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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 107 69 it is the complementary color RGB 206 148 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 107 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 107 69 shade: RGB 54 107 64, RGB 71 125 83, RGB 88 143 102, RGB 105 161 121 and RGB 122 179 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 107 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 107 69 shade: RGB 49 107 69, RGB 32 89 50, RGB 15 71 31, RGB 0 53 12 and RGB 0 35 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 107 69 shade: RGB 49 108 69, RGB 49 108 54, RGB 61 108 49, RGB 76 108 49 and RGB 92 108 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 107 69 shade: RGB 49 108 69, RGB 49 108 85, RGB 49 108 101, RGB 49 99 108 and RGB 49 83 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 107 69 shade matches the following richer shades: RGB 49 108 69, RGB 37 121 66, RGB 24 133 62 and RGB 11 146 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 107 69 shade: RGB 49 108 69, RGB 62 95 73, RGB 75 82 77, RGB 88 69 81 and RGB 100 57 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 107 69 shade: RGB 61 108 49, RGB 49 108 53, RGB 49 108 69, RGB 49 108 84 and RGB 49 108 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 107 69 shade: RGB 23 51 33, RGB 36 80 51, RGB 49 108 69, RGB 62 136 88 and RGB 75 164 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 107 69 shade: RGB 49 107 69, RGB 49 77 108 and RGB 108 49 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 107 69 shade: RGB 49 107 69, RGB 69 49 108 and RGB 108 69 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 107 69 shade: RGB 49 107 69, RGB 49 77 108, RGB 108 49 88 and RGB 108 80 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 107 69 shade: RGB 49 107 69, RGB 49 59 108, RGB 108 49 88 and RGB 108 98 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 36 / 58

HEX #316B45

RGB 49 107 69

HSL 140.69, 0.37%, 0.31%

LAB 40.57, -28.44, 15.67

 

Complementary color

CMYK 0 / 28 / 10 / 19

HEX #CE94BA

RGB 206 148 186

HSL 320.69, 0.37%, 0.69%

LAB 67.91, 27.76, -11.05

 

CMYK 50 / 0 / 40 / 58

HEX #366B40

RGB 54 107 64

HSL 131.32, 0.33%, 0.32%

LAB 40.69, -27.95, 18.79

 

CMYK 43 / 0 / 34 / 51

HEX #477D53

RGB 71 125 83

HSL 133.33, 0.28%, 0.38%

LAB 47.79, -27.71, 17.44

 

CMYK 38 / 0 / 29 / 44

HEX #588F66

RGB 88 143 102

HSL 135.27, 0.24%, 0.45%

LAB 54.74, -27.43, 16.22

 

CMYK 35 / 0 / 25 / 37

HEX #69A179

RGB 105 161 121

HSL 137.14, 0.23%, 0.52%

LAB 61.54, -27.15, 15.12

 

CMYK 32 / 0 / 22 / 30

HEX #7AB38C

RGB 122 179 140

HSL 138.95, 0.27%, 0.59%

LAB 68.22, -26.88, 14.09

 

CMYK 54 / 0 / 36 / 58

HEX #316B45

RGB 49 107 69

HSL 140.69, 0.37%, 0.31%

LAB 40.57, -28.44, 15.67

 

CMYK 64 / 0 / 44 / 65

HEX #205932

RGB 32 89 50

HSL 138.95, 0.47%, 0.24%

LAB 33.31, -28.46, 17.18

 

CMYK 79 / 0 / 56 / 72

HEX #0F471F

RGB 15 71 31

HSL 137.14, 0.65%, 0.17%

LAB 25.88, -28.01, 18.9

 

CMYK 100 / 0 / 77 / 79

HEX #00350C

RGB 0 53 12

HSL 133.58, 1%, 0.1%

LAB 18.24, -26.83, 20.39

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 55 / 0 / 36 / 58

HEX #316C45

RGB 49 108 69

HSL 140.34, 0.38%, 0.31%

LAB 40.91, -28.92, 16.12

 

CMYK 55 / 0 / 50 / 58

HEX #316C36

RGB 49 108 54

HSL 125.08, 0.38%, 0.31%

LAB 40.65, -31.67, 24.4

 

CMYK 44 / 0 / 55 / 58

HEX #3D6C31

RGB 61 108 49

HSL 107.8, 0.38%, 0.31%

LAB 41.12, -28.54, 27.84

 

CMYK 30 / 0 / 55 / 58

HEX #4C6C31

RGB 76 108 49

HSL 92.54, 0.38%, 0.31%

LAB 41.97, -22.86, 29.08

 

CMYK 15 / 0 / 55 / 58

HEX #5C6C31

RGB 92 108 49

HSL 76.27, 0.38%, 0.31%

LAB 43.1, -16.11, 30.69

 

CMYK 55 / 0 / 36 / 58

HEX #316C45

RGB 49 108 69

HSL 140.34, 0.38%, 0.31%

LAB 40.91, -28.92, 16.12

 

CMYK 55 / 0 / 21 / 58

HEX #316C55

RGB 49 108 85

HSL 156.61, 0.38%, 0.31%

LAB 41.27, -25.3, 7.08

 

CMYK 55 / 0 / 6 / 58

HEX #316C65

RGB 49 108 101

HSL 172.88, 0.38%, 0.31%

LAB 41.72, -21.07, -1.95

 

CMYK 55 / 8 / 0 / 58

HEX #31636C

RGB 49 99 108

HSL 189.15, 0.38%, 0.31%

LAB 39, -14.05, -10.27

 

CMYK 55 / 23 / 0 / 58

HEX #31536C

RGB 49 83 108

HSL 205.42, 0.38%, 0.31%

LAB 33.82, -4.5, -18.18

 

CMYK 55 / 0 / 36 / 58

HEX #316C45

RGB 49 108 69

HSL 140.34, 0.38%, 0.31%

LAB 40.91, -28.92, 16.12

 

CMYK 69 / 0 / 45 / 53

HEX #257942

RGB 37 121 66

HSL 140.71, 0.53%, 0.31%

LAB 44.89, -38.12, 23.02

 

CMYK 82 / 0 / 53 / 48

HEX #18853E

RGB 24 133 62

HSL 140.92, 0.69%, 0.31%

LAB 48.66, -45.57, 29.89

 

CMYK 92 / 0 / 60 / 43

HEX #0B923A

RGB 11 146 58

HSL 140.89, 0.86%, 0.31%

LAB 52.88, -51.9, 36.94

 

CMYK 55 / 0 / 36 / 58

HEX #316C45

RGB 49 108 69

HSL 140.34, 0.38%, 0.31%

LAB 40.91, -28.92, 16.12

 

CMYK 35 / 0 / 23 / 63

HEX #3E5F49

RGB 62 95 73

HSL 140, 0.21%, 0.31%

LAB 37.28, -17.3, 8.83

 

CMYK 9 / 0 / 6 / 68

HEX #4B524D

RGB 75 82 77

HSL 137.14, 0.04%, 0.31%

LAB 34.12, -3.9, 1.97

 

CMYK 0 / 22 / 8 / 65

HEX #584551

RGB 88 69 81

HSL 322.11, 0.12%, 0.31%

LAB 31.64, 10.44, -4.07

 

CMYK 0 / 43 / 15 / 61

HEX #643955

RGB 100 57 85

HSL 320.93, 0.27%, 0.31%

LAB 30.14, 23.48, -8.75

 

CMYK 44 / 0 / 55 / 58

HEX #3D6C31

RGB 61 108 49

HSL 107.8, 0.38%, 0.31%

LAB 41.12, -28.54, 27.84

 

CMYK 55 / 0 / 51 / 58

HEX #316C35

RGB 49 108 53

HSL 124.07, 0.38%, 0.31%

LAB 40.63, -31.83, 24.93

 

CMYK 55 / 0 / 36 / 58

HEX #316C45

RGB 49 108 69

HSL 140.34, 0.38%, 0.31%

LAB 40.91, -28.92, 16.12

 

CMYK 55 / 0 / 22 / 58

HEX #316C54

RGB 49 108 84

HSL 155.59, 0.38%, 0.31%

LAB 41.25, -25.55, 7.65

 

CMYK 55 / 0 / 7 / 58

HEX #316C64

RGB 49 108 100

HSL 171.86, 0.38%, 0.31%

LAB 41.69, -21.35, -1.39

 

CMYK 55 / 0 / 35 / 80

HEX #173321

RGB 23 51 33

HSL 141.43, 0.38%, 0.15%

LAB 18.63, -15.69, 8.22

 

CMYK 55 / 0 / 36 / 69

HEX #245033

RGB 36 80 51

HSL 140.45, 0.38%, 0.23%

LAB 30.28, -22.81, 12.56

 

CMYK 55 / 0 / 36 / 58

HEX #316C45

RGB 49 108 69

HSL 140.34, 0.38%, 0.31%

LAB 40.91, -28.92, 16.12

 

CMYK 54 / 0 / 35 / 47

HEX #3E8858

RGB 62 136 88

HSL 141.08, 0.37%, 0.39%

LAB 51.08, -34.51, 18.96

 

CMYK 54 / 0 / 35 / 36

HEX #4BA46A

RGB 75 164 106

HSL 140.9, 0.37%, 0.47%

LAB 60.86, -40.07, 22.22

 

CMYK 54 / 0 / 36 / 58

HEX #316B45

RGB 49 107 69

HSL 140.69, 0.37%, 0.31%

LAB 40.57, -28.44, 15.67

 

CMYK 55 / 29 / 0 / 58

HEX #314D6C

RGB 49 77 108

HSL 211.53, 0.38%, 0.31%

LAB 31.91, -0.69, -21.15

 

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

CMYK 54 / 0 / 36 / 58

HEX #316B45

RGB 49 107 69

HSL 140.69, 0.37%, 0.31%

LAB 40.57, -28.44, 15.67

 

CMYK 36 / 55 / 0 / 58

HEX #45316C

RGB 69 49 108

HSL 260.34, 0.38%, 0.31%

LAB 25.4, 23.48, -31.31

 

CMYK 0 / 36 / 55 / 58

HEX #6C4531

RGB 108 69 49

HSL 20.34, 0.38%, 0.31%

LAB 33.28, 14.36, 18.93

 

CMYK 54 / 0 / 36 / 58

HEX #316B45

RGB 49 107 69

HSL 140.69, 0.37%, 0.31%

LAB 40.57, -28.44, 15.67

 

CMYK 55 / 29 / 0 / 58

HEX #314D6C

RGB 49 77 108

HSL 211.53, 0.38%, 0.31%

LAB 31.91, -0.69, -21.15

 

CMYK 0 / 55 / 19 / 58

HEX #6C3158

RGB 108 49 88

HSL 320.34, 0.38%, 0.31%

LAB 29.64, 31.56, -11.34

 

CMYK 0 / 26 / 55 / 58

HEX #6C5031

RGB 108 80 49

HSL 31.53, 0.38%, 0.31%

LAB 36.27, 7.63, 22.73

 

CMYK 54 / 0 / 36 / 58

HEX #316B45

RGB 49 107 69

HSL 140.69, 0.37%, 0.31%

LAB 40.57, -28.44, 15.67

 

CMYK 55 / 45 / 0 / 58

HEX #313B6C

RGB 49 59 108

HSL 229.83, 0.38%, 0.31%

LAB 26.34, 11.32, -29.91

 

CMYK 0 / 55 / 19 / 58

HEX #6C3158

RGB 108 49 88

HSL 320.34, 0.38%, 0.31%

LAB 29.64, 31.56, -11.34

 

CMYK 0 / 9 / 55 / 58

HEX #6C6231

RGB 108 98 49

HSL 49.83, 0.38%, 0.31%

LAB 41.45, -3.17, 29.06

 

Description

Color code: RGB 49 107 69 | qconv.com Color code: RGB 49 107 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 107 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 107 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 36 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 36% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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