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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8766E it is the complementary color #378991. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8766E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8766E shade: #CD7669, #DE887C, #EF9A8F, #FFACA2 and #FFBEB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8766E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8766E shade: #C8766E, #B7645B, #A65248, #954035 and #842E22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8766E shade: #C8766E and #C86E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8766E shade: #C8766E, #C88E6E, #C8A76E, #C8BF6E and #B9C86E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8766E shade matches the following richer shades: #C8766E, #D8695E, #E85C4E and #F84F3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8766E shade: #C8766E, #B8837E, #A8918E, #989E9F and #87ABAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8766E shade: #C86E97, #C86E7F, #C8766E, #C88E6E and #C8A56E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8766E shade: #A5473E, #BC5A50, #C8766E, #D3938C and #DEAFAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8766E shade: #C8766E, #AEC86E and #6E8BC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8766E shade: #C8766E, #6EC876 and #766EC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8766E shade: #C8766E, #AEC86E, #6EC0C8 and #886EC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8766E shade: #C8766E, #94C86E, #6EC0C8 and #A36EC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

Complementary color

CMYK 62 / 6 / 0 / 43

HEX #378991

RGB 55 137 145

HSL 185.33, 0.45%, 0.39%

LAB 52.67, -22.06, -11.7

 

CMYK 0 / 42 / 49 / 20

HEX #CD7669

RGB 205 118 105

HSL 7.8, 0.5%, 0.61%

LAB 58.93, 32.66, 22

 

CMYK 0 / 39 / 44 / 13

HEX #DE887C

RGB 222 136 124

HSL 7.35, 0.6%, 0.68%

LAB 65.43, 31.55, 20.43

 

CMYK 0 / 36 / 40 / 6

HEX #EF9A8F

RGB 239 154 143

HSL 6.87, 0.75%, 0.75%

LAB 71.86, 30.54, 19.02

 

CMYK 0 / 33 / 36 / 0

HEX #FFACA2

RGB 255 172 162

HSL 6.45, 1%, 0.82%

LAB 78.1, 29.24, 17.59

 

CMYK 0 / 25 / 29 / 0

HEX #FFBEB5

RGB 255 190 181

HSL 7.3, 1%, 0.85%

LAB 82.61, 22.15, 13.69

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 0 / 45 / 50 / 28

HEX #B7645B

RGB 183 100 91

HSL 5.87, 0.39%, 0.54%

LAB 51.77, 32.37, 19.96

 

CMYK 0 / 51 / 57 / 35

HEX #A65248

RGB 166 82 72

HSL 6.38, 0.39%, 0.47%

LAB 45.09, 33.62, 21.91

 

CMYK 0 / 57 / 64 / 42

HEX #954035

RGB 149 64 53

HSL 6.88, 0.48%, 0.4%

LAB 38.4, 34.94, 24.26

 

CMYK 0 / 65 / 74 / 48

HEX #842E22

RGB 132 46 34

HSL 7.35, 0.59%, 0.33%

LAB 31.75, 36.22, 27.11

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 0 / 45 / 45 / 22

HEX #C86E6E

RGB 200 110 110

HSL 0, 0.45%, 0.61%

LAB 56.64, 35.49, 15.9

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 0 / 29 / 45 / 22

HEX #C88E6E

RGB 200 142 110

HSL 21.33, 0.45%, 0.61%

LAB 63.96, 18.14, 25.79

 

CMYK 0 / 17 / 45 / 22

HEX #C8A76E

RGB 200 167 110

HSL 38, 0.45%, 0.61%

LAB 70.21, 4.53, 33.92

 

CMYK 0 / 5 / 45 / 22

HEX #C8BF6E

RGB 200 191 110

HSL 54, 0.45%, 0.61%

LAB 76.48, -8.15, 41.82

 

CMYK 8 / 0 / 45 / 22

HEX #B9C86E

RGB 185 200 110

HSL 70, 0.45%, 0.61%

LAB 77.73, -18.74, 43.11

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 0 / 51 / 56 / 15

HEX #D8695E

RGB 216 105 94

HSL 5.41, 0.61%, 0.61%

LAB 57.57, 42.6, 26.75

 

CMYK 0 / 60 / 66 / 9

HEX #E85C4E

RGB 232 92 78

HSL 5.45, 0.77%, 0.61%

LAB 57.42, 53.4, 36.14

 

CMYK 0 / 68 / 75 / 3

HEX #F84F3E

RGB 248 79 62

HSL 5.48, 0.93%, 0.61%

LAB 57.94, 63.27, 46.15

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 0 / 29 / 32 / 28

HEX #B8837E

RGB 184 131 126

HSL 5.17, 0.29%, 0.61%

LAB 59.82, 19.73, 10.83

 

CMYK 0 / 14 / 15 / 34

HEX #A8918E

RGB 168 145 142

HSL 6.92, 0.13%, 0.61%

LAB 62.11, 8.08, 4.76

 

CMYK 4 / 1 / 0 / 38

HEX #989E9F

RGB 152 158 159

HSL 188.57, 0.04%, 0.61%

LAB 64.67, -1.94, -1.27

 

CMYK 23 / 2 / 0 / 31

HEX #87ABAF

RGB 135 171 175

HSL 186, 0.2%, 0.61%

LAB 67.56, -11.26, -6.09

 

CMYK 0 / 45 / 25 / 22

HEX #C86E97

RGB 200 110 151

HSL 332.67, 0.45%, 0.61%

LAB 57.72, 40.57, -6.41

 

CMYK 0 / 45 / 37 / 22

HEX #C86E7F

RGB 200 110 127

HSL 348.67, 0.45%, 0.61%

LAB 57.04, 37.4, 6.57

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 0 / 29 / 45 / 22

HEX #C88E6E

RGB 200 142 110

HSL 21.33, 0.45%, 0.61%

LAB 63.96, 18.14, 25.79

 

CMYK 0 / 18 / 45 / 22

HEX #C8A56E

RGB 200 165 110

HSL 36.67, 0.45%, 0.61%

LAB 69.69, 5.6, 33.27

 

CMYK 0 / 57 / 62 / 35

HEX #A5473E

RGB 165 71 62

HSL 5.24, 0.45%, 0.45%

LAB 42.54, 38.16, 24.59

 

CMYK 0 / 52 / 57 / 26

HEX #BC5A50

RGB 188 90 80

HSL 5.56, 0.45%, 0.53%

LAB 50.2, 38.6, 24.46

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 0 / 30 / 34 / 17

HEX #D3938C

RGB 211 147 140

HSL 5.92, 0.45%, 0.69%

LAB 66.98, 23.25, 13.42

 

CMYK 0 / 21 / 23 / 13

HEX #DEAFAA

RGB 222 175 170

HSL 5.77, 0.44%, 0.77%

LAB 75.51, 16.36, 9.1

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 13 / 0 / 45 / 22

HEX #AEC86E

RGB 174 200 110

HSL 77.33, 0.45%, 0.61%

LAB 76.94, -23.05, 41.96

 

CMYK 45 / 31 / 0 / 22

HEX #6E8BC8

RGB 110 139 200

HSL 220.67, 0.45%, 0.61%

LAB 57.99, 6.02, -34.82

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 45 / 0 / 41 / 22

HEX #6EC876

RGB 110 200 118

HSL 125.33, 0.45%, 0.61%

LAB 73.5, -44.01, 32.82

 

CMYK 41 / 45 / 0 / 22

HEX #766EC8

RGB 118 110 200

HSL 245.33, 0.45%, 0.61%

LAB 50.89, 25.38, -45.96

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 13 / 0 / 45 / 22

HEX #AEC86E

RGB 174 200 110

HSL 77.33, 0.45%, 0.61%

LAB 76.94, -23.05, 41.96

 

CMYK 45 / 4 / 0 / 22

HEX #6EC0C8

RGB 110 192 200

HSL 185.33, 0.45%, 0.61%

LAB 73.01, -22.9, -11.84

 

CMYK 32 / 45 / 0 / 22

HEX #886EC8

RGB 136 110 200

HSL 257.33, 0.45%, 0.61%

LAB 52.46, 30.13, -43.37

 

CMYK 0 / 41 / 45 / 22

HEX #C8766E

RGB 200 118 110

HSL 5.33, 0.45%, 0.61%

LAB 58.38, 31.22, 18.28

 

CMYK 26 / 0 / 45 / 22

HEX #94C86E

RGB 148 200 110

HSL 94.67, 0.45%, 0.61%

LAB 75.28, -32.77, 39.53

 

CMYK 45 / 4 / 0 / 22

HEX #6EC0C8

RGB 110 192 200

HSL 185.33, 0.45%, 0.61%

LAB 73.01, -22.9, -11.84

 

CMYK 19 / 45 / 0 / 22

HEX #A36EC8

RGB 163 110 200

HSL 275.33, 0.45%, 0.61%

LAB 55.18, 37.74, -38.89

 

Description

Color code: HEX #C8766E | qconv.com Color code: HEX #C8766E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 118 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 118 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 45 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 45% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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