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Color name
RGB 196 68 145

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 68 145 it is the complementary color RGB 59 187 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 68 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 68 145 shade: RGB 201 68 140, RGB 218 86 159, RGB 235 104 178, RGB 252 122 197 and RGB 255 140 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 68 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 68 145 shade: RGB 196 68 145, RGB 179 50 126, RGB 162 32 107, RGB 145 14 88 and RGB 128 0 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 68 145 shade: RGB 196 68 145, RGB 196 68 111, RGB 196 68 76 and RGB 196 68 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 68 145 shade: RGB 196 68 145, RGB 196 68 179, RGB 178 68 196, RGB 143 68 196 and RGB 109 68 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 68 145 shade matches the following richer shades: RGB 196 68 145, RGB 216 49 149 and RGB 235 29 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 68 145 shade: RGB 196 68 145, RGB 176 88 141, RGB 156 108 137, RGB 136 128 133 and RGB 117 148 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 68 145 shade: RGB 177 68 196, RGB 196 68 181, RGB 196 68 147, RGB 196 68 113 and RGB 196 68 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 68 145 shade: RGB 138 43 100, RGB 170 53 123, RGB 196 68 145, RGB 206 100 163 and RGB 216 131 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 68 145 shade: RGB 196 68 145, RGB 196 143 68 and RGB 68 196 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 68 145 shade: RGB 196 68 145, RGB 147 196 68 and RGB 68 147 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 68 145 shade: RGB 196 68 145, RGB 196 143 68, RGB 68 196 117 and RGB 68 121 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 68 145 shade: RGB 196 68 145, RGB 196 181 68, RGB 68 196 117 and RGB 68 83 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

Complementary color

CMYK 68 / 0 / 41 / 27

HEX #3BBB6E

RGB 59 187 110

HSL 143.91, 0.52%, 0.48%

LAB 67.72, -52.08, 29.11

 

CMYK 0 / 66 / 30 / 21

HEX #C9448C

RGB 201 68 140

HSL 327.52, 0.55%, 0.53%

LAB 50.03, 59.14, -11.4

 

CMYK 0 / 61 / 27 / 15

HEX #DA569F

RGB 218 86 159

HSL 326.82, 0.64%, 0.6%

LAB 56.15, 58.95, -13.15

 

CMYK 0 / 56 / 24 / 8

HEX #EB68B2

RGB 235 104 178

HSL 326.11, 0.77%, 0.66%

LAB 62.32, 58.5, -14.57

 

CMYK 0 / 52 / 22 / 1

HEX #FC7AC5

RGB 252 122 197

HSL 325.38, 0.96%, 0.73%

LAB 68.49, 57.9, -15.76

 

CMYK 0 / 45 / 15 / 0

HEX #FF8CD8

RGB 255 140 216

HSL 320.35, 1%, 0.77%

LAB 72.87, 52.9, -19.65

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 80 / 34 / 36

HEX #A2206B

RGB 162 32 107

HSL 325.38, 0.67%, 0.38%

LAB 37.44, 57.17, -10.8

 

CMYK 0 / 90 / 39 / 43

HEX #910E58

RGB 145 14 88

HSL 326.11, 0.82%, 0.31%

LAB 31.89, 55.05, -7.28

 

CMYK 0 / 100 / 46 / 50

HEX #800045

RGB 128 0 69

HSL 327.66, 1%, 0.25%

LAB 26.79, 51.42, -2.64

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 65 / 43 / 23

HEX #C4446F

RGB 196 68 111

HSL 339.84, 0.52%, 0.52%

LAB 48.28, 54.43, 3.43

 

CMYK 0 / 65 / 61 / 23

HEX #C4444C

RGB 196 68 76

HSL 356.25, 0.52%, 0.52%

LAB 47.48, 51.5, 23.57

 

CMYK 0 / 65 / 65 / 23

HEX #C44444

RGB 196 68 68

HSL 0, 0.52%, 0.52%

LAB 47.35, 51, 28.16

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 65 / 9 / 23

HEX #C444B3

RGB 196 68 179

HSL 307.97, 0.52%, 0.52%

LAB 50.83, 63.24, -33.31

 

CMYK 9 / 65 / 0 / 23

HEX #B244C4

RGB 178 68 196

HSL 291.56, 0.52%, 0.52%

LAB 48.99, 61.78, -46.28

 

CMYK 27 / 65 / 0 / 23

HEX #8F44C4

RGB 143 68 196

HSL 275.16, 0.52%, 0.52%

LAB 44.17, 53.82, -54.25

 

CMYK 44 / 65 / 0 / 23

HEX #6D44C4

RGB 109 68 196

HSL 259.22, 0.52%, 0.52%

LAB 40.2, 46.68, -60.88

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 77 / 31 / 15

HEX #D83195

RGB 216 49 149

HSL 324.07, 0.68%, 0.52%

LAB 50.65, 70.57, -15.61

 

CMYK 0 / 88 / 35 / 8

HEX #EB1D99

RGB 235 29 153

HSL 323.88, 0.84%, 0.52%

LAB 52.77, 79.65, -14.43

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 50 / 20 / 31

HEX #B0588D

RGB 176 88 141

HSL 323.86, 0.36%, 0.52%

LAB 49.66, 42.41, -12.94

 

CMYK 0 / 31 / 12 / 39

HEX #9C6C89

RGB 156 108 137

HSL 323.75, 0.2%, 0.52%

LAB 51.38, 23.78, -8.23

 

CMYK 0 / 6 / 2 / 47

HEX #888085

RGB 136 128 133

HSL 322.5, 0.03%, 0.52%

LAB 54.41, 3.98, -1.62

 

CMYK 21 / 0 / 13 / 42

HEX #759481

RGB 117 148 129

HSL 143.23, 0.13%, 0.52%

LAB 58.55, -14.87, 6.5

 

CMYK 10 / 65 / 0 / 23

HEX #B144C4

RGB 177 68 196

HSL 291.09, 0.52%, 0.52%

LAB 48.84, 61.55, -46.52

 

CMYK 0 / 65 / 8 / 23

HEX #C444B5

RGB 196 68 181

HSL 307.03, 0.52%, 0.52%

LAB 50.93, 63.55, -34.32

 

CMYK 0 / 65 / 25 / 23

HEX #C44493

RGB 196 68 147

HSL 322.97, 0.52%, 0.52%

LAB 49.47, 58.62, -16.52

 

CMYK 0 / 65 / 42 / 23

HEX #C44471

RGB 196 68 113

HSL 338.91, 0.52%, 0.52%

LAB 48.34, 54.63, 2.29

 

CMYK 0 / 65 / 60 / 23

HEX #C4444F

RGB 196 68 79

HSL 354.84, 0.52%, 0.52%

LAB 47.54, 51.71, 21.83

 

CMYK 0 / 69 / 28 / 46

HEX #8A2B64

RGB 138 43 100

HSL 324, 0.52%, 0.35%

LAB 34.09, 45.91, -11.85

 

CMYK 0 / 69 / 28 / 33

HEX #AA357B

RGB 170 53 123

HSL 324.1, 0.52%, 0.44%

LAB 42.03, 54.15, -13.68

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 51 / 21 / 19

HEX #CE64A3

RGB 206 100 163

HSL 324.34, 0.52%, 0.6%

LAB 56.96, 49.36, -14.43

 

CMYK 0 / 39 / 16 / 15

HEX #D883B6

RGB 216 131 182

HSL 324, 0.52%, 0.68%

LAB 65.13, 39.66, -12.86

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 27 / 65 / 23

HEX #C48F44

RGB 196 143 68

HSL 35.16, 0.52%, 0.52%

LAB 63.18, 12.37, 46.78

 

CMYK 65 / 0 / 1 / 23

HEX #44C4C2

RGB 68 196 194

HSL 179.06, 0.52%, 0.52%

LAB 72.63, -34.69, -9.29

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 25 / 0 / 65 / 23

HEX #93C444

RGB 147 196 68

HSL 82.97, 0.52%, 0.52%

LAB 73.61, -35.49, 56.94

 

CMYK 65 / 25 / 0 / 23

HEX #4493C4

RGB 68 147 196

HSL 202.97, 0.52%, 0.52%

LAB 58.11, -8.87, -32.51

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 27 / 65 / 23

HEX #C48F44

RGB 196 143 68

HSL 35.16, 0.52%, 0.52%

LAB 63.18, 12.37, 46.78

 

CMYK 65 / 0 / 40 / 23

HEX #44C475

RGB 68 196 117

HSL 142.97, 0.52%, 0.52%

LAB 70.87, -52.64, 29.63

 

CMYK 65 / 38 / 0 / 23

HEX #4479C4

RGB 68 121 196

HSL 215.16, 0.52%, 0.52%

LAB 50.56, 6.41, -44.39

 

CMYK 0 / 65 / 26 / 23

HEX #C44491

RGB 196 68 145

HSL 323.91, 0.52%, 0.52%

LAB 49.39, 58.35, -15.44

 

CMYK 0 / 8 / 65 / 23

HEX #C4B544

RGB 196 181 68

HSL 52.97, 0.52%, 0.52%

LAB 73.02, -8, 57.42

 

CMYK 65 / 0 / 40 / 23

HEX #44C475

RGB 68 196 117

HSL 142.97, 0.52%, 0.52%

LAB 70.87, -52.64, 29.63

 

CMYK 65 / 58 / 0 / 23

HEX #4453C4

RGB 68 83 196

HSL 232.97, 0.52%, 0.52%

LAB 40.25, 30.38, -60.95

 

Description

Color code: RGB 196 68 145 | qconv.com Color code: RGB 196 68 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 68 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 68 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 26 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 26% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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