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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 83 243 it is the complementary color RGB 63 172 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 83 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 83 243 shade: RGB 197 83 238, RGB 214 101 255, RGB 231 119 255, RGB 248 137 255 and RGB 255 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 83 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 83 243 shade: RGB 192 83 243, RGB 175 65 224, RGB 158 47 205, RGB 141 29 186 and RGB 124 11 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 83 243 shade: RGB 192 83 243, RGB 235 83 243, RGB 243 83 207, RGB 243 83 164 and RGB 243 83 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 83 243 shade: RGB 192 83 243, RGB 149 83 243, RGB 106 83 243 and RGB 83 83 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 83 243 shade matches the following richer shades: RGB 192 83 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 83 243 shade: RGB 192 83 243, RGB 186 98 228, RGB 181 113 213, RGB 176 127 198 and RGB 170 142 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 83 243 shade: RGB 104 83 243, RGB 147 83 243, RGB 189 83 243, RGB 232 83 243 and RGB 243 83 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 83 243 shade: RGB 160 15 228, RGB 178 44 240, RGB 192 83 243, RGB 206 121 245 and RGB 220 160 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 83 243 shade: RGB 192 83 243, RGB 243 83 104 and RGB 83 243 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 83 243 shade: RGB 192 83 243, RGB 243 189 83 and RGB 83 243 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 83 243 shade: RGB 192 83 243, RGB 243 83 104, RGB 136 243 83 and RGB 83 243 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 83 243 shade: RGB 192 83 243, RGB 243 109 83, RGB 136 243 83 and RGB 83 216 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

Complementary color

CMYK 63 / 0 / 93 / 33

HEX #3FAC0C

RGB 63 172 12

HSL 100.88, 0.87%, 0.36%

LAB 62.16, -55.9, 61.44

 

CMYK 17 / 65 / 0 / 7

HEX #C553EE

RGB 197 83 238

HSL 284.13, 0.82%, 0.63%

LAB 56.32, 67.77, -58.29

 

CMYK 16 / 60 / 0 / 0

HEX #D665FF

RGB 214 101 255

HSL 284.03, 1%, 0.7%

LAB 62.36, 67.04, -57.93

 

CMYK 9 / 53 / 0 / 0

HEX #E777FF

RGB 231 119 255

HSL 289.41, 1%, 0.73%

LAB 67.58, 62.88, -49.52

 

CMYK 3 / 46 / 0 / 0

HEX #F889FF

RGB 248 137 255

HSL 296.44, 1%, 0.77%

LAB 72.94, 58.76, -40.97

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 22 / 71 / 0 / 12

HEX #AF41E0

RGB 175 65 224

HSL 281.51, 0.72%, 0.57%

LAB 49.83, 67.76, -60.99

 

CMYK 23 / 77 / 0 / 20

HEX #9E2FCD

RGB 158 47 205

HSL 282.15, 0.63%, 0.49%

LAB 43.81, 67.32, -59.95

 

CMYK 24 / 84 / 0 / 27

HEX #8D1DBA

RGB 141 29 186

HSL 282.8, 0.73%, 0.42%

LAB 38, 66.06, -58.41

 

CMYK 26 / 93 / 0 / 35

HEX #7C0BA7

RGB 124 11 167

HSL 283.46, 0.88%, 0.35%

LAB 32.51, 63.52, -56.12

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 3 / 66 / 0 / 5

HEX #EB53F3

RGB 235 83 243

HSL 297, 0.87%, 0.64%

LAB 61.93, 77.01, -51.81

 

CMYK 0 / 66 / 15 / 5

HEX #F353CF

RGB 243 83 207

HSL 313.5, 0.87%, 0.64%

LAB 61.43, 73.37, -32.32

 

CMYK 0 / 66 / 33 / 5

HEX #F353A4

RGB 243 83 164

HSL 329.63, 0.87%, 0.64%

LAB 59.82, 67.9, -10.15

 

CMYK 0 / 66 / 50 / 5

HEX #F35379

RGB 243 83 121

HSL 345.75, 0.87%, 0.64%

LAB 58.62, 63.69, 13.23

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 39 / 66 / 0 / 5

HEX #9553F3

RGB 149 83 243

HSL 264.75, 0.87%, 0.64%

LAB 50.74, 58.94, -70.37

 

CMYK 56 / 66 / 0 / 5

HEX #6A53F3

RGB 106 83 243

HSL 248.63, 0.87%, 0.64%

LAB 46.61, 51.41, -77.29

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 18 / 57 / 0 / 11

HEX #BA62E4

RGB 186 98 228

HSL 280.62, 0.71%, 0.64%

LAB 56.86, 56.3, -51.91

 

CMYK 15 / 47 / 0 / 16

HEX #B571D5

RGB 181 113 213

HSL 280.8, 0.54%, 0.64%

LAB 58.45, 44.08, -40.99

 

CMYK 11 / 36 / 0 / 22

HEX #B07FC6

RGB 176 127 198

HSL 281.41, 0.38%, 0.64%

LAB 60.33, 31.72, -29.63

 

CMYK 7 / 22 / 0 / 28

HEX #AA8EB7

RGB 170 142 183

HSL 280.98, 0.22%, 0.64%

LAB 62.77, 18.17, -17.47

 

CMYK 57 / 66 / 0 / 5

HEX #6853F3

RGB 104 83 243

HSL 247.88, 0.87%, 0.64%

LAB 46.45, 51.11, -77.56

 

CMYK 40 / 66 / 0 / 5

HEX #9353F3

RGB 147 83 243

HSL 264, 0.87%, 0.64%

LAB 50.52, 58.55, -70.74

 

CMYK 22 / 66 / 0 / 5

HEX #BD53F3

RGB 189 83 243

HSL 279.75, 0.87%, 0.64%

LAB 55.56, 67.05, -62.35

 

CMYK 5 / 66 / 0 / 5

HEX #E853F3

RGB 232 83 243

HSL 295.88, 0.87%, 0.64%

LAB 61.49, 76.35, -52.53

 

CMYK 0 / 66 / 13 / 5

HEX #F353D3

RGB 243 83 211

HSL 312, 0.87%, 0.64%

LAB 61.61, 73.94, -34.32

 

CMYK 30 / 93 / 0 / 11

HEX #A00FE4

RGB 160 15 228

HSL 280.85, 0.88%, 0.48%

LAB 43.38, 79.36, -73.83

 

CMYK 26 / 82 / 0 / 6

HEX #B22CF0

RGB 178 44 240

HSL 281.02, 0.87%, 0.56%

LAB 48.96, 78.37, -71.43

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 16 / 51 / 0 / 4

HEX #CE79F5

RGB 206 121 245

HSL 281.13, 0.86%, 0.72%

LAB 64.47, 53.42, -49.13

 

CMYK 11 / 35 / 0 / 3

HEX #DCA0F8

RGB 220 160 248

HSL 280.91, 0.86%, 0.8%

LAB 74.28, 37.47, -35.32

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 0 / 66 / 57 / 5

HEX #F35368

RGB 243 83 104

HSL 352.13, 0.87%, 0.64%

LAB 58.26, 62.4, 22.68

 

CMYK 66 / 0 / 49 / 5

HEX #53F37D

RGB 83 243 125

HSL 135.75, 0.87%, 0.64%

LAB 85.72, -65.87, 44.74

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 0 / 22 / 66 / 5

HEX #F3BD53

RGB 243 189 83

HSL 39.75, 0.87%, 0.64%

LAB 79.66, 8.65, 59.35

 

CMYK 66 / 0 / 22 / 5

HEX #53F3BD

RGB 83 243 189

HSL 159.75, 0.87%, 0.64%

LAB 86.81, -54.01, 14

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 0 / 66 / 57 / 5

HEX #F35368

RGB 243 83 104

HSL 352.13, 0.87%, 0.64%

LAB 58.26, 62.4, 22.68

 

CMYK 44 / 0 / 66 / 5

HEX #88F353

RGB 136 243 83

HSL 100.13, 0.87%, 0.64%

LAB 86.98, -57.77, 65.04

 

CMYK 66 / 0 / 9 / 5

HEX #53F3DD

RGB 83 243 221

HSL 171.75, 0.87%, 0.64%

LAB 87.56, -46.38, -1.6

 

CMYK 21 / 66 / 0 / 5

HEX #C053F3

RGB 192 83 243

HSL 280.88, 0.87%, 0.64%

LAB 55.95, 67.68, -61.7

 

CMYK 0 / 55 / 66 / 5

HEX #F36D53

RGB 243 109 83

HSL 9.75, 0.87%, 0.64%

LAB 62.18, 49.77, 39.51

 

CMYK 44 / 0 / 66 / 5

HEX #88F353

RGB 136 243 83

HSL 100.13, 0.87%, 0.64%

LAB 86.98, -57.77, 65.04

 

CMYK 66 / 11 / 0 / 5

HEX #53D8F3

RGB 83 216 243

HSL 190.13, 0.87%, 0.64%

LAB 80.42, -27.92, -23.89

 

Description

Color code: RGB 192 83 243 | qconv.com Color code: RGB 192 83 243 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 83 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 83 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 66 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 66% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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