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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3327E it is the complementary color #4CCD81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3327E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3327E shade: #B83279, #C9448C, #DA569F, #EB68B2 and #FC7AC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3327E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3327E shade: #B3327E, #A2206B, #910E58, #800045 and #6F0032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3327E shade: #B3327E, #B3325B, #B33238 and #B33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3327E shade: #B3327E, #B332A0, #A232B3, #7F32B3 and #5D32B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3327E shade matches the following richer shades: #B3327E, #C51F81 and #D80D84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3327E shade: #B3327E, #A0457A, #8D5777, #7B6A74 and #687C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3327E shade: #A132B3, #B332A1, #B3327F, #B3325D and #B3323B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3327E shade: #722050, #922967, #B3327E, #CA4493 and #D364A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3327E shade: #B3327E, #B37F32 and #32B3B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3327E shade: #B3327E, #7FB332 and #327FB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3327E shade: #B3327E, #B37F32, #32B365 and #3265B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3327E shade: #B3327E, #B3A632, #32B365 and #323FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

Complementary color

CMYK 63 / 0 / 37 / 20

HEX #4CCD81

RGB 76 205 129

HSL 144.65, 0.56%, 0.55%

LAB 74.05, -52.42, 27.65

 

CMYK 0 / 73 / 34 / 28

HEX #B83279

RGB 184 50 121

HSL 328.21, 0.57%, 0.46%

LAB 44.02, 58.89, -9.21

 

CMYK 0 / 66 / 30 / 21

HEX #C9448C

RGB 201 68 140

HSL 327.52, 0.55%, 0.53%

LAB 50.03, 59.14, -11.4

 

CMYK 0 / 61 / 27 / 15

HEX #DA569F

RGB 218 86 159

HSL 326.82, 0.64%, 0.6%

LAB 56.15, 58.95, -13.15

 

CMYK 0 / 56 / 24 / 8

HEX #EB68B2

RGB 235 104 178

HSL 326.11, 0.77%, 0.66%

LAB 62.32, 58.5, -14.57

 

CMYK 0 / 52 / 22 / 1

HEX #FC7AC5

RGB 252 122 197

HSL 325.38, 0.96%, 0.73%

LAB 68.49, 57.9, -15.76

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 80 / 34 / 36

HEX #A2206B

RGB 162 32 107

HSL 325.38, 0.67%, 0.38%

LAB 37.44, 57.17, -10.8

 

CMYK 0 / 90 / 39 / 43

HEX #910E58

RGB 145 14 88

HSL 326.11, 0.82%, 0.31%

LAB 31.89, 55.05, -7.28

 

CMYK 0 / 100 / 46 / 50

HEX #800045

RGB 128 0 69

HSL 327.66, 1%, 0.25%

LAB 26.79, 51.42, -2.64

 

CMYK 0 / 100 / 55 / 56

HEX #6F0032

RGB 111 0 50

HSL 332.97, 1%, 0.22%

LAB 22.34, 45.64, 3.5

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 72 / 49 / 30

HEX #B3325B

RGB 179 50 91

HSL 340.93, 0.56%, 0.45%

LAB 42.19, 54.42, 6.63

 

CMYK 0 / 72 / 69 / 30

HEX #B33238

RGB 179 50 56

HSL 357.21, 0.56%, 0.45%

LAB 41.45, 51.94, 27.4

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 72 / 11 / 30

HEX #B332A0

RGB 179 50 160

HSL 308.84, 0.56%, 0.45%

LAB 44.81, 62.8, -31.73

 

CMYK 9 / 72 / 0 / 30

HEX #A232B3

RGB 162 50 179

HSL 292.09, 0.56%, 0.45%

LAB 43.09, 62.11, -45.9

 

CMYK 29 / 72 / 0 / 30

HEX #7F32B3

RGB 127 50 179

HSL 275.81, 0.56%, 0.45%

LAB 37.93, 54.84, -54.48

 

CMYK 48 / 72 / 0 / 30

HEX #5D32B3

RGB 93 50 179

HSL 260, 0.56%, 0.45%

LAB 33.7, 48.53, -61.55

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 84 / 35 / 23

HEX #C51F81

RGB 197 31 129

HSL 324.58, 0.73%, 0.45%

LAB 44.85, 68.33, -12.63

 

CMYK 0 / 94 / 39 / 15

HEX #D80D84

RGB 216 13 132

HSL 324.83, 0.89%, 0.45%

LAB 47.69, 75.56, -9.82

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 57 / 24 / 37

HEX #A0457A

RGB 160 69 122

HSL 325.05, 0.4%, 0.45%

LAB 42.97, 43.92, -11.81

 

CMYK 0 / 38 / 16 / 45

HEX #8D5777

RGB 141 87 119

HSL 324.44, 0.24%, 0.45%

LAB 43.96, 27.2, -8.74

 

CMYK 0 / 14 / 6 / 52

HEX #7B6A74

RGB 123 106 116

HSL 324.71, 0.07%, 0.45%

LAB 46.68, 8.59, -3.1

 

CMYK 16 / 0 / 10 / 51

HEX #687C70

RGB 104 124 112

HSL 144, 0.09%, 0.45%

LAB 50.13, -9.88, 4.11

 

CMYK 10 / 72 / 0 / 30

HEX #A132B3

RGB 161 50 179

HSL 291.63, 0.56%, 0.45%

LAB 42.93, 61.9, -46.16

 

CMYK 0 / 72 / 10 / 30

HEX #B332A1

RGB 179 50 161

HSL 308.37, 0.56%, 0.45%

LAB 44.85, 62.95, -32.25

 

CMYK 0 / 72 / 29 / 30

HEX #B3327F

RGB 179 50 127

HSL 324.19, 0.56%, 0.45%

LAB 43.36, 58.25, -13.99

 

CMYK 0 / 72 / 48 / 30

HEX #B3325D

RGB 179 50 93

HSL 340, 0.56%, 0.45%

LAB 42.24, 54.59, 5.45

 

CMYK 0 / 72 / 67 / 30

HEX #B3323B

RGB 179 50 59

HSL 355.81, 0.56%, 0.45%

LAB 41.5, 52.1, 25.63

 

CMYK 0 / 72 / 30 / 55

HEX #722050

RGB 114 32 80

HSL 324.88, 0.56%, 0.29%

LAB 27.27, 40.58, -9.59

 

CMYK 0 / 72 / 29 / 43

HEX #922967

RGB 146 41 103

HSL 324.57, 0.56%, 0.37%

LAB 35.35, 49.42, -11.71

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 66 / 27 / 21

HEX #CA4493

RGB 202 68 147

HSL 324.63, 0.56%, 0.53%

LAB 50.45, 60.29, -14.94

 

CMYK 0 / 53 / 22 / 17

HEX #D364A5

RGB 211 100 165

HSL 324.86, 0.56%, 0.61%

LAB 57.73, 51.22, -14.35

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 29 / 72 / 30

HEX #B37F32

RGB 179 127 50

HSL 35.81, 0.56%, 0.45%

LAB 57.07, 12.74, 48.09

 

CMYK 72 / 0 / 0 / 30

HEX #32B3B3

RGB 50 179 179

HSL 180, 0.56%, 0.45%

LAB 66.65, -33.47, -10.01

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 29 / 0 / 72 / 30

HEX #7FB332

RGB 127 179 50

HSL 84.19, 0.56%, 0.45%

LAB 67.26, -36.63, 57.04

 

CMYK 72 / 29 / 0 / 30

HEX #327FB3

RGB 50 127 179

HSL 204.19, 0.56%, 0.45%

LAB 50.82, -6.06, -34.26

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 29 / 72 / 30

HEX #B37F32

RGB 179 127 50

HSL 35.81, 0.56%, 0.45%

LAB 57.07, 12.74, 48.09

 

CMYK 72 / 0 / 44 / 30

HEX #32B365

RGB 50 179 101

HSL 143.72, 0.56%, 0.45%

LAB 64.85, -52.17, 30.03

 

CMYK 72 / 44 / 0 / 30

HEX #3265B3

RGB 50 101 179

HSL 216.28, 0.56%, 0.45%

LAB 43.12, 9.88, -46.44

 

CMYK 0 / 72 / 30 / 30

HEX #B3327E

RGB 179 50 126

HSL 324.65, 0.56%, 0.45%

LAB 43.32, 58.13, -13.43

 

CMYK 0 / 7 / 72 / 30

HEX #B3A632

RGB 179 166 50

HSL 53.95, 0.56%, 0.45%

LAB 67.34, -8.51, 58.39

 

CMYK 72 / 0 / 44 / 30

HEX #32B365

RGB 50 179 101

HSL 143.72, 0.56%, 0.45%

LAB 64.85, -52.17, 30.03

 

CMYK 72 / 65 / 0 / 30

HEX #323FB3

RGB 50 63 179

HSL 233.95, 0.56%, 0.45%

LAB 32.89, 34.6, -63.01

 

Description

Color code: HEX #B3327E | qconv.com Color code: HEX #B3327E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 50 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 50 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 30 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 30% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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