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Color name
RGB 156 150 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 150 78 it is the complementary color RGB 99 105 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 150 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 150 78 shade: RGB 161 150 73, RGB 178 168 92, RGB 195 186 111, RGB 212 204 130 and RGB 229 222 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 150 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 150 78 shade: RGB 156 150 78, RGB 139 132 59, RGB 122 114 40, RGB 105 96 21 and RGB 88 78 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 150 78 shade: RGB 156 150 78, RGB 156 129 78, RGB 156 108 78, RGB 156 87 78 and RGB 156 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 150 78 shade: RGB 156 150 78, RGB 141 156 78, RGB 120 156 78, RGB 99 156 78 and RGB 78 156 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 150 78 shade matches the following richer shades: RGB 156 150 78, RGB 174 166 59, RGB 193 182 40, RGB 212 198 21 and RGB 231 214 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 150 78 shade: RGB 156 150 78, RGB 137 133 97, RGB 118 117 116, RGB 99 101 135 and RGB 80 85 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 150 78 shade: RGB 156 108 78, RGB 156 128 78, RGB 156 149 78, RGB 141 156 78 and RGB 121 156 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 150 78 shade: RGB 101 97 50, RGB 128 123 64, RGB 156 150 78, RGB 176 170 99 and RGB 190 185 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 150 78 shade: RGB 156 150 78, RGB 78 156 87 and RGB 118 78 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 150 78 shade: RGB 156 150 78, RGB 78 156 149 and RGB 149 78 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 150 78 shade: RGB 156 150 78, RGB 78 156 87, RGB 78 85 156 and RGB 156 78 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 150 78 shade: RGB 156 150 78, RGB 78 156 110, RGB 78 85 156 and RGB 156 78 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

Complementary color

CMYK 44 / 41 / 0 / 31

HEX #6369B1

RGB 99 105 177

HSL 235.38, 0.33%, 0.54%

LAB 46.88, 16.79, -39.12

 

CMYK 0 / 7 / 55 / 37

HEX #A19649

RGB 161 150 73

HSL 52.5, 0.38%, 0.46%

LAB 61.54, -6.34, 41.53

 

CMYK 0 / 6 / 48 / 30

HEX #B2A85C

RGB 178 168 92

HSL 53.02, 0.36%, 0.53%

LAB 68.2, -6.97, 40.3

 

CMYK 0 / 5 / 43 / 24

HEX #C3BA6F

RGB 195 186 111

HSL 53.57, 0.41%, 0.6%

LAB 74.74, -7.49, 39.06

 

CMYK 0 / 4 / 39 / 17

HEX #D4CC82

RGB 212 204 130

HSL 54.15, 0.49%, 0.67%

LAB 81.18, -7.92, 37.86

 

CMYK 0 / 3 / 35 / 10

HEX #E5DE95

RGB 229 222 149

HSL 54.75, 0.61%, 0.74%

LAB 87.52, -8.28, 36.71

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 0 / 5 / 58 / 45

HEX #8B843B

RGB 139 132 59

HSL 54.75, 0.4%, 0.39%

LAB 54.35, -7.4, 39.66

 

CMYK 0 / 7 / 67 / 52

HEX #7A7228

RGB 122 114 40

HSL 54.15, 0.51%, 0.32%

LAB 47.4, -6.56, 40.68

 

CMYK 0 / 9 / 80 / 59

HEX #696015

RGB 105 96 21

HSL 53.57, 0.67%, 0.25%

LAB 40.28, -5.43, 41.12

 

CMYK 0 / 11 / 98 / 65

HEX #584E02

RGB 88 78 2

HSL 53.02, 0.96%, 0.18%

LAB 32.98, -3.96, 40.51

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 0 / 17 / 50 / 39

HEX #9C814E

RGB 156 129 78

HSL 39.23, 0.33%, 0.46%

LAB 55.4, 3.53, 31.39

 

CMYK 0 / 31 / 50 / 39

HEX #9C6C4E

RGB 156 108 78

HSL 23.08, 0.33%, 0.46%

LAB 49.91, 15.51, 24.4

 

CMYK 0 / 44 / 50 / 39

HEX #9C574E

RGB 156 87 78

HSL 6.92, 0.33%, 0.46%

LAB 44.85, 27.45, 17.73

 

CMYK 0 / 50 / 50 / 39

HEX #9C4E4E

RGB 156 78 78

HSL 0, 0.33%, 0.46%

LAB 42.86, 32.39, 15.05

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 10 / 0 / 50 / 39

HEX #8D9C4E

RGB 141 156 78

HSL 71.54, 0.33%, 0.46%

LAB 61.65, -17.56, 38.74

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 37 / 0 / 50 / 39

HEX #639C4E

RGB 99 156 78

HSL 103.85, 0.33%, 0.46%

LAB 58.96, -33.79, 34.85

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 0 / 5 / 66 / 32

HEX #AEA63B

RGB 174 166 59

HSL 55.83, 0.49%, 0.46%

LAB 66.97, -10.21, 54.28

 

CMYK 0 / 6 / 79 / 24

HEX #C1B628

RGB 193 182 40

HSL 55.69, 0.66%, 0.46%

LAB 72.86, -11.13, 67.32

 

CMYK 0 / 7 / 90 / 17

HEX #D4C615

RGB 212 198 21

HSL 55.6, 0.82%, 0.46%

LAB 78.72, -11.53, 77.11

 

CMYK 0 / 7 / 99 / 9

HEX #E7D602

RGB 231 214 2

HSL 55.55, 0.98%, 0.46%

LAB 84.53, -11.63, 84.26

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 0 / 3 / 29 / 46

HEX #898561

RGB 137 133 97

HSL 54, 0.17%, 0.46%

LAB 55.03, -4.55, 20

 

CMYK 0 / 1 / 2 / 54

HEX #767574

RGB 118 117 116

HSL 30, 0.01%, 0.46%

LAB 49.3, 0.18, 0.68

 

CMYK 27 / 25 / 0 / 47

HEX #636587

RGB 99 101 135

HSL 236.67, 0.15%, 0.46%

LAB 43.81, 7.32, -19.05

 

CMYK 48 / 45 / 0 / 40

HEX #50559A

RGB 80 85 154

HSL 235.95, 0.32%, 0.46%

LAB 38.79, 17.37, -38.45

 

CMYK 0 / 31 / 50 / 39

HEX #9C6C4E

RGB 156 108 78

HSL 23.08, 0.33%, 0.46%

LAB 49.91, 15.51, 24.4

 

CMYK 0 / 18 / 50 / 39

HEX #9C804E

RGB 156 128 78

HSL 38.46, 0.33%, 0.46%

LAB 55.13, 4.1, 31.05

 

CMYK 0 / 4 / 50 / 39

HEX #9C954E

RGB 156 149 78

HSL 54.62, 0.33%, 0.46%

LAB 60.88, -7.51, 38.11

 

CMYK 10 / 0 / 50 / 39

HEX #8D9C4E

RGB 141 156 78

HSL 71.54, 0.33%, 0.46%

LAB 61.65, -17.56, 38.74

 

CMYK 22 / 0 / 50 / 39

HEX #799C4E

RGB 121 156 78

HSL 86.92, 0.33%, 0.46%

LAB 60.24, -25.64, 36.71

 

CMYK 0 / 4 / 50 / 60

HEX #656132

RGB 101 97 50

HSL 55.29, 0.34%, 0.3%

LAB 40.49, -5.73, 27.19

 

CMYK 0 / 4 / 50 / 50

HEX #807B40

RGB 128 123 64

HSL 55.31, 0.33%, 0.38%

LAB 50.83, -6.86, 32.7

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 0 / 3 / 44 / 31

HEX #B0AA63

RGB 176 170 99

HSL 55.32, 0.33%, 0.54%

LAB 68.66, -8.16, 37.26

 

CMYK 0 / 3 / 34 / 25

HEX #BEB97E

RGB 190 185 126

HSL 55.31, 0.33%, 0.62%

LAB 74.29, -7.27, 30.63

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 50 / 0 / 44 / 39

HEX #4E9C57

RGB 78 156 87

HSL 126.92, 0.33%, 0.46%

LAB 58.12, -39.14, 28.88

 

CMYK 24 / 50 / 0 / 39

HEX #764E9C

RGB 118 78 156

HSL 270.77, 0.33%, 0.46%

LAB 40.74, 32.65, -36.33

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 50 / 0 / 4 / 39

HEX #4E9C95

RGB 78 156 149

HSL 174.62, 0.33%, 0.46%

LAB 59.5, -25.78, -3.74

 

CMYK 4 / 50 / 0 / 39

HEX #954E9C

RGB 149 78 156

HSL 294.62, 0.33%, 0.46%

LAB 44.57, 41.75, -30.03

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 50 / 0 / 44 / 39

HEX #4E9C57

RGB 78 156 87

HSL 126.92, 0.33%, 0.46%

LAB 58.12, -39.14, 28.88

 

CMYK 50 / 46 / 0 / 39

HEX #4E559C

RGB 78 85 156

HSL 234.62, 0.33%, 0.46%

LAB 38.75, 17.52, -39.71

 

CMYK 0 / 50 / 6 / 39

HEX #9C4E92

RGB 156 78 146

HSL 307.69, 0.33%, 0.46%

LAB 45.07, 42, -23.19

 

CMYK 0 / 4 / 50 / 39

HEX #9C964E

RGB 156 150 78

HSL 55.38, 0.33%, 0.46%

LAB 61.16, -8.04, 38.44

 

CMYK 50 / 0 / 29 / 39

HEX #4E9C6E

RGB 78 156 110

HSL 144.62, 0.33%, 0.46%

LAB 58.53, -34.94, 16.87

 

CMYK 50 / 46 / 0 / 39

HEX #4E559C

RGB 78 85 156

HSL 234.62, 0.33%, 0.46%

LAB 38.75, 17.52, -39.71

 

CMYK 0 / 50 / 21 / 39

HEX #9C4E7B

RGB 156 78 123

HSL 325.38, 0.33%, 0.46%

LAB 44.16, 38.15, -10.68

 

Description

Color code: RGB 156 150 78 | qconv.com Color code: RGB 156 150 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 150 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 150 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 50 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 50% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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