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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 214 208 it is the complementary color RGB 185 41 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 214 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 214 208 shade: RGB 75 214 203, RGB 92 232 222, RGB 109 250 241, RGB 126 255 255 and RGB 143 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 214 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 214 208 shade: RGB 70 214 208, RGB 53 196 189, RGB 36 178 170, RGB 19 160 151 and RGB 2 142 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 214 208 shade: RGB 70 214 208, RGB 70 214 169, RGB 70 214 131, RGB 70 214 92 and RGB 88 214 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 214 208 shade: RGB 70 214 208, RGB 70 181 214, RGB 70 143 214, RGB 70 104 214 and RGB 70 70 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 214 208 shade matches the following richer shades: RGB 70 214 208, RGB 52 232 225 and RGB 34 250 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 214 208 shade: RGB 70 214 208, RGB 89 196 191, RGB 107 178 175, RGB 125 160 158 and RGB 143 141 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 214 208 shade: RGB 70 214 130, RGB 70 214 169, RGB 70 214 207, RGB 70 183 214 and RGB 70 145 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 214 208 shade: RGB 36 166 161, RGB 43 200 193, RGB 70 214 208, RGB 104 222 217 and RGB 138 229 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 214 208 shade: RGB 70 214 208, RGB 92 70 214 and RGB 214 149 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 214 208 shade: RGB 70 214 208, RGB 207 70 214 and RGB 214 207 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 214 208 shade: RGB 70 214 208, RGB 92 70 214, RGB 214 70 78 and RGB 193 214 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 214 208 shade: RGB 70 214 208, RGB 135 70 214, RGB 214 70 78 and RGB 149 214 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

Complementary color

CMYK 0 / 78 / 75 / 27

HEX #B9292F

RGB 185 41 47

HSL 357.5, 0.64%, 0.44%

LAB 41.38, 56.43, 32.99

 

CMYK 65 / 0 / 5 / 16

HEX #4BD6CB

RGB 75 214 203

HSL 175.25, 0.63%, 0.57%

LAB 78.4, -39.45, -5.56

 

CMYK 60 / 0 / 4 / 9

HEX #5CE8DE

RGB 92 232 222

HSL 175.71, 0.75%, 0.64%

LAB 84.62, -39.85, -6.43

 

CMYK 56 / 0 / 4 / 2

HEX #6DFAF1

RGB 109 250 241

HSL 176.17, 0.93%, 0.7%

LAB 90.77, -40.12, -7.23

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 73 / 0 / 4 / 23

HEX #35C4BD

RGB 53 196 189

HSL 177.06, 0.57%, 0.49%

LAB 72.17, -38.12, -7.28

 

CMYK 80 / 0 / 4 / 30

HEX #24B2AA

RGB 36 178 170

HSL 176.62, 0.66%, 0.42%

LAB 65.84, -37.15, -6.25

 

CMYK 88 / 0 / 6 / 37

HEX #13A097

RGB 19 160 151

HSL 176.17, 0.79%, 0.35%

LAB 59.45, -35.83, -5.09

 

CMYK 99 / 0 / 7 / 44

HEX #028E84

RGB 2 142 132

HSL 175.71, 0.97%, 0.28%

LAB 52.98, -34.12, -3.8

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 67 / 0 / 21 / 16

HEX #46D6A9

RGB 70 214 169

HSL 161.25, 0.64%, 0.56%

LAB 77.44, -48.73, 11.19

 

CMYK 67 / 0 / 39 / 16

HEX #46D683

RGB 70 214 131

HSL 145.42, 0.64%, 0.56%

LAB 76.7, -56.62, 30.11

 

CMYK 67 / 0 / 57 / 16

HEX #46D65C

RGB 70 214 92

HSL 129.17, 0.64%, 0.56%

LAB 76.17, -62.62, 48.53

 

CMYK 59 / 0 / 67 / 16

HEX #58D646

RGB 88 214 70

HSL 112.5, 0.64%, 0.56%

LAB 76.44, -61.17, 58.38

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 67 / 15 / 0 / 16

HEX #46B5D6

RGB 70 181 214

HSL 193.75, 0.64%, 0.56%

LAB 68.9, -21.08, -25.86

 

CMYK 67 / 33 / 0 / 16

HEX #468FD6

RGB 70 143 214

HSL 209.58, 0.64%, 0.56%

LAB 57.85, -0.17, -43.05

 

CMYK 67 / 51 / 0 / 16

HEX #4668D6

RGB 70 104 214

HSL 225.83, 0.64%, 0.56%

LAB 47.05, 23.7, -60.28

 

CMYK 67 / 67 / 0 / 16

HEX #4646D6

RGB 70 70 214

HSL 240, 0.64%, 0.56%

LAB 38.79, 44.74, -73.73

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 78 / 0 / 3 / 9

HEX #34E8E1

RGB 52 232 225

HSL 177.67, 0.8%, 0.56%

LAB 83.9, -44.23, -9.16

 

CMYK 86 / 0 / 4 / 2

HEX #22FAF1

RGB 34 250 241

HSL 177.5, 0.96%, 0.56%

LAB 89.42, -48.84, -9.37

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 55 / 0 / 3 / 23

HEX #59C4BF

RGB 89 196 191

HSL 177.2, 0.48%, 0.56%

LAB 73.13, -31.83, -6.84

 

CMYK 40 / 0 / 2 / 30

HEX #6BB2AF

RGB 107 178 175

HSL 177.46, 0.32%, 0.56%

LAB 68.07, -22.98, -5.5

 

CMYK 22 / 0 / 1 / 37

HEX #7DA09E

RGB 125 160 158

HSL 176.57, 0.16%, 0.56%

LAB 63.32, -12.4, -2.92

 

CMYK 0 / 1 / 1 / 44

HEX #8F8D8E

RGB 143 141 142

HSL 330, 0.01%, 0.56%

LAB 58.83, 0.93, -0.28

 

CMYK 67 / 0 / 39 / 16

HEX #46D682

RGB 70 214 130

HSL 145, 0.64%, 0.56%

LAB 76.68, -56.8, 30.6

 

CMYK 67 / 0 / 21 / 16

HEX #46D6A9

RGB 70 214 169

HSL 161.25, 0.64%, 0.56%

LAB 77.44, -48.73, 11.19

 

CMYK 67 / 0 / 3 / 16

HEX #46D6CF

RGB 70 214 207

HSL 177.08, 0.64%, 0.56%

LAB 78.4, -39.1, -7.72

 

CMYK 67 / 14 / 0 / 16

HEX #46B7D6

RGB 70 183 214

HSL 192.92, 0.64%, 0.56%

LAB 69.49, -22.11, -24.96

 

CMYK 67 / 32 / 0 / 16

HEX #4691D6

RGB 70 145 214

HSL 208.75, 0.64%, 0.56%

LAB 58.42, -1.33, -42.14

 

CMYK 78 / 0 / 3 / 35

HEX #24A6A1

RGB 36 166 161

HSL 177.69, 0.64%, 0.4%

LAB 61.84, -34.24, -7.16

 

CMYK 79 / 0 / 4 / 22

HEX #2BC8C1

RGB 43 200 193

HSL 177.32, 0.65%, 0.48%

LAB 73.33, -39.86, -7.75

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 53 / 0 / 2 / 13

HEX #68DED9

RGB 104 222 217

HSL 177.46, 0.64%, 0.64%

LAB 81.94, -34.35, -7.7

 

CMYK 40 / 0 / 2 / 10

HEX #8AE5E1

RGB 138 229 225

HSL 177.36, 0.64%, 0.72%

LAB 85.44, -28.07, -6.61

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 57 / 67 / 0 / 16

HEX #5C46D6

RGB 92 70 214

HSL 249.17, 0.64%, 0.56%

LAB 40.43, 47.8, -70.99

 

CMYK 0 / 30 / 67 / 16

HEX #D69546

RGB 214 149 70

HSL 32.92, 0.64%, 0.56%

LAB 66.7, 16.94, 50.28

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 3 / 67 / 0 / 16

HEX #CF46D6

RGB 207 70 214

HSL 297.08, 0.64%, 0.56%

LAB 54.55, 70.77, -47.49

 

CMYK 0 / 3 / 67 / 16

HEX #D6CF46

RGB 214 207 70

HSL 57.08, 0.64%, 0.56%

LAB 81.49, -13.52, 65.82

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 57 / 67 / 0 / 16

HEX #5C46D6

RGB 92 70 214

HSL 249.17, 0.64%, 0.56%

LAB 40.43, 47.8, -70.99

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 10 / 0 / 67 / 16

HEX #C1D646

RGB 193 214 70

HSL 68.75, 0.64%, 0.56%

LAB 81.77, -25.63, 65.58

 

CMYK 67 / 0 / 3 / 16

HEX #46D6D0

RGB 70 214 208

HSL 177.5, 0.64%, 0.56%

LAB 78.43, -38.83, -8.21

 

CMYK 37 / 67 / 0 / 16

HEX #8746D6

RGB 135 70 214

HSL 267.08, 0.64%, 0.56%

LAB 44.78, 55.43, -63.7

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 30 / 0 / 67 / 16

HEX #95D646

RGB 149 214 70

HSL 87.08, 0.64%, 0.56%

LAB 79, -42.6, 61.85

 

Description

Color code: RGB 70 214 208 | qconv.com Color code: RGB 70 214 208 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 214 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 214 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 3 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 3% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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