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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 57 192 it is the complementary color RGB 68 198 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 57 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 187 57 192 shade: RGB 192 57 187, RGB 209 75 206, RGB 226 93 225, RGB 243 111 244 and RGB 255 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 57 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 187 57 192 shade: RGB 187 57 192, RGB 170 39 173, RGB 153 21 154, RGB 136 3 135 and RGB 119 0 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 187 57 192 shade: RGB 187 57 192, RGB 192 57 161, RGB 192 57 124, RGB 192 57 88 and RGB 192 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 187 57 192 shade: RGB 187 57 192, RGB 151 57 192, RGB 114 57 192, RGB 78 57 192 and RGB 57 57 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 187 57 192 shade matches the following richer shades: RGB 187 57 192, RGB 206 37 212 and RGB 224 17 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 187 57 192 shade: RGB 187 57 192, RGB 168 77 172, RGB 149 97 151, RGB 131 118 131 and RGB 112 138 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 187 57 192 shade: RGB 113 57 192, RGB 149 57 192, RGB 185 57 192, RGB 192 57 163 and RGB 192 57 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 187 57 192 shade: RGB 125 38 128, RGB 156 47 160, RGB 187 57 192, RGB 200 86 204 and RGB 210 118 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 187 57 192 shade: RGB 187 57 192, RGB 192 77 57 and RGB 57 192 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 187 57 192 shade: RGB 187 57 192, RGB 192 185 57 and RGB 57 192 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 187 57 192 shade: RGB 187 57 192, RGB 192 77 57, RGB 64 192 57 and RGB 57 172 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 187 57 192 shade: RGB 187 57 192, RGB 192 118 57, RGB 64 192 57 and RGB 57 131 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

Complementary color

CMYK 66 / 0 / 68 / 22

HEX #44C63F

RGB 68 198 63

HSL 117.78, 0.54%, 0.51%

LAB 70.85, -60.66, 55.03

 

CMYK 0 / 70 / 3 / 25

HEX #C039BB

RGB 192 57 187

HSL 302.22, 0.54%, 0.49%

LAB 49.16, 67.61, -40.65

 

CMYK 0 / 64 / 1 / 18

HEX #D14BCE

RGB 209 75 206

HSL 301.34, 0.59%, 0.56%

LAB 55.12, 68, -42.02

 

CMYK 0 / 59 / 0 / 11

HEX #E25DE1

RGB 226 93 225

HSL 300.45, 0.7%, 0.63%

LAB 61.16, 67.96, -43.07

 

CMYK 0 / 55 / 0 / 4

HEX #F36FF4

RGB 243 111 244

HSL 299.55, 0.86%, 0.7%

LAB 67.24, 67.66, -43.9

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 2 / 77 / 0 / 32

HEX #AA27AD

RGB 170 39 173

HSL 298.66, 0.63%, 0.42%

LAB 42.78, 66.32, -42.76

 

CMYK 1 / 86 / 0 / 40

HEX #99159A

RGB 153 21 154

HSL 299.55, 0.76%, 0.34%

LAB 37.19, 64.29, -40.45

 

CMYK 0 / 98 / 1 / 47

HEX #880387

RGB 136 3 135

HSL 300.45, 0.96%, 0.27%

LAB 31.92, 60.99, -37.38

 

CMYK 0 / 100 / 3 / 53

HEX #770074

RGB 119 0 116

HSL 301.51, 1%, 0.23%

LAB 27.25, 55.46, -33.03

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 0 / 70 / 16 / 25

HEX #C039A1

RGB 192 57 161

HSL 313.78, 0.54%, 0.49%

LAB 47.89, 63.67, -27.35

 

CMYK 0 / 70 / 35 / 25

HEX #C0397C

RGB 192 57 124

HSL 330.22, 0.54%, 0.49%

LAB 46.43, 58.94, -7.3

 

CMYK 0 / 70 / 54 / 25

HEX #C03958

RGB 192 57 88

HSL 346.22, 0.54%, 0.49%

LAB 45.41, 55.5, 13.36

 

CMYK 0 / 70 / 70 / 25

HEX #C03939

RGB 192 57 57

HSL 0, 0.54%, 0.49%

LAB 44.84, 53.52, 31.44

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 21 / 70 / 0 / 25

HEX #9739C0

RGB 151 57 192

HSL 281.78, 0.54%, 0.49%

LAB 43.23, 59.59, -53.39

 

CMYK 41 / 70 / 0 / 25

HEX #7239C0

RGB 114 57 192

HSL 265.33, 0.54%, 0.49%

LAB 38.39, 52.24, -61.46

 

CMYK 59 / 70 / 0 / 25

HEX #4E39C0

RGB 78 57 192

HSL 249.33, 0.54%, 0.49%

LAB 34.7, 46.25, -67.63

 

CMYK 70 / 70 / 0 / 25

HEX #3939C0

RGB 57 57 192

HSL 240, 0.54%, 0.49%

LAB 33.14, 43.57, -70.26

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 3 / 83 / 0 / 17

HEX #CE25D4

RGB 206 37 212

HSL 297.94, 0.7%, 0.49%

LAB 50.92, 79.9, -52.15

 

CMYK 3 / 93 / 0 / 9

HEX #E011E8

RGB 224 17 232

HSL 297.77, 0.86%, 0.49%

LAB 54.11, 88.97, -58.24

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 2 / 55 / 0 / 33

HEX #A84DAC

RGB 168 77 172

HSL 297.47, 0.38%, 0.49%

LAB 47.77, 50.75, -34.31

 

CMYK 1 / 36 / 0 / 41

HEX #956197

RGB 149 97 151

HSL 297.78, 0.22%, 0.49%

LAB 48.48, 30.26, -21

 

CMYK 0 / 10 / 0 / 49

HEX #837683

RGB 131 118 131

HSL 300, 0.05%, 0.49%

LAB 51.18, 7.52, -5.28

 

CMYK 19 / 0 / 20 / 46

HEX #708A6F

RGB 112 138 111

HSL 117.78, 0.11%, 0.49%

LAB 54.83, -14.82, 11.45

 

CMYK 41 / 70 / 0 / 25

HEX #7139C0

RGB 113 57 192

HSL 264.89, 0.54%, 0.49%

LAB 38.27, 52.06, -61.65

 

CMYK 22 / 70 / 0 / 25

HEX #9539C0

RGB 149 57 192

HSL 280.89, 0.54%, 0.49%

LAB 42.95, 59.17, -53.86

 

CMYK 4 / 70 / 0 / 25

HEX #B939C0

RGB 185 57 192

HSL 296.89, 0.54%, 0.49%

LAB 48.32, 66.88, -44.96

 

CMYK 0 / 70 / 15 / 25

HEX #C039A3

RGB 192 57 163

HSL 312.89, 0.54%, 0.49%

LAB 47.98, 63.95, -28.39

 

CMYK 0 / 70 / 34 / 25

HEX #C0397F

RGB 192 57 127

HSL 328.89, 0.54%, 0.49%

LAB 46.53, 59.28, -8.97

 

CMYK 2 / 70 / 0 / 50

HEX #7D2680

RGB 125 38 128

HSL 298, 0.54%, 0.33%

LAB 32.49, 48.91, -32.21

 

CMYK 2 / 71 / 0 / 37

HEX #9C2FA0

RGB 156 47 160

HSL 297.88, 0.55%, 0.41%

LAB 40.64, 58.49, -38.56

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 2 / 58 / 0 / 20

HEX #C856CC

RGB 200 86 204

HSL 297.97, 0.54%, 0.57%

LAB 55.37, 60.84, -40.56

 

CMYK 2 / 45 / 0 / 16

HEX #D276D6

RGB 210 118 214

HSL 297.5, 0.54%, 0.65%

LAB 62.94, 50, -34.28

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 0 / 60 / 70 / 25

HEX #C04D39

RGB 192 77 57

HSL 8.89, 0.54%, 0.49%

LAB 48.02, 44.97, 35.17

 

CMYK 70 / 0 / 32 / 25

HEX #39C083

RGB 57 192 131

HSL 152.89, 0.54%, 0.49%

LAB 69.62, -50.25, 20.53

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 0 / 4 / 70 / 25

HEX #C0B939

RGB 192 185 57

HSL 56.89, 0.54%, 0.49%

LAB 73.67, -12.38, 62.35

 

CMYK 70 / 0 / 4 / 25

HEX #39C0B9

RGB 57 192 185

HSL 176.89, 0.54%, 0.49%

LAB 70.92, -36.92, -6.94

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 0 / 60 / 70 / 25

HEX #C04D39

RGB 192 77 57

HSL 8.89, 0.54%, 0.49%

LAB 48.02, 44.97, 35.17

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 70 / 10 / 0 / 25

HEX #39ACC0

RGB 57 172 192

HSL 188.89, 0.54%, 0.49%

LAB 65.11, -25.21, -19.54

 

CMYK 3 / 70 / 0 / 25

HEX #BB39C0

RGB 187 57 192

HSL 297.78, 0.54%, 0.49%

LAB 48.63, 67.32, -44.44

 

CMYK 0 / 39 / 70 / 25

HEX #C07639

RGB 192 118 57

HSL 27.11, 0.54%, 0.49%

LAB 56.54, 23.74, 44.71

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 70 / 32 / 0 / 25

HEX #3983C0

RGB 57 131 192

HSL 207.11, 0.54%, 0.49%

LAB 52.85, -2.79, -38.51

 

Description

Color code: RGB 187 57 192 | qconv.com Color code: RGB 187 57 192 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 57 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 57 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 70 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 70% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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