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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBED64 it is the complementary color #04129B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBED64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FBED64 shade: #FFED5F, #FFFF72, #FFFF85, #FFFF98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBED64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FBED64 shade: #FBED64, #EADB51, #D9C93E, #C8B72B and #B7A518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FBED64 shade: #FBED64, #FBC464, #FB9C64, #FB7364 and #FB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FBED64 shade: #FBED64, #E0FB64, #B7FB64, #8FFB64 and #66FB64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FBED64 shade matches the following richer shades: #FBED64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FBED64 shade: #FBED64, #EEE271, #E1D87E, #D4CD8B and #C7C398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FBED64 shade: #FB9B64, #FBC364, #FBEC64, #E2FB64 and #B9FB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FBED64 shade: #F8E314, #FAE83C, #FBED64, #FCF18D and #FDF6B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FBED64 shade: #FBED64, #64FB73 and #AF64FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FBED64 shade: #FBED64, #64FBEC and #EC64FB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FBED64 shade: #FBED64, #64FB73, #6473FB and #FB64EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FBED64 shade: #FBED64, #64FBA0, #6473FB and #FB64BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

Complementary color

CMYK 97 / 88 / 0 / 39

HEX #04129B

RGB 4 18 155

HSL 234.44, 0.95%, 0.31%

LAB 19.33, 48.81, -70.98

 

CMYK 0 / 7 / 63 / 0

HEX #FFED5F

RGB 255 237 95

HSL 53.25, 1%, 0.69%

LAB 92.86, -10.11, 68.75

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 0 / 6 / 65 / 8

HEX #EADB51

RGB 234 219 81

HSL 54.12, 0.78%, 0.62%

LAB 86.38, -10.6, 67.05

 

CMYK 0 / 7 / 71 / 15

HEX #D9C93E

RGB 217 201 62

HSL 53.81, 0.67%, 0.55%

LAB 80.11, -9.63, 67.52

 

CMYK 0 / 9 / 79 / 22

HEX #C8B72B

RGB 200 183 43

HSL 53.5, 0.65%, 0.48%

LAB 73.75, -8.5, 67.45

 

CMYK 0 / 10 / 87 / 28

HEX #B7A518

RGB 183 165 24

HSL 53.21, 0.77%, 0.41%

LAB 67.31, -7.15, 66.42

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 0 / 22 / 60 / 2

HEX #FBC464

RGB 251 196 100

HSL 38.15, 0.95%, 0.69%

LAB 82.33, 9.38, 54.8

 

CMYK 0 / 38 / 60 / 2

HEX #FB9C64

RGB 251 156 100

HSL 22.25, 0.95%, 0.69%

LAB 73.03, 30.31, 43.86

 

CMYK 0 / 54 / 60 / 2

HEX #FB7364

RGB 251 115 100

HSL 5.96, 0.95%, 0.69%

LAB 64.72, 50.85, 33.59

 

CMYK 0 / 60 / 60 / 2

HEX #FB6464

RGB 251 100 100

HSL 0, 0.95%, 0.69%

LAB 62.12, 57.65, 30.28

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 11 / 0 / 60 / 2

HEX #E0FB64

RGB 224 251 100

HSL 70.73, 0.95%, 0.69%

LAB 94.21, -28.87, 67.47

 

CMYK 27 / 0 / 60 / 2

HEX #B7FB64

RGB 183 251 100

HSL 87.02, 0.95%, 0.69%

LAB 91.68, -44.15, 63.96

 

CMYK 43 / 0 / 60 / 2

HEX #8FFB64

RGB 143 251 100

HSL 102.91, 0.95%, 0.69%

LAB 89.75, -57.28, 61.27

 

CMYK 59 / 0 / 60 / 2

HEX #66FB64

RGB 102 251 100

HSL 119.21, 0.95%, 0.69%

LAB 88.32, -68, 59.28

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 0 / 5 / 53 / 7

HEX #EEE271

RGB 238 226 113

HSL 54.24, 0.79%, 0.69%

LAB 88.81, -10.27, 55.98

 

CMYK 0 / 4 / 44 / 12

HEX #E1D87E

RGB 225 216 126

HSL 54.55, 0.62%, 0.69%

LAB 85.31, -9.28, 45.31

 

CMYK 0 / 3 / 34 / 17

HEX #D4CD8B

RGB 212 205 139

HSL 54.25, 0.46%, 0.69%

LAB 81.58, -7.4, 33.78

 

CMYK 0 / 2 / 24 / 22

HEX #C7C398

RGB 199 195 152

HSL 54.89, 0.3%, 0.69%

LAB 78.13, -5.55, 22.17

 

CMYK 0 / 38 / 60 / 2

HEX #FB9B64

RGB 251 155 100

HSL 21.85, 0.95%, 0.69%

LAB 72.81, 30.83, 43.59

 

CMYK 0 / 22 / 60 / 2

HEX #FBC364

RGB 251 195 100

HSL 37.75, 0.95%, 0.69%

LAB 82.09, 9.9, 54.52

 

CMYK 0 / 6 / 60 / 2

HEX #FBEC64

RGB 251 236 100

HSL 54.04, 0.95%, 0.69%

LAB 92.32, -10.93, 65.99

 

CMYK 10 / 0 / 60 / 2

HEX #E2FB64

RGB 226 251 100

HSL 69.93, 0.95%, 0.69%

LAB 94.35, -28.09, 67.66

 

CMYK 26 / 0 / 60 / 2

HEX #B9FB64

RGB 185 251 100

HSL 86.23, 0.95%, 0.69%

LAB 91.79, -43.44, 64.11

 

CMYK 0 / 8 / 92 / 3

HEX #F8E314

RGB 248 227 20

HSL 54.47, 0.94%, 0.53%

LAB 89.37, -10.72, 86.77

 

CMYK 0 / 7 / 76 / 2

HEX #FAE83C

RGB 250 232 60

HSL 54.32, 0.95%, 0.61%

LAB 90.95, -11.39, 79.38

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 0 / 4 / 44 / 1

HEX #FCF18D

RGB 252 241 141

HSL 54.05, 0.95%, 0.77%

LAB 94.11, -9.7, 49.43

 

CMYK 0 / 3 / 28 / 1

HEX #FDF6B5

RGB 253 246 181

HSL 54.17, 0.95%, 0.85%

LAB 96.05, -7.37, 32.19

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 60 / 0 / 54 / 2

HEX #64FB73

RGB 100 251 115

HSL 125.96, 0.95%, 0.69%

LAB 88.42, -66.7, 52.79

 

CMYK 30 / 60 / 0 / 2

HEX #AF64FB

RGB 175 100 251

HSL 269.8, 0.95%, 0.69%

LAB 57.26, 57.8, -64.15

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 60 / 0 / 6 / 2

HEX #64FBEC

RGB 100 251 236

HSL 174.04, 0.95%, 0.69%

LAB 90.67, -43.4, -4.8

 

CMYK 6 / 60 / 0 / 2

HEX #EC64FB

RGB 236 100 251

HSL 294.04, 0.95%, 0.69%

LAB 64.89, 71.89, -51.53

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 60 / 0 / 54 / 2

HEX #64FB73

RGB 100 251 115

HSL 125.96, 0.95%, 0.69%

LAB 88.42, -66.7, 52.79

 

CMYK 60 / 54 / 0 / 2

HEX #6473FB

RGB 100 115 251

HSL 234.04, 0.95%, 0.69%

LAB 53.96, 34.28, -69.81

 

CMYK 0 / 60 / 6 / 2

HEX #FB64EC

RGB 251 100 236

HSL 305.96, 0.95%, 0.69%

LAB 66.27, 73.05, -40.93

 

CMYK 0 / 6 / 60 / 2

HEX #FBED64

RGB 251 237 100

HSL 54.44, 0.95%, 0.69%

LAB 92.57, -11.42, 66.27

 

CMYK 60 / 0 / 36 / 2

HEX #64FBA0

RGB 100 251 160

HSL 143.84, 0.95%, 0.69%

LAB 89.04, -59.9, 31.95

 

CMYK 60 / 54 / 0 / 2

HEX #6473FB

RGB 100 115 251

HSL 234.04, 0.95%, 0.69%

LAB 53.96, 34.28, -69.81

 

CMYK 0 / 60 / 24 / 2

HEX #FB64BE

RGB 251 100 190

HSL 324.24, 0.95%, 0.69%

LAB 64.44, 66.47, -17.97

 

Description

Color code: HEX #FBED64 | qconv.com Color code: HEX #FBED64 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 237 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 237 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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