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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 179 140 it is the complementary color RGB 133 76 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 179 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 179 140 shade: RGB 127 179 135, RGB 144 197 154, RGB 161 215 173, RGB 178 233 192 and RGB 195 251 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 179 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 179 140 shade: RGB 122 179 140, RGB 105 161 121, RGB 88 143 102, RGB 71 125 83 and RGB 54 107 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 179 140 shade: RGB 122 178 140, RGB 122 178 124, RGB 134 178 122, RGB 150 178 122 and RGB 165 178 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 179 140 shade: RGB 122 178 140, RGB 122 178 155, RGB 122 178 170, RGB 122 171 178 and RGB 122 156 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 179 140 shade matches the following richer shades: RGB 122 178 140, RGB 105 195 133, RGB 88 212 127, RGB 71 229 121 and RGB 54 246 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 179 140 shade: RGB 122 178 140, RGB 139 161 146, RGB 156 144 152, RGB 172 127 158 and RGB 189 111 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 179 140 shade: RGB 135 178 122, RGB 122 178 124, RGB 122 178 139, RGB 122 178 154 and RGB 122 178 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 179 140 shade: RGB 79 138 98, RGB 96 163 117, RGB 122 178 140, RGB 148 193 162 and RGB 174 208 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 179 140 shade: RGB 122 179 140, RGB 122 150 178 and RGB 178 122 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 179 140 shade: RGB 122 179 140, RGB 139 122 178 and RGB 178 139 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 179 140 shade: RGB 122 179 140, RGB 122 150 178, RGB 178 122 161 and RGB 178 150 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 179 140 shade: RGB 122 179 140, RGB 122 133 178, RGB 178 122 161 and RGB 178 167 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 22 / 30

HEX #7AB38C

RGB 122 179 140

HSL 138.95, 0.27%, 0.59%

LAB 68.22, -26.88, 14.09

 

Complementary color

CMYK 0 / 43 / 14 / 48

HEX #854C73

RGB 133 76 115

HSL 318.95, 0.27%, 0.41%

LAB 40.24, 29.91, -12.01

 

CMYK 29 / 0 / 25 / 30

HEX #7FB387

RGB 127 179 135

HSL 129.23, 0.25%, 0.6%

LAB 68.39, -26.19, 17.1

 

CMYK 27 / 0 / 22 / 23

HEX #90C59A

RGB 144 197 154

HSL 131.32, 0.31%, 0.67%

LAB 74.95, -25.95, 16.11

 

CMYK 25 / 0 / 20 / 16

HEX #A1D7AD

RGB 161 215 173

HSL 133.33, 0.4%, 0.74%

LAB 81.4, -25.73, 15.18

 

CMYK 24 / 0 / 18 / 9

HEX #B2E9C0

RGB 178 233 192

HSL 135.27, 0.56%, 0.81%

LAB 87.75, -25.52, 14.3

 

CMYK 22 / 0 / 16 / 2

HEX #C3FBD3

RGB 195 251 211

HSL 137.14, 0.88%, 0.87%

LAB 94.01, -25.34, 13.46

 

CMYK 32 / 0 / 22 / 30

HEX #7AB38C

RGB 122 179 140

HSL 138.95, 0.27%, 0.59%

LAB 68.22, -26.88, 14.09

 

CMYK 35 / 0 / 25 / 37

HEX #69A179

RGB 105 161 121

HSL 137.14, 0.23%, 0.52%

LAB 61.54, -27.15, 15.12

 

CMYK 38 / 0 / 29 / 44

HEX #588F66

RGB 88 143 102

HSL 135.27, 0.24%, 0.45%

LAB 54.74, -27.43, 16.22

 

CMYK 43 / 0 / 34 / 51

HEX #477D53

RGB 71 125 83

HSL 133.33, 0.28%, 0.38%

LAB 47.79, -27.71, 17.44

 

CMYK 50 / 0 / 40 / 58

HEX #366B40

RGB 54 107 64

HSL 131.32, 0.33%, 0.32%

LAB 40.69, -27.95, 18.79

 

CMYK 31 / 0 / 21 / 30

HEX #7AB28C

RGB 122 178 140

HSL 139.29, 0.27%, 0.59%

LAB 67.93, -26.39, 13.68

 

CMYK 31 / 0 / 30 / 30

HEX #7AB27C

RGB 122 178 124

HSL 122.14, 0.27%, 0.59%

LAB 67.6, -29.31, 21.93

 

CMYK 25 / 0 / 31 / 30

HEX #86B27A

RGB 134 178 122

HSL 107.14, 0.27%, 0.59%

LAB 68.25, -25.53, 24

 

CMYK 16 / 0 / 31 / 30

HEX #96B27A

RGB 150 178 122

HSL 90, 0.27%, 0.59%

LAB 69.28, -19.7, 25.56

 

CMYK 7 / 0 / 31 / 30

HEX #A5B27A

RGB 165 178 122

HSL 73.93, 0.27%, 0.59%

LAB 70.35, -13.97, 27.18

 

CMYK 31 / 0 / 21 / 30

HEX #7AB28C

RGB 122 178 140

HSL 139.29, 0.27%, 0.59%

LAB 67.93, -26.39, 13.68

 

CMYK 31 / 0 / 13 / 30

HEX #7AB29B

RGB 122 178 155

HSL 155.36, 0.27%, 0.59%

LAB 68.27, -23.34, 5.94

 

CMYK 31 / 0 / 4 / 30

HEX #7AB2AA

RGB 122 178 170

HSL 171.43, 0.27%, 0.59%

LAB 68.66, -20.01, -1.77

 

CMYK 31 / 4 / 0 / 30

HEX #7AABB2

RGB 122 171 178

HSL 187.5, 0.27%, 0.59%

LAB 66.88, -14.48, -8.83

 

CMYK 31 / 12 / 0 / 30

HEX #7A9CB2

RGB 122 156 178

HSL 203.57, 0.27%, 0.59%

LAB 62.62, -6.37, -15.23

 

CMYK 31 / 0 / 21 / 30

HEX #7AB28C

RGB 122 178 140

HSL 139.29, 0.27%, 0.59%

LAB 67.93, -26.39, 13.68

 

CMYK 46 / 0 / 32 / 24

HEX #69C385

RGB 105 195 133

HSL 138.67, 0.43%, 0.59%

LAB 72.05, -40.69, 23.02

 

CMYK 58 / 0 / 40 / 17

HEX #58D47F

RGB 88 212 127

HSL 138.87, 0.59%, 0.59%

LAB 76.49, -53.03, 31.97

 

CMYK 69 / 0 / 47 / 10

HEX #47E579

RGB 71 229 121

HSL 138.99, 0.75%, 0.59%

LAB 81.16, -63.61, 40.89

 

CMYK 78 / 0 / 53 / 4

HEX #36F673

RGB 54 246 115

HSL 139.06, 0.91%, 0.59%

LAB 85.97, -72.59, 49.62

 

CMYK 31 / 0 / 21 / 30

HEX #7AB28C

RGB 122 178 140

HSL 139.29, 0.27%, 0.59%

LAB 67.93, -26.39, 13.68

 

CMYK 14 / 0 / 9 / 37

HEX #8BA192

RGB 139 161 146

HSL 139.09, 0.1%, 0.59%

LAB 64.2, -10.73, 5.22

 

CMYK 0 / 8 / 3 / 39

HEX #9C9098

RGB 156 144 152

HSL 320, 0.06%, 0.59%

LAB 61.03, 5.94, -2.63

 

CMYK 0 / 26 / 8 / 33

HEX #AC7F9E

RGB 172 127 158

HSL 318.67, 0.21%, 0.59%

LAB 58.43, 22.51, -9.74

 

CMYK 0 / 41 / 13 / 26

HEX #BD6FA4

RGB 189 111 164

HSL 319.23, 0.37%, 0.59%

LAB 56.95, 38.31, -15.24

 

CMYK 24 / 0 / 31 / 30

HEX #87B27A

RGB 135 178 122

HSL 106.07, 0.27%, 0.59%

LAB 68.31, -25.17, 24.1

 

CMYK 31 / 0 / 30 / 30

HEX #7AB27C

RGB 122 178 124

HSL 122.14, 0.27%, 0.59%

LAB 67.6, -29.31, 21.93

 

CMYK 31 / 0 / 22 / 30

HEX #7AB28B

RGB 122 178 139

HSL 138.21, 0.27%, 0.59%

LAB 67.9, -26.58, 14.2

 

CMYK 31 / 0 / 13 / 30

HEX #7AB29A

RGB 122 178 154

HSL 154.29, 0.27%, 0.59%

LAB 68.25, -23.55, 6.45

 

CMYK 31 / 0 / 5 / 30

HEX #7AB2A9

RGB 122 178 169

HSL 170.36, 0.27%, 0.59%

LAB 68.64, -20.24, -1.26

 

CMYK 43 / 0 / 29 / 46

HEX #4F8A62

RGB 79 138 98

HSL 139.32, 0.27%, 0.43%

LAB 52.64, -28.6, 15.54

 

CMYK 41 / 0 / 28 / 36

HEX #60A375

RGB 96 163 117

HSL 138.81, 0.27%, 0.51%

LAB 61.62, -31.69, 17.37

 

CMYK 31 / 0 / 21 / 30

HEX #7AB28C

RGB 122 178 140

HSL 139.29, 0.27%, 0.59%

LAB 67.93, -26.39, 13.68

 

CMYK 23 / 0 / 16 / 24

HEX #94C1A2

RGB 148 193 162

HSL 138.67, 0.27%, 0.67%

LAB 74.22, -21.16, 10.81

 

CMYK 16 / 0 / 11 / 18

HEX #AED0B9

RGB 174 208 185

HSL 139.41, 0.27%, 0.75%

LAB 80.52, -15.76, 7.67

 

CMYK 32 / 0 / 22 / 30

HEX #7AB38C

RGB 122 179 140

HSL 138.95, 0.27%, 0.59%

LAB 68.22, -26.88, 14.09

 

CMYK 31 / 16 / 0 / 30

HEX #7A96B2

RGB 122 150 178

HSL 210, 0.27%, 0.59%

LAB 60.93, -3.03, -17.79

 

CMYK 0 / 31 / 29 / 30

HEX #B27A7F

RGB 178 122 127

HSL 354.64, 0.27%, 0.59%

LAB 56.99, 22.56, 6.14

 

CMYK 32 / 0 / 22 / 30

HEX #7AB38C

RGB 122 179 140

HSL 138.95, 0.27%, 0.59%

LAB 68.22, -26.88, 14.09

 

CMYK 22 / 31 / 0 / 30

HEX #8B7AB2

RGB 139 122 178

HSL 258.21, 0.27%, 0.59%

LAB 54.68, 18.42, -27.26

 

CMYK 0 / 22 / 31 / 30

HEX #B28B7A

RGB 178 139 122

HSL 18.21, 0.27%, 0.59%

LAB 61.08, 12.34, 14.76

 

CMYK 32 / 0 / 22 / 30

HEX #7AB38C

RGB 122 179 140

HSL 138.95, 0.27%, 0.59%

LAB 68.22, -26.88, 14.09

 

CMYK 31 / 16 / 0 / 30

HEX #7A96B2

RGB 122 150 178

HSL 210, 0.27%, 0.59%

LAB 60.93, -3.03, -17.79

 

CMYK 0 / 31 / 10 / 30

HEX #B27AA1

RGB 178 122 161

HSL 318.21, 0.27%, 0.59%

LAB 58, 27.99, -12.05

 

CMYK 0 / 16 / 31 / 30

HEX #B2967A

RGB 178 150 122

HSL 30, 0.27%, 0.59%

LAB 63.9, 6.23, 18.66

 

CMYK 32 / 0 / 22 / 30

HEX #7AB38C

RGB 122 179 140

HSL 138.95, 0.27%, 0.59%

LAB 68.22, -26.88, 14.09

 

CMYK 31 / 25 / 0 / 30

HEX #7A85B2

RGB 122 133 178

HSL 228.21, 0.27%, 0.59%

LAB 56.21, 6.72, -25

 

CMYK 0 / 31 / 10 / 30

HEX #B27AA1

RGB 178 122 161

HSL 318.21, 0.27%, 0.59%

LAB 58, 27.99, -12.05

 

CMYK 0 / 6 / 31 / 30

HEX #B2A77A

RGB 178 167 122

HSL 48.21, 0.27%, 0.59%

LAB 68.39, -3.04, 24.75

 

Description

Color code: RGB 122 179 140 | qconv.com Color code: RGB 122 179 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 179 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 179 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 22 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 22% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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