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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99159A it is the complementary color #66EA65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99159A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #99159A shade: #9E1595, #AF27A8, #C039BB, #D14BCE and #E25DE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99159A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #99159A shade: #99159A, #880387, #770074, #660061 and #55004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #99159A shade: #971498, #981476, #981452, #98142E and #981414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #99159A shade: #971498, #741498, #501498, #2C1498 and #141498

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #99159A shade matches the following richer shades: #971498 and #A506A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #99159A shade: #971498, #89228A, #7B307C, #6E3E6E and #604C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #99159A shade: #501498, #731498, #961498, #981477 and #981454

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #99159A shade: #4F0A4F, #730F74, #971498, #BB19BC and #DF1FE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #99159A shade: #99159A, #982C14 and #149861

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #99159A shade: #99159A, #989614 and #149896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #99159A shade: #99159A, #982C14, #179814 and #148098

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #99159A shade: #99159A, #985414, #179814 and #145898

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 86 / 0 / 40

HEX #99159A

RGB 153 21 154

HSL 299.55, 0.76%, 0.34%

LAB 37.19, 64.29, -40.45

 

Complementary color

CMYK 56 / 0 / 57 / 8

HEX #66EA65

RGB 102 234 101

HSL 119.55, 0.76%, 0.66%

LAB 83.24, -61.84, 52.97

 

CMYK 0 / 87 / 6 / 38

HEX #9E1595

RGB 158 21 149

HSL 303.94, 0.77%, 0.35%

LAB 37.8, 64.48, -36.39

 

CMYK 0 / 78 / 4 / 31

HEX #AF27A8

RGB 175 39 168

HSL 303.09, 0.64%, 0.42%

LAB 43.35, 66.55, -38.84

 

CMYK 0 / 70 / 3 / 25

HEX #C039BB

RGB 192 57 187

HSL 302.22, 0.54%, 0.49%

LAB 49.16, 67.61, -40.65

 

CMYK 0 / 64 / 1 / 18

HEX #D14BCE

RGB 209 75 206

HSL 301.34, 0.59%, 0.56%

LAB 55.12, 68, -42.02

 

CMYK 0 / 59 / 0 / 11

HEX #E25DE1

RGB 226 93 225

HSL 300.45, 0.7%, 0.63%

LAB 61.16, 67.96, -43.07

 

CMYK 1 / 86 / 0 / 40

HEX #99159A

RGB 153 21 154

HSL 299.55, 0.76%, 0.34%

LAB 37.19, 64.29, -40.45

 

CMYK 0 / 98 / 1 / 47

HEX #880387

RGB 136 3 135

HSL 300.45, 0.96%, 0.27%

LAB 31.92, 60.99, -37.38

 

CMYK 0 / 100 / 3 / 53

HEX #770074

RGB 119 0 116

HSL 301.51, 1%, 0.23%

LAB 27.25, 55.46, -33.03

 

CMYK 0 / 100 / 5 / 60

HEX #660061

RGB 102 0 97

HSL 302.94, 1%, 0.2%

LAB 22.61, 49.33, -28.29

 

CMYK 0 / 100 / 8 / 67

HEX #55004E

RGB 85 0 78

HSL 304.94, 1%, 0.17%

LAB 17.83, 43.02, -23.35

 

CMYK 1 / 87 / 0 / 40

HEX #971498

RGB 151 20 152

HSL 299.55, 0.77%, 0.34%

LAB 36.64, 63.79, -40.13

 

CMYK 0 / 87 / 22 / 40

HEX #981476

RGB 152 20 118

HSL 315.45, 0.77%, 0.34%

LAB 34.97, 59.05, -21.7

 

CMYK 0 / 87 / 46 / 40

HEX #981452

RGB 152 20 82

HSL 331.82, 0.77%, 0.34%

LAB 33.53, 55.03, -0.78

 

CMYK 0 / 87 / 70 / 40

HEX #98142E

RGB 152 20 46

HSL 348.18, 0.77%, 0.34%

LAB 32.64, 52.45, 21.59

 

CMYK 0 / 87 / 87 / 40

HEX #981414

RGB 152 20 20

HSL 0, 0.77%, 0.34%

LAB 32.32, 51.49, 36.97

 

CMYK 1 / 87 / 0 / 40

HEX #971498

RGB 151 20 152

HSL 299.55, 0.77%, 0.34%

LAB 36.64, 63.79, -40.13

 

CMYK 24 / 87 / 0 / 40

HEX #741498

RGB 116 20 152

HSL 283.64, 0.77%, 0.34%

LAB 30.59, 57.57, -50.19

 

CMYK 47 / 87 / 0 / 40

HEX #501498

RGB 80 20 152

HSL 267.27, 0.77%, 0.34%

LAB 25.18, 52.3, -59.27

 

CMYK 71 / 87 / 0 / 40

HEX #2C1498

RGB 44 20 152

HSL 250.91, 0.77%, 0.34%

LAB 21.22, 48.72, -65.94

 

CMYK 87 / 87 / 0 / 40

HEX #141498

RGB 20 20 152

HSL 240, 0.77%, 0.34%

LAB 19.7, 47.44, -68.5

 

CMYK 1 / 87 / 0 / 40

HEX #971498

RGB 151 20 152

HSL 299.55, 0.77%, 0.34%

LAB 36.64, 63.79, -40.13

 

CMYK 1 / 96 / 0 / 35

HEX #A506A6

RGB 165 6 166

HSL 299.63, 0.93%, 0.34%

LAB 39.38, 70.43, -44.07

 

CMYK 1 / 87 / 0 / 40

HEX #971498

RGB 151 20 152

HSL 299.55, 0.77%, 0.34%

LAB 36.64, 63.79, -40.13

 

CMYK 1 / 75 / 0 / 46

HEX #89228A

RGB 137 34 138

HSL 299.42, 0.6%, 0.34%

LAB 34.59, 54.95, -34.96

 

CMYK 1 / 61 / 0 / 51

HEX #7B307C

RGB 123 48 124

HSL 299.21, 0.44%, 0.34%

LAB 33.52, 43.26, -28.1

 

CMYK 0 / 44 / 0 / 57

HEX #6E3E6E

RGB 110 62 110

HSL 300, 0.28%, 0.34%

LAB 33.74, 29.01, -19.1

 

CMYK 0 / 21 / 0 / 62

HEX #604C60

RGB 96 76 96

HSL 300, 0.12%, 0.34%

LAB 35, 12.36, -8.5

 

CMYK 47 / 87 / 0 / 40

HEX #501498

RGB 80 20 152

HSL 267.27, 0.77%, 0.34%

LAB 25.18, 52.3, -59.27

 

CMYK 24 / 87 / 0 / 40

HEX #731498

RGB 115 20 152

HSL 283.18, 0.77%, 0.34%

LAB 30.43, 57.41, -50.46

 

CMYK 1 / 87 / 0 / 40

HEX #961498

RGB 150 20 152

HSL 299.09, 0.77%, 0.34%

LAB 36.46, 63.6, -40.43

 

CMYK 0 / 87 / 22 / 40

HEX #981477

RGB 152 20 119

HSL 315, 0.77%, 0.34%

LAB 35.02, 59.18, -22.26

 

CMYK 0 / 87 / 45 / 40

HEX #981454

RGB 152 20 84

HSL 330.91, 0.77%, 0.34%

LAB 33.6, 55.21, -1.98

 

CMYK 0 / 87 / 0 / 69

HEX #4F0A4F

RGB 79 10 79

HSL 300, 0.78%, 0.17%

LAB 17.66, 39, -24.38

 

CMYK 1 / 87 / 0 / 55

HEX #730F74

RGB 115 15 116

HSL 299.41, 0.77%, 0.26%

LAB 27.43, 51.91, -32.79

 

CMYK 1 / 87 / 0 / 40

HEX #971498

RGB 151 20 152

HSL 299.55, 0.77%, 0.34%

LAB 36.64, 63.79, -40.13

 

CMYK 1 / 87 / 0 / 26

HEX #BB19BC

RGB 187 25 188

HSL 299.63, 0.77%, 0.42%

LAB 45.48, 75.1, -47.13

 

CMYK 0 / 86 / 0 / 12

HEX #DF1FE0

RGB 223 31 224

HSL 299.69, 0.76%, 0.5%

LAB 54.08, 85.82, -53.77

 

CMYK 1 / 86 / 0 / 40

HEX #99159A

RGB 153 21 154

HSL 299.55, 0.76%, 0.34%

LAB 37.19, 64.29, -40.45

 

CMYK 0 / 71 / 87 / 40

HEX #982C14

RGB 152 44 20

HSL 10.91, 0.77%, 0.34%

LAB 35.06, 43.83, 39.34

 

CMYK 87 / 0 / 36 / 40

HEX #149861

RGB 20 152 97

HSL 155, 0.77%, 0.34%

LAB 55.55, -46.42, 19.8

 

CMYK 1 / 86 / 0 / 40

HEX #99159A

RGB 153 21 154

HSL 299.55, 0.76%, 0.34%

LAB 37.19, 64.29, -40.45

 

CMYK 0 / 1 / 87 / 40

HEX #989614

RGB 152 150 20

HSL 59.09, 0.77%, 0.34%

LAB 60.37, -13.24, 60.51

 

CMYK 87 / 0 / 1 / 40

HEX #149896

RGB 20 152 150

HSL 179.09, 0.77%, 0.34%

LAB 56.89, -32.34, -8.33

 

CMYK 1 / 86 / 0 / 40

HEX #99159A

RGB 153 21 154

HSL 299.55, 0.76%, 0.34%

LAB 37.19, 64.29, -40.45

 

CMYK 0 / 71 / 87 / 40

HEX #982C14

RGB 152 44 20

HSL 10.91, 0.77%, 0.34%

LAB 35.06, 43.83, 39.34

 

CMYK 85 / 0 / 87 / 40

HEX #179814

RGB 23 152 20

HSL 118.64, 0.77%, 0.34%

LAB 54.75, -56.18, 53.23

 

CMYK 87 / 16 / 0 / 40

HEX #148098

RGB 20 128 152

HSL 190.91, 0.77%, 0.34%

LAB 49.32, -19.55, -20.95

 

CMYK 1 / 86 / 0 / 40

HEX #99159A

RGB 153 21 154

HSL 299.55, 0.76%, 0.34%

LAB 37.19, 64.29, -40.45

 

CMYK 0 / 45 / 87 / 40

HEX #985414

RGB 152 84 20

HSL 29.09, 0.77%, 0.34%

LAB 42.86, 23.76, 45.98

 

CMYK 85 / 0 / 87 / 40

HEX #179814

RGB 23 152 20

HSL 118.64, 0.77%, 0.34%

LAB 54.75, -56.18, 53.23

 

CMYK 87 / 42 / 0 / 40

HEX #145898

RGB 20 88 152

HSL 209.09, 0.77%, 0.34%

LAB 36.73, 4.3, -40.68

 

Description

Color code: HEX #99159A | qconv.com Color code: HEX #99159A | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 21 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 21 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 86 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 86% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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