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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 57 70 it is the complementary color RGB 106 198 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 57 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 57 70 shade: RGB 154 57 65, RGB 171 75 84, RGB 188 93 103, RGB 205 111 122 and RGB 222 129 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 57 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 57 70 shade: RGB 149 57 70, RGB 132 39 51, RGB 115 21 32, RGB 98 3 13 and RGB 81 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 57 70 shade: RGB 147 56 69 and RGB 147 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 57 70 shade: RGB 147 56 69, RGB 147 56 93, RGB 147 56 118, RGB 147 56 143 and RGB 127 56 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 57 70 shade matches the following richer shades: RGB 147 56 69, RGB 164 39 57, RGB 180 23 45 and RGB 197 6 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 57 70 shade: RGB 147 56 69, RGB 131 72 80, RGB 114 89 92, RGB 98 105 104 and RGB 81 122 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 57 70 shade: RGB 147 56 118, RGB 147 56 94, RGB 147 56 69, RGB 147 66 56 and RGB 147 91 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 57 70 shade: RGB 88 33 41, RGB 117 44 55, RGB 147 56 69, RGB 177 67 83 and RGB 193 92 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 57 70 shade: RGB 149 57 70, RGB 143 147 56 and RGB 56 106 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 57 70 shade: RGB 149 57 70, RGB 69 147 56 and RGB 56 69 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 57 70 shade: RGB 149 57 70, RGB 143 147 56, RGB 56 147 134 and RGB 60 56 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 57 70 shade: RGB 149 57 70, RGB 115 147 56, RGB 56 147 134 and RGB 88 56 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 53 / 42

HEX #953946

RGB 149 57 70

HSL 351.52, 0.45%, 0.4%

LAB 37.4, 39.79, 12.38

 

Complementary color

CMYK 46 / 0 / 7 / 22

HEX #6AC6B9

RGB 106 198 185

HSL 171.52, 0.45%, 0.6%

LAB 74.16, -30.6, -2

 

CMYK 0 / 63 / 58 / 40

HEX #9A3941

RGB 154 57 65

HSL 355.05, 0.46%, 0.41%

LAB 38.16, 41.15, 16.7

 

CMYK 0 / 56 / 51 / 33

HEX #AB4B54

RGB 171 75 84

HSL 354.38, 0.39%, 0.48%

LAB 44.7, 40.19, 14.27

 

CMYK 0 / 51 / 45 / 26

HEX #BC5D67

RGB 188 93 103

HSL 353.68, 0.41%, 0.55%

LAB 51.27, 39.15, 12.3

 

CMYK 0 / 46 / 40 / 20

HEX #CD6F7A

RGB 205 111 122

HSL 352.98, 0.48%, 0.62%

LAB 57.8, 38.12, 10.65

 

CMYK 0 / 42 / 36 / 13

HEX #DE818D

RGB 222 129 141

HSL 352.26, 0.58%, 0.69%

LAB 64.28, 37.13, 9.24

 

CMYK 0 / 62 / 53 / 42

HEX #953946

RGB 149 57 70

HSL 351.52, 0.45%, 0.4%

LAB 37.4, 39.79, 12.38

 

CMYK 0 / 70 / 61 / 48

HEX #842733

RGB 132 39 51

HSL 352.26, 0.54%, 0.34%

LAB 30.87, 40.45, 15.25

 

CMYK 0 / 82 / 72 / 55

HEX #731520

RGB 115 21 32

HSL 352.98, 0.69%, 0.27%

LAB 24.59, 40.43, 19.1

 

CMYK 0 / 97 / 87 / 62

HEX #62030D

RGB 98 3 13

HSL 353.68, 0.94%, 0.2%

LAB 18.76, 39.28, 23.35

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 62 / 53 / 42

HEX #933845

RGB 147 56 69

HSL 351.43, 0.45%, 0.4%

LAB 36.86, 39.46, 12.21

 

CMYK 0 / 62 / 62 / 42

HEX #933838

RGB 147 56 56

HSL 0, 0.45%, 0.4%

LAB 36.59, 38.39, 20.05

 

CMYK 0 / 62 / 53 / 42

HEX #933845

RGB 147 56 69

HSL 351.43, 0.45%, 0.4%

LAB 36.86, 39.46, 12.21

 

CMYK 0 / 62 / 37 / 42

HEX #93385D

RGB 147 56 93

HSL 335.6, 0.45%, 0.4%

LAB 37.52, 42.02, -2.09

 

CMYK 0 / 62 / 20 / 42

HEX #933876

RGB 147 56 118

HSL 319.12, 0.45%, 0.4%

LAB 38.44, 45.46, -16.41

 

CMYK 0 / 62 / 3 / 42

HEX #93388F

RGB 147 56 143

HSL 302.64, 0.45%, 0.4%

LAB 39.6, 49.59, -30

 

CMYK 14 / 62 / 0 / 42

HEX #7F3893

RGB 127 56 147

HSL 286.81, 0.45%, 0.4%

LAB 36.83, 45.06, -37.02

 

CMYK 0 / 62 / 53 / 42

HEX #933845

RGB 147 56 69

HSL 351.43, 0.45%, 0.4%

LAB 36.86, 39.46, 12.21

 

CMYK 0 / 76 / 65 / 36

HEX #A42739

RGB 164 39 57

HSL 351.36, 0.62%, 0.4%

LAB 37.19, 51.21, 20.82

 

CMYK 0 / 87 / 75 / 29

HEX #B4172D

RGB 180 23 45

HSL 351.59, 0.77%, 0.4%

LAB 38.73, 59.49, 30.92

 

CMYK 0 / 97 / 83 / 23

HEX #C50621

RGB 197 6 33

HSL 351.52, 0.94%, 0.4%

LAB 41.39, 65.84, 41.77

 

CMYK 0 / 62 / 53 / 42

HEX #933845

RGB 147 56 69

HSL 351.43, 0.45%, 0.4%

LAB 36.86, 39.46, 12.21

 

CMYK 0 / 45 / 39 / 49

HEX #834850

RGB 131 72 80

HSL 351.86, 0.29%, 0.4%

LAB 37.91, 26.06, 6.37

 

CMYK 0 / 22 / 19 / 55

HEX #72595C

RGB 114 89 92

HSL 352.8, 0.12%, 0.4%

LAB 40.4, 10.78, 2.19

 

CMYK 7 / 0 / 1 / 59

HEX #626968

RGB 98 105 104

HSL 171.43, 0.03%, 0.4%

LAB 43.8, -2.89, -0.37

 

CMYK 34 / 0 / 5 / 52

HEX #517A74

RGB 81 122 116

HSL 171.22, 0.2%, 0.4%

LAB 48.17, -15.69, -1.28

 

CMYK 0 / 62 / 20 / 42

HEX #933876

RGB 147 56 118

HSL 319.12, 0.45%, 0.4%

LAB 38.44, 45.46, -16.41

 

CMYK 0 / 62 / 36 / 42

HEX #93385E

RGB 147 56 94

HSL 334.95, 0.45%, 0.4%

LAB 37.55, 42.15, -2.68

 

CMYK 0 / 62 / 53 / 42

HEX #933845

RGB 147 56 69

HSL 351.43, 0.45%, 0.4%

LAB 36.86, 39.46, 12.21

 

CMYK 0 / 55 / 62 / 42

HEX #934238

RGB 147 66 56

HSL 6.59, 0.45%, 0.4%

LAB 38.52, 33.33, 22.53

 

CMYK 0 / 38 / 62 / 42

HEX #935B38

RGB 147 91 56

HSL 23.08, 0.45%, 0.4%

LAB 44.19, 19.41, 29.54

 

CMYK 0 / 63 / 53 / 65

HEX #582129

RGB 88 33 41

HSL 351.27, 0.45%, 0.24%

LAB 21.29, 26.21, 7.62

 

CMYK 0 / 62 / 53 / 54

HEX #752C37

RGB 117 44 55

HSL 350.96, 0.45%, 0.32%

LAB 29.05, 33.07, 9.7

 

CMYK 0 / 62 / 53 / 42

HEX #933845

RGB 147 56 69

HSL 351.43, 0.45%, 0.4%

LAB 36.86, 39.46, 12.21

 

CMYK 0 / 62 / 53 / 31

HEX #B14353

RGB 177 67 83

HSL 351.27, 0.45%, 0.48%

LAB 44.21, 46.06, 14.37

 

CMYK 0 / 52 / 45 / 24

HEX #C15C6B

RGB 193 92 107

HSL 351.09, 0.45%, 0.56%

LAB 51.9, 41.9, 10.91

 

CMYK 0 / 62 / 53 / 42

HEX #953946

RGB 149 57 70

HSL 351.52, 0.45%, 0.4%

LAB 37.4, 39.79, 12.38

 

CMYK 3 / 0 / 62 / 42

HEX #8F9338

RGB 143 147 56

HSL 62.64, 0.45%, 0.4%

LAB 58.97, -13.95, 46.31

 

CMYK 62 / 28 / 0 / 42

HEX #386A93

RGB 56 106 147

HSL 207.03, 0.45%, 0.4%

LAB 43.15, -3.75, -27.48

 

CMYK 0 / 62 / 53 / 42

HEX #953946

RGB 149 57 70

HSL 351.52, 0.45%, 0.4%

LAB 37.4, 39.79, 12.38

 

CMYK 53 / 0 / 62 / 42

HEX #459338

RGB 69 147 56

HSL 111.43, 0.45%, 0.4%

LAB 54.47, -42.21, 40.06

 

CMYK 62 / 53 / 0 / 42

HEX #384593

RGB 56 69 147

HSL 231.43, 0.45%, 0.4%

LAB 32.27, 20.07, -44.75

 

CMYK 0 / 62 / 53 / 42

HEX #953946

RGB 149 57 70

HSL 351.52, 0.45%, 0.4%

LAB 37.4, 39.79, 12.38

 

CMYK 3 / 0 / 62 / 42

HEX #8F9338

RGB 143 147 56

HSL 62.64, 0.45%, 0.4%

LAB 58.97, -13.95, 46.31

 

CMYK 62 / 0 / 9 / 42

HEX #389386

RGB 56 147 134

HSL 171.43, 0.45%, 0.4%

LAB 55.51, -30.07, -1.12

 

CMYK 59 / 62 / 0 / 42

HEX #3C3893

RGB 60 56 147

HSL 242.64, 0.45%, 0.4%

LAB 29.15, 29.38, -49.78

 

CMYK 0 / 62 / 53 / 42

HEX #953946

RGB 149 57 70

HSL 351.52, 0.45%, 0.4%

LAB 37.4, 39.79, 12.38

 

CMYK 22 / 0 / 62 / 42

HEX #739338

RGB 115 147 56

HSL 81.1, 0.45%, 0.4%

LAB 56.88, -25.84, 43.42

 

CMYK 62 / 0 / 9 / 42

HEX #389386

RGB 56 147 134

HSL 171.43, 0.45%, 0.4%

LAB 55.51, -30.07, -1.12

 

CMYK 40 / 62 / 0 / 42

HEX #583893

RGB 88 56 147

HSL 261.1, 0.45%, 0.4%

LAB 31.83, 35.31, -45.31

 

Description

Color code: RGB 149 57 70 | qconv.com Color code: RGB 149 57 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 57 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 57 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 53 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 53% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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