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Color name
RGB 200 111 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 111 127 it is the complementary color RGB 55 144 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 111 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 111 127 shade: RGB 205 111 122, RGB 222 129 141, RGB 239 147 160, RGB 255 165 179 and RGB 255 183 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 111 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 111 127 shade: RGB 200 111 127, RGB 183 93 108, RGB 166 75 89, RGB 149 57 70 and RGB 132 39 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 111 127 shade: RGB 200 110 126 and RGB 200 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 111 127 shade: RGB 200 110 126, RGB 200 110 151, RGB 200 110 175, RGB 200 110 199 and RGB 177 110 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 111 127 shade matches the following richer shades: RGB 200 110 126, RGB 216 94 116, RGB 232 78 106 and RGB 248 62 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 111 127 shade: RGB 200 110 126, RGB 184 126 137, RGB 168 142 147, RGB 152 159 157 and RGB 135 175 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 111 127 shade: RGB 200 110 174, RGB 200 110 151, RGB 200 110 127, RGB 200 118 110 and RGB 200 142 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 111 127 shade: RGB 165 62 81, RGB 188 80 100, RGB 200 110 126, RGB 211 140 153 and RGB 222 170 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 111 127 shade: RGB 200 111 127, RGB 198 200 110 and RGB 110 163 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 111 127 shade: RGB 200 111 127, RGB 127 200 110 and RGB 110 127 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 111 127 shade: RGB 200 111 127, RGB 198 200 110, RGB 110 200 183 and RGB 112 110 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 111 127 shade: RGB 200 111 127, RGB 171 200 110, RGB 110 200 183 and RGB 139 110 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 37 / 22

HEX #C86F7F

RGB 200 111 127

HSL 349.21, 0.45%, 0.61%

LAB 57.25, 36.87, 6.87

 

Complementary color

CMYK 62 / 0 / 11 / 44

HEX #379080

RGB 55 144 128

HSL 169.21, 0.45%, 0.39%

LAB 54.36, -30.44, 0.64

 

CMYK 0 / 46 / 40 / 20

HEX #CD6F7A

RGB 205 111 122

HSL 352.98, 0.48%, 0.62%

LAB 57.8, 38.12, 10.65

 

CMYK 0 / 42 / 36 / 13

HEX #DE818D

RGB 222 129 141

HSL 352.26, 0.58%, 0.69%

LAB 64.28, 37.13, 9.24

 

CMYK 0 / 38 / 33 / 6

HEX #EF93A0

RGB 239 147 160

HSL 351.52, 0.74%, 0.76%

LAB 70.7, 36.2, 7.99

 

CMYK 0 / 35 / 30 / 0

HEX #FFA5B3

RGB 255 165 179

HSL 350.67, 1%, 0.82%

LAB 76.94, 34.98, 6.7

 

CMYK 0 / 28 / 22 / 0

HEX #FFB7C6

RGB 255 183 198

HSL 347.5, 1%, 0.86%

LAB 81.4, 28.15, 2.84

 

CMYK 0 / 45 / 37 / 22

HEX #C86F7F

RGB 200 111 127

HSL 349.21, 0.45%, 0.61%

LAB 57.25, 36.87, 6.87

 

CMYK 0 / 49 / 41 / 28

HEX #B75D6C

RGB 183 93 108

HSL 350, 0.38%, 0.54%

LAB 50.66, 37.86, 8.37

 

CMYK 0 / 55 / 46 / 35

HEX #A64B59

RGB 166 75 89

HSL 350.77, 0.38%, 0.47%

LAB 44.03, 38.86, 10.16

 

CMYK 0 / 62 / 53 / 42

HEX #953946

RGB 149 57 70

HSL 351.52, 0.45%, 0.4%

LAB 37.4, 39.79, 12.38

 

CMYK 0 / 70 / 61 / 48

HEX #842733

RGB 132 39 51

HSL 352.26, 0.54%, 0.34%

LAB 30.87, 40.45, 15.25

 

CMYK 0 / 45 / 37 / 22

HEX #C86E7E

RGB 200 110 126

HSL 349.33, 0.45%, 0.61%

LAB 57.01, 37.28, 7.11

 

CMYK 0 / 45 / 45 / 22

HEX #C86E6E

RGB 200 110 110

HSL 0, 0.45%, 0.61%

LAB 56.64, 35.49, 15.9

 

CMYK 0 / 45 / 37 / 22

HEX #C86E7E

RGB 200 110 126

HSL 349.33, 0.45%, 0.61%

LAB 57.01, 37.28, 7.11

 

CMYK 0 / 45 / 25 / 22

HEX #C86E97

RGB 200 110 151

HSL 332.67, 0.45%, 0.61%

LAB 57.72, 40.57, -6.41

 

CMYK 0 / 45 / 13 / 22

HEX #C86EAF

RGB 200 110 175

HSL 316.67, 0.45%, 0.61%

LAB 58.53, 44.26, -19.04

 

CMYK 0 / 45 / 0 / 22

HEX #C86EC7

RGB 200 110 199

HSL 300.67, 0.45%, 0.61%

LAB 59.48, 48.4, -31.29

 

CMYK 12 / 45 / 0 / 22

HEX #B16EC8

RGB 177 110 200

HSL 284.67, 0.45%, 0.61%

LAB 56.75, 41.81, -36.32

 

CMYK 0 / 45 / 37 / 22

HEX #C86E7E

RGB 200 110 126

HSL 349.33, 0.45%, 0.61%

LAB 57.01, 37.28, 7.11

 

CMYK 0 / 56 / 46 / 15

HEX #D85E74

RGB 216 94 116

HSL 349.18, 0.61%, 0.61%

LAB 55.95, 49.85, 11.79

 

CMYK 0 / 66 / 54 / 9

HEX #E84E6A

RGB 232 78 106

HSL 349.09, 0.77%, 0.61%

LAB 55.73, 61.1, 17.77

 

CMYK 0 / 75 / 62 / 3

HEX #F83E5F

RGB 248 62 95

HSL 349.35, 0.93%, 0.61%

LAB 56.32, 70.64, 25.54

 

CMYK 0 / 45 / 37 / 22

HEX #C86E7E

RGB 200 110 126

HSL 349.33, 0.45%, 0.61%

LAB 57.01, 37.28, 7.11

 

CMYK 0 / 32 / 26 / 28

HEX #B87E89

RGB 184 126 137

HSL 348.62, 0.29%, 0.61%

LAB 58.9, 24.06, 3.19

 

CMYK 0 / 15 / 13 / 34

HEX #A88E93

RGB 168 142 147

HSL 348.46, 0.13%, 0.61%

LAB 61.46, 10.61, 0.98

 

CMYK 4 / 0 / 1 / 38

HEX #989F9D

RGB 152 159 157

HSL 162.86, 0.04%, 0.61%

LAB 64.89, -2.89, 0.17

 

CMYK 23 / 0 / 4 / 31

HEX #87AFA8

RGB 135 175 168

HSL 169.5, 0.2%, 0.61%

LAB 68.49, -14.93, -0.83

 

CMYK 0 / 45 / 13 / 22

HEX #C86EAE

RGB 200 110 174

HSL 317.33, 0.45%, 0.61%

LAB 58.5, 44.09, -18.52

 

CMYK 0 / 45 / 25 / 22

HEX #C86E97

RGB 200 110 151

HSL 332.67, 0.45%, 0.61%

LAB 57.72, 40.57, -6.41

 

CMYK 0 / 45 / 37 / 22

HEX #C86E7F

RGB 200 110 127

HSL 348.67, 0.45%, 0.61%

LAB 57.04, 37.4, 6.57

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 0 / 29 / 45 / 22

HEX #C88E6E

RGB 200 142 110

HSL 21.33, 0.45%, 0.61%

LAB 63.96, 18.14, 25.79

 

CMYK 0 / 62 / 51 / 35

HEX #A53E51

RGB 165 62 81

HSL 348.93, 0.45%, 0.45%

LAB 41.28, 44.05, 11.24

 

CMYK 0 / 57 / 47 / 26

HEX #BC5064

RGB 188 80 100

HSL 348.89, 0.45%, 0.53%

LAB 48.7, 45.33, 10.51

 

CMYK 0 / 45 / 37 / 22

HEX #C86E7E

RGB 200 110 126

HSL 349.33, 0.45%, 0.61%

LAB 57.01, 37.28, 7.11

 

CMYK 0 / 34 / 27 / 17

HEX #D38C99

RGB 211 140 153

HSL 349.01, 0.45%, 0.69%

LAB 65.67, 28.77, 4.26

 

CMYK 0 / 23 / 19 / 13

HEX #DEAAB4

RGB 222 170 180

HSL 348.46, 0.44%, 0.77%

LAB 74.56, 20.54, 2.26

 

CMYK 0 / 45 / 37 / 22

HEX #C86F7F

RGB 200 111 127

HSL 349.21, 0.45%, 0.61%

LAB 57.25, 36.87, 6.87

 

CMYK 1 / 0 / 45 / 22

HEX #C6C86E

RGB 198 200 110

HSL 61.33, 0.45%, 0.61%

LAB 78.72, -13.56, 44.55

 

CMYK 45 / 19 / 0 / 22

HEX #6EA3C8

RGB 110 163 200

HSL 204.67, 0.45%, 0.61%

LAB 64.71, -7.62, -24.42

 

CMYK 0 / 45 / 37 / 22

HEX #C86F7F

RGB 200 111 127

HSL 349.21, 0.45%, 0.61%

LAB 57.25, 36.87, 6.87

 

CMYK 37 / 0 / 45 / 22

HEX #7FC86E

RGB 127 200 110

HSL 108.67, 0.45%, 0.61%

LAB 74.16, -39.97, 37.88

 

CMYK 45 / 37 / 0 / 22

HEX #6E7FC8

RGB 110 127 200

HSL 228.67, 0.45%, 0.61%

LAB 54.72, 13.12, -39.94

 

CMYK 0 / 45 / 37 / 22

HEX #C86F7F

RGB 200 111 127

HSL 349.21, 0.45%, 0.61%

LAB 57.25, 36.87, 6.87

 

CMYK 1 / 0 / 45 / 22

HEX #C6C86E

RGB 198 200 110

HSL 61.33, 0.45%, 0.61%

LAB 78.72, -13.56, 44.55

 

CMYK 45 / 0 / 9 / 22

HEX #6EC8B7

RGB 110 200 183

HSL 168.67, 0.45%, 0.61%

LAB 74.85, -31.08, 0.12

 

CMYK 44 / 45 / 0 / 22

HEX #706EC8

RGB 112 110 200

HSL 241.33, 0.45%, 0.61%

LAB 50.41, 23.88, -46.75

 

CMYK 0 / 45 / 37 / 22

HEX #C86F7F

RGB 200 111 127

HSL 349.21, 0.45%, 0.61%

LAB 57.25, 36.87, 6.87

 

CMYK 15 / 0 / 45 / 22

HEX #ABC86E

RGB 171 200 110

HSL 79.33, 0.45%, 0.61%

LAB 76.73, -24.2, 41.66

 

CMYK 45 / 0 / 9 / 22

HEX #6EC8B7

RGB 110 200 183

HSL 168.67, 0.45%, 0.61%

LAB 74.85, -31.08, 0.12

 

CMYK 31 / 45 / 0 / 22

HEX #8B6EC8

RGB 139 110 200

HSL 259.33, 0.45%, 0.61%

LAB 52.74, 30.95, -42.91

 

Description

Color code: RGB 200 111 127 | qconv.com Color code: RGB 200 111 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 111 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 111 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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