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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F37151 it is the complementary color #0C8EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F37151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F37151 shade: #F8714C, #FF835F, #FF9572, #FFA785 and #FFB998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F37151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F37151 shade: #F37151, #E25F3E, #D14D2B, #C03B18 and #AF2905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F37151 shade: #F37253 and #F35353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F37151 shade: #F37253, #F39D53, #F3C953, #F2F353 and #C6F353

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F37151 shade matches the following richer shades: #F37253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F37151 shade: #F37253, #E47B62, #D58471, #C68D7F and #B7968E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F37151 shade: #F3538B, #F35360, #F37053, #F39B53 and #F3C553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F37151 shade: #E4390F, #F0532C, #F37253, #F59279 and #F8B1A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F37151 shade: #F37151, #B5F353 and #5375F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F37151 shade: #F37151, #53F370 and #7053F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F37151 shade: #F37151, #B5F353, #53D5F3 and #9053F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F37151 shade: #F37151, #85F353, #53D5F3 and #C053F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 67 / 5

HEX #F37151

RGB 243 113 81

HSL 11.85, 0.87%, 0.64%

LAB 62.89, 47.76, 41.43

 

Complementary color

CMYK 93 / 18 / 0 / 32

HEX #0C8EAE

RGB 12 142 174

HSL 191.85, 0.87%, 0.36%

LAB 54.53, -19.76, -25.65

 

CMYK 0 / 54 / 69 / 3

HEX #F8714C

RGB 248 113 76

HSL 12.91, 0.92%, 0.64%

LAB 63.58, 49.32, 45.06

 

CMYK 0 / 49 / 63 / 0

HEX #FF835F

RGB 255 131 95

HSL 13.5, 1%, 0.69%

LAB 68.25, 44.25, 40.81

 

CMYK 0 / 42 / 55 / 0

HEX #FF9572

RGB 255 149 114

HSL 14.89, 1%, 0.72%

LAB 72.21, 36.51, 35.61

 

CMYK 0 / 35 / 48 / 0

HEX #FFA785

RGB 255 167 133

HSL 16.72, 1%, 0.76%

LAB 76.43, 28.82, 30.94

 

CMYK 0 / 27 / 40 / 0

HEX #FFB998

RGB 255 185 152

HSL 19.22, 1%, 0.8%

LAB 80.86, 21.31, 26.74

 

CMYK 0 / 53 / 67 / 5

HEX #F37151

RGB 243 113 81

HSL 11.85, 0.87%, 0.64%

LAB 62.89, 47.76, 41.43

 

CMYK 0 / 58 / 73 / 11

HEX #E25F3E

RGB 226 95 62

HSL 12.07, 0.74%, 0.56%

LAB 56.78, 49.13, 43.83

 

CMYK 0 / 63 / 79 / 18

HEX #D14D2B

RGB 209 77 43

HSL 12.29, 0.66%, 0.49%

LAB 50.73, 50.45, 46.36

 

CMYK 0 / 69 / 88 / 25

HEX #C03B18

RGB 192 59 24

HSL 12.5, 0.78%, 0.42%

LAB 44.8, 51.6, 48.7

 

CMYK 0 / 77 / 97 / 31

HEX #AF2905

RGB 175 41 5

HSL 12.71, 0.94%, 0.35%

LAB 39.09, 52.31, 50.03

 

CMYK 0 / 53 / 66 / 5

HEX #F37253

RGB 243 114 83

HSL 11.63, 0.87%, 0.64%

LAB 63.11, 47.4, 40.61

 

CMYK 0 / 66 / 66 / 5

HEX #F35353

RGB 243 83 83

HSL 0, 0.87%, 0.64%

LAB 57.91, 61.1, 34.33

 

CMYK 0 / 53 / 66 / 5

HEX #F37253

RGB 243 114 83

HSL 11.63, 0.87%, 0.64%

LAB 63.11, 47.4, 40.61

 

CMYK 0 / 35 / 66 / 5

HEX #F39D53

RGB 243 157 83

HSL 27.75, 0.87%, 0.64%

LAB 72.09, 25.48, 51

 

CMYK 0 / 17 / 66 / 5

HEX #F3C953

RGB 243 201 83

HSL 44.25, 0.87%, 0.64%

LAB 82.62, 2.42, 62.52

 

CMYK 0 / 0 / 66 / 5

HEX #F2F353

RGB 242 243 83

HSL 60.38, 0.87%, 0.64%

LAB 93.28, -19, 73.56

 

CMYK 19 / 0 / 66 / 5

HEX #C6F353

RGB 198 243 83

HSL 76.88, 0.87%, 0.64%

LAB 90.2, -36.35, 69.42

 

CMYK 0 / 53 / 66 / 5

HEX #F37253

RGB 243 114 83

HSL 11.63, 0.87%, 0.64%

LAB 63.11, 47.4, 40.61

 

CMYK 0 / 53 / 66 / 5

HEX #F37253

RGB 243 114 83

HSL 11.63, 0.87%, 0.64%

LAB 63.11, 47.4, 40.61

 

CMYK 0 / 46 / 57 / 11

HEX #E47B62

RGB 228 123 98

HSL 11.54, 0.71%, 0.64%

LAB 62.96, 38.3, 31.79

 

CMYK 0 / 38 / 47 / 16

HEX #D58471

RGB 213 132 113

HSL 11.4, 0.54%, 0.64%

LAB 63.21, 29.08, 23.39

 

CMYK 0 / 29 / 36 / 22

HEX #C68D7F

RGB 198 141 127

HSL 11.83, 0.38%, 0.64%

LAB 63.83, 19.83, 16.09

 

CMYK 0 / 18 / 22 / 28

HEX #B7968E

RGB 183 150 142

HSL 11.71, 0.22%, 0.64%

LAB 64.83, 11.06, 8.84

 

CMYK 0 / 66 / 43 / 5

HEX #F3538B

RGB 243 83 139

HSL 339, 0.87%, 0.64%

LAB 59.07, 65.29, 3.32

 

CMYK 0 / 66 / 60 / 5

HEX #F35360

RGB 243 83 96

HSL 355.13, 0.87%, 0.64%

LAB 58.12, 61.87, 27.14

 

CMYK 0 / 54 / 66 / 5

HEX #F37053

RGB 243 112 83

HSL 10.88, 0.87%, 0.64%

LAB 62.73, 48.35, 40.17

 

CMYK 0 / 36 / 66 / 5

HEX #F39B53

RGB 243 155 83

HSL 27, 0.87%, 0.64%

LAB 71.64, 26.54, 50.49

 

CMYK 0 / 19 / 66 / 5

HEX #F3C553

RGB 243 197 83

HSL 42.75, 0.87%, 0.64%

LAB 81.63, 4.48, 61.46

 

CMYK 0 / 75 / 93 / 11

HEX #E4390F

RGB 228 57 15

HSL 11.83, 0.88%, 0.48%

LAB 51.22, 63.62, 59.51

 

CMYK 0 / 65 / 82 / 6

HEX #F0532C

RGB 240 83 44

HSL 11.94, 0.87%, 0.56%

LAB 56.97, 58.54, 53.69

 

CMYK 0 / 53 / 66 / 5

HEX #F37253

RGB 243 114 83

HSL 11.63, 0.87%, 0.64%

LAB 63.11, 47.4, 40.61

 

CMYK 0 / 40 / 51 / 4

HEX #F59279

RGB 245 146 121

HSL 12.1, 0.86%, 0.72%

LAB 70.42, 34.82, 29.27

 

CMYK 0 / 29 / 35 / 3

HEX #F8B1A0

RGB 248 177 160

HSL 11.59, 0.86%, 0.8%

LAB 78.43, 23.76, 19.01

 

CMYK 0 / 53 / 67 / 5

HEX #F37151

RGB 243 113 81

HSL 11.85, 0.87%, 0.64%

LAB 62.89, 47.76, 41.43

 

CMYK 26 / 0 / 66 / 5

HEX #B5F353

RGB 181 243 83

HSL 83.25, 0.87%, 0.64%

LAB 89.18, -42.69, 68.04

 

CMYK 66 / 52 / 0 / 5

HEX #5375F3

RGB 83 117 243

HSL 227.25, 0.87%, 0.64%

LAB 52.99, 27.67, -66.99

 

CMYK 0 / 53 / 67 / 5

HEX #F37151

RGB 243 113 81

HSL 11.85, 0.87%, 0.64%

LAB 62.89, 47.76, 41.43

 

CMYK 66 / 0 / 54 / 5

HEX #53F370

RGB 83 243 112

HSL 130.88, 0.87%, 0.64%

LAB 85.56, -67.67, 50.62

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 0 / 53 / 67 / 5

HEX #F37151

RGB 243 113 81

HSL 11.85, 0.87%, 0.64%

LAB 62.89, 47.76, 41.43

 

CMYK 26 / 0 / 66 / 5

HEX #B5F353

RGB 181 243 83

HSL 83.25, 0.87%, 0.64%

LAB 89.18, -42.69, 68.04

 

CMYK 66 / 12 / 0 / 5

HEX #53D5F3

RGB 83 213 243

HSL 191.25, 0.87%, 0.64%

LAB 79.56, -26.44, -25.2

 

CMYK 41 / 66 / 0 / 5

HEX #9053F3

RGB 144 83 243

HSL 262.88, 0.87%, 0.64%

LAB 50.2, 57.98, -71.28

 

CMYK 0 / 53 / 67 / 5

HEX #F37151

RGB 243 113 81

HSL 11.85, 0.87%, 0.64%

LAB 62.89, 47.76, 41.43

 

CMYK 45 / 0 / 66 / 5

HEX #85F353

RGB 133 243 83

HSL 101.25, 0.87%, 0.64%

LAB 86.86, -58.66, 64.88

 

CMYK 66 / 12 / 0 / 5

HEX #53D5F3

RGB 83 213 243

HSL 191.25, 0.87%, 0.64%

LAB 79.56, -26.44, -25.2

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

Description

Color code: HEX #F37151 | qconv.com Color code: HEX #F37151 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 113 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 113 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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