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Color name
HEX #D6464E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6464E it is the complementary color #29B9B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6464E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6464E shade: #DB4649, #EC585C, #FD6A6F, #FF7C82 and #FF8E95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6464E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6464E shade: #D6464E, #C5343B, #B42228, #A31015 and #920002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6464E shade: #D6464E and #D64646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6464E shade: #D6464E, #D64675, #D6469C, #D646C3 and #C346D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6464E shade matches the following richer shades: #D6464E, #E8343E and #FA222E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6464E shade: #D6464E, #C4595F, #B26B6F, #A07D7F and #8D8F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6464E shade: #D6469D, #D64676, #D64650, #D66346 and #D68A46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6464E shade: #A6242B, #C82B34, #D6464E, #DE686F and #E58A8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6464E shade: #D6464E, #C3D646 and #468AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6464E shade: #D6464E, #50D646 and #4650D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6464E shade: #D6464E, #C3D646, #46D6CD and #5A46D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6464E shade: #D6464E, #98D646, #46D6CD and #8546D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

Complementary color

CMYK 78 / 0 / 4 / 27

HEX #29B9B1

RGB 41 185 177

HSL 176.67, 0.64%, 0.44%

LAB 68.27, -37.84, -6.51

 

CMYK 0 / 68 / 67 / 14

HEX #DB4649

RGB 219 70 73

HSL 358.79, 0.67%, 0.57%

LAB 51.75, 58, 31.57

 

CMYK 0 / 63 / 61 / 7

HEX #EC585C

RGB 236 88 92

HSL 358.38, 0.8%, 0.64%

LAB 57.64, 57.32, 28.6

 

CMYK 0 / 58 / 56 / 1

HEX #FD6A6F

RGB 253 106 111

HSL 357.96, 0.97%, 0.7%

LAB 63.62, 56.44, 26.06

 

CMYK 0 / 51 / 49 / 0

HEX #FF7C82

RGB 255 124 130

HSL 357.25, 1%, 0.74%

LAB 67.49, 50.31, 20.59

 

CMYK 0 / 44 / 42 / 0

HEX #FF8E95

RGB 255 142 149

HSL 356.28, 1%, 0.78%

LAB 71.4, 43.27, 15.38

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 0 / 74 / 70 / 23

HEX #C5343B

RGB 197 52 59

HSL 357.1, 0.58%, 0.49%

LAB 45.14, 57.01, 30.84

 

CMYK 0 / 81 / 78 / 29

HEX #B42228

RGB 180 34 40

HSL 357.53, 0.68%, 0.42%

LAB 39.58, 56.71, 34.84

 

CMYK 0 / 90 / 87 / 36

HEX #A31015

RGB 163 16 21

HSL 357.96, 0.82%, 0.35%

LAB 34.42, 55.41, 39.18

 

CMYK 0 / 100 / 99 / 43

HEX #920002

RGB 146 0 2

HSL 359.18, 1%, 0.29%

LAB 29.7, 52.9, 42.45

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 0 / 67 / 67 / 16

HEX #D64646

RGB 214 70 70

HSL 0, 0.64%, 0.56%

LAB 50.83, 56.23, 31.98

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 0 / 67 / 45 / 16

HEX #D64675

RGB 214 70 117

HSL 340.42, 0.64%, 0.56%

LAB 51.79, 59.68, 5.25

 

CMYK 0 / 67 / 27 / 16

HEX #D6469C

RGB 214 70 156

HSL 324.17, 0.64%, 0.56%

LAB 53.03, 63.95, -16.17

 

CMYK 0 / 67 / 9 / 16

HEX #D646C3

RGB 214 70 195

HSL 307.92, 0.64%, 0.56%

LAB 54.68, 69.35, -36.36

 

CMYK 9 / 67 / 0 / 16

HEX #C346D6

RGB 195 70 214

HSL 292.08, 0.64%, 0.56%

LAB 52.77, 68.11, -50.43

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 0 / 78 / 73 / 9

HEX #E8343E

RGB 232 52 62

HSL 356.67, 0.8%, 0.56%

LAB 51.79, 67.46, 38.53

 

CMYK 0 / 86 / 82 / 2

HEX #FA222E

RGB 250 34 46

HSL 356.67, 0.96%, 0.56%

LAB 53.67, 75.91, 50.3

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 0 / 55 / 52 / 23

HEX #C4595F

RGB 196 89 95

HSL 356.64, 0.48%, 0.56%

LAB 51.5, 43.32, 17.57

 

CMYK 0 / 40 / 38 / 30

HEX #B26B6F

RGB 178 107 111

HSL 356.62, 0.32%, 0.56%

LAB 53.09, 28.79, 9.92

 

CMYK 0 / 22 / 21 / 37

HEX #A07D7F

RGB 160 125 127

HSL 356.57, 0.16%, 0.56%

LAB 55.76, 13.85, 4.1

 

CMYK 1 / 0 / 0 / 44

HEX #8D8F8F

RGB 141 143 143

HSL 180, 0.01%, 0.56%

LAB 59.24, -0.73, -0.26

 

CMYK 0 / 67 / 27 / 16

HEX #D6469D

RGB 214 70 157

HSL 323.75, 0.64%, 0.56%

LAB 53.07, 64.07, -16.7

 

CMYK 0 / 67 / 45 / 16

HEX #D64676

RGB 214 70 118

HSL 340, 0.64%, 0.56%

LAB 51.82, 59.77, 4.69

 

CMYK 0 / 67 / 63 / 16

HEX #D64650

RGB 214 70 80

HSL 355.83, 0.64%, 0.56%

LAB 50.98, 56.81, 26.31

 

CMYK 0 / 54 / 67 / 16

HEX #D66346

RGB 214 99 70

HSL 12.08, 0.64%, 0.56%

LAB 55.75, 43.22, 37.87

 

CMYK 0 / 36 / 67 / 16

HEX #D68A46

RGB 214 138 70

HSL 28.33, 0.64%, 0.56%

LAB 64.09, 22.88, 47.41

 

CMYK 0 / 78 / 74 / 35

HEX #A6242B

RGB 166 36 43

HSL 356.77, 0.64%, 0.4%

LAB 37.01, 52.07, 29.4

 

CMYK 0 / 79 / 74 / 22

HEX #C82B34

RGB 200 43 52

HSL 356.56, 0.65%, 0.48%

LAB 44.6, 60.46, 34.49

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 0 / 53 / 50 / 13

HEX #DE686F

RGB 222 104 111

HSL 356.44, 0.64%, 0.64%

LAB 58.58, 46.69, 18.48

 

CMYK 0 / 40 / 38 / 10

HEX #E58A8F

RGB 229 138 143

HSL 356.7, 0.64%, 0.72%

LAB 67.14, 35.22, 12.27

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 9 / 0 / 67 / 16

HEX #C3D646

RGB 195 214 70

HSL 67.92, 0.64%, 0.56%

LAB 81.91, -24.81, 65.77

 

CMYK 67 / 36 / 0 / 16

HEX #468AD6

RGB 70 138 214

HSL 211.67, 0.64%, 0.56%

LAB 56.42, 2.78, -45.3

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 63 / 0 / 67 / 16

HEX #50D646

RGB 80 214 70

HSL 115.83, 0.64%, 0.56%

LAB 76.22, -62.98, 58.07

 

CMYK 67 / 63 / 0 / 16

HEX #4650D6

RGB 70 80 214

HSL 235.83, 0.64%, 0.56%

LAB 41.05, 38.73, -70.04

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 9 / 0 / 67 / 16

HEX #C3D646

RGB 195 214 70

HSL 67.92, 0.64%, 0.56%

LAB 81.91, -24.81, 65.77

 

CMYK 67 / 0 / 4 / 16

HEX #46D6CD

RGB 70 214 205

HSL 176.25, 0.64%, 0.56%

LAB 78.35, -39.65, -6.73

 

CMYK 58 / 67 / 0 / 16

HEX #5A46D6

RGB 90 70 214

HSL 248.33, 0.64%, 0.56%

LAB 40.26, 47.49, -71.26

 

CMYK 0 / 67 / 64 / 16

HEX #D6464E

RGB 214 70 78

HSL 356.67, 0.64%, 0.56%

LAB 50.95, 56.69, 27.45

 

CMYK 29 / 0 / 67 / 16

HEX #98D646

RGB 152 214 70

HSL 85.83, 0.64%, 0.56%

LAB 79.16, -41.51, 62.07

 

CMYK 67 / 0 / 4 / 16

HEX #46D6CD

RGB 70 214 205

HSL 176.25, 0.64%, 0.56%

LAB 78.35, -39.65, -6.73

 

CMYK 38 / 67 / 0 / 16

HEX #8546D6

RGB 133 70 214

HSL 266.25, 0.64%, 0.56%

LAB 44.55, 55.04, -64.09

 

Description

Color code: HEX #D6464E | qconv.com Color code: HEX #D6464E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 70 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 70 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 64 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 64% 16% C M Y K

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Provide designers and agencies with accurate color values.

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