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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 211 198 it is the complementary color RGB 126 44 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 211 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 211 198 shade: RGB 134 211 193, RGB 151 229 212, RGB 168 247 231, RGB 185 255 250 and RGB 202 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 211 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 211 198 shade: RGB 129 211 198, RGB 112 193 179, RGB 95 175 160, RGB 78 157 141 and RGB 61 139 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 211 198 shade: RGB 130 211 198, RGB 130 211 176, RGB 130 211 154, RGB 130 211 133 and RGB 149 211 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 211 198 shade: RGB 130 211 198, RGB 130 202 211, RGB 130 180 211, RGB 130 158 211 and RGB 130 136 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 211 198 shade matches the following richer shades: RGB 130 211 198, RGB 116 224 207, RGB 103 238 217 and RGB 89 252 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 211 198 shade: RGB 130 211 198, RGB 144 197 189, RGB 157 184 179, RGB 171 170 170 and RGB 184 156 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 211 198 shade: RGB 130 211 154, RGB 130 211 176, RGB 130 211 197, RGB 130 203 211 and RGB 130 181 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 211 198 shade: RGB 69 189 170, RGB 99 200 184, RGB 130 211 198, RGB 160 221 212 and RGB 191 232 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 211 198 shade: RGB 129 211 198, RGB 133 130 211 and RGB 211 165 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 211 198 shade: RGB 129 211 198, RGB 197 130 211 and RGB 211 197 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 211 198 shade: RGB 129 211 198, RGB 133 130 211, RGB 211 130 143 and RGB 208 211 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 211 198 shade: RGB 129 211 198, RGB 157 130 211, RGB 211 130 143 and RGB 184 211 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 6 / 17

HEX #81D3C6

RGB 129 211 198

HSL 170.49, 0.48%, 0.67%

LAB 79.23, -28.02, -1.46

 

Complementary color

CMYK 0 / 65 / 55 / 51

HEX #7E2C39

RGB 126 44 57

HSL 350.49, 0.48%, 0.33%

LAB 30.72, 36.57, 10.93

 

CMYK 36 / 0 / 9 / 17

HEX #86D3C1

RGB 134 211 193

HSL 165.97, 0.47%, 0.68%

LAB 79.33, -27.82, 1.39

 

CMYK 34 / 0 / 7 / 10

HEX #97E5D4

RGB 151 229 212

HSL 166.92, 0.6%, 0.75%

LAB 85.69, -27.65, 0.67

 

CMYK 32 / 0 / 6 / 3

HEX #A8F7E7

RGB 168 247 231

HSL 167.85, 0.83%, 0.81%

LAB 91.96, -27.48, -0.01

 

CMYK 27 / 0 / 2 / 0

HEX #B9FFFA

RGB 185 255 250

HSL 175.71, 1%, 0.86%

LAB 95.47, -22.53, -4.6

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 39 / 0 / 6 / 17

HEX #81D3C6

RGB 129 211 198

HSL 170.49, 0.48%, 0.67%

LAB 79.23, -28.02, -1.46

 

CMYK 42 / 0 / 7 / 24

HEX #70C1B3

RGB 112 193 179

HSL 169.63, 0.4%, 0.6%

LAB 72.79, -28.15, -0.72

 

CMYK 46 / 0 / 9 / 31

HEX #5FAFA0

RGB 95 175 160

HSL 168.75, 0.33%, 0.53%

LAB 66.24, -28.26, 0.06

 

CMYK 50 / 0 / 10 / 38

HEX #4E9D8D

RGB 78 157 141

HSL 167.85, 0.34%, 0.46%

LAB 59.58, -28.34, 0.92

 

CMYK 56 / 0 / 12 / 45

HEX #3D8B7A

RGB 61 139 122

HSL 166.92, 0.39%, 0.39%

LAB 52.8, -28.34, 1.86

 

CMYK 38 / 0 / 6 / 17

HEX #82D3C6

RGB 130 211 198

HSL 170.37, 0.48%, 0.67%

LAB 79.28, -27.76, -1.38

 

CMYK 38 / 0 / 17 / 17

HEX #82D3B0

RGB 130 211 176

HSL 154.07, 0.48%, 0.67%

LAB 78.73, -32.6, 9.59

 

CMYK 38 / 0 / 27 / 17

HEX #82D39A

RGB 130 211 154

HSL 137.78, 0.48%, 0.67%

LAB 78.27, -36.91, 20.6

 

CMYK 38 / 0 / 37 / 17

HEX #82D385

RGB 130 211 133

HSL 122.22, 0.48%, 0.67%

LAB 77.89, -40.5, 31.04

 

CMYK 29 / 0 / 38 / 17

HEX #95D382

RGB 149 211 130

HSL 105.93, 0.48%, 0.67%

LAB 78.8, -34.83, 33.95

 

CMYK 38 / 0 / 6 / 17

HEX #82D3C6

RGB 130 211 198

HSL 170.37, 0.48%, 0.67%

LAB 79.28, -27.76, -1.38

 

CMYK 38 / 4 / 0 / 17

HEX #82CAD3

RGB 130 202 211

HSL 186.67, 0.48%, 0.67%

LAB 77.1, -20.18, -11.6

 

CMYK 38 / 15 / 0 / 17

HEX #82B4D3

RGB 130 180 211

HSL 202.96, 0.48%, 0.67%

LAB 70.93, -8.7, -20.89

 

CMYK 38 / 25 / 0 / 17

HEX #829ED3

RGB 130 158 211

HSL 219.26, 0.48%, 0.67%

LAB 64.89, 3.45, -30.16

 

CMYK 38 / 36 / 0 / 17

HEX #8288D3

RGB 130 136 211

HSL 235.56, 0.48%, 0.67%

LAB 59.03, 16.16, -39.29

 

CMYK 38 / 0 / 6 / 17

HEX #82D3C6

RGB 130 211 198

HSL 170.37, 0.48%, 0.67%

LAB 79.28, -27.76, -1.38

 

CMYK 48 / 0 / 8 / 12

HEX #74E0CF

RGB 116 224 207

HSL 170.56, 0.64%, 0.67%

LAB 82.66, -35.22, -1.29

 

CMYK 57 / 0 / 9 / 7

HEX #67EED9

RGB 103 238 217

HSL 170.67, 0.8%, 0.67%

LAB 86.53, -41.84, -0.96

 

CMYK 65 / 0 / 10 / 1

HEX #59FCE2

RGB 89 252 226

HSL 170.43, 0.96%, 0.67%

LAB 90.43, -48.09, 0.01

 

CMYK 38 / 0 / 6 / 17

HEX #82D3C6

RGB 130 211 198

HSL 170.37, 0.48%, 0.67%

LAB 79.28, -27.76, -1.38

 

CMYK 27 / 0 / 4 / 23

HEX #90C5BD

RGB 144 197 189

HSL 170.94, 0.31%, 0.67%

LAB 75.78, -18.9, -1.58

 

CMYK 15 / 0 / 3 / 28

HEX #9DB8B3

RGB 157 184 179

HSL 168.89, 0.16%, 0.67%

LAB 72.7, -10.19, -0.56

 

CMYK 0 / 1 / 1 / 33

HEX #ABAAAA

RGB 171 170 170

HSL 0, 0.01%, 0.67%

LAB 69.69, 0.36, 0.12

 

CMYK 0 / 15 / 13 / 28

HEX #B89CA1

RGB 184 156 161

HSL 349.29, 0.16%, 0.67%

LAB 66.93, 11.17, 1.24

 

CMYK 38 / 0 / 27 / 17

HEX #82D39A

RGB 130 211 154

HSL 137.78, 0.48%, 0.67%

LAB 78.27, -36.91, 20.6

 

CMYK 38 / 0 / 17 / 17

HEX #82D3B0

RGB 130 211 176

HSL 154.07, 0.48%, 0.67%

LAB 78.73, -32.6, 9.59

 

CMYK 38 / 0 / 7 / 17

HEX #82D3C5

RGB 130 211 197

HSL 169.63, 0.48%, 0.67%

LAB 79.25, -27.99, -0.89

 

CMYK 38 / 4 / 0 / 17

HEX #82CBD3

RGB 130 203 211

HSL 185.93, 0.48%, 0.67%

LAB 77.38, -20.68, -11.18

 

CMYK 38 / 14 / 0 / 17

HEX #82B5D3

RGB 130 181 211

HSL 202.22, 0.48%, 0.67%

LAB 71.21, -9.23, -20.47

 

CMYK 63 / 0 / 10 / 26

HEX #45BDAA

RGB 69 189 170

HSL 170.5, 0.48%, 0.51%

LAB 69.87, -37.8, -0.25

 

CMYK 51 / 0 / 8 / 22

HEX #63C8B8

RGB 99 200 184

HSL 170.5, 0.48%, 0.59%

LAB 74.46, -33.41, -1.05

 

CMYK 38 / 0 / 6 / 17

HEX #82D3C6

RGB 130 211 198

HSL 170.37, 0.48%, 0.67%

LAB 79.28, -27.76, -1.38

 

CMYK 28 / 0 / 4 / 13

HEX #A0DDD4

RGB 160 221 212

HSL 171.15, 0.47%, 0.75%

LAB 83.93, -21.19, -1.84

 

CMYK 18 / 0 / 3 / 9

HEX #BFE8E2

RGB 191 232 226

HSL 171.22, 0.47%, 0.83%

LAB 89.05, -14.42, -1.51

 

CMYK 39 / 0 / 6 / 17

HEX #81D3C6

RGB 129 211 198

HSL 170.49, 0.48%, 0.67%

LAB 79.23, -28.02, -1.46

 

CMYK 37 / 38 / 0 / 17

HEX #8582D3

RGB 133 130 211

HSL 242.22, 0.48%, 0.67%

LAB 57.71, 20.49, -41.34

 

CMYK 0 / 22 / 38 / 17

HEX #D3A582

RGB 211 165 130

HSL 25.93, 0.48%, 0.67%

LAB 71.13, 12.27, 24.63

 

CMYK 39 / 0 / 6 / 17

HEX #81D3C6

RGB 129 211 198

HSL 170.49, 0.48%, 0.67%

LAB 79.23, -28.02, -1.46

 

CMYK 7 / 38 / 0 / 17

HEX #C582D3

RGB 197 130 211

HSL 289.63, 0.48%, 0.67%

LAB 63.79, 39.24, -31.4

 

CMYK 0 / 7 / 38 / 17

HEX #D3C582

RGB 211 197 130

HSL 49.63, 0.48%, 0.67%

LAB 79.27, -4.71, 35.38

 

CMYK 39 / 0 / 6 / 17

HEX #81D3C6

RGB 129 211 198

HSL 170.49, 0.48%, 0.67%

LAB 79.23, -28.02, -1.46

 

CMYK 37 / 38 / 0 / 17

HEX #8582D3

RGB 133 130 211

HSL 242.22, 0.48%, 0.67%

LAB 57.71, 20.49, -41.34

 

CMYK 0 / 38 / 32 / 17

HEX #D3828F

RGB 211 130 143

HSL 350.37, 0.48%, 0.67%

LAB 63.18, 32.81, 6.33

 

CMYK 1 / 0 / 38 / 17

HEX #D0D382

RGB 208 211 130

HSL 62.22, 0.48%, 0.67%

LAB 82.71, -13.04, 39.75

 

CMYK 39 / 0 / 6 / 17

HEX #81D3C6

RGB 129 211 198

HSL 170.49, 0.48%, 0.67%

LAB 79.23, -28.02, -1.46

 

CMYK 26 / 38 / 0 / 17

HEX #9D82D3

RGB 157 130 211

HSL 260, 0.48%, 0.67%

LAB 59.74, 27.23, -38.01

 

CMYK 0 / 38 / 32 / 17

HEX #D3828F

RGB 211 130 143

HSL 350.37, 0.48%, 0.67%

LAB 63.18, 32.81, 6.33

 

CMYK 13 / 0 / 38 / 17

HEX #B8D382

RGB 184 211 130

HSL 80, 0.48%, 0.67%

LAB 80.96, -22.27, 37.16

 

Description

Color code: RGB 129 211 198 | qconv.com Color code: RGB 129 211 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 211 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 211 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 6 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 6% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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