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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B6FD6 it is the complementary color #749029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B6FD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B6FD6 shade: #906FD1, #A181E4, #B293F7, #C3A5FF and #D4B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B6FD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B6FD6 shade: #8B6FD6, #7A5DC3, #694BB0, #58399D and #47278A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B6FD6 shade: #8B6FD6, #A76FD6, #C36FD6, #D66FCE and #D66FB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B6FD6 shade: #8B6FD6, #706FD6 and #6F6FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B6FD6 shade matches the following richer shades: #8B6FD6, #8460E5 and #7E52F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B6FD6 shade: #8B6FD6, #927EC7, #998DB8, #A09CAA and #A6AB9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B6FD6 shade: #6F8BD6, #6F6FD6, #8B6FD6, #A66FD6 and #C26FD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B6FD6 shade: #5A35BE, #714FCD, #8B6FD6, #A58FDF and #BFB0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B6FD6 shade: #8B6FD6, #D66FA6 and #7DD66F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B6FD6 shade: #8B6FD6, #D68B6F and #6FD68B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B6FD6 shade: #8B6FD6, #D66FA6, #BBD66F and #6FD69F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B6FD6 shade: #8B6FD6, #D66F87, #BBD66F and #6FD6BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

Complementary color

CMYK 19 / 0 / 72 / 44

HEX #749029

RGB 116 144 41

HSL 76.31, 0.56%, 0.36%

LAB 55.91, -25.08, 48.86

 

CMYK 31 / 47 / 0 / 18

HEX #906FD1

RGB 144 111 209

HSL 260.2, 0.52%, 0.63%

LAB 53.92, 34.03, -46.13

 

CMYK 29 / 43 / 0 / 11

HEX #A181E4

RGB 161 129 228

HSL 259.39, 0.65%, 0.7%

LAB 60.67, 33.11, -46.02

 

CMYK 28 / 40 / 0 / 3

HEX #B293F7

RGB 178 147 247

HSL 258.6, 0.86%, 0.77%

LAB 67.31, 32.26, -45.94

 

CMYK 24 / 35 / 0 / 0

HEX #C3A5FF

RGB 195 165 255

HSL 260, 1%, 0.82%

LAB 73.37, 28.92, -40.7

 

CMYK 17 / 28 / 0 / 0

HEX #D4B7FF

RGB 212 183 255

HSL 264.17, 1%, 0.86%

LAB 79.09, 24.08, -31.72

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 37 / 52 / 0 / 24

HEX #7A5DC3

RGB 122 93 195

HSL 257.06, 0.46%, 0.56%

LAB 46.85, 35.11, -49.51

 

CMYK 40 / 57 / 0 / 31

HEX #694BB0

RGB 105 75 176

HSL 257.82, 0.4%, 0.49%

LAB 39.87, 36.3, -49.7

 

CMYK 44 / 64 / 0 / 38

HEX #58399D

RGB 88 57 157

HSL 258.6, 0.47%, 0.42%

LAB 32.78, 37.57, -49.87

 

CMYK 49 / 72 / 0 / 46

HEX #47278A

RGB 71 39 138

HSL 259.39, 0.56%, 0.35%

LAB 25.64, 38.83, -49.89

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 22 / 48 / 0 / 16

HEX #A76FD6

RGB 167 111 214

HSL 272.62, 0.56%, 0.64%

LAB 56.53, 41.49, -44.69

 

CMYK 9 / 48 / 0 / 16

HEX #C36FD6

RGB 195 111 214

HSL 288.93, 0.56%, 0.64%

LAB 59.73, 49.29, -39.43

 

CMYK 0 / 48 / 4 / 16

HEX #D66FCE

RGB 214 111 206

HSL 304.66, 0.56%, 0.64%

LAB 61.76, 53.25, -31.58

 

CMYK 0 / 48 / 17 / 16

HEX #D66FB2

RGB 214 111 178

HSL 320.97, 0.56%, 0.64%

LAB 60.68, 48.68, -17.34

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 48 / 48 / 0 / 16

HEX #706FD6

RGB 112 111 214

HSL 240.58, 0.56%, 0.64%

LAB 51.46, 27.45, -53.06

 

CMYK 48 / 48 / 0 / 16

HEX #6F6FD6

RGB 111 111 214

HSL 240, 0.56%, 0.64%

LAB 51.39, 27.22, -53.18

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 42 / 58 / 0 / 10

HEX #8460E5

RGB 132 96 229

HSL 256.24, 0.72%, 0.64%

LAB 50.6, 44.98, -62.82

 

CMYK 48 / 66 / 0 / 4

HEX #7E52F4

RGB 126 82 244

HSL 256.3, 0.88%, 0.64%

LAB 48.26, 55.5, -75.07

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 27 / 37 / 0 / 22

HEX #927EC7

RGB 146 126 199

HSL 256.44, 0.39%, 0.64%

LAB 57.23, 23.37, -35.24

 

CMYK 17 / 23 / 0 / 28

HEX #998DB8

RGB 153 141 184

HSL 256.74, 0.23%, 0.64%

LAB 61.03, 13.3, -20.82

 

CMYK 6 / 8 / 0 / 33

HEX #A09CAA

RGB 160 156 170

HSL 257.14, 0.08%, 0.64%

LAB 65.08, 4.19, -6.76

 

CMYK 3 / 0 / 9 / 33

HEX #A6AB9B

RGB 166 171 155

HSL 78.75, 0.09%, 0.64%

LAB 69.18, -4.72, 7.62

 

CMYK 48 / 35 / 0 / 16

HEX #6F8BD6

RGB 111 139 214

HSL 223.69, 0.56%, 0.64%

LAB 58.7, 10.44, -41.58

 

CMYK 48 / 48 / 0 / 16

HEX #6F6FD6

RGB 111 111 214

HSL 240, 0.56%, 0.64%

LAB 51.39, 27.22, -53.18

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 22 / 48 / 0 / 16

HEX #A66FD6

RGB 166 111 214

HSL 272.04, 0.56%, 0.64%

LAB 56.42, 41.21, -44.87

 

CMYK 9 / 48 / 0 / 16

HEX #C26FD6

RGB 194 111 214

HSL 288.35, 0.56%, 0.64%

LAB 59.61, 49.01, -39.62

 

CMYK 53 / 72 / 0 / 25

HEX #5A35BE

RGB 90 53 190

HSL 256.2, 0.56%, 0.48%

LAB 34.88, 49.6, -66.13

 

CMYK 45 / 61 / 0 / 20

HEX #714FCD

RGB 113 79 205

HSL 256.19, 0.56%, 0.56%

LAB 43.52, 43.9, -60.68

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 26 / 36 / 0 / 13

HEX #A58FDF

RGB 165 143 223

HSL 256.5, 0.56%, 0.72%

LAB 64.14, 25.04, -37.78

 

CMYK 18 / 24 / 0 / 9

HEX #BFB0E8

RGB 191 176 232

HSL 256.07, 0.55%, 0.8%

LAB 74.8, 16.47, -26.07

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 0 / 48 / 22 / 16

HEX #D66FA6

RGB 214 111 166

HSL 327.96, 0.56%, 0.64%

LAB 60.26, 46.9, -11.07

 

CMYK 42 / 0 / 48 / 16

HEX #7DD66F

RGB 125 214 111

HSL 111.84, 0.56%, 0.64%

LAB 78.23, -46.51, 42.46

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 0 / 35 / 48 / 16

HEX #D68B6F

RGB 214 139 111

HSL 16.31, 0.56%, 0.64%

LAB 64.89, 25.51, 26.76

 

CMYK 48 / 0 / 35 / 16

HEX #6FD68B

RGB 111 214 139

HSL 136.31, 0.56%, 0.64%

LAB 78.07, -46.21, 28.04

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 0 / 48 / 22 / 16

HEX #D66FA6

RGB 214 111 166

HSL 327.96, 0.56%, 0.64%

LAB 60.26, 46.9, -11.07

 

CMYK 13 / 0 / 48 / 16

HEX #BBD66F

RGB 187 214 111

HSL 75.73, 0.56%, 0.64%

LAB 81.73, -24.73, 47.55

 

CMYK 48 / 0 / 26 / 16

HEX #6FD69F

RGB 111 214 159

HSL 147.96, 0.56%, 0.64%

LAB 78.45, -42.48, 18.09

 

CMYK 35 / 48 / 0 / 16

HEX #8B6FD6

RGB 139 111 214

HSL 256.31, 0.56%, 0.64%

LAB 53.72, 34.02, -49.32

 

CMYK 0 / 48 / 37 / 16

HEX #D66F87

RGB 214 111 135

HSL 346.02, 0.56%, 0.64%

LAB 59.36, 42.85, 5.49

 

CMYK 13 / 0 / 48 / 16

HEX #BBD66F

RGB 187 214 111

HSL 75.73, 0.56%, 0.64%

LAB 81.73, -24.73, 47.55

 

CMYK 48 / 0 / 11 / 16

HEX #6FD6BE

RGB 111 214 190

HSL 166.02, 0.56%, 0.64%

LAB 79.15, -35.76, 2.61

 

Description

Color code: HEX #8B6FD6 | qconv.com Color code: HEX #8B6FD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 111 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 111 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 48 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 48% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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