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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 83 215 it is the complementary color RGB 42 172 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 83 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 83 215 shade: RGB 218 83 210, RGB 235 101 229, RGB 252 119 248, RGB 255 137 255 and RGB 255 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 83 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 83 215 shade: RGB 213 83 215, RGB 196 65 196, RGB 179 47 177, RGB 162 29 158 and RGB 145 11 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 83 215 shade: RGB 212 81 214, RGB 214 81 180, RGB 214 81 144, RGB 214 81 108 and RGB 214 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 83 215 shade: RGB 212 81 214, RGB 176 81 214, RGB 140 81 214, RGB 104 81 214 and RGB 81 81 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 83 215 shade matches the following richer shades: RGB 212 81 214, RGB 229 64 231 and RGB 245 46 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 83 215 shade: RGB 212 81 214, RGB 195 98 196, RGB 178 116 179, RGB 161 133 162 and RGB 145 150 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 83 215 shade: RGB 141 81 214, RGB 176 81 214, RGB 212 81 214, RGB 214 81 181 and RGB 214 81 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 83 215 shade: RGB 170 40 172, RGB 203 48 206, RGB 212 81 214, RGB 220 114 222 and RGB 228 148 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 83 215 shade: RGB 213 83 215, RGB 214 105 81 and RGB 81 214 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 83 215 shade: RGB 213 83 215, RGB 214 212 81 and RGB 81 214 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 83 215 shade: RGB 213 83 215, RGB 214 105 81, RGB 83 214 81 and RGB 81 189 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 83 215 shade: RGB 213 83 215, RGB 214 145 81, RGB 83 214 81 and RGB 81 150 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 61 / 0 / 16

HEX #D553D7

RGB 213 83 215

HSL 299.09, 0.62%, 0.58%

LAB 57.31, 67.26, -43.64

 

Complementary color

CMYK 76 / 0 / 77 / 33

HEX #2AAC28

RGB 42 172 40

HSL 119.09, 0.62%, 0.42%

LAB 61.78, -58.68, 54.07

 

CMYK 0 / 62 / 4 / 15

HEX #DA53D2

RGB 218 83 210

HSL 303.56, 0.65%, 0.59%

LAB 57.79, 67.65, -39.99

 

CMYK 0 / 57 / 3 / 8

HEX #EB65E5

RGB 235 101 229

HSL 302.69, 0.77%, 0.66%

LAB 63.86, 67.48, -40.99

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F8

RGB 252 119 248

HSL 301.8, 0.96%, 0.73%

LAB 69.94, 67.09, -41.79

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 1 / 61 / 0 / 16

HEX #D553D7

RGB 213 83 215

HSL 299.09, 0.62%, 0.58%

LAB 57.31, 67.26, -43.64

 

CMYK 0 / 67 / 0 / 23

HEX #C441C4

RGB 196 65 196

HSL 300, 0.53%, 0.51%

LAB 51.27, 67.12, -42.49

 

CMYK 0 / 74 / 1 / 30

HEX #B32FB1

RGB 179 47 177

HSL 300.91, 0.58%, 0.44%

LAB 45.35, 66.45, -40.96

 

CMYK 0 / 82 / 2 / 36

HEX #A21D9E

RGB 162 29 158

HSL 301.8, 0.7%, 0.37%

LAB 39.63, 64.93, -38.89

 

CMYK 0 / 92 / 4 / 43

HEX #910B8B

RGB 145 11 139

HSL 302.69, 0.86%, 0.31%

LAB 34.24, 62.14, -36.06

 

CMYK 1 / 62 / 0 / 16

HEX #D451D6

RGB 212 81 214

HSL 299.1, 0.62%, 0.58%

LAB 56.82, 67.66, -43.86

 

CMYK 0 / 62 / 16 / 16

HEX #D651B4

RGB 214 81 180

HSL 315.34, 0.62%, 0.58%

LAB 55.56, 62.82, -26.32

 

CMYK 0 / 62 / 33 / 16

HEX #D65190

RGB 214 81 144

HSL 331.58, 0.62%, 0.58%

LAB 54.23, 58.05, -7.27

 

CMYK 0 / 62 / 50 / 16

HEX #D6516C

RGB 214 81 108

HSL 347.82, 0.62%, 0.58%

LAB 53.24, 54.33, 12.68

 

CMYK 0 / 62 / 62 / 16

HEX #D65151

RGB 214 81 81

HSL 0, 0.62%, 0.58%

LAB 52.7, 52.28, 27.92

 

CMYK 1 / 62 / 0 / 16

HEX #D451D6

RGB 212 81 214

HSL 299.1, 0.62%, 0.58%

LAB 56.82, 67.66, -43.86

 

CMYK 18 / 62 / 0 / 16

HEX #B051D6

RGB 176 81 214

HSL 282.86, 0.62%, 0.58%

LAB 51.8, 59.11, -52.13

 

CMYK 35 / 62 / 0 / 16

HEX #8C51D6

RGB 140 81 214

HSL 266.62, 0.62%, 0.58%

LAB 47.39, 50.92, -59.46

 

CMYK 51 / 62 / 0 / 16

HEX #6851D6

RGB 104 81 214

HSL 250.38, 0.62%, 0.58%

LAB 43.77, 43.61, -65.48

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 1 / 62 / 0 / 16

HEX #D451D6

RGB 212 81 214

HSL 299.1, 0.62%, 0.58%

LAB 56.82, 67.66, -43.86

 

CMYK 1 / 72 / 0 / 9

HEX #E540E7

RGB 229 64 231

HSL 299.28, 0.78%, 0.58%

LAB 58.13, 80.23, -51.21

 

CMYK 1 / 81 / 0 / 3

HEX #F52EF8

RGB 245 46 248

HSL 299.11, 0.94%, 0.58%

LAB 60.02, 90.44, -57.54

 

CMYK 1 / 62 / 0 / 16

HEX #D451D6

RGB 212 81 214

HSL 299.1, 0.62%, 0.58%

LAB 56.82, 67.66, -43.86

 

CMYK 1 / 50 / 0 / 23

HEX #C362C4

RGB 195 98 196

HSL 299.39, 0.45%, 0.58%

LAB 56.41, 52.44, -34.42

 

CMYK 1 / 35 / 0 / 30

HEX #B274B3

RGB 178 116 179

HSL 299.05, 0.29%, 0.58%

LAB 57.28, 34.64, -23.5

 

CMYK 1 / 18 / 0 / 36

HEX #A185A2

RGB 161 133 162

HSL 297.93, 0.13%, 0.58%

LAB 58.94, 15.93, -11.39

 

CMYK 3 / 0 / 4 / 41

HEX #919690

RGB 145 150 144

HSL 110, 0.03%, 0.58%

LAB 61.52, -2.97, 2.52

 

CMYK 34 / 62 / 0 / 16

HEX #8D51D6

RGB 141 81 214

HSL 267.07, 0.62%, 0.58%

LAB 47.5, 51.14, -59.28

 

CMYK 18 / 62 / 0 / 16

HEX #B051D6

RGB 176 81 214

HSL 282.86, 0.62%, 0.58%

LAB 51.8, 59.11, -52.13

 

CMYK 1 / 62 / 0 / 16

HEX #D451D6

RGB 212 81 214

HSL 299.1, 0.62%, 0.58%

LAB 56.82, 67.66, -43.86

 

CMYK 0 / 62 / 15 / 16

HEX #D651B5

RGB 214 81 181

HSL 314.89, 0.62%, 0.58%

LAB 55.6, 62.97, -26.84

 

CMYK 0 / 62 / 32 / 16

HEX #D65191

RGB 214 81 145

HSL 331.13, 0.62%, 0.58%

LAB 54.27, 58.17, -7.82

 

CMYK 1 / 77 / 0 / 33

HEX #AA28AC

RGB 170 40 172

HSL 299.09, 0.62%, 0.42%

LAB 42.83, 65.86, -42.1

 

CMYK 1 / 77 / 0 / 19

HEX #CB30CE

RGB 203 48 206

HSL 298.86, 0.62%, 0.5%

LAB 51, 75.73, -48.61

 

CMYK 1 / 62 / 0 / 16

HEX #D451D6

RGB 212 81 214

HSL 299.1, 0.62%, 0.58%

LAB 56.82, 67.66, -43.86

 

CMYK 1 / 49 / 0 / 13

HEX #DC72DE

RGB 220 114 222

HSL 298.89, 0.62%, 0.66%

LAB 63.77, 56.29, -37.36

 

CMYK 0 / 35 / 0 / 10

HEX #E494E5

RGB 228 148 229

HSL 299.26, 0.61%, 0.74%

LAB 71.78, 42.62, -28.75

 

CMYK 1 / 61 / 0 / 16

HEX #D553D7

RGB 213 83 215

HSL 299.09, 0.62%, 0.58%

LAB 57.31, 67.26, -43.64

 

CMYK 0 / 51 / 62 / 16

HEX #D66951

RGB 214 105 81

HSL 10.83, 0.62%, 0.58%

LAB 57.07, 40.91, 33.39

 

CMYK 62 / 0 / 26 / 16

HEX #51D69E

RGB 81 214 158

HSL 154.74, 0.62%, 0.58%

LAB 77.47, -49.29, 17.11

 

CMYK 1 / 61 / 0 / 16

HEX #D553D7

RGB 213 83 215

HSL 299.09, 0.62%, 0.58%

LAB 57.31, 67.26, -43.64

 

CMYK 0 / 1 / 62 / 16

HEX #D6D451

RGB 214 212 81

HSL 59.1, 0.62%, 0.58%

LAB 82.9, -15.38, 62.9

 

CMYK 62 / 0 / 1 / 16

HEX #51D6D4

RGB 81 214 212

HSL 179.1, 0.62%, 0.58%

LAB 78.81, -36.08, -9.77

 

CMYK 1 / 61 / 0 / 16

HEX #D553D7

RGB 213 83 215

HSL 299.09, 0.62%, 0.58%

LAB 57.31, 67.26, -43.64

 

CMYK 0 / 51 / 62 / 16

HEX #D66951

RGB 214 105 81

HSL 10.83, 0.62%, 0.58%

LAB 57.07, 40.91, 33.39

 

CMYK 61 / 0 / 62 / 16

HEX #53D651

RGB 83 214 81

HSL 119.1, 0.62%, 0.58%

LAB 76.39, -61.25, 53.75

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 1 / 61 / 0 / 16

HEX #D553D7

RGB 213 83 215

HSL 299.09, 0.62%, 0.58%

LAB 57.31, 67.26, -43.64

 

CMYK 0 / 32 / 62 / 16

HEX #D69151

RGB 214 145 81

HSL 28.87, 0.62%, 0.58%

LAB 65.86, 19.79, 43.95

 

CMYK 61 / 0 / 62 / 16

HEX #53D651

RGB 83 214 81

HSL 119.1, 0.62%, 0.58%

LAB 76.39, -61.25, 53.75

 

CMYK 62 / 30 / 0 / 16

HEX #5196D6

RGB 81 150 214

HSL 208.87, 0.62%, 0.58%

LAB 60.26, -2.34, -39.22

 

Description

Color code: RGB 213 83 215 | qconv.com Color code: RGB 213 83 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 83 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 83 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 61 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 61% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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