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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D331C1 it is the complementary color #2CCE3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D331C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D331C1 shade: #D831BC, #E943CF, #FA55E2, #FF67F5 and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D331C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D331C1 shade: #D331C1, #C21FAE, #B10D9B, #A00088 and #8F0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D331C1 shade: #D330C1, #D33095, #D33069, #D3303D and #D33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D331C1 shade: #D330C1, #B930D3, #8D30D3, #6130D3 and #3630D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D331C1 shade matches the following richer shades: #D330C1, #E71CD0 and #FB08E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D331C1 shade: #D330C1, #BF45B1, #AA59A1, #966D92 and #828182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D331C1 shade: #8C30D3, #B830D3, #D330C3, #D33097 and #D3306C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D331C1 shade: #921F85, #B426A4, #D330C1, #DA52CB and #E174D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D331C1 shade: #D331C1, #D36130 and #30D3A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D331C1 shade: #D331C1, #C3D330 and #30C3D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D331C1 shade: #D331C1, #D36130, #30D341 and #30A2D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D331C1 shade: #D331C1, #D39230, #30D341 and #3071D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 9 / 17

HEX #D331C1

RGB 211 49 193

HSL 306.67, 0.65%, 0.51%

LAB 51.72, 75.11, -39.88

 

Complementary color

CMYK 79 / 0 / 70 / 19

HEX #2CCE3E

RGB 44 206 62

HSL 126.67, 0.65%, 0.49%

LAB 72.91, -67.29, 57.44

 

CMYK 0 / 77 / 13 / 15

HEX #D831BC

RGB 216 49 188

HSL 310.06, 0.68%, 0.52%

LAB 52.32, 75.47, -35.99

 

CMYK 0 / 71 / 11 / 9

HEX #E943CF

RGB 233 67 207

HSL 309.4, 0.79%, 0.59%

LAB 57.89, 76.55, -37.98

 

CMYK 0 / 66 / 10 / 2

HEX #FA55E2

RGB 250 85 226

HSL 308.73, 0.94%, 0.66%

LAB 63.6, 77.06, -39.56

 

CMYK 0 / 60 / 4 / 0

HEX #FF67F5

RGB 255 103 245

HSL 303.95, 1%, 0.7%

LAB 67.69, 74.23, -43.64

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 77 / 9 / 17

HEX #D331C1

RGB 211 49 193

HSL 306.67, 0.65%, 0.51%

LAB 51.72, 75.11, -39.88

 

CMYK 0 / 84 / 10 / 24

HEX #C21FAE

RGB 194 31 174

HSL 307.36, 0.72%, 0.44%

LAB 46.32, 73.24, -37.49

 

CMYK 0 / 93 / 12 / 31

HEX #B10D9B

RGB 177 13 155

HSL 308.05, 0.86%, 0.37%

LAB 41.22, 70.24, -34.39

 

CMYK 0 / 100 / 15 / 37

HEX #A00088

RGB 160 0 136

HSL 309, 1%, 0.31%

LAB 36.46, 65.92, -30.49

 

CMYK 0 / 100 / 18 / 44

HEX #8F0075

RGB 143 0 117

HSL 310.91, 1%, 0.28%

LAB 32.09, 60.13, -25.7

 

CMYK 0 / 77 / 9 / 17

HEX #D330C1

RGB 211 48 193

HSL 306.63, 0.65%, 0.51%

LAB 51.63, 75.38, -40.03

 

CMYK 0 / 77 / 29 / 17

HEX #D33095

RGB 211 48 149

HSL 322.82, 0.65%, 0.51%

LAB 49.66, 69.64, -17.2

 

CMYK 0 / 77 / 50 / 17

HEX #D33069

RGB 211 48 105

HSL 339.02, 0.65%, 0.51%

LAB 48.24, 65.31, 7.38

 

CMYK 0 / 77 / 71 / 17

HEX #D3303D

RGB 211 48 61

HSL 355.21, 0.65%, 0.51%

LAB 47.37, 62.56, 32.95

 

CMYK 0 / 77 / 77 / 17

HEX #D33030

RGB 211 48 48

HSL 0, 0.65%, 0.51%

LAB 47.2, 62.05, 40.24

 

CMYK 0 / 77 / 9 / 17

HEX #D330C1

RGB 211 48 193

HSL 306.63, 0.65%, 0.51%

LAB 51.63, 75.38, -40.03

 

CMYK 12 / 77 / 0 / 17

HEX #B930D3

RGB 185 48 211

HSL 290.43, 0.65%, 0.51%

LAB 48.43, 73.1, -55.76

 

CMYK 33 / 77 / 0 / 17

HEX #8D30D3

RGB 141 48 211

HSL 274.23, 0.65%, 0.51%

LAB 41.97, 65.28, -66.52

 

CMYK 54 / 77 / 0 / 17

HEX #6130D3

RGB 97 48 211

HSL 258.04, 0.65%, 0.51%

LAB 36.67, 58.76, -75.41

 

CMYK 74 / 77 / 0 / 17

HEX #3630D3

RGB 54 48 211

HSL 242.21, 0.65%, 0.51%

LAB 33.14, 54.35, -81.35

 

CMYK 0 / 77 / 9 / 17

HEX #D330C1

RGB 211 48 193

HSL 306.63, 0.65%, 0.51%

LAB 51.63, 75.38, -40.03

 

CMYK 0 / 88 / 10 / 9

HEX #E71CD0

RGB 231 28 208

HSL 306.8, 0.81%, 0.51%

LAB 54.42, 85.45, -44.03

 

CMYK 0 / 97 / 11 / 2

HEX #FB08E0

RGB 251 8 224

HSL 306.67, 0.97%, 0.51%

LAB 58.1, 92.99, -47.08

 

CMYK 0 / 77 / 9 / 17

HEX #D330C1

RGB 211 48 193

HSL 306.63, 0.65%, 0.51%

LAB 51.63, 75.38, -40.03

 

CMYK 0 / 64 / 7 / 25

HEX #BF45B1

RGB 191 69 177

HSL 306.89, 0.49%, 0.51%

LAB 50.11, 61.26, -33.33

 

CMYK 0 / 48 / 5 / 33

HEX #AA59A1

RGB 170 89 161

HSL 306.67, 0.32%, 0.51%

LAB 49.81, 43.3, -24.62

 

CMYK 0 / 27 / 3 / 41

HEX #966D92

RGB 150 109 146

HSL 305.85, 0.16%, 0.51%

LAB 51.26, 22.71, -13.78

 

CMYK 0 / 1 / 0 / 49

HEX #828182

RGB 130 129 130

HSL 300, 0%, 0.51%

LAB 54.09, 0.57, -0.41

 

CMYK 34 / 77 / 0 / 17

HEX #8C30D3

RGB 140 48 211

HSL 273.87, 0.65%, 0.51%

LAB 41.83, 65.12, -66.75

 

CMYK 13 / 77 / 0 / 17

HEX #B830D3

RGB 184 48 211

HSL 290.06, 0.65%, 0.51%

LAB 48.27, 72.91, -56.02

 

CMYK 0 / 77 / 8 / 17

HEX #D330C3

RGB 211 48 195

HSL 305.89, 0.65%, 0.51%

LAB 51.73, 75.67, -41.03

 

CMYK 0 / 77 / 28 / 17

HEX #D33097

RGB 211 48 151

HSL 322.09, 0.65%, 0.51%

LAB 49.73, 69.87, -18.27

 

CMYK 0 / 77 / 49 / 17

HEX #D3306C

RGB 211 48 108

HSL 337.91, 0.65%, 0.51%

LAB 48.32, 65.56, 5.65

 

CMYK 0 / 79 / 9 / 43

HEX #921F85

RGB 146 31 133

HSL 306.78, 0.65%, 0.35%

LAB 35.57, 57.09, -30.23

 

CMYK 0 / 79 / 9 / 29

HEX #B426A4

RGB 180 38 164

HSL 306.76, 0.65%, 0.43%

LAB 43.9, 67.28, -35.53

 

CMYK 0 / 77 / 9 / 17

HEX #D330C1

RGB 211 48 193

HSL 306.63, 0.65%, 0.51%

LAB 51.63, 75.38, -40.03

 

CMYK 0 / 62 / 7 / 15

HEX #DA52CB

RGB 218 82 203

HSL 306.62, 0.65%, 0.59%

LAB 57.32, 66.94, -36.75

 

CMYK 0 / 48 / 5 / 12

HEX #E174D5

RGB 225 116 213

HSL 306.61, 0.64%, 0.67%

LAB 64.41, 55.18, -31.3

 

CMYK 0 / 77 / 9 / 17

HEX #D331C1

RGB 211 49 193

HSL 306.67, 0.65%, 0.51%

LAB 51.72, 75.11, -39.88

 

CMYK 0 / 54 / 77 / 17

HEX #D36130

RGB 211 97 48

HSL 18.04, 0.65%, 0.51%

LAB 54.67, 42.03, 47.95

 

CMYK 77 / 0 / 23 / 17

HEX #30D3A2

RGB 48 211 162

HSL 161.96, 0.65%, 0.51%

LAB 75.96, -52.09, 12.78

 

CMYK 0 / 77 / 9 / 17

HEX #D331C1

RGB 211 49 193

HSL 306.67, 0.65%, 0.51%

LAB 51.72, 75.11, -39.88

 

CMYK 8 / 0 / 77 / 17

HEX #C3D330

RGB 195 211 48

HSL 65.89, 0.65%, 0.51%

LAB 80.96, -24.43, 72.29

 

CMYK 77 / 8 / 0 / 17

HEX #30C3D3

RGB 48 195 211

HSL 185.89, 0.65%, 0.51%

LAB 72.47, -31.73, -18.82

 

CMYK 0 / 77 / 9 / 17

HEX #D331C1

RGB 211 49 193

HSL 306.67, 0.65%, 0.51%

LAB 51.72, 75.11, -39.88

 

CMYK 0 / 54 / 77 / 17

HEX #D36130

RGB 211 97 48

HSL 18.04, 0.65%, 0.51%

LAB 54.67, 42.03, 47.95

 

CMYK 77 / 0 / 69 / 17

HEX #30D341

RGB 48 211 65

HSL 126.26, 0.65%, 0.51%

LAB 74.57, -68.05, 58.06

 

CMYK 77 / 23 / 0 / 17

HEX #30A2D3

RGB 48 162 211

HSL 198.04, 0.65%, 0.51%

LAB 62.65, -14.87, -33.89

 

CMYK 0 / 77 / 9 / 17

HEX #D331C1

RGB 211 49 193

HSL 306.67, 0.65%, 0.51%

LAB 51.72, 75.11, -39.88

 

CMYK 0 / 31 / 77 / 17

HEX #D39230

RGB 211 146 48

HSL 36.07, 0.65%, 0.51%

LAB 65.45, 16.21, 58.48

 

CMYK 77 / 0 / 69 / 17

HEX #30D341

RGB 48 211 65

HSL 126.26, 0.65%, 0.51%

LAB 74.57, -68.05, 58.06

 

CMYK 77 / 46 / 0 / 17

HEX #3071D3

RGB 48 113 211

HSL 216.07, 0.65%, 0.51%

LAB 48.44, 14, -56.38

 

Description

Color code: HEX #D331C1 | qconv.com Color code: HEX #D331C1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 49 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 49 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 9 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 9% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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