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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 175 165 it is the complementary color RGB 165 80 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 175 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 175 165 shade: RGB 95 175 160, RGB 112 193 179, RGB 129 211 198, RGB 146 229 217 and RGB 163 247 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 175 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 175 165 shade: RGB 90 175 165, RGB 73 157 146, RGB 56 139 127, RGB 39 121 108 and RGB 22 103 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 175 165 shade: RGB 89 175 165, RGB 89 175 142, RGB 89 175 119, RGB 89 175 96 and RGB 106 175 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 175 165 shade: RGB 89 175 165, RGB 89 162 175, RGB 89 139 175, RGB 89 116 175 and RGB 89 93 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 175 165 shade matches the following richer shades: RGB 89 175 165, RGB 69 195 180, RGB 50 215 195, RGB 30 234 210 and RGB 10 254 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 175 165 shade: RGB 89 175 165, RGB 109 155 150, RGB 129 135 135, RGB 149 116 119 and RGB 168 96 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 175 165 shade: RGB 89 175 118, RGB 89 175 141, RGB 89 175 164, RGB 89 164 175 and RGB 89 141 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 175 165 shade: RGB 59 123 115, RGB 72 151 141, RGB 89 175 165, RGB 117 188 180 and RGB 145 202 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 175 165 shade: RGB 90 175 165, RGB 95 89 175 and RGB 175 129 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 175 165 shade: RGB 90 175 165, RGB 164 89 175 and RGB 175 164 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 175 165 shade: RGB 90 175 165, RGB 95 89 175, RGB 175 89 101 and RGB 169 175 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 175 165 shade: RGB 90 175 165, RGB 121 89 175, RGB 175 89 101 and RGB 144 175 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 6 / 31

HEX #5AAFA5

RGB 90 175 165

HSL 172.94, 0.35%, 0.52%

LAB 66.17, -28.23, -2.83

 

Complementary color

CMYK 0 / 52 / 45 / 35

HEX #A5505A

RGB 165 80 90

HSL 352.94, 0.35%, 0.48%

LAB 44.91, 36.01, 10.75

 

CMYK 46 / 0 / 9 / 31

HEX #5FAFA0

RGB 95 175 160

HSL 168.75, 0.33%, 0.53%

LAB 66.24, -28.26, 0.06

 

CMYK 42 / 0 / 7 / 24

HEX #70C1B3

RGB 112 193 179

HSL 169.63, 0.4%, 0.6%

LAB 72.79, -28.15, -0.72

 

CMYK 39 / 0 / 6 / 17

HEX #81D3C6

RGB 129 211 198

HSL 170.49, 0.48%, 0.67%

LAB 79.23, -28.02, -1.46

 

CMYK 36 / 0 / 5 / 10

HEX #92E5D9

RGB 146 229 217

HSL 171.33, 0.61%, 0.74%

LAB 85.58, -27.88, -2.15

 

CMYK 34 / 0 / 4 / 3

HEX #A3F7EC

RGB 163 247 236

HSL 172.14, 0.84%, 0.8%

LAB 91.85, -27.75, -2.8

 

CMYK 49 / 0 / 6 / 31

HEX #5AAFA5

RGB 90 175 165

HSL 172.94, 0.35%, 0.52%

LAB 66.17, -28.23, -2.83

 

CMYK 54 / 0 / 7 / 38

HEX #499D92

RGB 73 157 146

HSL 172.14, 0.37%, 0.45%

LAB 59.53, -28.2, -2.01

 

CMYK 60 / 0 / 9 / 45

HEX #388B7F

RGB 56 139 127

HSL 171.33, 0.43%, 0.38%

LAB 52.77, -28.08, -1.1

 

CMYK 68 / 0 / 11 / 53

HEX #27796C

RGB 39 121 108

HSL 170.49, 0.51%, 0.31%

LAB 45.89, -27.77, -0.07

 

CMYK 79 / 0 / 14 / 60

HEX #166759

RGB 22 103 89

HSL 169.63, 0.65%, 0.25%

LAB 38.89, -27.15, 1.12

 

CMYK 49 / 0 / 6 / 31

HEX #59AFA5

RGB 89 175 165

HSL 173.02, 0.35%, 0.52%

LAB 66.14, -28.46, -2.89

 

CMYK 49 / 0 / 19 / 31

HEX #59AF8E

RGB 89 175 142

HSL 156.98, 0.35%, 0.52%

LAB 65.54, -34, 9

 

CMYK 49 / 0 / 32 / 31

HEX #59AF77

RGB 89 175 119

HSL 140.93, 0.35%, 0.52%

LAB 65.05, -38.79, 20.92

 

CMYK 49 / 0 / 45 / 31

HEX #59AF60

RGB 89 175 96

HSL 124.88, 0.35%, 0.52%

LAB 64.67, -42.76, 32.62

 

CMYK 39 / 0 / 49 / 31

HEX #6AAF59

RGB 106 175 89

HSL 108.14, 0.35%, 0.52%

LAB 65.31, -38.57, 37.17

 

CMYK 49 / 0 / 6 / 31

HEX #59AFA5

RGB 89 175 165

HSL 173.02, 0.35%, 0.52%

LAB 66.14, -28.46, -2.89

 

CMYK 49 / 7 / 0 / 31

HEX #59A2AF

RGB 89 162 175

HSL 189.07, 0.35%, 0.52%

LAB 62.56, -19.2, -13.8

 

CMYK 49 / 21 / 0 / 31

HEX #598BAF

RGB 89 139 175

HSL 205.12, 0.35%, 0.52%

LAB 55.77, -6.65, -24.14

 

CMYK 49 / 34 / 0 / 31

HEX #5974AF

RGB 89 116 175

HSL 221.16, 0.35%, 0.52%

LAB 49.14, 6.89, -34.45

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 49 / 0 / 6 / 31

HEX #59AFA5

RGB 89 175 165

HSL 173.02, 0.35%, 0.52%

LAB 66.14, -28.46, -2.89

 

CMYK 65 / 0 / 8 / 24

HEX #45C3B4

RGB 69 195 180

HSL 172.86, 0.51%, 0.52%

LAB 71.95, -37.9, -2.66

 

CMYK 77 / 0 / 9 / 16

HEX #32D7C3

RGB 50 215 195

HSL 172.73, 0.67%, 0.52%

LAB 78, -45.22, -1.92

 

CMYK 87 / 0 / 10 / 8

HEX #1EEAD2

RGB 30 234 210

HSL 172.94, 0.83%, 0.52%

LAB 83.85, -50.78, -1.35

 

CMYK 96 / 0 / 11 / 0

HEX #0AFEE1

RGB 10 254 225

HSL 172.87, 0.99%, 0.52%

LAB 90.04, -55.71, -0.16

 

CMYK 49 / 0 / 6 / 31

HEX #59AFA5

RGB 89 175 165

HSL 173.02, 0.35%, 0.52%

LAB 66.14, -28.46, -2.89

 

CMYK 30 / 0 / 3 / 39

HEX #6D9B96

RGB 109 155 150

HSL 173.48, 0.19%, 0.52%

LAB 60.69, -16.59, -2.38

 

CMYK 4 / 0 / 0 / 47

HEX #818787

RGB 129 135 135

HSL 180, 0.02%, 0.52%

LAB 55.83, -2.2, -0.77

 

CMYK 0 / 22 / 20 / 42

HEX #957477

RGB 149 116 119

HSL 354.55, 0.13%, 0.52%

LAB 52.08, 13.42, 3.31

 

CMYK 0 / 43 / 38 / 34

HEX #A86068

RGB 168 96 104

HSL 353.33, 0.29%, 0.52%

LAB 49.12, 30.13, 8.28

 

CMYK 49 / 0 / 33 / 31

HEX #59AF76

RGB 89 175 118

HSL 140.23, 0.35%, 0.52%

LAB 65.04, -38.98, 21.44

 

CMYK 49 / 0 / 19 / 31

HEX #59AF8D

RGB 89 175 141

HSL 156.28, 0.35%, 0.52%

LAB 65.52, -34.22, 9.52

 

CMYK 49 / 0 / 6 / 31

HEX #59AFA4

RGB 89 175 164

HSL 172.33, 0.35%, 0.52%

LAB 66.11, -28.72, -2.37

 

CMYK 49 / 6 / 0 / 31

HEX #59A4AF

RGB 89 164 175

HSL 187.67, 0.35%, 0.52%

LAB 63.15, -20.25, -12.91

 

CMYK 49 / 19 / 0 / 31

HEX #598DAF

RGB 89 141 175

HSL 203.72, 0.35%, 0.52%

LAB 56.36, -7.78, -23.24

 

CMYK 52 / 0 / 7 / 52

HEX #3B7B73

RGB 59 123 115

HSL 172.5, 0.35%, 0.36%

LAB 47.41, -22.61, -1.93

 

CMYK 52 / 0 / 7 / 41

HEX #48978D

RGB 72 151 141

HSL 172.41, 0.35%, 0.44%

LAB 57.5, -26.78, -2.16

 

CMYK 49 / 0 / 6 / 31

HEX #59AFA5

RGB 89 175 165

HSL 173.02, 0.35%, 0.52%

LAB 66.14, -28.46, -2.89

 

CMYK 38 / 0 / 4 / 26

HEX #75BCB4

RGB 117 188 180

HSL 173.24, 0.35%, 0.6%

LAB 71.58, -24.13, -3

 

CMYK 28 / 0 / 3 / 21

HEX #91CAC3

RGB 145 202 195

HSL 172.63, 0.35%, 0.68%

LAB 77.4, -19.8, -2.44

 

CMYK 49 / 0 / 6 / 31

HEX #5AAFA5

RGB 90 175 165

HSL 172.94, 0.35%, 0.52%

LAB 66.17, -28.23, -2.83

 

CMYK 46 / 49 / 0 / 31

HEX #5F59AF

RGB 95 89 175

HSL 244.19, 0.35%, 0.52%

LAB 42.27, 25.1, -45.31

 

CMYK 0 / 26 / 49 / 31

HEX #AF8159

RGB 175 129 89

HSL 27.91, 0.35%, 0.52%

LAB 57.59, 12.81, 28.56

 

CMYK 49 / 0 / 6 / 31

HEX #5AAFA5

RGB 90 175 165

HSL 172.94, 0.35%, 0.52%

LAB 66.17, -28.23, -2.83

 

CMYK 6 / 49 / 0 / 31

HEX #A459AF

RGB 164 89 175

HSL 292.33, 0.35%, 0.52%

LAB 49.66, 44.13, -33.14

 

CMYK 0 / 6 / 49 / 31

HEX #AFA459

RGB 175 164 89

HSL 52.33, 0.35%, 0.52%

LAB 66.81, -6.4, 40.07

 

CMYK 49 / 0 / 6 / 31

HEX #5AAFA5

RGB 90 175 165

HSL 172.94, 0.35%, 0.52%

LAB 66.17, -28.23, -2.83

 

CMYK 46 / 49 / 0 / 31

HEX #5F59AF

RGB 95 89 175

HSL 244.19, 0.35%, 0.52%

LAB 42.27, 25.1, -45.31

 

CMYK 0 / 49 / 42 / 31

HEX #AF5965

RGB 175 89 101

HSL 351.63, 0.35%, 0.52%

LAB 48.51, 36.21, 9.35

 

CMYK 3 / 0 / 49 / 31

HEX #A9AF59

RGB 169 175 89

HSL 64.19, 0.35%, 0.52%

LAB 69.34, -14.67, 43

 

CMYK 49 / 0 / 6 / 31

HEX #5AAFA5

RGB 90 175 165

HSL 172.94, 0.35%, 0.52%

LAB 66.17, -28.23, -2.83

 

CMYK 31 / 49 / 0 / 31

HEX #7959AF

RGB 121 89 175

HSL 262.33, 0.35%, 0.52%

LAB 44.67, 31.86, -41.34

 

CMYK 0 / 49 / 42 / 31

HEX #AF5965

RGB 175 89 101

HSL 351.63, 0.35%, 0.52%

LAB 48.51, 36.21, 9.35

 

CMYK 18 / 0 / 49 / 31

HEX #90AF59

RGB 144 175 89

HSL 81.63, 0.35%, 0.52%

LAB 67.51, -24.77, 40.36

 

Description

Color code: RGB 90 175 165 | qconv.com Color code: RGB 90 175 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 175 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 175 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 6 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 6% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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