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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 91 216 it is the complementary color RGB 116 164 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 91 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 139 91 216 shade: RGB 144 91 211, RGB 161 109 230, RGB 178 127 249, RGB 195 145 255 and RGB 212 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 91 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 139 91 216 shade: RGB 139 91 216, RGB 122 73 197, RGB 105 55 178, RGB 88 37 159 and RGB 71 19 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 139 91 216 shade: RGB 138 89 216, RGB 172 89 216, RGB 206 89 216, RGB 216 89 191 and RGB 216 89 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 139 91 216 shade: RGB 138 89 216, RGB 104 89 216 and RGB 89 89 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 139 91 216 shade matches the following richer shades: RGB 138 89 216, RGB 134 73 232 and RGB 130 56 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 139 91 216 shade: RGB 138 89 216, RGB 142 106 199, RGB 145 122 183, RGB 149 139 166 and RGB 153 155 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 139 91 216 shade: RGB 89 108 216, RGB 104 89 216, RGB 138 89 216, RGB 171 89 216 and RGB 205 89 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 139 91 216 shade: RGB 95 42 181, RGB 114 56 208, RGB 138 89 216, RGB 161 123 224 and RGB 185 156 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 139 91 216 shade: RGB 139 91 216, RGB 216 89 142 and RGB 91 216 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 139 91 216 shade: RGB 139 91 216, RGB 216 138 89 and RGB 89 216 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 139 91 216 shade: RGB 139 91 216, RGB 216 89 142, RGB 167 216 89 and RGB 89 216 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 139 91 216 shade: RGB 139 91 216, RGB 216 89 104, RGB 167 216 89 and RGB 89 216 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 58 / 0 / 15

HEX #8B5BD8

RGB 139 91 216

HSL 263.04, 0.62%, 0.6%

LAB 49.41, 45.86, -57.35

 

Complementary color

CMYK 29 / 0 / 76 / 36

HEX #74A427

RGB 116 164 39

HSL 83.04, 0.62%, 0.4%

LAB 62.01, -34.71, 55.57

 

CMYK 32 / 57 / 0 / 17

HEX #905BD3

RGB 144 91 211

HSL 266.5, 0.58%, 0.59%

LAB 49.63, 45.78, -54.11

 

CMYK 30 / 53 / 0 / 10

HEX #A16DE6

RGB 161 109 230

HSL 265.79, 0.71%, 0.66%

LAB 56.31, 44.79, -54.06

 

CMYK 29 / 49 / 0 / 2

HEX #B27FF9

RGB 178 127 249

HSL 265.08, 0.91%, 0.74%

LAB 62.91, 43.84, -53.99

 

CMYK 24 / 43 / 0 / 0

HEX #C391FF

RGB 195 145 255

HSL 267.27, 1%, 0.78%

LAB 68.8, 39.92, -47.85

 

CMYK 17 / 36 / 0 / 0

HEX #D4A3FF

RGB 212 163 255

HSL 271.96, 1%, 0.82%

LAB 74.45, 34.94, -38.9

 

CMYK 36 / 58 / 0 / 15

HEX #8B5BD8

RGB 139 91 216

HSL 263.04, 0.62%, 0.6%

LAB 49.41, 45.86, -57.35

 

CMYK 38 / 63 / 0 / 23

HEX #7A49C5

RGB 122 73 197

HSL 263.71, 0.52%, 0.53%

LAB 42.66, 46.93, -57.4

 

CMYK 41 / 69 / 0 / 30

HEX #6937B2

RGB 105 55 178

HSL 264.39, 0.53%, 0.46%

LAB 35.89, 47.91, -57.32

 

CMYK 45 / 77 / 0 / 38

HEX #58259F

RGB 88 37 159

HSL 265.08, 0.62%, 0.38%

LAB 29.16, 48.59, -56.97

 

CMYK 49 / 86 / 0 / 45

HEX #47138C

RGB 71 19 140

HSL 265.79, 0.76%, 0.31%

LAB 22.65, 48.48, -56.04

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 5 / 59 / 0 / 15

HEX #CE59D8

RGB 206 89 216

HSL 295.28, 0.62%, 0.6%

LAB 57.29, 63.16, -44.29

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 59 / 27 / 15

HEX #D8599D

RGB 216 89 157

HSL 327.87, 0.62%, 0.6%

LAB 56.27, 56.78, -11.84

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 52 / 59 / 0 / 15

HEX #6859D8

RGB 104 89 216

HSL 247.09, 0.62%, 0.6%

LAB 45.7, 39.55, -63.51

 

CMYK 59 / 59 / 0 / 15

HEX #5959D8

RGB 89 89 216

HSL 240, 0.62%, 0.6%

LAB 44.56, 36.81, -65.41

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 42 / 69 / 0 / 9

HEX #8649E8

RGB 134 73 232

HSL 263.02, 0.78%, 0.6%

LAB 46.52, 58.28, -71.12

 

CMYK 48 / 78 / 0 / 2

HEX #8238F9

RGB 130 56 249

HSL 263.01, 0.94%, 0.6%

LAB 44.82, 69.42, -83.49

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 29 / 47 / 0 / 22

HEX #8E6AC7

RGB 142 106 199

HSL 263.23, 0.45%, 0.6%

LAB 52.04, 33.84, -43.43

 

CMYK 21 / 33 / 0 / 28

HEX #917AB7

RGB 145 122 183

HSL 262.62, 0.3%, 0.6%

LAB 55.44, 21.5, -28.91

 

CMYK 10 / 16 / 0 / 35

HEX #958BA6

RGB 149 139 166

HSL 262.22, 0.13%, 0.6%

LAB 59.53, 9.13, -12.89

 

CMYK 1 / 0 / 3 / 39

HEX #999B96

RGB 153 155 150

HSL 84, 0.02%, 0.6%

LAB 63.69, -1.67, 2.36

 

CMYK 59 / 50 / 0 / 15

HEX #596CD8

RGB 89 108 216

HSL 231.02, 0.62%, 0.6%

LAB 49.26, 25.12, -57.8

 

CMYK 52 / 59 / 0 / 15

HEX #6859D8

RGB 104 89 216

HSL 247.09, 0.62%, 0.6%

LAB 45.7, 39.55, -63.51

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 21 / 59 / 0 / 15

HEX #AB59D8

RGB 171 89 216

HSL 278.74, 0.62%, 0.6%

LAB 52.69, 54.51, -51.9

 

CMYK 5 / 59 / 0 / 15

HEX #CD59D8

RGB 205 89 216

HSL 294.8, 0.62%, 0.6%

LAB 57.15, 62.91, -44.52

 

CMYK 48 / 77 / 0 / 29

HEX #5F2AB5

RGB 95 42 181

HSL 262.88, 0.62%, 0.44%

LAB 32.76, 53.2, -64.27

 

CMYK 45 / 73 / 0 / 18

HEX #7238D0

RGB 114 56 208

HSL 262.89, 0.62%, 0.52%

LAB 39.51, 56.82, -68.94

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 28 / 45 / 0 / 12

HEX #A17BE0

RGB 161 123 224

HSL 262.57, 0.62%, 0.68%

LAB 59.09, 35.52, -46.3

 

CMYK 20 / 32 / 0 / 9

HEX #B99CE7

RGB 185 156 231

HSL 263.2, 0.61%, 0.76%

LAB 69.37, 25.5, -33.92

 

CMYK 36 / 58 / 0 / 15

HEX #8B5BD8

RGB 139 91 216

HSL 263.04, 0.62%, 0.6%

LAB 49.41, 45.86, -57.35

 

CMYK 0 / 59 / 34 / 15

HEX #D8598E

RGB 216 89 142

HSL 334.96, 0.62%, 0.6%

LAB 55.78, 54.93, -3.76

 

CMYK 58 / 0 / 59 / 15

HEX #5BD859

RGB 91 216 89

HSL 119.06, 0.62%, 0.6%

LAB 77.31, -59.26, 51.36

 

CMYK 36 / 58 / 0 / 15

HEX #8B5BD8

RGB 139 91 216

HSL 263.04, 0.62%, 0.6%

LAB 49.41, 45.86, -57.35

 

CMYK 0 / 36 / 59 / 15

HEX #D88A59

RGB 216 138 89

HSL 23.15, 0.62%, 0.6%

LAB 64.56, 24.97, 38.32

 

CMYK 59 / 0 / 36 / 15

HEX #59D88A

RGB 89 216 138

HSL 143.15, 0.62%, 0.6%

LAB 77.92, -52.46, 28.22

 

CMYK 36 / 58 / 0 / 15

HEX #8B5BD8

RGB 139 91 216

HSL 263.04, 0.62%, 0.6%

LAB 49.41, 45.86, -57.35

 

CMYK 0 / 59 / 34 / 15

HEX #D8598E

RGB 216 89 142

HSL 334.96, 0.62%, 0.6%

LAB 55.78, 54.93, -3.76

 

CMYK 23 / 0 / 59 / 15

HEX #A7D859

RGB 167 216 89

HSL 83.15, 0.62%, 0.6%

LAB 80.77, -35.36, 56.21

 

CMYK 59 / 0 / 25 / 15

HEX #59D8A3

RGB 89 216 163

HSL 154.96, 0.62%, 0.6%

LAB 78.39, -47.5, 15.79

 

CMYK 36 / 58 / 0 / 15

HEX #8B5BD8

RGB 139 91 216

HSL 263.04, 0.62%, 0.6%

LAB 49.41, 45.86, -57.35

 

CMYK 0 / 59 / 52 / 15

HEX #D85968

RGB 216 89 104

HSL 352.91, 0.62%, 0.6%

LAB 54.81, 51.09, 17.26

 

CMYK 23 / 0 / 59 / 15

HEX #A7D859

RGB 167 216 89

HSL 83.15, 0.62%, 0.6%

LAB 80.77, -35.36, 56.21

 

CMYK 59 / 0 / 7 / 15

HEX #59D8C9

RGB 89 216 201

HSL 172.91, 0.62%, 0.6%

LAB 79.3, -38.54, -3.13

 

Description

Color code: RGB 139 91 216 | qconv.com Color code: RGB 139 91 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 91 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 91 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 58 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 58% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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