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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 239 103 224 it is the complementary color RGB 16 152 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 239 103 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 239 103 224 shade: RGB 244 103 219, RGB 255 121 238, RGB 255 139 255, RGB 255 157 255 and RGB 255 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 239 103 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 239 103 224 shade: RGB 239 103 224, RGB 222 85 205, RGB 205 67 186, RGB 188 49 167 and RGB 171 31 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 239 103 224 shade: RGB 239 102 223, RGB 239 102 187, RGB 239 102 150, RGB 239 102 113 and RGB 239 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 239 103 224 shade: RGB 239 102 223, RGB 217 102 239, RGB 180 102 239, RGB 143 102 239 and RGB 107 102 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 239 103 224 shade matches the following richer shades: RGB 239 102 223 and RGB 252 89 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 239 103 224 shade: RGB 239 102 223, RGB 225 116 213, RGB 211 129 202, RGB 198 143 192 and RGB 184 157 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 239 103 224 shade: RGB 179 102 239, RGB 216 102 239, RGB 239 102 225, RGB 239 102 189 and RGB 239 102 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 239 103 224 shade: RGB 231 28 208, RGB 235 65 216, RGB 239 102 223, RGB 242 140 231 and RGB 246 177 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 239 103 224 shade: RGB 239 103 224, RGB 239 143 102 and RGB 102 239 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 239 103 224 shade: RGB 239 103 224, RGB 225 239 102 and RGB 102 225 239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 239 103 224 shade: RGB 239 103 224, RGB 239 143 102, RGB 102 239 116 and RGB 102 198 239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 239 103 224 shade: RGB 239 103 224, RGB 239 184 102, RGB 102 239 116 and RGB 102 157 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 6 / 6

HEX #EF67E0

RGB 239 103 224

HSL 306.62, 0.81%, 0.67%

LAB 64.51, 66.84, -37.14

 

Complementary color

CMYK 89 / 0 / 80 / 40

HEX #10981F

RGB 16 152 31

HSL 126.62, 0.81%, 0.33%

LAB 54.73, -56.21, 50.06

 

CMYK 0 / 58 / 10 / 4

HEX #F467DB

RGB 244 103 219

HSL 310.64, 0.87%, 0.68%

LAB 65, 67.38, -33.53

 

CMYK 0 / 53 / 7 / 0

HEX #FF79EE

RGB 255 121 238

HSL 307.61, 1%, 0.74%

LAB 70.25, 65.35, -35.79

 

CMYK 0 / 45 / 0 / 0

HEX #FF8BFF

RGB 255 139 255

HSL 300, 1%, 0.77%

LAB 74.15, 59.74, -39

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 57 / 6 / 6

HEX #EF67E0

RGB 239 103 224

HSL 306.62, 0.81%, 0.67%

LAB 64.51, 66.84, -37.14

 

CMYK 0 / 62 / 8 / 13

HEX #DE55CD

RGB 222 85 205

HSL 307.45, 0.67%, 0.6%

LAB 58.45, 67.04, -36.08

 

CMYK 0 / 67 / 9 / 20

HEX #CD43BA

RGB 205 67 186

HSL 308.26, 0.58%, 0.53%

LAB 52.44, 66.92, -34.76

 

CMYK 0 / 74 / 11 / 26

HEX #BC31A7

RGB 188 49 167

HSL 309.06, 0.59%, 0.46%

LAB 46.55, 66.27, -33.05

 

CMYK 0 / 82 / 13 / 33

HEX #AB1F94

RGB 171 31 148

HSL 309.86, 0.69%, 0.4%

LAB 40.86, 64.82, -30.79

 

CMYK 0 / 57 / 7 / 6

HEX #EF66DF

RGB 239 102 223

HSL 307.01, 0.81%, 0.67%

LAB 64.31, 67.11, -36.89

 

CMYK 0 / 57 / 22 / 6

HEX #EF66BB

RGB 239 102 187

HSL 322.77, 0.81%, 0.67%

LAB 62.88, 61.79, -18.8

 

CMYK 0 / 57 / 37 / 6

HEX #EF6696

RGB 239 102 150

HSL 338.98, 0.81%, 0.67%

LAB 61.7, 57.22, 0.67

 

CMYK 0 / 57 / 53 / 6

HEX #EF6671

RGB 239 102 113

HSL 355.18, 0.81%, 0.67%

LAB 60.82, 53.68, 20.8

 

CMYK 0 / 57 / 57 / 6

HEX #EF6666

RGB 239 102 102

HSL 0, 0.81%, 0.67%

LAB 60.62, 52.84, 26.82

 

CMYK 0 / 57 / 7 / 6

HEX #EF66DF

RGB 239 102 223

HSL 307.01, 0.81%, 0.67%

LAB 64.31, 67.11, -36.89

 

CMYK 9 / 57 / 0 / 6

HEX #D966EF

RGB 217 102 239

HSL 290.36, 0.81%, 0.67%

LAB 62.07, 64.26, -49.52

 

CMYK 25 / 57 / 0 / 6

HEX #B466EF

RGB 180 102 239

HSL 274.16, 0.81%, 0.67%

LAB 57.5, 55.22, -57.07

 

CMYK 40 / 57 / 0 / 6

HEX #8F66EF

RGB 143 102 239

HSL 257.96, 0.81%, 0.67%

LAB 53.57, 46.71, -63.59

 

CMYK 55 / 57 / 0 / 6

HEX #6B66EF

RGB 107 102 239

HSL 242.19, 0.81%, 0.67%

LAB 50.52, 39.47, -68.67

 

CMYK 0 / 57 / 7 / 6

HEX #EF66DF

RGB 239 102 223

HSL 307.01, 0.81%, 0.67%

LAB 64.31, 67.11, -36.89

 

CMYK 0 / 65 / 7 / 1

HEX #FC59EA

RGB 252 89 234

HSL 306.63, 0.96%, 0.67%

LAB 64.79, 77.25, -42.13

 

CMYK 0 / 57 / 7 / 6

HEX #EF66DF

RGB 239 102 223

HSL 307.01, 0.81%, 0.67%

LAB 64.31, 67.11, -36.89

 

CMYK 0 / 48 / 5 / 12

HEX #E174D5

RGB 225 116 213

HSL 306.61, 0.64%, 0.67%

LAB 64.41, 55.18, -31.3

 

CMYK 0 / 39 / 4 / 17

HEX #D381CA

RGB 211 129 202

HSL 306.59, 0.48%, 0.67%

LAB 64.81, 42.44, -24.64

 

CMYK 0 / 28 / 3 / 22

HEX #C68FC0

RGB 198 143 192

HSL 306.55, 0.33%, 0.67%

LAB 66.1, 28.83, -17.21

 

CMYK 0 / 15 / 2 / 28

HEX #B89DB5

RGB 184 157 181

HSL 306.67, 0.16%, 0.67%

LAB 67.75, 14.2, -8.72

 

CMYK 25 / 57 / 0 / 6

HEX #B366EF

RGB 179 102 239

HSL 273.72, 0.81%, 0.67%

LAB 57.38, 54.98, -57.27

 

CMYK 10 / 57 / 0 / 6

HEX #D866EF

RGB 216 102 239

HSL 289.93, 0.81%, 0.67%

LAB 61.94, 64.01, -49.74

 

CMYK 0 / 57 / 6 / 6

HEX #EF66E1

RGB 239 102 225

HSL 306.13, 0.81%, 0.67%

LAB 64.39, 67.43, -37.87

 

CMYK 0 / 57 / 21 / 6

HEX #EF66BD

RGB 239 102 189

HSL 321.9, 0.81%, 0.67%

LAB 62.95, 62.06, -19.83

 

CMYK 0 / 57 / 36 / 6

HEX #EF6698

RGB 239 102 152

HSL 338.1, 0.81%, 0.67%

LAB 61.76, 57.44, -0.41

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD0

RGB 231 28 208

HSL 306.8, 0.81%, 0.51%

LAB 54.42, 85.45, -44.03

 

CMYK 0 / 72 / 8 / 8

HEX #EB41D8

RGB 235 65 216

HSL 306.71, 0.81%, 0.59%

LAB 58.42, 78.92, -42.23

 

CMYK 0 / 57 / 7 / 6

HEX #EF66DF

RGB 239 102 223

HSL 307.01, 0.81%, 0.67%

LAB 64.31, 67.11, -36.89

 

CMYK 0 / 42 / 5 / 5

HEX #F28CE7

RGB 242 140 231

HSL 306.47, 0.8%, 0.75%

LAB 71.83, 51.35, -29.64

 

CMYK 0 / 28 / 3 / 4

HEX #F6B1EF

RGB 246 177 239

HSL 306.09, 0.79%, 0.83%

LAB 80.33, 34.82, -20.96

 

CMYK 0 / 57 / 6 / 6

HEX #EF67E0

RGB 239 103 224

HSL 306.62, 0.81%, 0.67%

LAB 64.51, 66.84, -37.14

 

CMYK 0 / 40 / 57 / 6

HEX #EF8F66

RGB 239 143 102

HSL 17.96, 0.81%, 0.67%

LAB 68.72, 32.5, 37.18

 

CMYK 57 / 0 / 17 / 6

HEX #66EFC6

RGB 102 239 198

HSL 162.04, 0.81%, 0.67%

LAB 86.32, -46.96, 8.69

 

CMYK 0 / 57 / 6 / 6

HEX #EF67E0

RGB 239 103 224

HSL 306.62, 0.81%, 0.67%

LAB 64.51, 66.84, -37.14

 

CMYK 6 / 0 / 57 / 6

HEX #E1EF66

RGB 225 239 102

HSL 66.13, 0.81%, 0.67%

LAB 91.1, -22.67, 63.22

 

CMYK 57 / 6 / 0 / 6

HEX #66E1EF

RGB 102 225 239

HSL 186.13, 0.81%, 0.67%

LAB 83.39, -30.29, -17.21

 

CMYK 0 / 57 / 6 / 6

HEX #EF67E0

RGB 239 103 224

HSL 306.62, 0.81%, 0.67%

LAB 64.51, 66.84, -37.14

 

CMYK 0 / 40 / 57 / 6

HEX #EF8F66

RGB 239 143 102

HSL 17.96, 0.81%, 0.67%

LAB 68.72, 32.5, 37.18

 

CMYK 57 / 0 / 51 / 6

HEX #66EF74

RGB 102 239 116

HSL 126.13, 0.81%, 0.67%

LAB 84.9, -61.81, 48.1

 

CMYK 57 / 17 / 0 / 6

HEX #66C6EF

RGB 102 198 239

HSL 197.96, 0.81%, 0.67%

LAB 75.73, -16.81, -28.87

 

CMYK 0 / 57 / 6 / 6

HEX #EF67E0

RGB 239 103 224

HSL 306.62, 0.81%, 0.67%

LAB 64.51, 66.84, -37.14

 

CMYK 0 / 23 / 57 / 6

HEX #EFB866

RGB 239 184 102

HSL 35.91, 0.81%, 0.67%

LAB 78.22, 10.87, 48.75

 

CMYK 57 / 0 / 51 / 6

HEX #66EF74

RGB 102 239 116

HSL 126.13, 0.81%, 0.67%

LAB 84.9, -61.81, 48.1

 

CMYK 57 / 34 / 0 / 6

HEX #669DEF

RGB 102 157 239

HSL 215.91, 0.81%, 0.67%

LAB 64.3, 5.72, -46.66

 

Description

Color code: RGB 239 103 224 | qconv.com Color code: RGB 239 103 224 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 103 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 103 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 6 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 6% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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