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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B32FB1 it is the complementary color #4CD04E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B32FB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B32FB1 shade: #B82FAC, #C941BF, #DA53D2, #EB65E5 and #FC77F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B32FB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B32FB1 shade: #B32FB1, #A21D9E, #910B8B, #800078 and #6F0065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B32FB1 shade: #B12FAF, #B12F8C, #B12F69, #B12F46 and #B12F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B32FB1 shade: #B12FAF, #902FB1, #6D2FB1, #492FB1 and #2F2FB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B32FB1 shade matches the following richer shades: #B12FAF, #C31CC0 and #D50AD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B32FB1 shade: #B12FAF, #9F419D, #8C538C, #7A657A and #687768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B32FB1 shade: #6B2FB1, #8E2FB1, #B12FB1, #B12F8E and #B12F6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B32FB1 shade: #701D6E, #90268F, #B12FAF, #CB3DC9 and #D45ED2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B32FB1 shade: #B32FB1, #B1492F and #2FB17D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B32FB1 shade: #B32FB1, #B1B12F and #2FB1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B32FB1 shade: #B32FB1, #B1492F, #2FB12F and #2F97B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B32FB1 shade: #B32FB1, #B1702F, #2FB12F and #2F70B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 1 / 30

HEX #B32FB1

RGB 179 47 177

HSL 300.91, 0.58%, 0.44%

LAB 45.35, 66.45, -40.96

 

Complementary color

CMYK 63 / 0 / 63 / 18

HEX #4CD04E

RGB 76 208 78

HSL 120.91, 0.58%, 0.56%

LAB 74.32, -60.97, 52.66

 

CMYK 0 / 74 / 7 / 28

HEX #B82FAC

RGB 184 47 172

HSL 305.26, 0.59%, 0.45%

LAB 45.91, 66.75, -37.07

 

CMYK 0 / 68 / 5 / 21

HEX #C941BF

RGB 201 65 191

HSL 304.41, 0.56%, 0.52%

LAB 51.79, 67.48, -38.72

 

CMYK 0 / 62 / 4 / 15

HEX #DA53D2

RGB 218 83 210

HSL 303.56, 0.65%, 0.59%

LAB 57.79, 67.65, -39.99

 

CMYK 0 / 57 / 3 / 8

HEX #EB65E5

RGB 235 101 229

HSL 302.69, 0.77%, 0.66%

LAB 63.86, 67.48, -40.99

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F8

RGB 252 119 248

HSL 301.8, 0.96%, 0.73%

LAB 69.94, 67.09, -41.79

 

CMYK 0 / 74 / 1 / 30

HEX #B32FB1

RGB 179 47 177

HSL 300.91, 0.58%, 0.44%

LAB 45.35, 66.45, -40.96

 

CMYK 0 / 82 / 2 / 36

HEX #A21D9E

RGB 162 29 158

HSL 301.8, 0.7%, 0.37%

LAB 39.63, 64.93, -38.89

 

CMYK 0 / 92 / 4 / 43

HEX #910B8B

RGB 145 11 139

HSL 302.69, 0.86%, 0.31%

LAB 34.24, 62.14, -36.06

 

CMYK 0 / 100 / 6 / 50

HEX #800078

RGB 128 0 120

HSL 303.75, 1%, 0.25%

LAB 29.27, 57.71, -32.25

 

CMYK 0 / 100 / 9 / 56

HEX #6F0065

RGB 111 0 101

HSL 305.41, 1%, 0.22%

LAB 24.7, 51.66, -27.49

 

CMYK 0 / 73 / 1 / 31

HEX #B12FAF

RGB 177 47 175

HSL 300.92, 0.58%, 0.44%

LAB 44.91, 65.69, -40.5

 

CMYK 0 / 73 / 21 / 31

HEX #B12F8C

RGB 177 47 140

HSL 317.08, 0.58%, 0.44%

LAB 43.17, 60.45, -22.24

 

CMYK 0 / 73 / 41 / 31

HEX #B12F69

RGB 177 47 105

HSL 333.23, 0.58%, 0.44%

LAB 41.85, 56.25, -2.67

 

CMYK 0 / 73 / 60 / 31

HEX #B12F46

RGB 177 47 70

HSL 349.38, 0.58%, 0.44%

LAB 40.93, 53.25, 18.01

 

CMYK 0 / 73 / 73 / 31

HEX #B12F2F

RGB 177 47 47

HSL 0, 0.58%, 0.44%

LAB 40.55, 51.96, 31.63

 

CMYK 0 / 73 / 1 / 31

HEX #B12FAF

RGB 177 47 175

HSL 300.92, 0.58%, 0.44%

LAB 44.91, 65.69, -40.5

 

CMYK 19 / 73 / 0 / 31

HEX #902FB1

RGB 144 47 177

HSL 284.77, 0.58%, 0.44%

LAB 39.81, 59.07, -50.13

 

CMYK 38 / 73 / 0 / 31

HEX #6D2FB1

RGB 109 47 177

HSL 268.62, 0.58%, 0.44%

LAB 34.92, 52.26, -58.28

 

CMYK 59 / 73 / 0 / 31

HEX #492FB1

RGB 73 47 177

HSL 252, 0.58%, 0.44%

LAB 30.93, 46.42, -64.96

 

CMYK 73 / 73 / 0 / 31

HEX #2F2FB1

RGB 47 47 177

HSL 240, 0.58%, 0.44%

LAB 28.93, 43.35, -68.33

 

CMYK 0 / 73 / 1 / 31

HEX #B12FAF

RGB 177 47 175

HSL 300.92, 0.58%, 0.44%

LAB 44.91, 65.69, -40.5

 

CMYK 0 / 86 / 2 / 24

HEX #C31CC0

RGB 195 28 192

HSL 301.08, 0.75%, 0.44%

LAB 47.29, 76.62, -46.51

 

CMYK 0 / 95 / 1 / 16

HEX #D50AD2

RGB 213 10 210

HSL 300.89, 0.91%, 0.44%

LAB 50.71, 84.6, -51.27

 

CMYK 0 / 73 / 1 / 31

HEX #B12FAF

RGB 177 47 175

HSL 300.92, 0.58%, 0.44%

LAB 44.91, 65.69, -40.5

 

CMYK 0 / 59 / 1 / 38

HEX #9F419D

RGB 159 65 157

HSL 301.28, 0.42%, 0.44%

LAB 43.63, 51.23, -32

 

CMYK 0 / 41 / 0 / 45

HEX #8C538C

RGB 140 83 140

HSL 300, 0.26%, 0.44%

LAB 43.73, 33.03, -21.82

 

CMYK 0 / 17 / 0 / 52

HEX #7A657A

RGB 122 101 122

HSL 300, 0.09%, 0.44%

LAB 45.43, 12.4, -8.58

 

CMYK 13 / 0 / 13 / 53

HEX #687768

RGB 104 119 104

HSL 120, 0.07%, 0.44%

LAB 48.43, -8.7, 6.38

 

CMYK 40 / 73 / 0 / 31

HEX #6B2FB1

RGB 107 47 177

HSL 267.69, 0.58%, 0.44%

LAB 34.67, 51.9, -58.71

 

CMYK 20 / 73 / 0 / 31

HEX #8E2FB1

RGB 142 47 177

HSL 283.85, 0.58%, 0.44%

LAB 39.51, 58.66, -50.63

 

CMYK 0 / 73 / 0 / 31

HEX #B12FB1

RGB 177 47 177

HSL 300, 0.58%, 0.44%

LAB 45.02, 66.02, -41.51

 

CMYK 0 / 73 / 20 / 31

HEX #B12F8E

RGB 177 47 142

HSL 316.15, 0.58%, 0.44%

LAB 43.26, 60.73, -23.32

 

CMYK 0 / 73 / 40 / 31

HEX #B12F6B

RGB 177 47 107

HSL 332.31, 0.58%, 0.44%

LAB 41.91, 56.46, -3.82

 

CMYK 0 / 74 / 2 / 56

HEX #701D6E

RGB 112 29 110

HSL 301.45, 0.59%, 0.28%

LAB 27.98, 45.98, -28.11

 

CMYK 0 / 74 / 1 / 44

HEX #90268F

RGB 144 38 143

HSL 300.57, 0.58%, 0.36%

LAB 36.55, 56.03, -34.85

 

CMYK 0 / 73 / 1 / 31

HEX #B12FAF

RGB 177 47 175

HSL 300.92, 0.58%, 0.44%

LAB 44.91, 65.69, -40.5

 

CMYK 0 / 70 / 1 / 20

HEX #CB3DC9

RGB 203 61 201

HSL 300.85, 0.58%, 0.52%

LAB 52.12, 70.94, -43.95

 

CMYK 0 / 56 / 1 / 17

HEX #D45ED2

RGB 212 94 210

HSL 301.02, 0.58%, 0.6%

LAB 58.65, 61.42, -38.7

 

CMYK 0 / 74 / 1 / 30

HEX #B32FB1

RGB 179 47 177

HSL 300.91, 0.58%, 0.44%

LAB 45.35, 66.45, -40.96

 

CMYK 0 / 59 / 73 / 31

HEX #B1492F

RGB 177 73 47

HSL 12, 0.58%, 0.44%

LAB 44.68, 40.83, 36.29

 

CMYK 73 / 0 / 29 / 31

HEX #2FB17D

RGB 47 177 125

HSL 156, 0.58%, 0.44%

LAB 64.59, -47.04, 16.82

 

CMYK 0 / 74 / 1 / 30

HEX #B32FB1

RGB 179 47 177

HSL 300.91, 0.58%, 0.44%

LAB 45.35, 66.45, -40.96

 

CMYK 0 / 0 / 73 / 31

HEX #B1B12F

RGB 177 177 47

HSL 60, 0.58%, 0.44%

LAB 70.17, -15.23, 62.13

 

CMYK 73 / 0 / 0 / 31

HEX #2FB1B1

RGB 47 177 177

HSL 180, 0.58%, 0.44%

LAB 65.92, -33.48, -10

 

CMYK 0 / 74 / 1 / 30

HEX #B32FB1

RGB 179 47 177

HSL 300.91, 0.58%, 0.44%

LAB 45.35, 66.45, -40.96

 

CMYK 0 / 59 / 73 / 31

HEX #B1492F

RGB 177 73 47

HSL 12, 0.58%, 0.44%

LAB 44.68, 40.83, 36.29

 

CMYK 73 / 0 / 73 / 31

HEX #2FB12F

RGB 47 177 47

HSL 120, 0.58%, 0.44%

LAB 63.55, -58.95, 53.4

 

CMYK 73 / 15 / 0 / 31

HEX #2F97B1

RGB 47 151 177

HSL 192, 0.58%, 0.44%

LAB 57.95, -20.51, -22.06

 

CMYK 0 / 74 / 1 / 30

HEX #B32FB1

RGB 179 47 177

HSL 300.91, 0.58%, 0.44%

LAB 45.35, 66.45, -40.96

 

CMYK 0 / 37 / 73 / 31

HEX #B1702F

RGB 177 112 47

HSL 30, 0.58%, 0.44%

LAB 53.1, 20.09, 45.29

 

CMYK 73 / 0 / 73 / 31

HEX #2FB12F

RGB 47 177 47

HSL 120, 0.58%, 0.44%

LAB 63.55, -58.95, 53.4

 

CMYK 73 / 37 / 0 / 31

HEX #2F70B1

RGB 47 112 177

HSL 210, 0.58%, 0.44%

LAB 46.13, 1.8, -40.49

 

Description

Color code: HEX #B32FB1 | qconv.com Color code: HEX #B32FB1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 47 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 47 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 1 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 1% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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