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Color name
RGB 120 156 78

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 156 78 it is the complementary color RGB 135 99 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 156 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 156 78 shade: RGB 125 156 73, RGB 142 174 92, RGB 159 192 111, RGB 176 210 130 and RGB 193 228 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 156 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 156 78 shade: RGB 120 156 78, RGB 103 138 59, RGB 86 120 40, RGB 69 102 21 and RGB 52 84 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 156 78 shade: RGB 120 156 78, RGB 141 156 78, RGB 156 149 78, RGB 156 129 78 and RGB 156 108 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 156 78 shade: RGB 120 156 78, RGB 99 156 78, RGB 78 156 78, RGB 78 156 99 and RGB 78 156 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 156 78 shade matches the following richer shades: RGB 120 156 78, RGB 121 174 59, RGB 123 193 40, RGB 124 212 21 and RGB 126 231 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 156 78 shade: RGB 120 156 78, RGB 118 137 97, RGB 117 118 116, RGB 115 99 135 and RGB 114 80 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 156 78 shade: RGB 156 149 78, RGB 141 156 78, RGB 121 156 78, RGB 100 156 78 and RGB 79 156 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 156 78 shade: RGB 77 101 50, RGB 99 128 64, RGB 120 156 78, RGB 140 176 99 and RGB 161 190 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 156 78 shade: RGB 120 156 78, RGB 78 156 128 and RGB 156 78 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 156 78 shade: RGB 120 156 78, RGB 78 121 156 and RGB 156 78 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 156 78 shade: RGB 120 156 78, RGB 78 156 128, RGB 113 78 156 and RGB 156 78 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 156 78 shade: RGB 120 156 78, RGB 78 156 152, RGB 113 78 156 and RGB 156 78 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

Complementary color

CMYK 24 / 44 / 0 / 31

HEX #8763B1

RGB 135 99 177

HSL 267.69, 0.33%, 0.54%

LAB 48.57, 30.47, -36.25

 

CMYK 20 / 0 / 53 / 39

HEX #7D9C49

RGB 125 156 73

HSL 82.41, 0.36%, 0.45%

LAB 60.44, -24.62, 39.53

 

CMYK 18 / 0 / 47 / 32

HEX #8EAE5C

RGB 142 174 92

HSL 83.41, 0.34%, 0.52%

LAB 67.12, -24.72, 38.35

 

CMYK 17 / 0 / 42 / 25

HEX #9FC06F

RGB 159 192 111

HSL 84.44, 0.39%, 0.59%

LAB 73.69, -24.76, 37.16

 

CMYK 16 / 0 / 38 / 18

HEX #B0D282

RGB 176 210 130

HSL 85.5, 0.47%, 0.67%

LAB 80.14, -24.77, 36

 

CMYK 15 / 0 / 35 / 11

HEX #C1E495

RGB 193 228 149

HSL 86.58, 0.59%, 0.74%

LAB 86.5, -24.75, 34.88

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 25 / 0 / 57 / 46

HEX #678A3B

RGB 103 138 59

HSL 86.58, 0.4%, 0.39%

LAB 53.36, -25.96, 37.79

 

CMYK 28 / 0 / 67 / 53

HEX #567828

RGB 86 120 40

HSL 85.5, 0.5%, 0.31%

LAB 46.4, -25.76, 38.77

 

CMYK 32 / 0 / 79 / 60

HEX #456615

RGB 69 102 21

HSL 84.44, 0.66%, 0.24%

LAB 39.28, -25.34, 39.14

 

CMYK 38 / 0 / 98 / 67

HEX #345402

RGB 52 84 2

HSL 83.41, 0.95%, 0.17%

LAB 31.98, -24.62, 38.45

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 10 / 0 / 50 / 39

HEX #8D9C4E

RGB 141 156 78

HSL 71.54, 0.33%, 0.46%

LAB 61.65, -17.56, 38.74

 

CMYK 0 / 4 / 50 / 39

HEX #9C954E

RGB 156 149 78

HSL 54.62, 0.33%, 0.46%

LAB 60.88, -7.51, 38.11

 

CMYK 0 / 17 / 50 / 39

HEX #9C814E

RGB 156 129 78

HSL 39.23, 0.33%, 0.46%

LAB 55.4, 3.53, 31.39

 

CMYK 0 / 31 / 50 / 39

HEX #9C6C4E

RGB 156 108 78

HSL 23.08, 0.33%, 0.46%

LAB 49.91, 15.51, 24.4

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 37 / 0 / 50 / 39

HEX #639C4E

RGB 99 156 78

HSL 103.85, 0.33%, 0.46%

LAB 58.96, -33.79, 34.85

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 50 / 0 / 37 / 39

HEX #4E9C63

RGB 78 156 99

HSL 136.15, 0.33%, 0.46%

LAB 58.32, -37.07, 22.66

 

CMYK 50 / 0 / 23 / 39

HEX #4E9C78

RGB 78 156 120

HSL 152.31, 0.33%, 0.46%

LAB 58.74, -32.82, 11.58

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 30 / 0 / 66 / 32

HEX #79AE3B

RGB 121 174 59

HSL 87.65, 0.49%, 0.46%

LAB 65.48, -36, 51.55

 

CMYK 36 / 0 / 79 / 24

HEX #7BC128

RGB 123 193 40

HSL 87.45, 0.66%, 0.46%

LAB 71.22, -44.75, 64.05

 

CMYK 42 / 0 / 90 / 17

HEX #7CD415

RGB 124 212 21

HSL 87.64, 0.82%, 0.46%

LAB 76.94, -52.79, 73.28

 

CMYK 45 / 0 / 99 / 9

HEX #7EE702

RGB 126 231 2

HSL 87.51, 0.98%, 0.46%

LAB 82.7, -59.7, 79.97

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 14 / 0 / 29 / 46

HEX #768961

RGB 118 137 97

HSL 88.5, 0.17%, 0.46%

LAB 54.66, -14.43, 19.25

 

CMYK 1 / 0 / 2 / 54

HEX #757674

RGB 117 118 116

HSL 90, 0.01%, 0.46%

LAB 49.5, -0.78, 0.96

 

CMYK 15 / 27 / 0 / 47

HEX #736387

RGB 115 99 135

HSL 266.67, 0.15%, 0.46%

LAB 44.69, 13.96, -17.59

 

CMYK 26 / 48 / 0 / 40

HEX #72509A

RGB 114 80 154

HSL 267.57, 0.32%, 0.46%

LAB 40.65, 29.81, -35.29

 

CMYK 0 / 4 / 50 / 39

HEX #9C954E

RGB 156 149 78

HSL 54.62, 0.33%, 0.46%

LAB 60.88, -7.51, 38.11

 

CMYK 10 / 0 / 50 / 39

HEX #8D9C4E

RGB 141 156 78

HSL 71.54, 0.33%, 0.46%

LAB 61.65, -17.56, 38.74

 

CMYK 22 / 0 / 50 / 39

HEX #799C4E

RGB 121 156 78

HSL 86.92, 0.33%, 0.46%

LAB 60.24, -25.64, 36.71

 

CMYK 36 / 0 / 50 / 39

HEX #649C4E

RGB 100 156 78

HSL 103.08, 0.33%, 0.46%

LAB 59.01, -33.44, 34.92

 

CMYK 49 / 0 / 50 / 39

HEX #4F9C4E

RGB 79 156 78

HSL 119.23, 0.33%, 0.46%

LAB 58.03, -40.22, 33.49

 

CMYK 24 / 0 / 50 / 60

HEX #4D6532

RGB 77 101 50

HSL 88.24, 0.34%, 0.3%

LAB 39.77, -18.67, 25.87

 

CMYK 23 / 0 / 50 / 50

HEX #638040

RGB 99 128 64

HSL 87.19, 0.33%, 0.38%

LAB 50.05, -21.97, 31.22

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 20 / 0 / 44 / 31

HEX #8CB063

RGB 140 176 99

HSL 88.05, 0.33%, 0.54%

LAB 67.67, -25.63, 35.44

 

CMYK 15 / 0 / 34 / 25

HEX #A1BE7E

RGB 161 190 126

HSL 87.19, 0.33%, 0.62%

LAB 73.49, -21.04, 29.17

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 50 / 0 / 18 / 39

HEX #4E9C80

RGB 78 156 128

HSL 158.46, 0.33%, 0.46%

LAB 58.93, -31.01, 7.34

 

CMYK 0 / 50 / 3 / 39

HEX #9C4E98

RGB 156 78 152

HSL 303.08, 0.33%, 0.46%

LAB 45.34, 43.09, -26.38

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 50 / 22 / 0 / 39

HEX #4E799C

RGB 78 121 156

HSL 206.92, 0.33%, 0.46%

LAB 49.12, -4.74, -23.44

 

CMYK 0 / 50 / 22 / 39

HEX #9C4E79

RGB 156 78 121

HSL 326.92, 0.33%, 0.46%

LAB 44.09, 37.84, -9.57

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 50 / 0 / 18 / 39

HEX #4E9C80

RGB 78 156 128

HSL 158.46, 0.33%, 0.46%

LAB 58.93, -31.01, 7.34

 

CMYK 28 / 50 / 0 / 39

HEX #714E9C

RGB 113 78 156

HSL 266.92, 0.33%, 0.46%

LAB 40.18, 31.22, -37.24

 

CMYK 0 / 50 / 33 / 39

HEX #9C4E69

RGB 156 78 105

HSL 339.23, 0.33%, 0.46%

LAB 43.56, 35.55, -0.55

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 50 / 0 / 3 / 39

HEX #4E9C98

RGB 78 156 152

HSL 176.92, 0.33%, 0.46%

LAB 59.58, -24.98, -5.31

 

CMYK 28 / 50 / 0 / 39

HEX #714E9C

RGB 113 78 156

HSL 266.92, 0.33%, 0.46%

LAB 40.18, 31.22, -37.24

 

CMYK 0 / 50 / 47 / 39

HEX #9C4E52

RGB 156 78 82

HSL 356.92, 0.33%, 0.46%

LAB 42.95, 32.8, 12.72

 

Description

Color code: RGB 120 156 78 | qconv.com Color code: RGB 120 156 78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 156 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 156 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 50 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 50% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - Design Agency Manche...
Link: http://www.carboncreative.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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