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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D859BF it is the complementary color #27A640. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D859BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D859BF shade: #DD59BA, #EE6BCD, #FF7DE0, #FF8FF3 and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D859BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D859BF shade: #D859BF, #C747AC, #B63599, #A52386 and #941173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D859BF shade: #D859BF, #D8599D, #D8597B and #D85959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D859BF shade: #D859BF, #CF59D8, #AC59D8, #8A59D8 and #6859D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D859BF shade matches the following richer shades: #D859BF, #E849C9 and #F938D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D859BF shade: #D859BF, #C76AB5, #B77AAB, #A68BA1 and #969B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D859BF shade: #AB59D8, #CD59D8, #D859C1, #D8599F and #D8597D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D859BF shade: #B52A99, #D038B2, #D859BF, #E07BCC and #E79CD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D859BF shade: #D859BF, #D88A59 and #59D8BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D859BF shade: #D859BF, #C1D859 and #59C1D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D859BF shade: #D859BF, #D88A59, #59D870 and #59A7D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D859BF shade: #D859BF, #D8B059, #59D870 and #5981D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

Complementary color

CMYK 77 / 0 / 61 / 35

HEX #27A640

RGB 39 166 64

HSL 131.81, 0.62%, 0.4%

LAB 59.96, -54.82, 42.38

 

CMYK 0 / 60 / 16 / 13

HEX #DD59BA

RGB 221 89 186

HSL 315.91, 0.66%, 0.61%

LAB 58.1, 62.23, -25.78

 

CMYK 0 / 55 / 14 / 7

HEX #EE6BCD

RGB 238 107 205

HSL 315.11, 0.79%, 0.68%

LAB 64.24, 61.85, -26.91

 

CMYK 0 / 51 / 12 / 0

HEX #FF7DE0

RGB 255 125 224

HSL 314.31, 1%, 0.75%

LAB 70.39, 61.32, -27.85

 

CMYK 0 / 44 / 5 / 0

HEX #FF8FF3

RGB 255 143 243

HSL 306.43, 1%, 0.78%

LAB 74.43, 55.74, -32.06

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 64 / 14 / 22

HEX #C747AC

RGB 199 71 172

HSL 312.66, 0.53%, 0.53%

LAB 51.41, 61.74, -28.27

 

CMYK 0 / 71 / 16 / 29

HEX #B63599

RGB 182 53 153

HSL 313.49, 0.55%, 0.46%

LAB 45.35, 61.45, -26.65

 

CMYK 0 / 79 / 19 / 35

HEX #A52386

RGB 165 35 134

HSL 314.31, 0.65%, 0.39%

LAB 39.45, 60.46, -24.51

 

CMYK 0 / 89 / 22 / 42

HEX #941173

RGB 148 17 115

HSL 315.11, 0.79%, 0.32%

LAB 33.85, 58.36, -21.61

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 59 / 27 / 15

HEX #D8599D

RGB 216 89 157

HSL 327.87, 0.62%, 0.6%

LAB 56.27, 56.78, -11.84

 

CMYK 0 / 59 / 43 / 15

HEX #D8597B

RGB 216 89 123

HSL 343.94, 0.62%, 0.6%

LAB 55.25, 52.85, 6.67

 

CMYK 0 / 59 / 59 / 15

HEX #D85959

RGB 216 89 89

HSL 0, 0.62%, 0.6%

LAB 54.52, 49.92, 25.66

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 4 / 59 / 0 / 15

HEX #CF59D8

RGB 207 89 216

HSL 295.75, 0.62%, 0.6%

LAB 57.43, 63.41, -44.07

 

CMYK 20 / 59 / 0 / 15

HEX #AC59D8

RGB 172 89 216

HSL 279.21, 0.62%, 0.6%

LAB 52.81, 54.75, -51.69

 

CMYK 36 / 59 / 0 / 15

HEX #8A59D8

RGB 138 89 216

HSL 263.15, 0.62%, 0.6%

LAB 48.89, 46.73, -58.19

 

CMYK 52 / 59 / 0 / 15

HEX #6859D8

RGB 104 89 216

HSL 247.09, 0.62%, 0.6%

LAB 45.7, 39.55, -63.51

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 69 / 13 / 9

HEX #E849C9

RGB 232 73 201

HSL 311.7, 0.78%, 0.6%

LAB 58.17, 73.45, -34.13

 

CMYK 0 / 78 / 15 / 2

HEX #F938D3

RGB 249 56 211

HSL 311.81, 0.94%, 0.6%

LAB 59.59, 83.74, -37.39

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 47 / 9 / 22

HEX #C76AB5

RGB 199 106 181

HSL 311.61, 0.45%, 0.6%

LAB 57.83, 46.99, -23.57

 

CMYK 0 / 33 / 7 / 28

HEX #B77AAB

RGB 183 122 171

HSL 311.8, 0.3%, 0.6%

LAB 58.91, 31.5, -16.37

 

CMYK 0 / 16 / 3 / 35

HEX #A68BA1

RGB 166 139 161

HSL 311.11, 0.13%, 0.6%

LAB 60.91, 14.11, -7.82

 

CMYK 3 / 0 / 3 / 39

HEX #969B97

RGB 150 155 151

HSL 132, 0.02%, 0.6%

LAB 63.48, -2.57, 1.46

 

CMYK 21 / 59 / 0 / 15

HEX #AB59D8

RGB 171 89 216

HSL 278.74, 0.62%, 0.6%

LAB 52.69, 54.51, -51.9

 

CMYK 5 / 59 / 0 / 15

HEX #CD59D8

RGB 205 89 216

HSL 294.8, 0.62%, 0.6%

LAB 57.15, 62.91, -44.52

 

CMYK 0 / 59 / 11 / 15

HEX #D859C1

RGB 216 89 193

HSL 310.87, 0.62%, 0.6%

LAB 57.65, 61.92, -30.55

 

CMYK 0 / 59 / 26 / 15

HEX #D8599F

RGB 216 89 159

HSL 326.93, 0.62%, 0.6%

LAB 56.33, 57.04, -12.9

 

CMYK 0 / 59 / 42 / 15

HEX #D8597D

RGB 216 89 125

HSL 342.99, 0.62%, 0.6%

LAB 55.3, 53.06, 5.56

 

CMYK 0 / 77 / 15 / 29

HEX #B52A99

RGB 181 42 153

HSL 312.09, 0.62%, 0.44%

LAB 43.92, 64.79, -28.9

 

CMYK 0 / 73 / 14 / 18

HEX #D038B2

RGB 208 56 178

HSL 311.84, 0.62%, 0.52%

LAB 51.21, 70.24, -31.99

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 45 / 9 / 12

HEX #E07BCC

RGB 224 123 204

HSL 311.88, 0.62%, 0.68%

LAB 65.26, 49.91, -24.95

 

CMYK 0 / 32 / 6 / 9

HEX #E79CD9

RGB 231 156 217

HSL 311.2, 0.61%, 0.76%

LAB 73.4, 37.21, -19.67

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 36 / 59 / 15

HEX #D88A59

RGB 216 138 89

HSL 23.15, 0.62%, 0.6%

LAB 64.56, 24.97, 38.32

 

CMYK 59 / 0 / 13 / 15

HEX #59D8BC

RGB 89 216 188

HSL 166.77, 0.62%, 0.6%

LAB 78.96, -41.79, 3.32

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 11 / 0 / 59 / 15

HEX #C1D859

RGB 193 216 89

HSL 70.87, 0.62%, 0.6%

LAB 82.47, -25.3, 58.59

 

CMYK 59 / 11 / 0 / 15

HEX #59C1D8

RGB 89 193 216

HSL 190.87, 0.62%, 0.6%

LAB 73.04, -23.42, -20.58

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 36 / 59 / 15

HEX #D88A59

RGB 216 138 89

HSL 23.15, 0.62%, 0.6%

LAB 64.56, 24.97, 38.32

 

CMYK 59 / 0 / 48 / 15

HEX #59D870

RGB 89 216 112

HSL 130.87, 0.62%, 0.6%

LAB 77.52, -56.73, 40.8

 

CMYK 59 / 23 / 0 / 15

HEX #59A7D8

RGB 89 167 216

HSL 203.15, 0.62%, 0.6%

LAB 65.53, -9.73, -32.1

 

CMYK 0 / 59 / 12 / 15

HEX #D859BF

RGB 216 89 191

HSL 311.81, 0.62%, 0.6%

LAB 57.56, 61.61, -29.53

 

CMYK 0 / 19 / 59 / 15

HEX #D8B059

RGB 216 176 89

HSL 41.1, 0.62%, 0.6%

LAB 73.79, 4.55, 49.27

 

CMYK 59 / 0 / 48 / 15

HEX #59D870

RGB 89 216 112

HSL 130.87, 0.62%, 0.6%

LAB 77.52, -56.73, 40.8

 

CMYK 59 / 40 / 0 / 15

HEX #5981D8

RGB 89 129 216

HSL 221.1, 0.62%, 0.6%

LAB 54.85, 12.25, -48.87

 

Description

Color code: HEX #D859BF | qconv.com Color code: HEX #D859BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 89 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 89 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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