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Color name
RGB 111 214 140

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 214 140 it is the complementary color RGB 144 41 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 214 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 214 140 shade: RGB 116 214 135, RGB 133 232 154, RGB 150 250 173, RGB 167 255 192 and RGB 184 255 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 214 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 214 140 shade: RGB 111 214 140, RGB 94 196 121, RGB 77 178 102, RGB 60 160 83 and RGB 43 142 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 214 140 shade: RGB 111 214 140, RGB 111 214 113, RGB 138 214 111, RGB 166 214 111 and RGB 193 214 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 214 140 shade: RGB 111 214 140, RGB 111 214 168, RGB 111 214 196, RGB 111 205 214 and RGB 111 177 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 214 140 shade matches the following richer shades: RGB 111 214 140, RGB 96 229 134 and RGB 82 244 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 214 140 shade: RGB 111 214 140, RGB 126 199 147, RGB 141 184 153, RGB 156 170 160 and RGB 171 155 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 214 140 shade: RGB 139 214 111, RGB 111 214 111, RGB 111 214 139, RGB 111 214 166 and RGB 111 214 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 214 140 shade: RGB 53 190 92, RGB 79 205 115, RGB 111 214 140, RGB 143 223 166 and RGB 176 232 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 214 140 shade: RGB 111 214 140, RGB 111 166 214 and RGB 214 111 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 214 140 shade: RGB 111 214 140, RGB 139 111 214 and RGB 214 139 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 214 140 shade: RGB 111 214 140, RGB 111 166 214, RGB 214 111 187 and RGB 214 159 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 214 140 shade: RGB 111 214 140, RGB 111 135 214, RGB 214 111 187 and RGB 214 190 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

Complementary color

CMYK 0 / 72 / 20 / 44

HEX #902973

RGB 144 41 115

HSL 316.89, 0.56%, 0.36%

LAB 35.5, 50.52, -19.1

 

CMYK 46 / 0 / 37 / 16

HEX #74D687

RGB 116 214 135

HSL 131.63, 0.54%, 0.65%

LAB 78.2, -45.55, 30.31

 

CMYK 43 / 0 / 34 / 9

HEX #85E89A

RGB 133 232 154

HSL 132.73, 0.68%, 0.72%

LAB 84.5, -45.34, 29.1

 

CMYK 40 / 0 / 31 / 2

HEX #96FAAD

RGB 150 250 173

HSL 133.8, 0.91%, 0.78%

LAB 90.72, -45.11, 27.97

 

CMYK 35 / 0 / 25 / 0

HEX #A7FFC0

RGB 167 255 192

HSL 137.05, 1%, 0.83%

LAB 93.25, -39.13, 21.91

 

CMYK 28 / 0 / 17 / 0

HEX #B8FFD3

RGB 184 255 211

HSL 142.82, 1%, 0.86%

LAB 94.49, -30.63, 14.06

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 52 / 0 / 38 / 23

HEX #5EC479

RGB 94 196 121

HSL 135.88, 0.46%, 0.57%

LAB 71.72, -46.17, 28.82

 

CMYK 57 / 0 / 43 / 30

HEX #4DB266

RGB 77 178 102

HSL 134.85, 0.4%, 0.5%

LAB 65.26, -46.18, 30.18

 

CMYK 63 / 0 / 48 / 37

HEX #3CA053

RGB 60 160 83

HSL 133.8, 0.45%, 0.43%

LAB 58.72, -46.02, 31.63

 

CMYK 70 / 0 / 55 / 44

HEX #2B8E40

RGB 43 142 64

HSL 132.73, 0.54%, 0.36%

LAB 52.1, -45.54, 33.14

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 48 / 0 / 47 / 16

HEX #6FD671

RGB 111 214 113

HSL 121.17, 0.56%, 0.64%

LAB 77.68, -50.3, 40.67

 

CMYK 36 / 0 / 48 / 16

HEX #8AD66F

RGB 138 214 111

HSL 104.27, 0.56%, 0.64%

LAB 78.84, -42.39, 43.35

 

CMYK 22 / 0 / 48 / 16

HEX #A6D66F

RGB 166 214 111

HSL 87.96, 0.56%, 0.64%

LAB 80.37, -32.64, 45.58

 

CMYK 10 / 0 / 48 / 16

HEX #C1D66F

RGB 193 214 111

HSL 72.23, 0.56%, 0.64%

LAB 82.15, -22.4, 48.16

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 48 / 0 / 21 / 16

HEX #6FD6A8

RGB 111 214 168

HSL 153.2, 0.56%, 0.64%

LAB 78.64, -40.64, 13.6

 

CMYK 48 / 0 / 8 / 16

HEX #6FD6C4

RGB 111 214 196

HSL 169.51, 0.56%, 0.64%

LAB 79.3, -34.34, -0.37

 

CMYK 48 / 4 / 0 / 16

HEX #6FCDD6

RGB 111 205 214

HSL 185.24, 0.56%, 0.64%

LAB 77.22, -25.48, -13.11

 

CMYK 48 / 17 / 0 / 16

HEX #6FB1D6

RGB 111 177 214

HSL 201.55, 0.56%, 0.64%

LAB 69.24, -11.04, -25.21

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 58 / 0 / 41 / 10

HEX #60E586

RGB 96 229 134

HSL 137.14, 0.72%, 0.64%

LAB 81.97, -56.73, 35.63

 

CMYK 66 / 0 / 48 / 4

HEX #52F47F

RGB 82 244 127

HSL 136.67, 0.88%, 0.64%

LAB 86.02, -66.11, 44.16

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 37 / 0 / 26 / 22

HEX #7EC793

RGB 126 199 147

HSL 137.26, 0.39%, 0.64%

LAB 74.44, -33.86, 19

 

CMYK 23 / 0 / 17 / 28

HEX #8DB899

RGB 141 184 153

HSL 136.74, 0.23%, 0.64%

LAB 71.04, -20.67, 11.13

 

CMYK 8 / 0 / 6 / 33

HEX #9CAAA0

RGB 156 170 160

HSL 137.14, 0.08%, 0.64%

LAB 68.28, -6.86, 3.46

 

CMYK 0 / 9 / 3 / 33

HEX #AB9BA6

RGB 171 155 166

HSL 318.75, 0.09%, 0.64%

LAB 65.63, 7.86, -3.6

 

CMYK 35 / 0 / 48 / 16

HEX #8BD66F

RGB 139 214 111

HSL 103.69, 0.56%, 0.64%

LAB 78.89, -42.06, 43.42

 

CMYK 48 / 0 / 48 / 16

HEX #6FD66F

RGB 111 214 111

HSL 120, 0.56%, 0.64%

LAB 77.65, -50.58, 41.61

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68B

RGB 111 214 139

HSL 136.31, 0.56%, 0.64%

LAB 78.07, -46.21, 28.04

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 48 / 0 / 9 / 16

HEX #6FD6C2

RGB 111 214 194

HSL 168.35, 0.56%, 0.64%

LAB 79.25, -34.82, 0.63

 

CMYK 72 / 0 / 52 / 25

HEX #35BE5C

RGB 53 190 92

HSL 137.08, 0.56%, 0.48%

LAB 68.28, -57.16, 38.95

 

CMYK 61 / 0 / 44 / 20

HEX #4FCD73

RGB 79 205 115

HSL 137.14, 0.56%, 0.56%

LAB 73.91, -54.25, 34.67

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 36 / 0 / 26 / 13

HEX #8FDFA6

RGB 143 223 166

HSL 137.25, 0.56%, 0.72%

LAB 82.58, -36.36, 20.36

 

CMYK 24 / 0 / 17 / 9

HEX #B0E8C0

RGB 176 232 192

HSL 137.14, 0.55%, 0.8%

LAB 87.36, -25.68, 13.74

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 48 / 22 / 0 / 16

HEX #6FA6D6

RGB 111 166 214

HSL 207.96, 0.56%, 0.64%

LAB 66.14, -5.03, -29.97

 

CMYK 0 / 48 / 42 / 16

HEX #D66F7D

RGB 214 111 125

HSL 351.84, 0.56%, 0.64%

LAB 59.11, 41.72, 10.93

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 0 / 35 / 48 / 16

HEX #D68B6F

RGB 214 139 111

HSL 16.31, 0.56%, 0.64%

LAB 64.89, 25.51, 26.76

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 48 / 22 / 0 / 16

HEX #6FA6D6

RGB 111 166 214

HSL 207.96, 0.56%, 0.64%

LAB 66.14, -5.03, -29.97

 

CMYK 0 / 48 / 13 / 16

HEX #D66FBB

RGB 214 111 187

HSL 315.73, 0.56%, 0.64%

LAB 61, 50.09, -21.97

 

CMYK 0 / 26 / 48 / 16

HEX #D69F6F

RGB 214 159 111

HSL 27.96, 0.56%, 0.64%

LAB 69.64, 14.69, 32.95

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68C

RGB 111 214 140

HSL 136.89, 0.56%, 0.64%

LAB 78.09, -46.04, 27.55

 

CMYK 48 / 37 / 0 / 16

HEX #6F87D6

RGB 111 135 214

HSL 226.02, 0.56%, 0.64%

LAB 57.62, 12.8, -43.28

 

CMYK 0 / 48 / 13 / 16

HEX #D66FBB

RGB 214 111 187

HSL 315.73, 0.56%, 0.64%

LAB 61, 50.09, -21.97

 

CMYK 0 / 11 / 48 / 16

HEX #D6BE6F

RGB 214 190 111

HSL 46.02, 0.56%, 0.64%

LAB 77.44, -1.81, 42.79

 

Description

Color code: RGB 111 214 140 | qconv.com Color code: RGB 111 214 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 214 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 214 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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