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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 183 48 it is the complementary color RGB 60 72 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 183 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 183 48 shade: RGB 200 183 43, RGB 217 201 62, RGB 234 219 81, RGB 251 237 100 and RGB 255 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 183 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 183 48 shade: RGB 195 183 48, RGB 178 165 29, RGB 161 147 10, RGB 144 129 0 and RGB 127 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 183 48 shade: RGB 195 183 48, RGB 195 144 48, RGB 195 104 48, RGB 195 65 48 and RGB 195 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 183 48 shade: RGB 195 183 48, RGB 168 195 48, RGB 128 195 48, RGB 89 195 48 and RGB 49 195 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 183 48 shade matches the following richer shades: RGB 195 183 48, RGB 215 200 29 and RGB 235 216 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 183 48 shade: RGB 195 183 48, RGB 176 167 68, RGB 156 150 88, RGB 136 134 108 and RGB 116 117 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 183 48 shade: RGB 195 105 48, RGB 195 144 48, RGB 195 183 48, RGB 168 195 48 and RGB 129 195 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 183 48 shade: RGB 129 121 32, RGB 162 152 40, RGB 195 183 48, RGB 210 199 75 and RGB 218 209 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 183 48 shade: RGB 195 183 48, RGB 48 195 66 and RGB 124 48 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 183 48 shade: RGB 195 183 48, RGB 48 195 183 and RGB 183 48 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 183 48 shade: RGB 195 183 48, RGB 48 195 66, RGB 48 61 195 and RGB 195 48 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 183 48 shade: RGB 195 183 48, RGB 48 195 110, RGB 48 61 195 and RGB 195 48 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

Complementary color

CMYK 71 / 65 / 0 / 19

HEX #3C48CF

RGB 60 72 207

HSL 235.1, 0.6%, 0.52%

LAB 38.02, 39.98, -70.98

 

CMYK 0 / 9 / 79 / 22

HEX #C8B72B

RGB 200 183 43

HSL 53.5, 0.65%, 0.48%

LAB 73.75, -8.5, 67.45

 

CMYK 0 / 7 / 71 / 15

HEX #D9C93E

RGB 217 201 62

HSL 53.81, 0.67%, 0.55%

LAB 80.11, -9.63, 67.52

 

CMYK 0 / 6 / 65 / 8

HEX #EADB51

RGB 234 219 81

HSL 54.12, 0.78%, 0.62%

LAB 86.38, -10.6, 67.05

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 0 / 7 / 84 / 30

HEX #B2A51D

RGB 178 165 29

HSL 54.77, 0.72%, 0.41%

LAB 66.87, -9.24, 64.67

 

CMYK 0 / 9 / 94 / 37

HEX #A1930A

RGB 161 147 10

HSL 54.44, 0.88%, 0.34%

LAB 60.31, -7.76, 62.65

 

CMYK 0 / 10 / 100 / 44

HEX #908100

RGB 144 129 0

HSL 53.75, 1%, 0.28%

LAB 53.63, -5.99, 58.63

 

CMYK 0 / 13 / 100 / 50

HEX #7F6F00

RGB 127 111 0

HSL 52.44, 1%, 0.25%

LAB 46.82, -3.99, 52.98

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 0 / 26 / 75 / 24

HEX #C39030

RGB 195 144 48

HSL 39.18, 0.6%, 0.48%

LAB 63.15, 10.32, 55.63

 

CMYK 0 / 47 / 75 / 24

HEX #C36830

RGB 195 104 48

HSL 22.86, 0.6%, 0.48%

LAB 53.72, 32.11, 46.23

 

CMYK 0 / 67 / 75 / 24

HEX #C34130

RGB 195 65 48

HSL 6.94, 0.6%, 0.48%

LAB 46.44, 50.92, 38.54

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 14 / 0 / 75 / 24

HEX #A8C330

RGB 168 195 48

HSL 71.02, 0.6%, 0.48%

LAB 74.55, -27.89, 65.68

 

CMYK 34 / 0 / 75 / 24

HEX #80C330

RGB 128 195 48

HSL 87.35, 0.6%, 0.48%

LAB 72.12, -43.4, 62.51

 

CMYK 54 / 0 / 75 / 24

HEX #59C330

RGB 89 195 48

HSL 103.27, 0.6%, 0.48%

LAB 70.43, -55.79, 60.29

 

CMYK 75 / 0 / 75 / 24

HEX #31C330

RGB 49 195 48

HSL 119.59, 0.6%, 0.48%

LAB 69.4, -64.31, 58.92

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 0 / 7 / 87 / 16

HEX #D7C81D

RGB 215 200 29

HSL 55.16, 0.76%, 0.48%

LAB 79.53, -11.1, 76.42

 

CMYK 0 / 8 / 96 / 8

HEX #EBD809

RGB 235 216 9

HSL 54.96, 0.93%, 0.48%

LAB 85.4, -10.87, 84.45

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 0 / 5 / 61 / 31

HEX #B0A744

RGB 176 167 68

HSL 55, 0.44%, 0.48%

LAB 67.49, -9.28, 50.97

 

CMYK 0 / 4 / 44 / 39

HEX #9C9658

RGB 156 150 88

HSL 54.71, 0.28%, 0.48%

LAB 61.29, -7.03, 33.41

 

CMYK 0 / 1 / 21 / 47

HEX #88866C

RGB 136 134 108

HSL 55.71, 0.11%, 0.48%

LAB 55.45, -3.86, 14.3

 

CMYK 9 / 9 / 0 / 50

HEX #747580

RGB 116 117 128

HSL 235, 0.05%, 0.48%

LAB 49.49, 1.95, -6.16

 

CMYK 0 / 46 / 75 / 24

HEX #C36930

RGB 195 105 48

HSL 23.27, 0.6%, 0.48%

LAB 53.94, 31.58, 46.45

 

CMYK 0 / 26 / 75 / 24

HEX #C39030

RGB 195 144 48

HSL 39.18, 0.6%, 0.48%

LAB 63.15, 10.32, 55.63

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 14 / 0 / 75 / 24

HEX #A8C330

RGB 168 195 48

HSL 71.02, 0.6%, 0.48%

LAB 74.55, -27.89, 65.68

 

CMYK 34 / 0 / 75 / 24

HEX #81C330

RGB 129 195 48

HSL 86.94, 0.6%, 0.48%

LAB 72.17, -43.04, 62.57

 

CMYK 0 / 6 / 75 / 49

HEX #817920

RGB 129 121 32

HSL 55.05, 0.6%, 0.32%

LAB 50.03, -7.68, 46.95

 

CMYK 0 / 6 / 75 / 36

HEX #A29828

RGB 162 152 40

HSL 55.08, 0.6%, 0.4%

LAB 61.9, -9.11, 56.33

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 0 / 5 / 64 / 18

HEX #D2C74B

RGB 210 199 75

HSL 55.11, 0.6%, 0.56%

LAB 79.07, -10.88, 61.23

 

CMYK 0 / 4 / 50 / 15

HEX #DAD16C

RGB 218 209 108

HSL 55.09, 0.6%, 0.64%

LAB 82.69, -10.22, 50.7

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 75 / 0 / 66 / 24

HEX #30C342

RGB 48 195 66

HSL 127.35, 0.6%, 0.48%

LAB 69.51, -62.89, 52.23

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 75 / 0 / 6 / 24

HEX #30C3B7

RGB 48 195 183

HSL 175.1, 0.6%, 0.48%

LAB 71.61, -39.93, -4.85

 

CMYK 6 / 75 / 0 / 24

HEX #B730C3

RGB 183 48 195

HSL 295.1, 0.6%, 0.48%

LAB 47.13, 69.95, -48.61

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 75 / 0 / 66 / 24

HEX #30C342

RGB 48 195 66

HSL 127.35, 0.6%, 0.48%

LAB 69.51, -62.89, 52.23

 

CMYK 75 / 69 / 0 / 24

HEX #303DC3

RGB 48 61 195

HSL 234.69, 0.6%, 0.48%

LAB 33.79, 41.28, -70.98

 

CMYK 0 / 75 / 9 / 24

HEX #C330B2

RGB 195 48 178

HSL 306.94, 0.6%, 0.48%

LAB 48.17, 69.77, -36.91

 

CMYK 0 / 6 / 75 / 24

HEX #C3B730

RGB 195 183 48

HSL 55.1, 0.6%, 0.48%

LAB 73.34, -10.47, 65.31

 

CMYK 75 / 0 / 44 / 24

HEX #30C36E

RGB 48 195 110

HSL 145.31, 0.6%, 0.48%

LAB 70.02, -56.76, 32.07

 

CMYK 75 / 69 / 0 / 24

HEX #303DC3

RGB 48 61 195

HSL 234.69, 0.6%, 0.48%

LAB 33.79, 41.28, -70.98

 

CMYK 0 / 75 / 31 / 24

HEX #C33086

RGB 195 48 134

HSL 324.9, 0.6%, 0.48%

LAB 46.23, 63.94, -13.63

 

Description

Color code: RGB 195 183 48 | qconv.com Color code: RGB 195 183 48 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 183 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 183 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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