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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C3135 it is the complementary color #93CECA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C3135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C3135 shade: #713130, #824343, #935556, #A46769 and #B5797C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C3135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C3135 shade: #6C3135, #5B1F22, #4A0D0F, #390000 and #280000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C3135 shade: #6D3135 and #6D3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C3135 shade: #6D3135, #6D3145, #6D3155, #6D3165 and #64316D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C3135 shade matches the following richer shades: #6D3135, #79242A, #86171E and #930A13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C3135 shade: #6D3135, #603D40, #534A4B, #465756 and #396461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C3135 shade: #6D3156, #6D3146, #6D3136, #6D3C31 and #6D4C31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C3135 shade: #341719, #502427, #6D3135, #893D42 and #A64A50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C3135 shade: #6C3135, #666D31 and #314E6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C3135 shade: #6C3135, #366D31 and #31366D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C3135 shade: #6C3135, #666D31, #316D68 and #38316D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C3135 shade: #6C3135, #546D31, #316D68 and #4A316D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

Complementary color

CMYK 29 / 0 / 2 / 19

HEX #93CECA

RGB 147 206 202

HSL 175.93, 0.38%, 0.69%

LAB 78.82, -19.67, -4.11

 

CMYK 0 / 57 / 58 / 56

HEX #713130

RGB 113 49 48

HSL 0.92, 0.4%, 0.32%

LAB 29.21, 28.21, 14.39

 

CMYK 0 / 48 / 48 / 49

HEX #824343

RGB 130 67 67

HSL 0, 0.32%, 0.39%

LAB 36.3, 26.96, 12.27

 

CMYK 0 / 42 / 41 / 42

HEX #935556

RGB 147 85 86

HSL 359.03, 0.27%, 0.45%

LAB 43.32, 25.81, 10.58

 

CMYK 0 / 37 / 36 / 36

HEX #A46769

RGB 164 103 105

HSL 358.03, 0.25%, 0.52%

LAB 50.23, 24.78, 9.18

 

CMYK 0 / 33 / 31 / 29

HEX #B5797C

RGB 181 121 124

HSL 357, 0.29%, 0.59%

LAB 57.03, 23.87, 7.97

 

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

CMYK 0 / 66 / 63 / 64

HEX #5B1F22

RGB 91 31 34

HSL 357, 0.49%, 0.24%

LAB 21.28, 27.81, 12.53

 

CMYK 0 / 82 / 80 / 71

HEX #4A0D0F

RGB 74 13 15

HSL 358.03, 0.7%, 0.17%

LAB 14.28, 28.45, 15.54

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 55 / 51 / 57

HEX #6D3135

RGB 109 49 53

HSL 356, 0.38%, 0.31%

LAB 28.66, 27.08, 10.26

 

CMYK 0 / 55 / 55 / 57

HEX #6D3131

RGB 109 49 49

HSL 0, 0.38%, 0.31%

LAB 28.56, 26.67, 12.76

 

CMYK 0 / 55 / 51 / 57

HEX #6D3135

RGB 109 49 53

HSL 356, 0.38%, 0.31%

LAB 28.66, 27.08, 10.26

 

CMYK 0 / 55 / 37 / 57

HEX #6D3145

RGB 109 49 69

HSL 340, 0.38%, 0.31%

LAB 29.1, 29.01, 0.33

 

CMYK 0 / 55 / 22 / 57

HEX #6D3155

RGB 109 49 85

HSL 324, 0.38%, 0.31%

LAB 29.67, 31.41, -9.32

 

CMYK 0 / 55 / 7 / 57

HEX #6D3165

RGB 109 49 101

HSL 308, 0.38%, 0.31%

LAB 30.37, 34.22, -18.61

 

CMYK 8 / 55 / 0 / 57

HEX #64316D

RGB 100 49 109

HSL 291, 0.38%, 0.31%

LAB 29.44, 33, -25.29

 

CMYK 0 / 55 / 51 / 57

HEX #6D3135

RGB 109 49 53

HSL 356, 0.38%, 0.31%

LAB 28.66, 27.08, 10.26

 

CMYK 0 / 70 / 65 / 53

HEX #79242A

RGB 121 36 42

HSL 355.76, 0.54%, 0.31%

LAB 28.1, 37.26, 17.14

 

CMYK 0 / 83 / 78 / 47

HEX #86171E

RGB 134 23 30

HSL 356.22, 0.71%, 0.31%

LAB 28.84, 45.67, 26.39

 

CMYK 0 / 93 / 87 / 42

HEX #930A13

RGB 147 10 19

HSL 356.06, 0.87%, 0.31%

LAB 30.56, 51.93, 35.55

 

CMYK 0 / 55 / 51 / 57

HEX #6D3135

RGB 109 49 53

HSL 356, 0.38%, 0.31%

LAB 28.66, 27.08, 10.26

 

CMYK 0 / 36 / 33 / 62

HEX #603D40

RGB 96 61 64

HSL 354.86, 0.22%, 0.31%

LAB 29.9, 15.84, 4.51

 

CMYK 0 / 11 / 10 / 67

HEX #534A4B

RGB 83 74 75

HSL 353.33, 0.06%, 0.31%

LAB 32.36, 3.96, 0.77

 

CMYK 20 / 0 / 1 / 66

HEX #465756

RGB 70 87 86

HSL 176.47, 0.11%, 0.31%

LAB 35.58, -6.78, -1.61

 

CMYK 43 / 0 / 3 / 61

HEX #396461

RGB 57 100 97

HSL 175.81, 0.27%, 0.31%

LAB 39.32, -15.72, -3

 

CMYK 0 / 55 / 21 / 57

HEX #6D3156

RGB 109 49 86

HSL 323, 0.38%, 0.31%

LAB 29.71, 31.57, -9.91

 

CMYK 0 / 55 / 36 / 57

HEX #6D3146

RGB 109 49 70

HSL 339, 0.38%, 0.31%

LAB 29.13, 29.15, -0.28

 

CMYK 0 / 55 / 50 / 57

HEX #6D3136

RGB 109 49 54

HSL 355, 0.38%, 0.31%

LAB 28.68, 27.18, 9.63

 

CMYK 0 / 45 / 55 / 57

HEX #6D3C31

RGB 109 60 49

HSL 11, 0.38%, 0.31%

LAB 31.12, 20.27, 16.16

 

CMYK 0 / 30 / 55 / 57

HEX #6D4C31

RGB 109 76 49

HSL 27, 0.38%, 0.31%

LAB 35.29, 10.54, 21.52

 

CMYK 0 / 56 / 52 / 80

HEX #341719

RGB 52 23 25

HSL 355.86, 0.39%, 0.15%

LAB 12.04, 14.77, 5.22

 

CMYK 0 / 55 / 51 / 69

HEX #502427

RGB 80 36 39

HSL 355.91, 0.38%, 0.23%

LAB 20.49, 20.93, 7.69

 

CMYK 0 / 55 / 51 / 57

HEX #6D3135

RGB 109 49 53

HSL 356, 0.38%, 0.31%

LAB 28.66, 27.08, 10.26

 

CMYK 0 / 55 / 52 / 46

HEX #893D42

RGB 137 61 66

HSL 356.05, 0.38%, 0.39%

LAB 36.08, 32.93, 12.78

 

CMYK 0 / 55 / 52 / 35

HEX #A64A50

RGB 166 74 80

HSL 356.09, 0.38%, 0.47%

LAB 43.63, 38.49, 15.12

 

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

CMYK 6 / 0 / 55 / 57

HEX #666D31

RGB 102 109 49

HSL 67, 0.38%, 0.31%

LAB 44.21, -12.21, 32.2

 

CMYK 55 / 28 / 0 / 57

HEX #314E6D

RGB 49 78 109

HSL 211, 0.38%, 0.31%

LAB 32.27, -0.99, -21.21

 

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

CMYK 50 / 0 / 55 / 57

HEX #366D31

RGB 54 109 49

HSL 115, 0.38%, 0.31%

LAB 41.13, -31.35, 27.78

 

CMYK 55 / 50 / 0 / 57

HEX #31366D

RGB 49 54 109

HSL 235, 0.38%, 0.31%

LAB 24.94, 15.12, -32.79

 

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

CMYK 6 / 0 / 55 / 57

HEX #666D31

RGB 102 109 49

HSL 67, 0.38%, 0.31%

LAB 44.21, -12.21, 32.2

 

CMYK 55 / 0 / 5 / 57

HEX #316D68

RGB 49 109 104

HSL 175, 0.38%, 0.31%

LAB 42.14, -20.74, -3.15

 

CMYK 49 / 55 / 0 / 57

HEX #38316D

RGB 56 49 109

HSL 247, 0.38%, 0.31%

LAB 24.13, 20.28, -34.05

 

CMYK 0 / 55 / 51 / 58

HEX #6C3135

RGB 108 49 53

HSL 355.93, 0.38%, 0.31%

LAB 28.49, 26.67, 10

 

CMYK 23 / 0 / 55 / 57

HEX #546D31

RGB 84 109 49

HSL 85, 0.38%, 0.31%

LAB 42.83, -20.08, 30.23

 

CMYK 55 / 0 / 5 / 57

HEX #316D68

RGB 49 109 104

HSL 175, 0.38%, 0.31%

LAB 42.14, -20.74, -3.15

 

CMYK 32 / 55 / 0 / 57

HEX #4A316D

RGB 74 49 109

HSL 265, 0.38%, 0.31%

LAB 26.03, 25.2, -30.91

 

Description

Color code: HEX #6C3135 | qconv.com Color code: HEX #6C3135 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 49 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 49 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 51 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 51% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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