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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 192 57 it is the complementary color RGB 191 63 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 192 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 192 57 shade: RGB 69 192 52, RGB 86 210 71, RGB 103 228 90, RGB 120 246 109 and RGB 137 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 192 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 192 57 shade: RGB 64 192 57, RGB 47 174 38, RGB 30 156 19, RGB 13 138 0 and RGB 0 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 192 57 shade: RGB 64 192 57, RGB 100 192 57, RGB 137 192 57, RGB 173 192 57 and RGB 192 174 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 192 57 shade: RGB 64 192 57, RGB 57 192 86, RGB 57 192 123, RGB 57 192 159 and RGB 57 188 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 192 57 shade matches the following richer shades: RGB 64 192 57, RGB 46 212 37 and RGB 28 232 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 192 57 shade: RGB 64 192 57, RGB 82 172 77, RGB 100 151 97, RGB 118 131 118 and RGB 136 111 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 192 57 shade: RGB 138 192 57, RGB 102 192 57, RGB 66 192 57, RGB 57 192 84 and RGB 57 192 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 192 57 shade: RGB 43 128 38, RGB 53 160 47, RGB 64 192 57, RGB 92 204 86 and RGB 123 214 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 192 57 shade: RGB 64 192 57, RGB 57 174 192 and RGB 192 57 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 192 57 shade: RGB 64 192 57, RGB 57 66 192 and RGB 192 57 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 192 57 shade: RGB 64 192 57, RGB 57 174 192, RGB 183 57 192 and RGB 192 75 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 192 57 shade: RGB 64 192 57, RGB 57 133 192, RGB 183 57 192 and RGB 192 115 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

Complementary color

CMYK 4 / 68 / 0 / 22

HEX #BF3FC6

RGB 191 63 198

HSL 296.89, 0.54%, 0.51%

LAB 50.34, 67.07, -45.16

 

CMYK 64 / 0 / 73 / 25

HEX #45C034

RGB 69 192 52

HSL 112.71, 0.57%, 0.48%

LAB 68.9, -59.33, 57.18

 

CMYK 59 / 0 / 66 / 18

HEX #56D247

RGB 86 210 71

HSL 113.53, 0.61%, 0.55%

LAB 75.16, -60.13, 56.58

 

CMYK 55 / 0 / 61 / 11

HEX #67E45A

RGB 103 228 90

HSL 114.35, 0.72%, 0.62%

LAB 81.35, -60.61, 55.64

 

CMYK 51 / 0 / 56 / 4

HEX #78F66D

RGB 120 246 109

HSL 115.18, 0.88%, 0.7%

LAB 87.49, -60.87, 54.54

 

CMYK 46 / 0 / 50 / 0

HEX #89FF80

RGB 137 255 128

HSL 115.75, 1%, 0.75%

LAB 90.96, -57.48, 50.18

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 73 / 0 / 78 / 32

HEX #2FAE26

RGB 47 174 38

HSL 116.03, 0.64%, 0.42%

LAB 62.52, -58.64, 55.48

 

CMYK 81 / 0 / 88 / 39

HEX #1E9C13

RGB 30 156 19

HSL 115.18, 0.78%, 0.34%

LAB 56.19, -56.6, 54.77

 

CMYK 91 / 0 / 100 / 46

HEX #0D8A00

RGB 13 138 0

HSL 114.35, 1%, 0.27%

LAB 49.81, -53.65, 52.82

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 48 / 0 / 70 / 25

HEX #64C039

RGB 100 192 57

HSL 100.89, 0.54%, 0.49%

LAB 69.97, -50.86, 56.74

 

CMYK 29 / 0 / 70 / 25

HEX #89C039

RGB 137 192 57

HSL 84.44, 0.54%, 0.49%

LAB 71.77, -38.23, 59.16

 

CMYK 10 / 0 / 70 / 25

HEX #ADC039

RGB 173 192 57

HSL 68.44, 0.54%, 0.49%

LAB 74.11, -23.92, 62.28

 

CMYK 0 / 9 / 70 / 25

HEX #C0AE39

RGB 192 174 57

HSL 52, 0.54%, 0.49%

LAB 70.71, -6.68, 59.42

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 70 / 0 / 55 / 25

HEX #39C056

RGB 57 192 86

HSL 132.89, 0.54%, 0.49%

LAB 68.93, -58.06, 42.66

 

CMYK 70 / 0 / 36 / 25

HEX #39C07B

RGB 57 192 123

HSL 149.33, 0.54%, 0.49%

LAB 69.47, -51.88, 24.58

 

CMYK 70 / 0 / 17 / 25

HEX #39C09F

RGB 57 192 159

HSL 165.33, 0.54%, 0.49%

LAB 70.23, -43.82, 6.25

 

CMYK 70 / 2 / 0 / 25

HEX #39BCC0

RGB 57 188 192

HSL 181.78, 0.54%, 0.49%

LAB 69.92, -33.04, -12.26

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 78 / 0 / 83 / 17

HEX #2ED425

RGB 46 212 37

HSL 116.91, 0.7%, 0.49%

LAB 74.7, -70.57, 67.18

 

CMYK 88 / 0 / 93 / 9

HEX #1CE811

RGB 28 232 17

HSL 116.93, 0.86%, 0.49%

LAB 80.74, -78.69, 76.04

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 52 / 0 / 55 / 33

HEX #52AC4D

RGB 82 172 77

HSL 116.84, 0.38%, 0.49%

LAB 63.21, -46.15, 40.32

 

CMYK 34 / 0 / 36 / 41

HEX #649761

RGB 100 151 97

HSL 116.67, 0.22%, 0.49%

LAB 57.76, -28.26, 23.2

 

CMYK 10 / 0 / 10 / 49

HEX #768376

RGB 118 131 118

HSL 120, 0.05%, 0.49%

LAB 53.38, -7.41, 5.41

 

CMYK 1 / 20 / 0 / 46

HEX #886F8A

RGB 136 111 138

HSL 295.56, 0.11%, 0.49%

LAB 50.02, 14.91, -11.08

 

CMYK 28 / 0 / 70 / 25

HEX #8AC039

RGB 138 192 57

HSL 84, 0.54%, 0.49%

LAB 71.82, -37.86, 59.23

 

CMYK 47 / 0 / 70 / 25

HEX #66C039

RGB 102 192 57

HSL 100, 0.54%, 0.49%

LAB 70.05, -50.25, 56.85

 

CMYK 66 / 0 / 70 / 25

HEX #42C039

RGB 66 192 57

HSL 116, 0.54%, 0.49%

LAB 68.86, -59.56, 55.25

 

CMYK 70 / 0 / 56 / 25

HEX #39C054

RGB 57 192 84

HSL 132, 0.54%, 0.49%

LAB 68.9, -58.33, 43.58

 

CMYK 70 / 0 / 38 / 25

HEX #39C078

RGB 57 192 120

HSL 148, 0.54%, 0.49%

LAB 69.42, -52.46, 26.1

 

CMYK 66 / 0 / 70 / 50

HEX #2B8026

RGB 43 128 38

HSL 116.67, 0.54%, 0.33%

LAB 47.09, -43.51, 39.83

 

CMYK 67 / 0 / 71 / 37

HEX #35A02F

RGB 53 160 47

HSL 116.81, 0.55%, 0.41%

LAB 58.14, -52.06, 47.85

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 55 / 0 / 58 / 20

HEX #5CCC56

RGB 92 204 86

HSL 116.95, 0.54%, 0.57%

LAB 73.63, -54.9, 48.45

 

CMYK 43 / 0 / 45 / 16

HEX #7BD676

RGB 123 214 118

HSL 116.88, 0.54%, 0.65%

LAB 78.24, -46.16, 39.01

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 70 / 9 / 0 / 25

HEX #39AEC0

RGB 57 174 192

HSL 188, 0.54%, 0.49%

LAB 65.71, -26.21, -18.62

 

CMYK 0 / 70 / 38 / 25

HEX #C03978

RGB 192 57 120

HSL 332, 0.54%, 0.49%

LAB 46.3, 58.5, -5.05

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 70 / 66 / 0 / 25

HEX #3942C0

RGB 57 66 192

HSL 236, 0.54%, 0.49%

LAB 35.15, 38.14, -66.97

 

CMYK 0 / 70 / 66 / 25

HEX #C03942

RGB 192 57 66

HSL 356, 0.54%, 0.49%

LAB 44.98, 54, 26.24

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 70 / 9 / 0 / 25

HEX #39AEC0

RGB 57 174 192

HSL 188, 0.54%, 0.49%

LAB 65.71, -26.21, -18.62

 

CMYK 5 / 70 / 0 / 25

HEX #B739C0

RGB 183 57 192

HSL 296, 0.54%, 0.49%

LAB 48.01, 66.45, -45.48

 

CMYK 0 / 61 / 70 / 25

HEX #C04B39

RGB 192 75 57

HSL 8, 0.54%, 0.49%

LAB 47.67, 45.9, 34.76

 

CMYK 67 / 0 / 70 / 25

HEX #40C039

RGB 64 192 57

HSL 116.89, 0.54%, 0.49%

LAB 68.81, -59.97, 55.18

 

CMYK 70 / 31 / 0 / 25

HEX #3985C0

RGB 57 133 192

HSL 206.22, 0.54%, 0.49%

LAB 53.44, -3.96, -37.58

 

CMYK 5 / 70 / 0 / 25

HEX #B739C0

RGB 183 57 192

HSL 296, 0.54%, 0.49%

LAB 48.01, 66.45, -45.48

 

CMYK 0 / 40 / 70 / 25

HEX #C07339

RGB 192 115 57

HSL 25.78, 0.54%, 0.49%

LAB 55.85, 25.38, 43.95

 

Description

Color code: RGB 64 192 57 | qconv.com Color code: RGB 64 192 57 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 192 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 192 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 70 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 70% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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