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Color name
HEX #595DAF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #595DAF it is the complementary color #A6A250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #595DAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #595DAF shade: #5E5DAA, #6F6FBD, #8081D0, #9193E3 and #A2A5F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #595DAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #595DAF shade: #595DAF, #484B9C, #373989, #262776 and #151563

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #595DAF shade: #595DAF, #6C59AF, #8359AF, #9B59AF and #AF59AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #595DAF shade: #595DAF and #5959AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #595DAF shade matches the following richer shades: #595DAF, #454BC3, #3239D7, #1E27EA and #0A15FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #595DAF shade: #595DAF, #6D6F9B, #818187, #959374 and #A8A560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #595DAF shade: #598BAF, #5974AF, #595EAF, #6C59AF and #8359AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #595DAF shade: #3B3E7B, #484C97, #595DAF, #7578BC and #9194CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #595DAF shade: #595DAF, #AF59A2 and #80AF59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #595DAF shade: #595DAF, #AF595E and #5EAF59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #595DAF shade: #595DAF, #AF59A2, #AFAB59 and #59AF66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #595DAF shade: #595DAF, #AF5988, #AFAB59 and #59AF80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

Complementary color

CMYK 0 / 2 / 52 / 35

HEX #A6A250

RGB 166 162 80

HSL 57.21, 0.35%, 0.48%

LAB 65.38, -9.98, 42.67

 

CMYK 45 / 45 / 0 / 33

HEX #5E5DAA

RGB 94 93 170

HSL 240.78, 0.31%, 0.52%

LAB 42.93, 20.84, -41.31

 

CMYK 41 / 41 / 0 / 26

HEX #6F6FBD

RGB 111 111 189

HSL 240, 0.37%, 0.59%

LAB 50, 19.8, -41.08

 

CMYK 38 / 38 / 0 / 18

HEX #8081D0

RGB 128 129 208

HSL 239.25, 0.46%, 0.66%

LAB 56.92, 18.91, -40.92

 

CMYK 36 / 35 / 0 / 11

HEX #9193E3

RGB 145 147 227

HSL 238.54, 0.59%, 0.73%

LAB 63.7, 18.15, -40.8

 

CMYK 34 / 33 / 0 / 4

HEX #A2A5F6

RGB 162 165 246

HSL 237.86, 0.82%, 0.8%

LAB 70.35, 17.48, -40.73

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 54 / 52 / 0 / 39

HEX #484B9C

RGB 72 75 156

HSL 237.86, 0.37%, 0.45%

LAB 35.62, 22.57, -44.75

 

CMYK 60 / 58 / 0 / 46

HEX #373989

RGB 55 57 137

HSL 238.54, 0.43%, 0.38%

LAB 28.23, 24.31, -45.11

 

CMYK 68 / 67 / 0 / 54

HEX #262776

RGB 38 39 118

HSL 239.25, 0.51%, 0.31%

LAB 20.72, 26.49, -45.43

 

CMYK 79 / 79 / 0 / 61

HEX #151563

RGB 21 21 99

HSL 240, 0.65%, 0.24%

LAB 13.21, 29.06, -45.43

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 38 / 49 / 0 / 31

HEX #6C59AF

RGB 108 89 175

HSL 253.26, 0.35%, 0.52%

LAB 43.4, 28.38, -43.43

 

CMYK 25 / 49 / 0 / 31

HEX #8359AF

RGB 131 89 175

HSL 269.3, 0.35%, 0.52%

LAB 45.72, 34.63, -39.6

 

CMYK 11 / 49 / 0 / 31

HEX #9B59AF

RGB 155 89 175

HSL 286.05, 0.35%, 0.52%

LAB 48.52, 41.51, -35

 

CMYK 0 / 49 / 2 / 31

HEX #AF59AC

RGB 175 89 172

HSL 302.09, 0.35%, 0.52%

LAB 50.96, 46.8, -29.24

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 49 / 49 / 0 / 31

HEX #5959AF

RGB 89 89 175

HSL 240, 0.35%, 0.52%

LAB 41.79, 23.67, -46.1

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 65 / 62 / 0 / 24

HEX #454BC3

RGB 69 75 195

HSL 237.14, 0.51%, 0.52%

LAB 38.27, 35.22, -63.59

 

CMYK 77 / 73 / 0 / 16

HEX #3239D7

RGB 50 57 215

HSL 237.45, 0.67%, 0.52%

LAB 35.02, 50.53, -80.55

 

CMYK 87 / 83 / 0 / 8

HEX #1E27EA

RGB 30 39 234

HSL 237.35, 0.83%, 0.52%

LAB 33.28, 64.3, -94.35

 

CMYK 96 / 92 / 0 / 0

HEX #0A15FE

RGB 10 21 254

HSL 237.3, 0.99%, 0.52%

LAB 33.47, 75.39, -105.35

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 30 / 28 / 0 / 39

HEX #6D6F9B

RGB 109 111 155

HSL 237.39, 0.19%, 0.52%

LAB 48.24, 9.73, -24.05

 

CMYK 4 / 4 / 0 / 47

HEX #818187

RGB 129 129 135

HSL 240, 0.02%, 0.52%

LAB 54.15, 1.22, -3.24

 

CMYK 0 / 1 / 22 / 42

HEX #959374

RGB 149 147 116

HSL 56.36, 0.13%, 0.52%

LAB 60.35, -4.62, 16.72

 

CMYK 0 / 2 / 43 / 34

HEX #A8A560

RGB 168 165 96

HSL 57.5, 0.29%, 0.52%

LAB 66.58, -9.15, 36.06

 

CMYK 49 / 21 / 0 / 31

HEX #598BAF

RGB 89 139 175

HSL 205.12, 0.35%, 0.52%

LAB 55.77, -6.65, -24.14

 

CMYK 49 / 34 / 0 / 31

HEX #5974AF

RGB 89 116 175

HSL 221.16, 0.35%, 0.52%

LAB 49.14, 6.89, -34.45

 

CMYK 49 / 46 / 0 / 31

HEX #595EAF

RGB 89 94 175

HSL 236.51, 0.35%, 0.52%

LAB 43.1, 20.53, -44.01

 

CMYK 38 / 49 / 0 / 31

HEX #6C59AF

RGB 108 89 175

HSL 253.26, 0.35%, 0.52%

LAB 43.4, 28.38, -43.43

 

CMYK 25 / 49 / 0 / 31

HEX #8359AF

RGB 131 89 175

HSL 269.3, 0.35%, 0.52%

LAB 45.72, 34.63, -39.6

 

CMYK 52 / 50 / 0 / 52

HEX #3B3E7B

RGB 59 62 123

HSL 237.19, 0.35%, 0.36%

LAB 28.92, 16.99, -35.26

 

CMYK 52 / 50 / 0 / 41

HEX #484C97

RGB 72 76 151

HSL 236.96, 0.35%, 0.44%

LAB 35.56, 20.26, -41.82

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 38 / 36 / 0 / 26

HEX #7578BC

RGB 117 120 188

HSL 237.46, 0.35%, 0.6%

LAB 52.78, 15.7, -36.11

 

CMYK 28 / 27 / 0 / 21

HEX #9194CA

RGB 145 148 202

HSL 236.84, 0.35%, 0.68%

LAB 62.9, 11.09, -28.13

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 0 / 49 / 7 / 31

HEX #AF59A2

RGB 175 89 162

HSL 309.07, 0.35%, 0.52%

LAB 50.53, 45.02, -24.05

 

CMYK 27 / 0 / 49 / 31

HEX #80AF59

RGB 128 175 89

HSL 92.79, 0.35%, 0.52%

LAB 66.5, -30.87, 38.89

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 0 / 49 / 46 / 31

HEX #AF595E

RGB 175 89 94

HSL 356.51, 0.35%, 0.52%

LAB 48.34, 35.46, 13.33

 

CMYK 46 / 0 / 49 / 31

HEX #5EAF59

RGB 94 175 89

HSL 116.51, 0.35%, 0.52%

LAB 64.77, -42.33, 36.38

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 0 / 49 / 7 / 31

HEX #AF59A2

RGB 175 89 162

HSL 309.07, 0.35%, 0.52%

LAB 50.53, 45.02, -24.05

 

CMYK 0 / 2 / 49 / 31

HEX #AFAB59

RGB 175 171 89

HSL 57.21, 0.35%, 0.52%

LAB 68.72, -10.09, 42.38

 

CMYK 49 / 0 / 42 / 31

HEX #59AF66

RGB 89 175 102

HSL 129.07, 0.35%, 0.52%

LAB 64.76, -41.81, 29.61

 

CMYK 49 / 47 / 0 / 31

HEX #595DAF

RGB 89 93 175

HSL 237.21, 0.35%, 0.52%

LAB 42.84, 21.16, -44.43

 

CMYK 0 / 49 / 22 / 31

HEX #AF5988

RGB 175 89 136

HSL 327.21, 0.35%, 0.52%

LAB 49.54, 40.8, -10.15

 

CMYK 0 / 2 / 49 / 31

HEX #AFAB59

RGB 175 171 89

HSL 57.21, 0.35%, 0.52%

LAB 68.72, -10.09, 42.38

 

CMYK 49 / 0 / 27 / 31

HEX #59AF80

RGB 89 175 128

HSL 147.21, 0.35%, 0.52%

LAB 65.23, -37.01, 16.26

 

Description

Color code: HEX #595DAF | qconv.com Color code: HEX #595DAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 93 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 93 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 47 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 47% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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