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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC59D8 it is the complementary color #53A627. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC59D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC59D8 shade: #B159D3, #C26BE6, #D37DF9, #E48FFF and #F5A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC59D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC59D8 shade: #AC59D8, #9B47C5, #8A35B2, #79239F and #68118C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC59D8 shade: #AC59D8, #CE59D8, #D859BF, #D8599D and #D8597B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC59D8 shade: #AC59D8, #8A59D8, #6859D8 and #5959D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC59D8 shade matches the following richer shades: #AC59D8, #B149E8 and #B638F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC59D8 shade: #AC59D8, #A76AC7, #A27AB7, #9D8BA6 and #989B96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC59D8 shade: #6859D8, #8A59D8, #AB59D8, #CD59D8 and #D859C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC59D8 shade: #852AB5, #9B38D0, #AC59D8, #BD7BE0 and #CD9CE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC59D8 shade: #AC59D8, #D8596C and #59D879

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC59D8 shade: #AC59D8, #D8AB59 and #59D8AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC59D8 shade: #AC59D8, #D8596C, #86D859 and #59D8C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC59D8 shade: #AC59D8, #D86C59, #86D859 and #59C5D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

Complementary color

CMYK 50 / 0 / 77 / 35

HEX #53A627

RGB 83 166 39

HSL 99.21, 0.62%, 0.4%

LAB 61.01, -47.11, 54.05

 

CMYK 16 / 58 / 0 / 17

HEX #B159D3

RGB 177 89 211

HSL 283.28, 0.58%, 0.59%

LAB 53.16, 54.94, -48.25

 

CMYK 16 / 53 / 0 / 10

HEX #C26BE6

RGB 194 107 230

HSL 282.44, 0.71%, 0.66%

LAB 59.61, 54.27, -48.59

 

CMYK 15 / 50 / 0 / 2

HEX #D37DF9

RGB 211 125 249

HSL 281.61, 0.91%, 0.73%

LAB 66.02, 53.53, -48.84

 

CMYK 11 / 44 / 0 / 0

HEX #E48FFF

RGB 228 143 255

HSL 285.54, 1%, 0.78%

LAB 71.8, 50.16, -42.91

 

CMYK 4 / 37 / 0 / 0

HEX #F5A1FF

RGB 245 161 255

HSL 293.62, 1%, 0.82%

LAB 77.35, 45.79, -34.14

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 21 / 64 / 0 / 23

HEX #9B47C5

RGB 155 71 197

HSL 280, 0.52%, 0.53%

LAB 46.32, 55.32, -51.3

 

CMYK 22 / 70 / 0 / 30

HEX #8A35B2

RGB 138 53 178

HSL 280.8, 0.54%, 0.45%

LAB 39.86, 55.6, -50.7

 

CMYK 24 / 78 / 0 / 38

HEX #79239F

RGB 121 35 159

HSL 281.61, 0.64%, 0.38%

LAB 33.5, 55.3, -49.71

 

CMYK 26 / 88 / 0 / 45

HEX #68118C

RGB 104 17 140

HSL 282.44, 0.78%, 0.31%

LAB 27.4, 53.93, -48.06

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 5 / 59 / 0 / 15

HEX #CE59D8

RGB 206 89 216

HSL 295.28, 0.62%, 0.6%

LAB 57.29, 63.16, -44.29

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 59 / 27 / 15

HEX #D8599D

RGB 216 89 157

HSL 327.87, 0.62%, 0.6%

LAB 56.27, 56.78, -11.84

 

CMYK 0 / 59 / 43 / 15

HEX #D8597B

RGB 216 89 123

HSL 343.94, 0.62%, 0.6%

LAB 55.25, 52.85, 6.67

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 52 / 59 / 0 / 15

HEX #6859D8

RGB 104 89 216

HSL 247.09, 0.62%, 0.6%

LAB 45.7, 39.55, -63.51

 

CMYK 59 / 59 / 0 / 15

HEX #5959D8

RGB 89 89 216

HSL 240, 0.62%, 0.6%

LAB 44.56, 36.81, -65.41

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 24 / 69 / 0 / 9

HEX #B149E8

RGB 177 73 232

HSL 279.25, 0.78%, 0.6%

LAB 51.77, 66.55, -62.38

 

CMYK 27 / 78 / 0 / 2

HEX #B638F9

RGB 182 56 249

HSL 279.17, 0.94%, 0.6%

LAB 51.4, 77.21, -72.47

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 16 / 47 / 0 / 22

HEX #A76AC7

RGB 167 106 199

HSL 279.35, 0.45%, 0.6%

LAB 54.71, 40.87, -39.04

 

CMYK 11 / 33 / 0 / 28

HEX #A27AB7

RGB 162 122 183

HSL 279.34, 0.3%, 0.6%

LAB 57.09, 26.9, -26.22

 

CMYK 5 / 16 / 0 / 35

HEX #9D8BA6

RGB 157 139 166

HSL 280, 0.13%, 0.6%

LAB 60.24, 11.9, -11.77

 

CMYK 2 / 0 / 3 / 39

HEX #989B96

RGB 152 155 150

HSL 96, 0.02%, 0.6%

LAB 63.61, -2.04, 2.23

 

CMYK 52 / 59 / 0 / 15

HEX #6859D8

RGB 104 89 216

HSL 247.09, 0.62%, 0.6%

LAB 45.7, 39.55, -63.51

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 21 / 59 / 0 / 15

HEX #AB59D8

RGB 171 89 216

HSL 278.74, 0.62%, 0.6%

LAB 52.69, 54.51, -51.9

 

CMYK 5 / 59 / 0 / 15

HEX #CD59D8

RGB 205 89 216

HSL 294.8, 0.62%, 0.6%

LAB 57.15, 62.91, -44.52

 

CMYK 0 / 59 / 11 / 15

HEX #D859C1

RGB 216 89 193

HSL 310.87, 0.62%, 0.6%

LAB 57.65, 61.92, -30.55

 

CMYK 27 / 77 / 0 / 29

HEX #852AB5

RGB 133 42 181

HSL 279.28, 0.62%, 0.44%

LAB 37.8, 59.62, -55.82

 

CMYK 25 / 73 / 0 / 18

HEX #9B38D0

RGB 155 56 208

HSL 279.08, 0.62%, 0.52%

LAB 44.73, 64.11, -60.22

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 16 / 45 / 0 / 12

HEX #BD7BE0

RGB 189 123 224

HSL 279.21, 0.62%, 0.68%

LAB 61.97, 43.32, -41.56

 

CMYK 11 / 32 / 0 / 9

HEX #CD9CE7

RGB 205 156 231

HSL 279.2, 0.61%, 0.76%

LAB 71.23, 31.6, -30.89

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 0 / 59 / 50 / 15

HEX #D8596C

RGB 216 89 108

HSL 351.02, 0.62%, 0.6%

LAB 54.89, 51.43, 15.02

 

CMYK 59 / 0 / 44 / 15

HEX #59D879

RGB 89 216 121

HSL 135.12, 0.62%, 0.6%

LAB 77.65, -55.36, 36.51

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 0 / 21 / 59 / 15

HEX #D8AB59

RGB 216 171 89

HSL 38.74, 0.62%, 0.6%

LAB 72.53, 7.21, 47.81

 

CMYK 59 / 0 / 21 / 15

HEX #59D8AB

RGB 89 216 171

HSL 158.74, 0.62%, 0.6%

LAB 78.56, -45.75, 11.8

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 0 / 59 / 50 / 15

HEX #D8596C

RGB 216 89 108

HSL 351.02, 0.62%, 0.6%

LAB 54.89, 51.43, 15.02

 

CMYK 38 / 0 / 59 / 15

HEX #86D859

RGB 134 216 89

HSL 98.74, 0.62%, 0.6%

LAB 78.98, -47.01, 53.71

 

CMYK 59 / 0 / 9 / 15

HEX #59D8C5

RGB 89 216 197

HSL 171.02, 0.62%, 0.6%

LAB 79.19, -39.56, -1.15

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 0 / 50 / 59 / 15

HEX #D86C59

RGB 216 108 89

HSL 8.98, 0.62%, 0.6%

LAB 58.08, 40.72, 30.24

 

CMYK 38 / 0 / 59 / 15

HEX #86D859

RGB 134 216 89

HSL 98.74, 0.62%, 0.6%

LAB 78.98, -47.01, 53.71

 

CMYK 59 / 9 / 0 / 15

HEX #59C5D8

RGB 89 197 216

HSL 188.98, 0.62%, 0.6%

LAB 74.2, -25.42, -18.82

 

Description

Color code: HEX #AC59D8 | qconv.com Color code: HEX #AC59D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 89 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 89 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 59 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 59% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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