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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13A097 it is the complementary color #EC5F68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13A097. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13A097 shade: #18A092, #29B2A5, #3AC4B8, #4BD6CB and #5CE8DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13A097. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13A097 shade: #13A097, #028E84, #007C71, #006A5E and #00584B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13A097 shade: #129F96, #129F70, #129F4A, #129F24 and #269F12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13A097 shade: #129F96, #12829F, #125C9F, #12369F and #12129F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13A097 shade matches the following richer shades: #129F96 and #04AEA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13A097 shade: #129F96, #21918A, #2F827D, #3E7470 and #4C6564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13A097 shade: #129F4B, #129F70, #129F96, #12839F and #125D9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13A097 shade: #0A5551, #0E7A73, #129F96, #17C4B9 and #20E4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13A097 shade: #13A097, #25129F and #9F5D12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13A097 shade: #13A097, #96129F and #9F9612

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13A097 shade: #13A097, #25129F, #9F121C and #8C9F12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13A097 shade: #13A097, #4F129F, #9F121C and #629F12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 6 / 37

HEX #13A097

RGB 19 160 151

HSL 176.17, 0.79%, 0.35%

LAB 59.45, -35.83, -5.09

 

Complementary color

CMYK 0 / 60 / 56 / 7

HEX #EC5F68

RGB 236 95 104

HSL 356.17, 0.79%, 0.65%

LAB 58.99, 55.12, 23.44

 

CMYK 85 / 0 / 9 / 37

HEX #18A092

RGB 24 160 146

HSL 173.82, 0.74%, 0.36%

LAB 59.35, -36.95, -2.4

 

CMYK 77 / 0 / 7 / 30

HEX #29B2A5

RGB 41 178 165

HSL 174.31, 0.63%, 0.43%

LAB 65.77, -38.08, -3.57

 

CMYK 70 / 0 / 6 / 23

HEX #3AC4B8

RGB 58 196 184

HSL 174.78, 0.54%, 0.5%

LAB 72.12, -38.89, -4.62

 

CMYK 65 / 0 / 5 / 16

HEX #4BD6CB

RGB 75 214 203

HSL 175.25, 0.63%, 0.57%

LAB 78.4, -39.45, -5.56

 

CMYK 60 / 0 / 4 / 9

HEX #5CE8DE

RGB 92 232 222

HSL 175.71, 0.75%, 0.64%

LAB 84.62, -39.85, -6.43

 

CMYK 88 / 0 / 6 / 37

HEX #13A097

RGB 19 160 151

HSL 176.17, 0.79%, 0.35%

LAB 59.45, -35.83, -5.09

 

CMYK 99 / 0 / 7 / 44

HEX #028E84

RGB 2 142 132

HSL 175.71, 0.97%, 0.28%

LAB 52.98, -34.12, -3.8

 

CMYK 100 / 0 / 9 / 51

HEX #007C71

RGB 0 124 113

HSL 174.68, 1%, 0.24%

LAB 46.46, -31.69, -2.28

 

CMYK 100 / 0 / 11 / 58

HEX #006A5E

RGB 0 106 94

HSL 173.21, 1%, 0.21%

LAB 39.78, -29.1, -0.67

 

CMYK 100 / 0 / 15 / 65

HEX #00584B

RGB 0 88 75

HSL 171.14, 1%, 0.17%

LAB 32.89, -26.44, 1.05

 

CMYK 89 / 0 / 6 / 38

HEX #129F96

RGB 18 159 150

HSL 176.17, 0.8%, 0.35%

LAB 59.09, -35.73, -5.06

 

CMYK 89 / 0 / 30 / 38

HEX #129F70

RGB 18 159 112

HSL 160, 0.8%, 0.35%

LAB 58.13, -45.92, 14.98

 

CMYK 89 / 0 / 53 / 38

HEX #129F4A

RGB 18 159 74

HSL 143.83, 0.8%, 0.35%

LAB 57.48, -53.41, 34.53

 

CMYK 89 / 0 / 77 / 38

HEX #129F24

RGB 18 159 36

HSL 127.66, 0.8%, 0.35%

LAB 57.13, -57.81, 50.74

 

CMYK 76 / 0 / 89 / 38

HEX #269F12

RGB 38 159 18

HSL 111.49, 0.8%, 0.35%

LAB 57.32, -56.41, 56.03

 

CMYK 89 / 0 / 6 / 38

HEX #129F96

RGB 18 159 150

HSL 176.17, 0.8%, 0.35%

LAB 59.09, -35.73, -5.06

 

CMYK 89 / 18 / 0 / 38

HEX #12829F

RGB 18 130 159

HSL 192.34, 0.8%, 0.35%

LAB 50.21, -18.29, -23.66

 

CMYK 89 / 42 / 0 / 38

HEX #125C9F

RGB 18 92 159

HSL 208.51, 0.8%, 0.35%

LAB 38.35, 4.37, -42.3

 

CMYK 89 / 66 / 0 / 38

HEX #12369F

RGB 18 54 159

HSL 224.68, 0.8%, 0.35%

LAB 27.49, 30.07, -59.91

 

CMYK 89 / 89 / 0 / 38

HEX #12129F

RGB 18 18 159

HSL 240, 0.8%, 0.35%

LAB 20.3, 50.32, -71.81

 

CMYK 89 / 0 / 6 / 38

HEX #129F96

RGB 18 159 150

HSL 176.17, 0.8%, 0.35%

LAB 59.09, -35.73, -5.06

 

CMYK 98 / 0 / 6 / 32

HEX #04AEA3

RGB 4 174 163

HSL 176.12, 0.96%, 0.35%

LAB 64.11, -39.27, -4.94

 

CMYK 89 / 0 / 6 / 38

HEX #129F96

RGB 18 159 150

HSL 176.17, 0.8%, 0.35%

LAB 59.09, -35.73, -5.06

 

CMYK 77 / 0 / 5 / 43

HEX #21918A

RGB 33 145 138

HSL 176.25, 0.63%, 0.35%

LAB 54.46, -31.47, -5.04

 

CMYK 64 / 0 / 4 / 49

HEX #2F827D

RGB 47 130 125

HSL 176.39, 0.47%, 0.35%

LAB 49.56, -25.91, -4.7

 

CMYK 47 / 0 / 3 / 55

HEX #3E7470

RGB 62 116 112

HSL 175.56, 0.3%, 0.35%

LAB 45.2, -18.98, -3.38

 

CMYK 25 / 0 / 1 / 60

HEX #4C6564

RGB 76 101 100

HSL 177.6, 0.14%, 0.35%

LAB 40.84, -9.47, -2.47

 

CMYK 89 / 0 / 53 / 38

HEX #129F4B

RGB 18 159 75

HSL 144.26, 0.8%, 0.35%

LAB 57.49, -53.25, 34.04

 

CMYK 89 / 0 / 30 / 38

HEX #129F70

RGB 18 159 112

HSL 160, 0.8%, 0.35%

LAB 58.13, -45.92, 14.98

 

CMYK 89 / 0 / 6 / 38

HEX #129F96

RGB 18 159 150

HSL 176.17, 0.8%, 0.35%

LAB 59.09, -35.73, -5.06

 

CMYK 89 / 18 / 0 / 38

HEX #12839F

RGB 18 131 159

HSL 191.91, 0.8%, 0.35%

LAB 50.53, -18.84, -23.17

 

CMYK 89 / 42 / 0 / 38

HEX #125D9F

RGB 18 93 159

HSL 208.09, 0.8%, 0.35%

LAB 38.66, 3.73, -41.81

 

CMYK 88 / 0 / 5 / 67

HEX #0A5551

RGB 10 85 81

HSL 176.8, 0.79%, 0.19%

LAB 32.16, -22.01, -3.8

 

CMYK 89 / 0 / 6 / 52

HEX #0E7A73

RGB 14 122 115

HSL 176.11, 0.79%, 0.27%

LAB 45.98, -29.26, -4.17

 

CMYK 89 / 0 / 6 / 38

HEX #129F96

RGB 18 159 150

HSL 176.17, 0.8%, 0.35%

LAB 59.09, -35.73, -5.06

 

CMYK 88 / 0 / 6 / 23

HEX #17C4B9

RGB 23 196 185

HSL 176.18, 0.79%, 0.43%

LAB 71.67, -41.85, -5.89

 

CMYK 86 / 0 / 5 / 11

HEX #20E4D8

RGB 32 228 216

HSL 176.33, 0.78%, 0.51%

LAB 82.25, -46.5, -6.88

 

CMYK 88 / 0 / 6 / 37

HEX #13A097

RGB 19 160 151

HSL 176.17, 0.79%, 0.35%

LAB 59.45, -35.83, -5.09

 

CMYK 77 / 89 / 0 / 38

HEX #25129F

RGB 37 18 159

HSL 248.09, 0.8%, 0.35%

LAB 21.32, 51.08, -70.09

 

CMYK 0 / 42 / 89 / 38

HEX #9F5D12

RGB 159 93 18

HSL 31.91, 0.8%, 0.35%

LAB 45.97, 21.74, 49.62

 

CMYK 88 / 0 / 6 / 37

HEX #13A097

RGB 19 160 151

HSL 176.17, 0.79%, 0.35%

LAB 59.45, -35.83, -5.09

 

CMYK 6 / 89 / 0 / 38

HEX #96129F

RGB 150 18 159

HSL 296.17, 0.8%, 0.35%

LAB 36.78, 65.12, -44.17

 

CMYK 0 / 6 / 89 / 38

HEX #9F9612

RGB 159 150 18

HSL 56.17, 0.8%, 0.35%

LAB 60.98, -10.12, 61.69

 

CMYK 88 / 0 / 6 / 37

HEX #13A097

RGB 19 160 151

HSL 176.17, 0.79%, 0.35%

LAB 59.45, -35.83, -5.09

 

CMYK 77 / 89 / 0 / 38

HEX #25129F

RGB 37 18 159

HSL 248.09, 0.8%, 0.35%

LAB 21.32, 51.08, -70.09

 

CMYK 0 / 89 / 82 / 38

HEX #9F121C

RGB 159 18 28

HSL 355.74, 0.8%, 0.35%

LAB 33.75, 54.11, 34.4

 

CMYK 12 / 0 / 89 / 38

HEX #8C9F12

RGB 140 159 18

HSL 68.09, 0.8%, 0.35%

LAB 62.01, -23.23, 61.88

 

CMYK 88 / 0 / 6 / 37

HEX #13A097

RGB 19 160 151

HSL 176.17, 0.79%, 0.35%

LAB 59.45, -35.83, -5.09

 

CMYK 50 / 89 / 0 / 38

HEX #4F129F

RGB 79 18 159

HSL 265.96, 0.8%, 0.35%

LAB 25.56, 54.52, -62.93

 

CMYK 0 / 89 / 82 / 38

HEX #9F121C

RGB 159 18 28

HSL 355.74, 0.8%, 0.35%

LAB 33.75, 54.11, 34.4

 

CMYK 38 / 0 / 89 / 38

HEX #629F12

RGB 98 159 18

HSL 85.96, 0.8%, 0.35%

LAB 59.38, -40.21, 58.61

 

Description

Color code: HEX #13A097 | qconv.com Color code: HEX #13A097 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 160 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 160 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 6 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 6% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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