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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E11DBE it is the complementary color #1EE241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E11DBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E11DBE shade: #E61DB9, #F72FCC, #FF41DF, #FF53F2 and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E11DBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E11DBE shade: #E11DBE, #D00BAB, #BF0098, #AE0085 and #9D0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E11DBE shade: #E11DBE, #E11D89, #E11D54, #E11D1F and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E11DBE shade: #E11DBE, #CF1DE1, #9A1DE1, #651DE1 and #301DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E11DBE shade matches the following richer shades: #E11DBE and #F608CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E11DBE shade: #E11DBE, #CD31B1, #B846A4, #A35B96 and #8F6F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E11DBE shade: #991DE1, #CE1DE1, #E11DC0, #E11D8C and #E11D58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E11DBE shade: #981380, #BD189F, #E11DBE, #E641C9 and #EB66D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E11DBE shade: #E11DBE, #E1651D and #1DE1B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E11DBE shade: #E11DBE, #C0E11D and #1DC0E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E11DBE shade: #E11DBE, #E1651D, #1DE13E and #1D99E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E11DBE shade: #E11DBE, #E1A01D, #1DE13E and #1D5EE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

Complementary color

CMYK 87 / 0 / 71 / 11

HEX #1EE241

RGB 30 226 65

HSL 130.71, 0.77%, 0.5%

LAB 79.07, -74.4, 62.69

 

CMYK 0 / 87 / 20 / 10

HEX #E61DB9

RGB 230 29 185

HSL 313.43, 0.8%, 0.51%

LAB 53.17, 82.16, -32.73

 

CMYK 0 / 81 / 17 / 3

HEX #F72FCC

RGB 247 47 204

HSL 312.9, 0.93%, 0.58%

LAB 58.2, 84.56, -35.61

 

CMYK 0 / 75 / 13 / 0

HEX #FF41DF

RGB 255 65 223

HSL 310.11, 1%, 0.63%

LAB 61.97, 84.2, -40.37

 

CMYK 0 / 67 / 5 / 0

HEX #FF53F2

RGB 255 83 242

HSL 304.53, 1%, 0.66%

LAB 64.85, 81.29, -46.45

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 95 / 18 / 18

HEX #D00BAB

RGB 208 11 171

HSL 311.27, 0.9%, 0.43%

LAB 47.74, 78.39, -33.3

 

CMYK 0 / 100 / 20 / 25

HEX #BF0098

RGB 191 0 152

HSL 312.25, 1%, 0.37%

LAB 43.28, 73.8, -29.16

 

CMYK 0 / 100 / 24 / 32

HEX #AE0085

RGB 174 0 133

HSL 314.14, 1%, 0.34%

LAB 39.06, 68.23, -24.38

 

CMYK 0 / 100 / 27 / 38

HEX #9D0072

RGB 157 0 114

HSL 316.43, 1%, 0.31%

LAB 34.77, 62.56, -19.41

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 87 / 39 / 12

HEX #E11D89

RGB 225 29 137

HSL 326.94, 0.77%, 0.5%

LAB 50.33, 75.9, -8.73

 

CMYK 0 / 87 / 63 / 12

HEX #E11D54

RGB 225 29 84

HSL 343.16, 0.77%, 0.5%

LAB 48.92, 71.93, 21.61

 

CMYK 0 / 87 / 86 / 12

HEX #E11D1F

RGB 225 29 31

HSL 359.39, 0.77%, 0.5%

LAB 48.24, 69.98, 51.02

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 8 / 87 / 0 / 12

HEX #CF1DE1

RGB 207 29 225

HSL 294.49, 0.77%, 0.5%

LAB 51.36, 83.61, -58.84

 

CMYK 32 / 87 / 0 / 12

HEX #9A1DE1

RGB 154 29 225

HSL 278.27, 0.77%, 0.5%

LAB 43.04, 75.64, -72.72

 

CMYK 55 / 87 / 0 / 12

HEX #651DE1

RGB 101 29 225

HSL 262.04, 0.77%, 0.5%

LAB 36.14, 69.63, -84.32

 

CMYK 79 / 87 / 0 / 12

HEX #301DE1

RGB 48 29 225

HSL 245.82, 0.77%, 0.5%

LAB 31.68, 66.18, -91.85

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 97 / 17 / 4

HEX #F608CB

RGB 246 8 203

HSL 310.84, 0.94%, 0.5%

LAB 56.17, 89.51, -38.23

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B1

RGB 205 49 177

HSL 310.77, 0.61%, 0.5%

LAB 49.92, 71.54, -33.46

 

CMYK 0 / 62 / 11 / 28

HEX #B846A4

RGB 184 70 164

HSL 310.53, 0.45%, 0.5%

LAB 48.57, 56.94, -28.16

 

CMYK 0 / 44 / 8 / 36

HEX #A35B96

RGB 163 91 150

HSL 310.83, 0.28%, 0.5%

LAB 48.85, 38.04, -19.68

 

CMYK 0 / 22 / 4 / 44

HEX #8F6F89

RGB 143 111 137

HSL 311.25, 0.13%, 0.5%

LAB 50.7, 17.26, -9.39

 

CMYK 32 / 87 / 0 / 12

HEX #991DE1

RGB 153 29 225

HSL 277.96, 0.77%, 0.5%

LAB 42.89, 75.5, -72.96

 

CMYK 8 / 87 / 0 / 12

HEX #CE1DE1

RGB 206 29 225

HSL 294.18, 0.77%, 0.5%

LAB 51.19, 83.44, -59.12

 

CMYK 0 / 87 / 15 / 12

HEX #E11DC0

RGB 225 29 192

HSL 310.1, 0.77%, 0.5%

LAB 52.61, 82.07, -37.74

 

CMYK 0 / 87 / 38 / 12

HEX #E11D8C

RGB 225 29 140

HSL 326.02, 0.77%, 0.5%

LAB 50.43, 76.18, -10.38

 

CMYK 0 / 87 / 61 / 12

HEX #E11D58

RGB 225 29 88

HSL 341.94, 0.77%, 0.5%

LAB 49, 72.16, 19.27

 

CMYK 0 / 88 / 16 / 40

HEX #981380

RGB 152 19 128

HSL 310.83, 0.78%, 0.34%

LAB 35.4, 60.59, -27.3

 

CMYK 0 / 87 / 16 / 26

HEX #BD189F

RGB 189 24 159

HSL 310.91, 0.77%, 0.42%

LAB 44.2, 71.51, -31.96

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 72 / 13 / 10

HEX #E641C9

RGB 230 65 201

HSL 310.55, 0.77%, 0.58%

LAB 56.9, 75.66, -36.13

 

CMYK 0 / 57 / 10 / 8

HEX #EB66D3

RGB 235 102 211

HSL 310.83, 0.77%, 0.66%

LAB 63.23, 64.16, -31.88

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 55 / 87 / 12

HEX #E1651D

RGB 225 101 29

HSL 22.04, 0.77%, 0.5%

LAB 57.47, 44.85, 59.24

 

CMYK 87 / 0 / 20 / 12

HEX #1DE1B3

RGB 29 225 179

HSL 165.92, 0.77%, 0.5%

LAB 80.39, -55.14, 10.01

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 15 / 0 / 87 / 12

HEX #C0E11D

RGB 192 225 29

HSL 70.1, 0.77%, 0.5%

LAB 84.56, -32.84, 79.78

 

CMYK 87 / 15 / 0 / 12

HEX #1DC0E1

RGB 29 192 225

HSL 190.1, 0.77%, 0.5%

LAB 71.82, -27.32, -27.44

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 55 / 87 / 12

HEX #E1651D

RGB 225 101 29

HSL 22.04, 0.77%, 0.5%

LAB 57.47, 44.85, 59.24

 

CMYK 87 / 0 / 72 / 12

HEX #1DE13E

RGB 29 225 62

HSL 130.1, 0.77%, 0.5%

LAB 78.73, -74.43, 63.41

 

CMYK 87 / 32 / 0 / 12

HEX #1D99E1

RGB 29 153 225

HSL 202.04, 0.77%, 0.5%

LAB 60.32, -6.53, -45.35

 

CMYK 0 / 87 / 16 / 12

HEX #E11DBE

RGB 225 29 190

HSL 310.71, 0.77%, 0.5%

LAB 52.51, 81.81, -36.73

 

CMYK 0 / 29 / 87 / 12

HEX #E1A01D

RGB 225 160 29

HSL 40.1, 0.77%, 0.5%

LAB 70.34, 14.17, 69.47

 

CMYK 87 / 0 / 72 / 12

HEX #1DE13E

RGB 29 225 62

HSL 130.1, 0.77%, 0.5%

LAB 78.73, -74.43, 63.41

 

CMYK 87 / 58 / 0 / 12

HEX #1D5EE1

RGB 29 94 225

HSL 220.1, 0.77%, 0.5%

LAB 43.8, 29.89, -71.88

 

Description

Color code: HEX #E11DBE | qconv.com Color code: HEX #E11DBE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 29 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 29 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 16 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 16% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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