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Color name
RGB 206 51 178

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 51 178 it is the complementary color RGB 49 204 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 51 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 51 178 shade: RGB 211 51 173, RGB 228 69 192, RGB 245 87 211, RGB 255 105 230 and RGB 255 123 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 51 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 51 178 shade: RGB 206 51 178, RGB 189 33 159, RGB 172 15 140, RGB 155 0 121 and RGB 138 0 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 51 178 shade: RGB 205 49 177, RGB 205 49 135, RGB 205 49 93, RGB 205 49 51 and RGB 205 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 51 178 shade: RGB 205 49 177, RGB 191 49 205, RGB 149 49 205, RGB 107 49 205 and RGB 65 49 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 51 178 shade matches the following richer shades: RGB 205 49 177, RGB 225 29 190 and RGB 246 8 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 51 178 shade: RGB 205 49 177, RGB 184 70 163, RGB 164 90 150, RGB 143 111 137 and RGB 122 132 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 51 178 shade: RGB 148 49 205, RGB 189 49 205, RGB 205 49 179, RGB 205 49 137 and RGB 205 49 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 51 178 shade: RGB 138 33 119, RGB 172 41 148, RGB 205 49 177, RGB 213 82 189 and RGB 221 116 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 51 178 shade: RGB 206 51 178, RGB 205 106 49 and RGB 49 205 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 51 178 shade: RGB 206 51 178, RGB 179 205 49 and RGB 49 179 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 51 178 shade: RGB 206 51 178, RGB 205 106 49, RGB 49 205 75 and RGB 49 148 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 51 178 shade: RGB 206 51 178, RGB 205 153 49, RGB 49 205 75 and RGB 49 101 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 14 / 19

HEX #CE33B2

RGB 206 51 178

HSL 310.84, 0.61%, 0.5%

LAB 50.34, 71.32, -33.38

 

Complementary color

CMYK 76 / 0 / 62 / 20

HEX #31CC4D

RGB 49 204 77

HSL 130.84, 0.61%, 0.5%

LAB 72.48, -64.47, 50.86

 

CMYK 0 / 76 / 18 / 17

HEX #D333AD

RGB 211 51 173

HSL 314.25, 0.65%, 0.51%

LAB 50.96, 71.77, -29.41

 

CMYK 0 / 70 / 16 / 11

HEX #E445C0

RGB 228 69 192

HSL 313.58, 0.75%, 0.58%

LAB 56.64, 72.62, -31.4

 

CMYK 0 / 64 / 14 / 4

HEX #F557D3

RGB 245 87 211

HSL 312.91, 0.89%, 0.65%

LAB 62.45, 72.94, -32.98

 

CMYK 0 / 59 / 10 / 0

HEX #FF69E6

RGB 255 105 230

HSL 310, 1%, 0.71%

LAB 67.33, 71.08, -35.9

 

CMYK 0 / 52 / 2 / 0

HEX #FF7BF9

RGB 255 123 249

HSL 302.73, 1%, 0.74%

LAB 71.05, 66.24, -40.57

 

CMYK 0 / 75 / 14 / 19

HEX #CE33B2

RGB 206 51 178

HSL 310.84, 0.61%, 0.5%

LAB 50.34, 71.32, -33.38

 

CMYK 0 / 83 / 16 / 26

HEX #BD219F

RGB 189 33 159

HSL 311.54, 0.7%, 0.44%

LAB 44.81, 69.72, -30.99

 

CMYK 0 / 91 / 19 / 33

HEX #AC0F8C

RGB 172 15 140

HSL 312.23, 0.84%, 0.37%

LAB 39.59, 67, -27.88

 

CMYK 0 / 100 / 22 / 39

HEX #9B0079

RGB 155 0 121

HSL 313.16, 1%, 0.3%

LAB 34.7, 63.01, -23.97

 

CMYK 0 / 100 / 26 / 46

HEX #8A0066

RGB 138 0 102

HSL 315.65, 1%, 0.27%

LAB 30.31, 57.21, -18.94

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B1

RGB 205 49 177

HSL 310.77, 0.61%, 0.5%

LAB 49.92, 71.54, -33.46

 

CMYK 0 / 76 / 34 / 20

HEX #CD3187

RGB 205 49 135

HSL 326.92, 0.61%, 0.5%

LAB 48.17, 66.29, -11.14

 

CMYK 0 / 76 / 55 / 20

HEX #CD315D

RGB 205 49 93

HSL 343.08, 0.61%, 0.5%

LAB 46.93, 62.43, 12.75

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B1

RGB 205 49 177

HSL 310.77, 0.61%, 0.5%

LAB 49.92, 71.54, -33.46

 

CMYK 7 / 76 / 0 / 20

HEX #BF31CD

RGB 191 49 205

HSL 294.62, 0.61%, 0.5%

LAB 49.11, 72.92, -51.17

 

CMYK 27 / 76 / 0 / 20

HEX #9531CD

RGB 149 49 205

HSL 278.46, 0.61%, 0.5%

LAB 42.75, 65.01, -61.73

 

CMYK 48 / 76 / 0 / 20

HEX #6B31CD

RGB 107 49 205

HSL 262.31, 0.61%, 0.5%

LAB 37.35, 58.12, -70.77

 

CMYK 68 / 76 / 0 / 20

HEX #4131CD

RGB 65 49 205

HSL 246.15, 0.61%, 0.5%

LAB 33.41, 52.94, -77.4

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B1

RGB 205 49 177

HSL 310.77, 0.61%, 0.5%

LAB 49.92, 71.54, -33.46

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 97 / 17 / 4

HEX #F608CB

RGB 246 8 203

HSL 310.84, 0.94%, 0.5%

LAB 56.17, 89.51, -38.23

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B1

RGB 205 49 177

HSL 310.77, 0.61%, 0.5%

LAB 49.92, 71.54, -33.46

 

CMYK 0 / 62 / 11 / 28

HEX #B846A3

RGB 184 70 163

HSL 311.05, 0.45%, 0.5%

LAB 48.53, 56.78, -27.63

 

CMYK 0 / 45 / 9 / 36

HEX #A45A96

RGB 164 90 150

HSL 311.35, 0.29%, 0.5%

LAB 48.77, 38.91, -19.79

 

CMYK 0 / 22 / 4 / 44

HEX #8F6F89

RGB 143 111 137

HSL 311.25, 0.13%, 0.5%

LAB 50.7, 17.26, -9.39

 

CMYK 8 / 0 / 6 / 48

HEX #7A847C

RGB 122 132 124

HSL 132, 0.04%, 0.5%

LAB 54.13, -5.3, 3.05

 

CMYK 28 / 76 / 0 / 20

HEX #9431CD

RGB 148 49 205

HSL 278.08, 0.61%, 0.5%

LAB 42.61, 64.83, -61.96

 

CMYK 8 / 76 / 0 / 20

HEX #BD31CD

RGB 189 49 205

HSL 293.85, 0.61%, 0.5%

LAB 48.79, 72.53, -51.69

 

CMYK 0 / 76 / 13 / 20

HEX #CD31B3

RGB 205 49 179

HSL 310, 0.61%, 0.5%

LAB 50.01, 71.82, -34.48

 

CMYK 0 / 76 / 33 / 20

HEX #CD3189

RGB 205 49 137

HSL 326.15, 0.61%, 0.5%

LAB 48.24, 66.51, -12.24

 

CMYK 0 / 76 / 53 / 20

HEX #CD3160

RGB 205 49 96

HSL 341.92, 0.61%, 0.5%

LAB 47, 62.66, 11

 

CMYK 0 / 76 / 14 / 46

HEX #8A2177

RGB 138 33 119

HSL 310.86, 0.61%, 0.34%

LAB 33.61, 52.43, -24.65

 

CMYK 0 / 76 / 14 / 33

HEX #AC2994

RGB 172 41 148

HSL 310.99, 0.62%, 0.42%

LAB 41.99, 62.3, -29

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B1

RGB 205 49 177

HSL 310.77, 0.61%, 0.5%

LAB 49.92, 71.54, -33.46

 

CMYK 0 / 62 / 11 / 16

HEX #D552BD

RGB 213 82 189

HSL 310.99, 0.61%, 0.58%

LAB 55.94, 63.48, -30.94

 

CMYK 0 / 48 / 9 / 13

HEX #DD74CA

RGB 221 116 202

HSL 310.86, 0.61%, 0.66%

LAB 63.45, 52.17, -26.64

 

CMYK 0 / 75 / 14 / 19

HEX #CE33B2

RGB 206 51 178

HSL 310.84, 0.61%, 0.5%

LAB 50.34, 71.32, -33.38

 

CMYK 0 / 48 / 76 / 20

HEX #CD6A31

RGB 205 106 49

HSL 21.92, 0.61%, 0.5%

LAB 55.59, 35.16, 48.12

 

CMYK 76 / 0 / 18 / 20

HEX #31CDA8

RGB 49 205 168

HSL 165.77, 0.61%, 0.5%

LAB 74.28, -48.08, 7.17

 

CMYK 0 / 75 / 14 / 19

HEX #CE33B2

RGB 206 51 178

HSL 310.84, 0.61%, 0.5%

LAB 50.34, 71.32, -33.38

 

CMYK 13 / 0 / 76 / 20

HEX #B3CD31

RGB 179 205 49

HSL 70, 0.61%, 0.5%

LAB 78.15, -28.1, 68.99

 

CMYK 76 / 13 / 0 / 20

HEX #31B3CD

RGB 49 179 205

HSL 190, 0.61%, 0.5%

LAB 67.5, -25.63, -23.09

 

CMYK 0 / 75 / 14 / 19

HEX #CE33B2

RGB 206 51 178

HSL 310.84, 0.61%, 0.5%

LAB 50.34, 71.32, -33.38

 

CMYK 0 / 48 / 76 / 20

HEX #CD6A31

RGB 205 106 49

HSL 21.92, 0.61%, 0.5%

LAB 55.59, 35.16, 48.12

 

CMYK 76 / 0 / 63 / 20

HEX #31CD4B

RGB 49 205 75

HSL 130, 0.61%, 0.5%

LAB 72.78, -65.02, 52.06

 

CMYK 76 / 28 / 0 / 20

HEX #3194CD

RGB 49 148 205

HSL 201.92, 0.61%, 0.5%

LAB 58.26, -9.09, -37.39

 

CMYK 0 / 75 / 14 / 19

HEX #CE33B2

RGB 206 51 178

HSL 310.84, 0.61%, 0.5%

LAB 50.34, 71.32, -33.38

 

CMYK 0 / 25 / 76 / 20

HEX #CD9931

RGB 205 153 49

HSL 40, 0.61%, 0.5%

LAB 66.51, 9.85, 58.86

 

CMYK 76 / 0 / 63 / 20

HEX #31CD4B

RGB 49 205 75

HSL 130, 0.61%, 0.5%

LAB 72.78, -65.02, 52.06

 

CMYK 76 / 51 / 0 / 20

HEX #3165CD

RGB 49 101 205

HSL 220, 0.61%, 0.5%

LAB 44.76, 19.5, -58.89

 

Description

Color code: RGB 206 51 178 | qconv.com Color code: RGB 206 51 178 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 51 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 51 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 14 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 14% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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