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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3133 it is the complementary color #32CECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3133 shade: #D2312E, #E34341, #F45554, #FF6767 and #FF797A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3133 shade: #CD3133, #BC1F20, #AB0D0D, #9A0000 and #890000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3133 shade: #CD3133 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3133 shade: #CD3133, #CD315D, #CD3187, #CD31B1 and #BF31CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3133 shade matches the following richer shades: #CD3133, #E11D1F and #F6080B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3133 shade: #CD3133, #B84647, #A45A5B, #8F6F70 and #7A8484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3133 shade: #CD3187, #CD315D, #CD3134, #CD5831 and #CD8231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3133 shade: #8A2122, #AC292B, #CD3133, #D55254 and #DD7475

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3133 shade: #CD3133, #B0CD31 and #3172CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3133 shade: #CD3133, #34CD31 and #3134CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3133 shade: #CD3133, #B0CD31, #31CDCA and #4E31CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3133 shade: #CD3133, #82CD31, #31CDCA and #7C31CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

Complementary color

CMYK 76 / 0 / 1 / 19

HEX #32CECC

RGB 50 206 204

HSL 179.23, 0.61%, 0.5%

LAB 75.56, -38.74, -10.37

 

CMYK 0 / 77 / 78 / 18

HEX #D2312E

RGB 210 49 46

HSL 1.1, 0.65%, 0.5%

LAB 47.1, 61.38, 41.18

 

CMYK 0 / 70 / 71 / 11

HEX #E34341

RGB 227 67 65

HSL 0.74, 0.74%, 0.57%

LAB 52.65, 61.25, 37.57

 

CMYK 0 / 65 / 66 / 4

HEX #F45554

RGB 244 85 84

HSL 0.37, 0.88%, 0.64%

LAB 58.39, 60.68, 34.39

 

CMYK 0 / 60 / 60 / 0

HEX #FF6767

RGB 255 103 103

HSL 0, 1%, 0.7%

LAB 63.29, 57.87, 30.22

 

CMYK 0 / 53 / 52 / 0

HEX #FF797A

RGB 255 121 122

HSL 359.55, 1%, 0.74%

LAB 66.78, 51.06, 24.12

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 0 / 84 / 83 / 26

HEX #BC1F20

RGB 188 31 32

HSL 359.62, 0.72%, 0.43%

LAB 40.86, 59.53, 41.13

 

CMYK 0 / 92 / 92 / 33

HEX #AB0D0D

RGB 171 13 13

HSL 0, 0.86%, 0.36%

LAB 35.94, 57.91, 44.83

 

CMYK 0 / 100 / 100 / 40

HEX #9A0000

RGB 154 0 0

HSL 0, 1%, 0.3%

LAB 31.51, 54.97, 45.41

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 0 / 76 / 55 / 20

HEX #CD315D

RGB 205 49 93

HSL 343.08, 0.61%, 0.5%

LAB 46.93, 62.43, 12.75

 

CMYK 0 / 76 / 34 / 20

HEX #CD3187

RGB 205 49 135

HSL 326.92, 0.61%, 0.5%

LAB 48.17, 66.29, -11.14

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B1

RGB 205 49 177

HSL 310.77, 0.61%, 0.5%

LAB 49.92, 71.54, -33.46

 

CMYK 7 / 76 / 0 / 20

HEX #BF31CD

RGB 191 49 205

HSL 294.62, 0.61%, 0.5%

LAB 49.11, 72.92, -51.17

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 0 / 87 / 86 / 12

HEX #E11D1F

RGB 225 29 31

HSL 359.39, 0.77%, 0.5%

LAB 48.24, 69.98, 51.02

 

CMYK 0 / 97 / 96 / 4

HEX #F6080B

RGB 246 8 11

HSL 359.24, 0.94%, 0.5%

LAB 51.6, 77.46, 62.7

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 0 / 62 / 61 / 28

HEX #B84647

RGB 184 70 71

HSL 359.47, 0.45%, 0.5%

LAB 45.67, 46.19, 23.82

 

CMYK 0 / 45 / 45 / 36

HEX #A45A5B

RGB 164 90 91

HSL 359.19, 0.29%, 0.5%

LAB 46.92, 30.35, 12.92

 

CMYK 0 / 22 / 22 / 44

HEX #8F6F70

RGB 143 111 112

HSL 358.13, 0.13%, 0.5%

LAB 49.95, 12.81, 4.3

 

CMYK 8 / 0 / 0 / 48

HEX #7A8484

RGB 122 132 132

HSL 180, 0.04%, 0.5%

LAB 54.35, -3.66, -1.27

 

CMYK 0 / 76 / 34 / 20

HEX #CD3187

RGB 205 49 135

HSL 326.92, 0.61%, 0.5%

LAB 48.17, 66.29, -11.14

 

CMYK 0 / 76 / 55 / 20

HEX #CD315D

RGB 205 49 93

HSL 343.08, 0.61%, 0.5%

LAB 46.93, 62.43, 12.75

 

CMYK 0 / 76 / 75 / 20

HEX #CD3134

RGB 205 49 52

HSL 358.85, 0.61%, 0.5%

LAB 46.21, 60.11, 36.56

 

CMYK 0 / 57 / 76 / 20

HEX #CD5831

RGB 205 88 49

HSL 15, 0.61%, 0.5%

LAB 52.04, 44.18, 44.47

 

CMYK 0 / 37 / 76 / 20

HEX #CD8231

RGB 205 130 49

HSL 31.15, 0.61%, 0.5%

LAB 60.93, 22.35, 53.45

 

CMYK 0 / 76 / 75 / 46

HEX #8A2122

RGB 138 33 34

HSL 359.43, 0.61%, 0.34%

LAB 30.89, 43.83, 26.44

 

CMYK 0 / 76 / 75 / 33

HEX #AC292B

RGB 172 41 43

HSL 359.08, 0.62%, 0.42%

LAB 38.78, 52.3, 31.73

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 0 / 62 / 61 / 16

HEX #D55254

RGB 213 82 84

HSL 359.08, 0.61%, 0.58%

LAB 52.75, 51.7, 26.2

 

CMYK 0 / 48 / 47 / 13

HEX #DD7475

RGB 221 116 117

HSL 359.43, 0.61%, 0.66%

LAB 60.91, 40.9, 18.19

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 14 / 0 / 76 / 20

HEX #B0CD31

RGB 176 205 49

HSL 71.15, 0.61%, 0.5%

LAB 77.94, -29.33, 68.72

 

CMYK 76 / 44 / 0 / 20

HEX #3172CD

RGB 49 114 205

HSL 215, 0.61%, 0.5%

LAB 48.38, 11.24, -53.05

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 75 / 0 / 76 / 20

HEX #34CD31

RGB 52 205 49

HSL 118.85, 0.61%, 0.5%

LAB 72.64, -66.9, 61.8

 

CMYK 76 / 75 / 0 / 20

HEX #3134CD

RGB 49 52 205

HSL 238.85, 0.61%, 0.5%

LAB 32.96, 49.95, -78.18

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 14 / 0 / 76 / 20

HEX #B0CD31

RGB 176 205 49

HSL 71.15, 0.61%, 0.5%

LAB 77.94, -29.33, 68.72

 

CMYK 76 / 0 / 1 / 20

HEX #31CDCA

RGB 49 205 202

HSL 178.85, 0.61%, 0.5%

LAB 75.19, -38.96, -9.85

 

CMYK 62 / 76 / 0 / 20

HEX #4E31CD

RGB 78 49 205

HSL 251.15, 0.61%, 0.5%

LAB 34.45, 54.31, -75.65

 

CMYK 0 / 76 / 75 / 20

HEX #CD3133

RGB 205 49 51

HSL 359.23, 0.61%, 0.5%

LAB 46.2, 60.08, 37.12

 

CMYK 37 / 0 / 76 / 20

HEX #82CD31

RGB 130 205 49

HSL 88.85, 0.61%, 0.5%

LAB 75.22, -46.84, 65.19

 

CMYK 76 / 0 / 1 / 20

HEX #31CDCA

RGB 49 205 202

HSL 178.85, 0.61%, 0.5%

LAB 75.19, -38.96, -9.85

 

CMYK 40 / 76 / 0 / 20

HEX #7C31CD

RGB 124 49 205

HSL 268.85, 0.61%, 0.5%

LAB 39.39, 60.75, -67.35

 

Description

Color code: HEX #CD3133 | qconv.com Color code: HEX #CD3133 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 49 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 49 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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