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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 189 214 it is the complementary color RGB 174 66 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 189 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 189 214 shade: RGB 86 189 209, RGB 103 207 228, RGB 120 225 247, RGB 137 243 255 and RGB 154 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 189 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 189 214 shade: RGB 81 189 214, RGB 64 171 195, RGB 47 153 176, RGB 30 135 157 and RGB 13 117 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 189 214 shade: RGB 81 189 214, RGB 81 153 214, RGB 81 117 214, RGB 81 81 214 and RGB 116 81 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 189 214 shade: RGB 81 189 214, RGB 81 153 214, RGB 81 117 214, RGB 81 81 214 and RGB 81 81 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 189 214 shade matches the following richer shades: RGB 81 189 214, RGB 64 200 231 and RGB 46 210 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 189 214 shade: RGB 81 189 214, RGB 98 178 196, RGB 116 167 179, RGB 133 156 162 and RGB 150 146 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 189 214 shade: RGB 81 214 167, RGB 81 214 203, RGB 81 189 214, RGB 81 154 214 and RGB 81 119 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 189 214 shade: RGB 40 147 172, RGB 48 176 206, RGB 81 189 214, RGB 114 201 222 and RGB 148 214 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 189 214 shade: RGB 81 189 214, RGB 132 81 214 and RGB 214 185 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 189 214 shade: RGB 81 189 214, RGB 214 81 189 and RGB 189 214 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 189 214 shade: RGB 81 189 214, RGB 132 81 214, RGB 214 105 81 and RGB 163 214 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 189 214 shade: RGB 81 189 214, RGB 172 81 214, RGB 214 105 81 and RGB 123 214 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

Complementary color

CMYK 0 / 62 / 76 / 32

HEX #AE4229

RGB 174 66 41

HSL 11.28, 0.62%, 0.42%

LAB 42.85, 42.77, 37.42

 

CMYK 59 / 10 / 0 / 18

HEX #56BDD1

RGB 86 189 209

HSL 189.76, 0.57%, 0.58%

LAB 71.54, -23.98, -19.05

 

CMYK 55 / 9 / 0 / 11

HEX #67CFE4

RGB 103 207 228

HSL 190.08, 0.7%, 0.65%

LAB 77.94, -24.35, -19.58

 

CMYK 51 / 9 / 0 / 3

HEX #78E1F7

RGB 120 225 247

HSL 190.39, 0.89%, 0.72%

LAB 84.26, -24.62, -20.08

 

CMYK 46 / 5 / 0 / 0

HEX #89F3FF

RGB 137 243 255

HSL 186.1, 1%, 0.77%

LAB 90.16, -27.66, -15.33

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 67 / 12 / 0 / 24

HEX #40ABC3

RGB 64 171 195

HSL 190.99, 0.52%, 0.51%

LAB 65.09, -22.75, -21.22

 

CMYK 73 / 13 / 0 / 31

HEX #2F99B0

RGB 47 153 176

HSL 190.7, 0.58%, 0.44%

LAB 58.53, -21.88, -20.61

 

CMYK 81 / 14 / 0 / 38

HEX #1E879D

RGB 30 135 157

HSL 190.39, 0.68%, 0.37%

LAB 51.88, -20.69, -19.92

 

CMYK 91 / 15 / 0 / 46

HEX #0D758A

RGB 13 117 138

HSL 190.08, 0.83%, 0.3%

LAB 45.14, -19.03, -19.12

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 62 / 29 / 0 / 16

HEX #5199D6

RGB 81 153 214

HSL 207.52, 0.62%, 0.58%

LAB 61.12, -4.05, -37.88

 

CMYK 62 / 45 / 0 / 16

HEX #5175D6

RGB 81 117 214

HSL 223.76, 0.62%, 0.58%

LAB 51.07, 17.41, -53.79

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 46 / 62 / 0 / 16

HEX #7451D6

RGB 116 81 214

HSL 255.79, 0.62%, 0.58%

LAB 44.88, 45.91, -63.65

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 62 / 29 / 0 / 16

HEX #5199D6

RGB 81 153 214

HSL 207.52, 0.62%, 0.58%

LAB 61.12, -4.05, -37.88

 

CMYK 62 / 45 / 0 / 16

HEX #5175D6

RGB 81 117 214

HSL 223.76, 0.62%, 0.58%

LAB 51.07, 17.41, -53.79

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 72 / 13 / 0 / 9

HEX #40C8E7

RGB 64 200 231

HSL 191.14, 0.78%, 0.58%

LAB 74.93, -26.23, -25.88

 

CMYK 81 / 15 / 0 / 3

HEX #2ED2F8

RGB 46 210 248

HSL 191.29, 0.94%, 0.58%

LAB 78.14, -27.63, -30.1

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 50 / 9 / 0 / 23

HEX #62B2C4

RGB 98 178 196

HSL 191.02, 0.45%, 0.58%

LAB 68.33, -19.61, -16.74

 

CMYK 35 / 7 / 0 / 30

HEX #74A7B3

RGB 116 167 179

HSL 191.43, 0.29%, 0.58%

LAB 65.44, -13.82, -11.58

 

CMYK 18 / 4 / 0 / 36

HEX #859CA2

RGB 133 156 162

HSL 192.41, 0.13%, 0.58%

LAB 62.82, -6.72, -5.84

 

CMYK 0 / 3 / 4 / 41

HEX #969290

RGB 150 146 144

HSL 20, 0.03%, 0.58%

LAB 60.83, 1.09, 1.57

 

CMYK 62 / 0 / 22 / 16

HEX #51D6A7

RGB 81 214 167

HSL 158.8, 0.62%, 0.58%

LAB 77.66, -47.32, 12.61

 

CMYK 62 / 0 / 5 / 16

HEX #51D6CB

RGB 81 214 203

HSL 175.04, 0.62%, 0.58%

LAB 78.55, -38.5, -5.33

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 62 / 28 / 0 / 16

HEX #519AD6

RGB 81 154 214

HSL 207.07, 0.62%, 0.58%

LAB 61.41, -4.62, -37.43

 

CMYK 62 / 44 / 0 / 16

HEX #5177D6

RGB 81 119 214

HSL 222.86, 0.62%, 0.58%

LAB 51.61, 16.17, -52.93

 

CMYK 77 / 15 / 0 / 33

HEX #2893AC

RGB 40 147 172

HSL 191.36, 0.62%, 0.42%

LAB 56.38, -20.91, -21.63

 

CMYK 77 / 15 / 0 / 19

HEX #30B0CE

RGB 48 176 206

HSL 191.39, 0.62%, 0.5%

LAB 66.62, -23.9, -24.99

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 49 / 9 / 0 / 13

HEX #72C9DE

RGB 114 201 222

HSL 191.67, 0.62%, 0.66%

LAB 76.45, -20.67, -18.57

 

CMYK 35 / 7 / 0 / 10

HEX #94D6E5

RGB 148 214 229

HSL 191.11, 0.61%, 0.74%

LAB 81.86, -17.12, -14.01

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 38 / 62 / 0 / 16

HEX #8451D6

RGB 132 81 214

HSL 263.01, 0.62%, 0.58%

LAB 46.51, 49.2, -60.93

 

CMYK 0 / 14 / 62 / 16

HEX #D6B951

RGB 214 185 81

HSL 46.92, 0.62%, 0.58%

LAB 75.82, -1.59, 55.24

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 0 / 62 / 12 / 16

HEX #D651BD

RGB 214 81 189

HSL 311.28, 0.62%, 0.58%

LAB 55.94, 64.16, -30.93

 

CMYK 12 / 0 / 62 / 16

HEX #BDD651

RGB 189 214 81

HSL 71.28, 0.62%, 0.58%

LAB 81.57, -26.52, 60.91

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 38 / 62 / 0 / 16

HEX #8451D6

RGB 132 81 214

HSL 263.01, 0.62%, 0.58%

LAB 46.51, 49.2, -60.93

 

CMYK 0 / 51 / 62 / 16

HEX #D66951

RGB 214 105 81

HSL 10.83, 0.62%, 0.58%

LAB 57.07, 40.91, 33.39

 

CMYK 24 / 0 / 62 / 16

HEX #A3D651

RGB 163 214 81

HSL 83.01, 0.62%, 0.58%

LAB 79.88, -36.62, 58.59

 

CMYK 62 / 12 / 0 / 16

HEX #51BDD6

RGB 81 189 214

HSL 191.28, 0.62%, 0.58%

LAB 71.55, -23.4, -21.77

 

CMYK 20 / 62 / 0 / 16

HEX #AC51D6

RGB 172 81 214

HSL 281.05, 0.62%, 0.58%

LAB 51.28, 58.18, -53

 

CMYK 0 / 51 / 62 / 16

HEX #D66951

RGB 214 105 81

HSL 10.83, 0.62%, 0.58%

LAB 57.07, 40.91, 33.39

 

CMYK 43 / 0 / 62 / 16

HEX #7BD651

RGB 123 214 81

HSL 101.05, 0.62%, 0.58%

LAB 77.81, -50.48, 55.73

 

Description

Color code: RGB 81 189 214 | qconv.com Color code: RGB 81 189 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 189 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 189 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 12 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 12% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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