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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 148 129 it is the complementary color RGB 138 107 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 148 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 148 129 shade: RGB 122 148 124, RGB 139 166 143, RGB 156 184 162, RGB 173 202 181 and RGB 190 220 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 148 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 148 129 shade: RGB 117 148 129, RGB 100 130 110, RGB 83 112 91, RGB 66 94 72 and RGB 49 76 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 148 129 shade: RGB 116 148 129, RGB 116 148 120, RGB 121 148 116, RGB 130 148 116 and RGB 138 148 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 148 129 shade: RGB 116 148 129, RGB 116 148 137, RGB 116 148 146, RGB 116 142 148 and RGB 116 133 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 148 129 shade matches the following richer shades: RGB 116 148 129, RGB 96 168 124, RGB 77 188 120, RGB 57 207 115 and RGB 37 227 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 148 129 shade: RGB 116 148 129, RGB 136 128 133, RGB 156 108 137, RGB 176 89 142 and RGB 195 69 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 148 129 shade: RGB 121 148 116, RGB 116 148 120, RGB 116 148 128, RGB 116 148 137 and RGB 116 148 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 148 129 shade: RGB 79 103 88, RGB 97 126 108, RGB 116 148 129, RGB 139 166 150 and RGB 163 184 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 148 129 shade: RGB 117 148 129, RGB 116 129 148 and RGB 148 116 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 148 129 shade: RGB 117 148 129, RGB 128 116 148 and RGB 148 128 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 148 129 shade: RGB 117 148 129, RGB 116 129 148, RGB 148 116 136 and RGB 148 135 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 148 129 shade: RGB 117 148 129, RGB 116 120 148, RGB 148 116 136 and RGB 148 144 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 13 / 42

HEX #759481

RGB 117 148 129

HSL 143.23, 0.13%, 0.52%

LAB 58.55, -14.87, 6.5

 

Complementary color

CMYK 0 / 22 / 9 / 46

HEX #8A6B7E

RGB 138 107 126

HSL 323.23, 0.13%, 0.48%

LAB 48.79, 15.65, -5.78

 

CMYK 18 / 0 / 16 / 42

HEX #7A947C

RGB 122 148 124

HSL 124.62, 0.11%, 0.53%

LAB 58.76, -14.08, 9.68

 

CMYK 16 / 0 / 14 / 35

HEX #8BA68F

RGB 139 166 143

HSL 128.89, 0.13%, 0.6%

LAB 65.55, -13.97, 8.82

 

CMYK 15 / 0 / 12 / 28

HEX #9CB8A2

RGB 156 184 162

HSL 132.86, 0.16%, 0.67%

LAB 72.2, -13.87, 8

 

CMYK 14 / 0 / 10 / 21

HEX #ADCAB5

RGB 173 202 181

HSL 136.55, 0.21%, 0.74%

LAB 78.73, -13.79, 7.23

 

CMYK 14 / 0 / 9 / 14

HEX #BEDCC8

RGB 190 220 200

HSL 140, 0.3%, 0.8%

LAB 85.15, -13.72, 6.5

 

CMYK 21 / 0 / 13 / 42

HEX #759481

RGB 117 148 129

HSL 143.23, 0.13%, 0.52%

LAB 58.55, -14.87, 6.5

 

CMYK 23 / 0 / 15 / 49

HEX #64826E

RGB 100 130 110

HSL 140, 0.13%, 0.45%

LAB 51.61, -15.05, 7.36

 

CMYK 26 / 0 / 19 / 56

HEX #53705B

RGB 83 112 91

HSL 136.55, 0.15%, 0.38%

LAB 44.49, -15.26, 8.3

 

CMYK 30 / 0 / 23 / 63

HEX #425E48

RGB 66 94 72

HSL 132.86, 0.18%, 0.31%

LAB 37.17, -15.51, 9.33

 

CMYK 36 / 0 / 30 / 70

HEX #314C35

RGB 49 76 53

HSL 128.89, 0.22%, 0.25%

LAB 29.61, -15.8, 10.51

 

CMYK 22 / 0 / 13 / 42

HEX #749481

RGB 116 148 129

HSL 144.38, 0.13%, 0.52%

LAB 58.49, -15.22, 6.4

 

CMYK 22 / 0 / 19 / 42

HEX #749478

RGB 116 148 120

HSL 127.5, 0.13%, 0.52%

LAB 58.27, -17, 11.2

 

CMYK 18 / 0 / 22 / 42

HEX #799474

RGB 121 148 116

HSL 110.63, 0.13%, 0.52%

LAB 58.51, -15.93, 13.84

 

CMYK 12 / 0 / 22 / 42

HEX #829474

RGB 130 148 116

HSL 93.75, 0.13%, 0.52%

LAB 59.15, -12.56, 14.82

 

CMYK 7 / 0 / 22 / 42

HEX #8A9474

RGB 138 148 116

HSL 78.75, 0.13%, 0.52%

LAB 59.75, -9.49, 15.75

 

CMYK 22 / 0 / 13 / 42

HEX #749481

RGB 116 148 129

HSL 144.38, 0.13%, 0.52%

LAB 58.49, -15.22, 6.4

 

CMYK 22 / 0 / 7 / 42

HEX #749489

RGB 116 148 137

HSL 159.38, 0.13%, 0.52%

LAB 58.69, -13.54, 2.14

 

CMYK 22 / 0 / 1 / 42

HEX #749492

RGB 116 148 146

HSL 176.25, 0.13%, 0.52%

LAB 58.94, -11.55, -2.62

 

CMYK 22 / 4 / 0 / 42

HEX #748E94

RGB 116 142 148

HSL 191.25, 0.13%, 0.52%

LAB 57.27, -7.79, -6.25

 

CMYK 22 / 10 / 0 / 42

HEX #748594

RGB 116 133 148

HSL 208.13, 0.13%, 0.52%

LAB 54.69, -2.72, -10.1

 

CMYK 22 / 0 / 13 / 42

HEX #749481

RGB 116 148 129

HSL 144.38, 0.13%, 0.52%

LAB 58.49, -15.22, 6.4

 

CMYK 43 / 0 / 26 / 34

HEX #60A87C

RGB 96 168 124

HSL 143.33, 0.29%, 0.52%

LAB 63.3, -32.67, 15.82

 

CMYK 59 / 0 / 36 / 26

HEX #4DBC78

RGB 77 188 120

HSL 143.24, 0.45%, 0.52%

LAB 68.68, -47.07, 25.2

 

CMYK 72 / 0 / 44 / 19

HEX #39CF73

RGB 57 207 115

HSL 143.2, 0.61%, 0.52%

LAB 74.02, -58.94, 34.71

 

CMYK 84 / 0 / 51 / 11

HEX #25E36F

RGB 37 227 111

HSL 143.37, 0.77%, 0.52%

LAB 79.89, -68.75, 44

 

CMYK 22 / 0 / 13 / 42

HEX #749481

RGB 116 148 129

HSL 144.38, 0.13%, 0.52%

LAB 58.49, -15.22, 6.4

 

CMYK 0 / 6 / 2 / 47

HEX #888085

RGB 136 128 133

HSL 322.5, 0.03%, 0.52%

LAB 54.41, 3.98, -1.62

 

CMYK 0 / 31 / 12 / 39

HEX #9C6C89

RGB 156 108 137

HSL 323.75, 0.2%, 0.52%

LAB 51.38, 23.78, -8.23

 

CMYK 0 / 49 / 19 / 31

HEX #B0598E

RGB 176 89 142

HSL 323.45, 0.36%, 0.52%

LAB 49.89, 42.05, -13.18

 

CMYK 0 / 65 / 25 / 24

HEX #C34592

RGB 195 69 146

HSL 323.33, 0.51%, 0.52%

LAB 49.42, 57.79, -16.02

 

CMYK 18 / 0 / 22 / 42

HEX #799474

RGB 121 148 116

HSL 110.63, 0.13%, 0.52%

LAB 58.51, -15.93, 13.84

 

CMYK 22 / 0 / 19 / 42

HEX #749478

RGB 116 148 120

HSL 127.5, 0.13%, 0.52%

LAB 58.27, -17, 11.2

 

CMYK 22 / 0 / 14 / 42

HEX #749480

RGB 116 148 128

HSL 142.5, 0.13%, 0.52%

LAB 58.46, -15.42, 6.93

 

CMYK 22 / 0 / 7 / 42

HEX #749489

RGB 116 148 137

HSL 159.38, 0.13%, 0.52%

LAB 58.69, -13.54, 2.14

 

CMYK 22 / 0 / 2 / 42

HEX #749491

RGB 116 148 145

HSL 174.38, 0.13%, 0.52%

LAB 58.92, -11.77, -2.09

 

CMYK 23 / 0 / 15 / 60

HEX #4F6758

RGB 79 103 88

HSL 142.5, 0.13%, 0.36%

LAB 41.32, -12.34, 5.56

 

CMYK 23 / 0 / 14 / 51

HEX #617E6C

RGB 97 126 108

HSL 142.76, 0.13%, 0.44%

LAB 50.15, -14.35, 6.42

 

CMYK 22 / 0 / 13 / 42

HEX #749481

RGB 116 148 129

HSL 144.38, 0.13%, 0.52%

LAB 58.49, -15.22, 6.4

 

CMYK 16 / 0 / 10 / 35

HEX #8BA696

RGB 139 166 150

HSL 144.44, 0.13%, 0.6%

LAB 65.72, -12.61, 5.17

 

CMYK 11 / 0 / 7 / 28

HEX #A3B8AB

RGB 163 184 171

HSL 142.86, 0.13%, 0.68%

LAB 72.9, -9.75, 4.15

 

CMYK 21 / 0 / 13 / 42

HEX #759481

RGB 117 148 129

HSL 143.23, 0.13%, 0.52%

LAB 58.55, -14.87, 6.5

 

CMYK 22 / 13 / 0 / 42

HEX #748194

RGB 116 129 148

HSL 215.63, 0.13%, 0.52%

LAB 53.55, -0.42, -11.81

 

CMYK 0 / 22 / 21 / 42

HEX #947475

RGB 148 116 117

HSL 358.13, 0.13%, 0.52%

LAB 51.92, 12.7, 4.25

 

CMYK 21 / 0 / 13 / 42

HEX #759481

RGB 117 148 129

HSL 143.23, 0.13%, 0.52%

LAB 58.55, -14.87, 6.5

 

CMYK 14 / 22 / 0 / 42

HEX #807494

RGB 128 116 148

HSL 262.5, 0.13%, 0.52%

LAB 50.94, 11.28, -15.65

 

CMYK 0 / 14 / 22 / 42

HEX #948074

RGB 148 128 116

HSL 22.5, 0.13%, 0.52%

LAB 55.07, 5.63, 9.33

 

CMYK 21 / 0 / 13 / 42

HEX #759481

RGB 117 148 129

HSL 143.23, 0.13%, 0.52%

LAB 58.55, -14.87, 6.5

 

CMYK 22 / 13 / 0 / 42

HEX #748194

RGB 116 129 148

HSL 215.63, 0.13%, 0.52%

LAB 53.55, -0.42, -11.81

 

CMYK 0 / 22 / 8 / 42

HEX #947488

RGB 148 116 136

HSL 322.5, 0.13%, 0.52%

LAB 52.47, 16.01, -6.12

 

CMYK 0 / 9 / 22 / 42

HEX #948774

RGB 148 135 116

HSL 35.63, 0.13%, 0.52%

LAB 56.96, 1.66, 12

 

CMYK 21 / 0 / 13 / 42

HEX #759481

RGB 117 148 129

HSL 143.23, 0.13%, 0.52%

LAB 58.55, -14.87, 6.5

 

CMYK 22 / 19 / 0 / 42

HEX #747894

RGB 116 120 148

HSL 232.5, 0.13%, 0.52%

LAB 51.02, 4.83, -15.63

 

CMYK 0 / 22 / 8 / 42

HEX #947488

RGB 148 116 136

HSL 322.5, 0.13%, 0.52%

LAB 52.47, 16.01, -6.12

 

CMYK 0 / 3 / 22 / 42

HEX #949074

RGB 148 144 116

HSL 52.5, 0.13%, 0.52%

LAB 59.44, -3.36, 15.44

 

Description

Color code: RGB 117 148 129 | qconv.com Color code: RGB 117 148 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 148 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 148 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 13 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 13% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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