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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E9C4E it is the complementary color #B163B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E9C4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E9C4E shade: #539C49, #64AE5C, #75C06F, #86D282 and #97E495

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E9C4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E9C4E shade: #4E9C4E, #3D8A3B, #2C7828, #1B6615 and #0A5402

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E9C4E shade: #4E9C4E, #639C4E, #789C4E, #8D9C4E and #9C954E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E9C4E shade: #4E9C4E, #4E9C63, #4E9C78, #4E9C8D and #4E959C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E9C4E shade matches the following richer shades: #4E9C4E, #3BAE3B, #28C128, #15D415 and #02E702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E9C4E shade: #4E9C4E, #618961, #747674, #876387 and #9A509A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E9C4E shade: #779C4E, #639C4E, #4E9C4E, #4E9C63 and #4E9C77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E9C4E shade: #326532, #408040, #4E9C4E, #63B063 and #7EBE7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E9C4E shade: #4E9C4E, #4E8C9C and #9C4E6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E9C4E shade: #4E9C4E, #4E4E9C and #9C4E4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E9C4E shade: #4E9C4E, #4E8C9C, #9C4E9C and #9C5E4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E9C4E shade: #4E9C4E, #4E759C, #9C4E9C and #9C754E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

Complementary color

CMYK 0 / 44 / 0 / 31

HEX #B163B1

RGB 177 99 177

HSL 300, 0.33%, 0.54%

LAB 53.43, 43.14, -28.29

 

CMYK 47 / 0 / 53 / 39

HEX #539C49

RGB 83 156 73

HSL 112.77, 0.36%, 0.45%

LAB 58.13, -39.71, 36.2

 

CMYK 43 / 0 / 47 / 32

HEX #64AE5C

RGB 100 174 92

HSL 114.15, 0.34%, 0.52%

LAB 64.77, -39.64, 34.91

 

CMYK 39 / 0 / 42 / 25

HEX #75C06F

RGB 117 192 111

HSL 115.56, 0.39%, 0.59%

LAB 71.3, -39.48, 33.63

 

CMYK 36 / 0 / 38 / 18

HEX #86D282

RGB 134 210 130

HSL 117, 0.47%, 0.67%

LAB 77.74, -39.28, 32.41

 

CMYK 34 / 0 / 35 / 11

HEX #97E495

RGB 151 228 149

HSL 118.48, 0.59%, 0.74%

LAB 84.09, -39.05, 31.25

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 56 / 0 / 57 / 46

HEX #3D8A3B

RGB 61 138 59

HSL 118.48, 0.4%, 0.39%

LAB 51.25, -40.42, 34.79

 

CMYK 63 / 0 / 67 / 53

HEX #2C7828

RGB 44 120 40

HSL 117, 0.5%, 0.31%

LAB 44.41, -40, 36.02

 

CMYK 74 / 0 / 79 / 60

HEX #1B6615

RGB 27 102 21

HSL 115.56, 0.66%, 0.24%

LAB 37.46, -38.96, 36.75

 

CMYK 88 / 0 / 98 / 67

HEX #0A5402

RGB 10 84 2

HSL 114.15, 0.95%, 0.17%

LAB 30.42, -36.88, 36.54

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 37 / 0 / 50 / 39

HEX #639C4E

RGB 99 156 78

HSL 103.85, 0.33%, 0.46%

LAB 58.96, -33.79, 34.85

 

CMYK 23 / 0 / 50 / 39

HEX #789C4E

RGB 120 156 78

HSL 87.69, 0.33%, 0.46%

LAB 60.18, -26.03, 36.62

 

CMYK 10 / 0 / 50 / 39

HEX #8D9C4E

RGB 141 156 78

HSL 71.54, 0.33%, 0.46%

LAB 61.65, -17.56, 38.74

 

CMYK 0 / 4 / 50 / 39

HEX #9C954E

RGB 156 149 78

HSL 54.62, 0.33%, 0.46%

LAB 60.88, -7.51, 38.11

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 50 / 0 / 37 / 39

HEX #4E9C63

RGB 78 156 99

HSL 136.15, 0.33%, 0.46%

LAB 58.32, -37.07, 22.66

 

CMYK 50 / 0 / 23 / 39

HEX #4E9C78

RGB 78 156 120

HSL 152.31, 0.33%, 0.46%

LAB 58.74, -32.82, 11.58

 

CMYK 50 / 0 / 10 / 39

HEX #4E9C8D

RGB 78 156 141

HSL 168.46, 0.33%, 0.46%

LAB 59.27, -27.85, 0.47

 

CMYK 50 / 4 / 0 / 39

HEX #4E959C

RGB 78 149 156

HSL 185.38, 0.33%, 0.46%

LAB 57.57, -20.28, -10.58

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 66 / 0 / 66 / 32

HEX #3BAE3B

RGB 59 174 59

HSL 120, 0.49%, 0.46%

LAB 62.94, -54.58, 48.07

 

CMYK 79 / 0 / 79 / 24

HEX #28C128

RGB 40 193 40

HSL 120, 0.66%, 0.46%

LAB 68.57, -65.49, 60.61

 

CMYK 90 / 0 / 90 / 17

HEX #15D415

RGB 21 212 21

HSL 120, 0.82%, 0.46%

LAB 74.38, -73.6, 70.1

 

CMYK 99 / 0 / 99 / 9

HEX #02E702

RGB 2 231 2

HSL 120, 0.98%, 0.46%

LAB 80.27, -79.88, 77.02

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 29 / 0 / 29 / 46

HEX #618961

RGB 97 137 97

HSL 120, 0.17%, 0.46%

LAB 53.27, -22.32, 17.13

 

CMYK 2 / 0 / 2 / 54

HEX #747674

RGB 116 118 116

HSL 120, 0.01%, 0.46%

LAB 49.41, -1.16, 0.83

 

CMYK 0 / 27 / 0 / 47

HEX #876387

RGB 135 99 135

HSL 300, 0.15%, 0.46%

LAB 46.74, 21.02, -14.26

 

CMYK 0 / 48 / 0 / 40

HEX #9A509A

RGB 154 80 154

HSL 300, 0.32%, 0.46%

LAB 45.55, 41.81, -27.25

 

CMYK 24 / 0 / 50 / 39

HEX #779C4E

RGB 119 156 78

HSL 88.46, 0.33%, 0.46%

LAB 60.11, -26.42, 36.53

 

CMYK 37 / 0 / 50 / 39

HEX #639C4E

RGB 99 156 78

HSL 103.85, 0.33%, 0.46%

LAB 58.96, -33.79, 34.85

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 50 / 0 / 37 / 39

HEX #4E9C63

RGB 78 156 99

HSL 136.15, 0.33%, 0.46%

LAB 58.32, -37.07, 22.66

 

CMYK 50 / 0 / 24 / 39

HEX #4E9C77

RGB 78 156 119

HSL 151.54, 0.33%, 0.46%

LAB 58.72, -33.04, 12.11

 

CMYK 50 / 0 / 50 / 60

HEX #326532

RGB 50 101 50

HSL 120, 0.34%, 0.3%

LAB 38.23, -28.8, 23.61

 

CMYK 50 / 0 / 50 / 50

HEX #408040

RGB 64 128 64

HSL 120, 0.33%, 0.38%

LAB 48.13, -34.56, 28.42

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 44 / 0 / 44 / 31

HEX #63B063

RGB 99 176 99

HSL 120, 0.33%, 0.54%

LAB 65.44, -39.8, 32.14

 

CMYK 34 / 0 / 34 / 25

HEX #7EBE7E

RGB 126 190 126

HSL 120, 0.33%, 0.62%

LAB 71.4, -33.34, 26.02

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 50 / 10 / 0 / 39

HEX #4E8C9C

RGB 78 140 156

HSL 192.31, 0.33%, 0.46%

LAB 54.84, -15.47, -14.7

 

CMYK 0 / 50 / 30 / 39

HEX #9C4E6D

RGB 156 78 109

HSL 336.15, 0.33%, 0.46%

LAB 43.68, 36.09, -2.82

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 50 / 50 / 0 / 39

HEX #4E4E9C

RGB 78 78 156

HSL 240, 0.33%, 0.46%

LAB 36.87, 22.01, -42.71

 

CMYK 0 / 50 / 50 / 39

HEX #9C4E4E

RGB 156 78 78

HSL 0, 0.33%, 0.46%

LAB 42.86, 32.39, 15.05

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 50 / 10 / 0 / 39

HEX #4E8C9C

RGB 78 140 156

HSL 192.31, 0.33%, 0.46%

LAB 54.84, -15.47, -14.7

 

CMYK 0 / 50 / 0 / 39

HEX #9C4E9C

RGB 156 78 156

HSL 300, 0.33%, 0.46%

LAB 45.52, 43.83, -28.48

 

CMYK 0 / 40 / 50 / 39

HEX #9C5E4E

RGB 156 94 78

HSL 12.31, 0.33%, 0.46%

LAB 46.48, 23.51, 19.9

 

CMYK 50 / 0 / 50 / 39

HEX #4E9C4E

RGB 78 156 78

HSL 120, 0.33%, 0.46%

LAB 57.99, -40.52, 33.43

 

CMYK 50 / 25 / 0 / 39

HEX #4E759C

RGB 78 117 156

HSL 210, 0.33%, 0.46%

LAB 47.93, -2.38, -25.28

 

CMYK 0 / 50 / 0 / 39

HEX #9C4E9C

RGB 156 78 156

HSL 300, 0.33%, 0.46%

LAB 45.52, 43.83, -28.48

 

CMYK 0 / 25 / 50 / 39

HEX #9C754E

RGB 156 117 78

HSL 30, 0.33%, 0.46%

LAB 52.22, 10.35, 27.38

 

Description

Color code: HEX #4E9C4E | qconv.com Color code: HEX #4E9C4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 156 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 156 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 50 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 50% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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