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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C30C3 it is the complementary color #83CF3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C30C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C30C3 shade: #8130BE, #9242D1, #A354E4, #B466F7 and #C578FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C30C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C30C3 shade: #7C30C3, #6B1EB0, #5A0C9D, #49008A and #380077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C30C3 shade: #7C30C3, #A430C3, #C330BB, #C33093 and #C3306C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C30C3 shade: #7C30C3, #5530C3 and #3030C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C30C3 shade matches the following richer shades: #7C30C3, #7D1DD7 and #7E09EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C30C3 shade: #7C30C3, #7C44B0, #7B589C, #7A6C88 and #7A8074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C30C3 shade: #3033C3, #5530C3, #7C30C3, #A430C3 and #C330BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C30C3 shade: #522081, #6728A2, #7C30C3, #914BD2 and #A56CDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C30C3 shade: #7C30C3, #C3305A and #30C342

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C30C3 shade: #7C30C3, #C37C30 and #30C37C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C30C3 shade: #7C30C3, #C3305A, #77C330 and #30C39A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C30C3 shade: #7C30C3, #C33330, #77C330 and #30C1C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

Complementary color

CMYK 37 / 0 / 71 / 19

HEX #83CF3C

RGB 131 207 60

HSL 91.02, 0.6%, 0.52%

LAB 75.93, -46.66, 62.16

 

CMYK 32 / 75 / 0 / 25

HEX #8130BE

RGB 129 48 190

HSL 274.23, 0.6%, 0.47%

LAB 38.72, 58.54, -59.66

 

CMYK 30 / 68 / 0 / 18

HEX #9242D1

RGB 146 66 209

HSL 273.57, 0.61%, 0.54%

LAB 45.1, 58.33, -60.26

 

CMYK 29 / 63 / 0 / 11

HEX #A354E4

RGB 163 84 228

HSL 272.92, 0.73%, 0.61%

LAB 51.53, 57.77, -60.6

 

CMYK 27 / 59 / 0 / 3

HEX #B466F7

RGB 180 102 247

HSL 272.28, 0.9%, 0.68%

LAB 57.96, 57.02, -60.78

 

CMYK 23 / 53 / 0 / 0

HEX #C578FF

RGB 197 120 255

HSL 274.22, 1%, 0.74%

LAB 63.77, 53.75, -55.8

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 39 / 83 / 0 / 31

HEX #6B1EB0

RGB 107 30 176

HSL 271.64, 0.71%, 0.4%

LAB 32.23, 58.43, -62.09

 

CMYK 43 / 92 / 0 / 38

HEX #5A0C9D

RGB 90 12 157

HSL 272.28, 0.86%, 0.33%

LAB 26.36, 56.8, -60.33

 

CMYK 47 / 100 / 0 / 46

HEX #49008A

RGB 73 0 138

HSL 271.74, 1%, 0.27%

LAB 21.02, 53.29, -57.46

 

CMYK 53 / 100 / 0 / 53

HEX #380077

RGB 56 0 119

HSL 268.24, 1%, 0.23%

LAB 16.37, 47.34, -53.16

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 16 / 75 / 0 / 24

HEX #A430C3

RGB 164 48 195

HSL 287.35, 0.6%, 0.48%

LAB 44.16, 66.18, -53.55

 

CMYK 0 / 75 / 4 / 24

HEX #C330BB

RGB 195 48 187

HSL 303.27, 0.6%, 0.48%

LAB 48.64, 71.13, -41.44

 

CMYK 0 / 75 / 25 / 24

HEX #C33093

RGB 195 48 147

HSL 319.59, 0.6%, 0.48%

LAB 46.74, 65.51, -20.71

 

CMYK 0 / 75 / 45 / 24

HEX #C3306C

RGB 195 48 108

HSL 335.51, 0.6%, 0.48%

LAB 45.36, 61.22, 1

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 56 / 75 / 0 / 24

HEX #5530C3

RGB 85 48 195

HSL 255.1, 0.6%, 0.48%

LAB 33.95, 52.79, -70.6

 

CMYK 75 / 75 / 0 / 24

HEX #3030C3

RGB 48 48 195

HSL 240, 0.6%, 0.48%

LAB 31.07, 48.81, -75.45

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 42 / 87 / 0 / 16

HEX #7D1DD7

RGB 125 29 215

HSL 270.97, 0.76%, 0.48%

LAB 38.1, 69.85, -75.24

 

CMYK 46 / 96 / 0 / 8

HEX #7E09EB

RGB 126 9 235

HSL 271.06, 0.93%, 0.48%

LAB 38.95, 77.85, -85.28

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 30 / 61 / 0 / 31

HEX #7C44B0

RGB 124 68 176

HSL 271.11, 0.44%, 0.48%

LAB 40.5, 44.75, -48.57

 

CMYK 21 / 44 / 0 / 39

HEX #7B589C

RGB 123 88 156

HSL 270.88, 0.28%, 0.48%

LAB 43.64, 28.24, -31.71

 

CMYK 10 / 21 / 0 / 47

HEX #7A6C88

RGB 122 108 136

HSL 270, 0.11%, 0.48%

LAB 47.8, 11.22, -13.38

 

CMYK 5 / 0 / 9 / 50

HEX #7A8074

RGB 122 128 116

HSL 90, 0.05%, 0.48%

LAB 52.77, -4.6, 5.74

 

CMYK 75 / 74 / 0 / 24

HEX #3033C3

RGB 48 51 195

HSL 238.78, 0.6%, 0.48%

LAB 31.66, 47.15, -74.48

 

CMYK 56 / 75 / 0 / 24

HEX #5530C3

RGB 85 48 195

HSL 255.1, 0.6%, 0.48%

LAB 33.95, 52.79, -70.6

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 16 / 75 / 0 / 24

HEX #A430C3

RGB 164 48 195

HSL 287.35, 0.6%, 0.48%

LAB 44.16, 66.18, -53.55

 

CMYK 0 / 75 / 4 / 24

HEX #C330BC

RGB 195 48 188

HSL 302.86, 0.6%, 0.48%

LAB 48.69, 71.28, -41.94

 

CMYK 36 / 75 / 0 / 49

HEX #522081

RGB 82 32 129

HSL 270.93, 0.6%, 0.32%

LAB 24.99, 42.07, -45.25

 

CMYK 36 / 75 / 0 / 36

HEX #6728A2

RGB 103 40 162

HSL 270.98, 0.6%, 0.4%

LAB 31.83, 50.62, -54.35

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 31 / 64 / 0 / 18

HEX #914BD2

RGB 145 75 210

HSL 271.11, 0.6%, 0.56%

LAB 46.59, 54.09, -58.44

 

CMYK 24 / 50 / 0 / 15

HEX #A56CDA

RGB 165 108 218

HSL 271.09, 0.6%, 0.64%

LAB 55.87, 43.51, -48

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 0 / 75 / 54 / 24

HEX #C3305A

RGB 195 48 90

HSL 342.86, 0.6%, 0.48%

LAB 44.88, 59.69, 11.47

 

CMYK 75 / 0 / 66 / 24

HEX #30C342

RGB 48 195 66

HSL 127.35, 0.6%, 0.48%

LAB 69.51, -62.89, 52.23

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 0 / 36 / 75 / 24

HEX #C37C30

RGB 195 124 48

HSL 31.02, 0.6%, 0.48%

LAB 58.26, 21.3, 50.81

 

CMYK 75 / 0 / 36 / 24

HEX #30C37C

RGB 48 195 124

HSL 151.02, 0.6%, 0.48%

LAB 70.26, -54.14, 25.08

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 0 / 75 / 54 / 24

HEX #C3305A

RGB 195 48 90

HSL 342.86, 0.6%, 0.48%

LAB 44.88, 59.69, 11.47

 

CMYK 39 / 0 / 75 / 24

HEX #77C330

RGB 119 195 48

HSL 91.02, 0.6%, 0.48%

LAB 71.67, -46.55, 61.92

 

CMYK 75 / 0 / 21 / 24

HEX #30C39A

RGB 48 195 154

HSL 163.27, 0.6%, 0.48%

LAB 70.87, -47.5, 9.86

 

CMYK 36 / 75 / 0 / 24

HEX #7C30C3

RGB 124 48 195

HSL 271.02, 0.6%, 0.48%

LAB 38.44, 58.8, -63.07

 

CMYK 0 / 74 / 75 / 24

HEX #C33330

RGB 195 51 48

HSL 1.22, 0.6%, 0.48%

LAB 44.49, 56.25, 36.42

 

CMYK 39 / 0 / 75 / 24

HEX #77C330

RGB 119 195 48

HSL 91.02, 0.6%, 0.48%

LAB 71.67, -46.55, 61.92

 

CMYK 75 / 1 / 0 / 24

HEX #30C1C3

RGB 48 193 195

HSL 180.82, 0.6%, 0.48%

LAB 71.36, -35.58, -11.78

 

Description

Color code: HEX #7C30C3 | qconv.com Color code: HEX #7C30C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 48 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 48 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 75 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 75% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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