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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD6A6 it is the complementary color #902959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD6A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD6A6 shade: #74D6A1, #85E8B4, #96FAC7, #A7FFDA and #B8FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD6A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD6A6 shade: #6FD6A6, #5EC493, #4DB280, #3CA06D and #2B8E5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD6A6 shade: #6FD6A6, #6FD68A, #70D66F, #8CD66F and #A7D66F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD6A6 shade: #6FD6A6, #6FD6C2, #6FCFD6, #6FB3D6 and #6F97D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD6A6 shade matches the following richer shades: #6FD6A6, #60E5A7 and #52F4A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD6A6 shade: #6FD6A6, #7EC7A5, #8DB8A4, #9CAAA3 and #AB9BA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD6A6 shade: #6FD66F, #6FD68B, #6FD6A6, #6FD6C2 and #6FCFD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD6A6 shade: #35BE7E, #4FCD92, #6FD6A6, #8FDFBA and #B0E8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD6A6 shade: #6FD6A6, #6F8BD6 and #D67D6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD6A6 shade: #6FD6A6, #A66FD6 and #D6A66F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD6A6 shade: #6FD6A6, #6F8BD6, #D66F9F and #D6BB6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD6A6 shade: #6FD6A6, #736FD6, #D66F9F and #D3D66F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

Complementary color

CMYK 0 / 72 / 38 / 44

HEX #902959

RGB 144 41 89

HSL 332.04, 0.56%, 0.36%

LAB 34.47, 47.13, -4.1

 

CMYK 46 / 0 / 25 / 16

HEX #74D6A1

RGB 116 214 161

HSL 147.55, 0.54%, 0.65%

LAB 78.68, -40.8, 17.39

 

CMYK 43 / 0 / 22 / 9

HEX #85E8B4

RGB 133 232 180

HSL 148.48, 0.68%, 0.72%

LAB 84.99, -40.58, 16.35

 

CMYK 40 / 0 / 20 / 2

HEX #96FAC7

RGB 150 250 199

HSL 149.4, 0.91%, 0.78%

LAB 91.22, -40.35, 15.38

 

CMYK 35 / 0 / 15 / 0

HEX #A7FFDA

RGB 167 255 218

HSL 154.77, 1%, 0.83%

LAB 93.8, -34.21, 9.36

 

CMYK 28 / 0 / 7 / 0

HEX #B8FFED

RGB 184 255 237

HSL 164.79, 1%, 0.86%

LAB 95.09, -25.55, 1.54

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 52 / 0 / 25 / 23

HEX #5EC493

RGB 94 196 147

HSL 151.18, 0.46%, 0.57%

LAB 72.21, -41.2, 15.69

 

CMYK 57 / 0 / 28 / 30

HEX #4DB280

RGB 77 178 128

HSL 150.3, 0.4%, 0.5%

LAB 65.73, -41.27, 16.89

 

CMYK 63 / 0 / 32 / 37

HEX #3CA06D

RGB 60 160 109

HSL 149.4, 0.45%, 0.43%

LAB 59.16, -41.2, 18.2

 

CMYK 70 / 0 / 37 / 44

HEX #2B8E5A

RGB 43 142 90

HSL 148.48, 0.54%, 0.36%

LAB 52.51, -40.92, 19.66

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 48 / 0 / 36 / 16

HEX #6FD68A

RGB 111 214 138

HSL 135.73, 0.56%, 0.64%

LAB 78.06, -46.39, 28.53

 

CMYK 48 / 0 / 48 / 16

HEX #70D66F

RGB 112 214 111

HSL 119.42, 0.56%, 0.64%

LAB 77.69, -50.3, 41.67

 

CMYK 35 / 0 / 48 / 16

HEX #8CD66F

RGB 140 214 111

HSL 103.11, 0.56%, 0.64%

LAB 78.94, -41.73, 43.49

 

CMYK 22 / 0 / 48 / 16

HEX #A7D66F

RGB 167 214 111

HSL 87.38, 0.56%, 0.64%

LAB 80.44, -32.27, 45.67

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 48 / 0 / 9 / 16

HEX #6FD6C2

RGB 111 214 194

HSL 168.35, 0.56%, 0.64%

LAB 79.25, -34.82, 0.63

 

CMYK 48 / 3 / 0 / 16

HEX #6FCFD6

RGB 111 207 214

HSL 184.08, 0.56%, 0.64%

LAB 77.79, -26.47, -12.26

 

CMYK 48 / 16 / 0 / 16

HEX #6FB3D6

RGB 111 179 214

HSL 200.39, 0.56%, 0.64%

LAB 69.81, -12.11, -24.34

 

CMYK 48 / 29 / 0 / 16

HEX #6F97D6

RGB 111 151 214

HSL 216.7, 0.56%, 0.64%

LAB 61.97, 3.44, -36.45

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 58 / 0 / 27 / 10

HEX #60E5A7

RGB 96 229 167

HSL 152.03, 0.72%, 0.64%

LAB 82.55, -50.65, 19.52

 

CMYK 66 / 0 / 31 / 4

HEX #52F4A8

RGB 82 244 168

HSL 151.85, 0.88%, 0.64%

LAB 86.66, -58.98, 24.62

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 37 / 0 / 17 / 22

HEX #7EC7A5

RGB 126 199 165

HSL 152.05, 0.39%, 0.64%

LAB 74.82, -30.33, 9.89

 

CMYK 23 / 0 / 11 / 28

HEX #8DB8A4

RGB 141 184 164

HSL 152.09, 0.23%, 0.64%

LAB 71.3, -18.5, 5.49

 

CMYK 8 / 0 / 4 / 33

HEX #9CAAA3

RGB 156 170 163

HSL 150, 0.08%, 0.64%

LAB 68.36, -6.28, 1.92

 

CMYK 0 / 9 / 5 / 33

HEX #AB9BA2

RGB 171 155 162

HSL 333.75, 0.09%, 0.64%

LAB 65.52, 7.12, -1.52

 

CMYK 48 / 0 / 48 / 16

HEX #6FD66F

RGB 111 214 111

HSL 120, 0.56%, 0.64%

LAB 77.65, -50.58, 41.61

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68B

RGB 111 214 139

HSL 136.31, 0.56%, 0.64%

LAB 78.07, -46.21, 28.04

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 48 / 0 / 9 / 16

HEX #6FD6C2

RGB 111 214 194

HSL 168.35, 0.56%, 0.64%

LAB 79.25, -34.82, 0.63

 

CMYK 48 / 3 / 0 / 16

HEX #6FCFD6

RGB 111 207 214

HSL 184.08, 0.56%, 0.64%

LAB 77.79, -26.47, -12.26

 

CMYK 72 / 0 / 34 / 25

HEX #35BE7E

RGB 53 190 126

HSL 151.97, 0.56%, 0.48%

LAB 68.82, -51.11, 22.1

 

CMYK 61 / 0 / 29 / 20

HEX #4FCD92

RGB 79 205 146

HSL 151.9, 0.56%, 0.56%

LAB 74.45, -48.5, 19.26

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 36 / 0 / 17 / 13

HEX #8FDFBA

RGB 143 223 186

HSL 152.25, 0.56%, 0.72%

LAB 83, -32.52, 10.45

 

CMYK 24 / 0 / 11 / 9

HEX #B0E8CE

RGB 176 232 206

HSL 152.14, 0.55%, 0.8%

LAB 87.68, -23.03, 6.87

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 48 / 35 / 0 / 16

HEX #6F8BD6

RGB 111 139 214

HSL 223.69, 0.56%, 0.64%

LAB 58.7, 10.44, -41.58

 

CMYK 0 / 42 / 48 / 16

HEX #D67D6F

RGB 214 125 111

HSL 8.16, 0.56%, 0.64%

LAB 61.75, 33, 22.58

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 22 / 48 / 0 / 16

HEX #A66FD6

RGB 166 111 214

HSL 272.04, 0.56%, 0.64%

LAB 56.42, 41.21, -44.87

 

CMYK 0 / 22 / 48 / 16

HEX #D6A66F

RGB 214 166 111

HSL 32.04, 0.56%, 0.64%

LAB 71.36, 10.92, 35.16

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 48 / 35 / 0 / 16

HEX #6F8BD6

RGB 111 139 214

HSL 223.69, 0.56%, 0.64%

LAB 58.7, 10.44, -41.58

 

CMYK 0 / 48 / 26 / 16

HEX #D66F9F

RGB 214 111 159

HSL 332.04, 0.56%, 0.64%

LAB 60.04, 45.91, -7.38

 

CMYK 0 / 13 / 48 / 16

HEX #D6BB6F

RGB 214 187 111

HSL 44.27, 0.56%, 0.64%

LAB 76.67, -0.24, 41.83

 

CMYK 48 / 0 / 22 / 16

HEX #6FD6A6

RGB 111 214 166

HSL 152.04, 0.56%, 0.64%

LAB 78.59, -41.06, 14.6

 

CMYK 46 / 48 / 0 / 16

HEX #736FD6

RGB 115 111 214

HSL 242.33, 0.56%, 0.64%

LAB 51.69, 28.14, -52.68

 

CMYK 0 / 48 / 26 / 16

HEX #D66F9F

RGB 214 111 159

HSL 332.04, 0.56%, 0.64%

LAB 60.04, 45.91, -7.38

 

CMYK 1 / 0 / 48 / 16

HEX #D3D66F

RGB 211 214 111

HSL 61.75, 0.56%, 0.64%

LAB 83.49, -15.28, 50.08

 

Description

Color code: HEX #6FD6A6 | qconv.com Color code: HEX #6FD6A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 214 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 214 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 22 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 22% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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