HEX #966D91

RGB 150 109 145

HSL 307.32, 0.16%, 0.51%

LAB 51.23, 22.51, -13.25

 

CMYK 38 / 88 / 0 / 9

HEX #8F1CE7

RGB 143 28 231

HSL 273.99, 0.81%, 0.51%

LAB 41.91, 75.67, -78.06

 

CMYK 15 / 88 / 0 / 9

HEX #C51CE7

RGB 197 28 231

HSL 289.95, 0.81%, 0.51%

LAB 50.06, 83.16, -64.42

 

CMYK 0 / 88 / 9 / 9

HEX #E71CD3

RGB 231 28 211

HSL 305.91, 0.81%, 0.51%

LAB 54.58, 85.86, -45.5

 

CMYK 0 / 88 / 32 / 9

HEX #E71C9D

RGB 231 28 157

HSL 321.87, 0.81%, 0.51%

LAB 52.12, 79.35, -17.87

 

CMYK 0 / 88 / 55 / 9

HEX #E71C67

RGB 231 28 103

HSL 337.83, 0.81%, 0.51%

LAB 50.45, 74.73, 12.27

 

CMYK 0 / 90 / 9 / 37

HEX #A01091

RGB 160 16 145

HSL 306.25, 0.82%, 0.35%

LAB 37.64, 65.15, -34.17

 

CMYK 0 / 90 / 10 / 22

HEX #C614B2

RGB 198 20 178

HSL 306.74, 0.82%, 0.43%

LAB 46.61, 76.44, -39.35

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 0 / 72 / 8 / 8

HEX #EB42D8

RGB 235 66 216

HSL 306.75, 0.81%, 0.59%

LAB 58.52, 78.61, -42.06

 

CMYK 0 / 57 / 6 / 6

HEX #EF67E0

RGB 239 103 224

HSL 306.62, 0.81%, 0.67%

LAB 64.51, 66.84, -37.14

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 0 / 61 / 88 / 9

HEX #E7591C

RGB 231 89 28

HSL 18.03, 0.81%, 0.51%

LAB 56.3, 52.56, 59.09

 

CMYK 88 / 0 / 26 / 9

HEX #1CE7AA

RGB 28 231 170

HSL 161.97, 0.81%, 0.51%

LAB 82, -59.62, 17.01

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 9 / 0 / 88 / 9

HEX #D3E71C

RGB 211 231 28

HSL 65.91, 0.81%, 0.51%

LAB 87.53, -27.94, 82.91

 

CMYK 88 / 9 / 0 / 9

HEX #1CD3E7

RGB 28 211 231

HSL 185.91, 0.81%, 0.51%

LAB 77.64, -34.65, -21.79

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 0 / 61 / 88 / 9

HEX #E7591C

RGB 231 89 28

HSL 18.03, 0.81%, 0.51%

LAB 56.3, 52.56, 59.09

 

CMYK 88 / 0 / 79 / 9

HEX #1CE731

RGB 28 231 49

HSL 126.21, 0.81%, 0.51%

LAB 80.53, -77.12, 69.31

 

CMYK 88 / 26 / 0 / 9

HEX #1CAAE7

RGB 28 170 231

HSL 198.03, 0.81%, 0.51%

LAB 65.57, -13.9, -40.42

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD1

RGB 231 28 209

HSL 306.5, 0.81%, 0.51%

LAB 54.47, 85.59, -44.52

 

CMYK 0 / 35 / 88 / 9

HEX #E7961C

RGB 231 150 28

HSL 36.06, 0.81%, 0.51%

LAB 68.67, 22.05, 68.7

 

CMYK 88 / 0 / 79 / 9

HEX #1CE731

RGB 28 231 49

HSL 126.21, 0.81%, 0.51%

LAB 80.53, -77.12, 69.31

 

CMYK 88 / 53 / 0 / 9

HEX #1C6DE7

RGB 28 109 231

HSL 216.06, 0.81%, 0.51%

LAB 48.2, 22.49, -68.11

 

Description

Color code: RGB 231 28 209 | qconv.com Color code: RGB 231 28 209 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 28 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 28 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 10 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 10% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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